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Air Force

  • 1943
  • Approved
  • 2h 4m
IMDb RATING
7.0/10
4K
YOUR RATING
John Garfield, John Ridgely, and Gig Young in Air Force (1943)
Official Trailer
Play trailer2:15
1 Video
24 Photos
ActionDramaHistoryWar

The crew of an Air Force bomber arrives in Pearl Harbor in the aftermath of the Japanese attack on December 7, 1941, and is sent on to Manila to help with the defense of the Philippines.The crew of an Air Force bomber arrives in Pearl Harbor in the aftermath of the Japanese attack on December 7, 1941, and is sent on to Manila to help with the defense of the Philippines.The crew of an Air Force bomber arrives in Pearl Harbor in the aftermath of the Japanese attack on December 7, 1941, and is sent on to Manila to help with the defense of the Philippines.

  • Director
    • Howard Hawks
  • Writers
    • Dudley Nichols
    • William Faulkner
    • Leah Baird
  • Stars
    • John Garfield
    • John Ridgely
    • Gig Young
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    4K
    YOUR RATING
    • Director
      • Howard Hawks
    • Writers
      • Dudley Nichols
      • William Faulkner
      • Leah Baird
    • Stars
      • John Garfield
      • John Ridgely
      • Gig Young
    • 70User reviews
    • 22Critic reviews
  • See production info at IMDbPro
    • Won 1 Oscar
      • 3 wins & 3 nominations total

    Videos1

    Air Force
    Trailer 2:15
    Air Force

    Photos24

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    Top cast61

    Edit
    John Garfield
    John Garfield
    • Sergeant Joe Winocki - 'Mary Ann' Rear Gunner
    John Ridgely
    John Ridgely
    • Captain Mike Quincannon - 'Mary Ann' Pilot
    Gig Young
    Gig Young
    • Lieut. Bill Williams - 'Mary Ann' Co-Pilot
    Arthur Kennedy
    Arthur Kennedy
    • Lieut. Tommy McMartin - 'Mary Ann' Bombardier
    Charles Drake
    Charles Drake
    • Lieut. Manchester - 'Mary Ann' Navigator
    Harry Carey
    Harry Carey
    • Sgt. Robbie White - 'Mary Ann' Crew Chief
    George Tobias
    George Tobias
    • Corporal Weinberg - 'Mary Ann' Asst. Crew Chief
    Ward Wood
    • Corporal Peterson - 'Mary Ann' Radio Operator
    Ray Montgomery
    Ray Montgomery
    • Private Chester - 'Mary Ann' Asst. Radio Operator
    James Brown
    James Brown
    • Lieut. Tex Rader - Pursuit Pilot - Passenger
    Stanley Ridges
    Stanley Ridges
    • Major Mallory
    Willard Robertson
    Willard Robertson
    • Colonel at Hickam Field
    Moroni Olsen
    Moroni Olsen
    • Colonel Blake
    Edward Brophy
    Edward Brophy
    • Marine Sgt. J.J. Callahan
    • (as Edward S. Brophy)
    Richard Lane
    Richard Lane
    • Maj. W.G. Roberts
    Bill Crago
    • Lieut. P T. Moran
    Faye Emerson
    Faye Emerson
    • Susan McMartin
    Addison Richards
    Addison Richards
    • Maj. Daniels
    • Director
      • Howard Hawks
    • Writers
      • Dudley Nichols
      • William Faulkner
      • Leah Baird
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews70

    7.04K
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    Featured reviews

    floryphotog

    An irony years later

    I was stationed at Hamilton Air Force Base from November of 1966 till March of 1970. The movie starts off with a teletype message coming through ordering the B-17 group to proceed from Hamilton Field California to Hickam Field Hawaii for two weeks of annual training . I was stationed at the same base years later when it was a fighter plane base. I saw lots of old photos from the days when Flying Fortress B-17's flew off the same runway. Even though the special effects are not up to todays standards, I still enjoy watching this movie every time it is on TV . As a military photographer, I can only imagine what it must have been like to capture the chaos going on that Sunday morning in 1941. My first two years , I used a Speed Graphic just like those used back then so I have insight into how they worked .
    8johno-21

    Air Force flies high

    OK, so this is a war years propaganda, moral boosting, rah rah USA, loaded with technical inaccuracies movie. This is still a very good film. Actually far better than most of it's genre from that period. What I like about it is not that it's a war movie but that it has such a fine cast and being set in a single interior for much of the film it comes across more like a good stage play set during combat action of World War II. John Garfield, Gig Young, Harry Carey, George Tobias and Arthur Kennedy are among the stellar ensemble cast in a story about the beginning days of America's entry into World War II. A Hal Wallis production with direction by famed Director Howard Hawks. I've probably seen half of the movies directed by Hawks from his 40 year plus directorial career as has most people since he made so many well-known films but in case you may have missed Air Force you should check it out. Dudley Nichols whose screenplay's include Stagecoach, The Bells of St. Mary's, Gunga Din, The Big Sky and For Whom The Bell Tolls was nominated for the Oscar for Best Original Screenplay for the 1943 Academy Awards. Author William Faulkner collaborated in rewriting a scene and adding additional dialog. The film's only Academy Award went to George Amy for Best Film Editing. I think Hawks should have received a nomination for direction and the film should have also been nominated for cinematography. The large cast probably canceled each other out for any consideration in actor or supporting actor nominations but they put together a compelling performance. It's a great human drama. I would give this an 8.5 out of a possible 10 and recommend it.
    yenlo

    An Air power picture that fits the mood of the time it was made..

    One of the great things about motion pictures in this country is how they change with the times. Take this picture for example which came out in 1943. The U.S. was in the thick of the war and this was a film like many made during that time to stir patriotic fever and make Americans "hate the evil yellow enemy" (and the Nazis too!). It's full of everything to make the viewer feel good about our boys who are doing the fighting. A B-17 bomber crew where there seems to be no problems, only the desire to "Shoot down Japs" Now go forward about six years to 1949 and "Twelve O'Clock High" and watch that film about B-17 Bomber Crews. Could "Air Force" have cut it with movie goers any time after 1946? Could "Twelve O'Clock High" have made it with a 1943 audience? Probably not. So watch this picture and remember when it came out and what the mood in this country was and you'll truly enjoy it. Also don't forget to see "Twelve O'Clock High" as well, maybe right after seeing this one.
    LouAbbott

    A "Propaganda" Film? What Else Is New

    As a child, TV I watched "Air Force" and other war films some consider WW II "propaganda" on TV. As a young man, after a night of carousing, I'd come stumbling home and, if a channel were showing these types of films, I'd watch them on the Late, Late Show. Now, I watch these films for the excellent acting, action, and for their historical content significance as "propaganda" films during the dark part of WWII for the US and its allies. When it seemed as if Japan and Germany were conquering the world. And I could also enjoy the action and danger vicariously.

    Don't kid yourself that Hollywood no longer makes "propaganda" films. They are making them now more than ever. The films are just a different type of "propaganda".
    wilstream

    Great movie for the times and even today.

    I've seen this on cable dozens of times and almost never turn it off when it comes on. Some of the comments about the racist terms are simply naive. Trying to judge a movie 60 years later using political correctness as a measurement is like trying to compare Slater Martin with Michael Jordan. Air Force was released in 1943 meaning it was written and produced shortly after Pearl Harbor. So, the terms "Fried Jap" are understandable considering the times. Yes, the death bed scene was sappy. But the scene where the "Mary Anne" is trying to take off just one step ahead of invading japaness troops is exciting. The special effects are good (again, considering the technology 60 years ago) and although you can point to problems here or there, I think Howard Hawks and a great cast make this a movie people will enjoy for many more decades.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Early in the film, an analyst is shown using a period-era teletype machine and a Hollerith punched card typewriter. This was very high-tech stuff for the time. Such devices became standard equipment on early digital computers, which were under development as this film was being produced in 1943. The punched card deck in particular became an essential component of so-called batch processing of large amounts of data, and for making hard copy of computer programs that could be rapidly (for the era) loaded into another computer.
    • Goofs
      Despite reports by Susan McMartin and other characters attributing the loss of planes at Hickham Field and attacks on civilians to Japanese-American saboteurs in bomb-ladened vegetable trucks, there were in fact no actual acts of sabotage. The reports made in the film were propaganda reflecting the hysteria of time.
    • Quotes

      Radio Operator Peterson: [looking down] That's an awful big town, San Francisco.

      Assistant Crew Chief Weinberg: Strictly a one whistle stop. There's only one city in the U.S.A. and that's New York.

      Sgt. Robbie White: Oh, you're just a hometown hick, Weinberg. What's wrong with California?

      Assistant Crew Chief Weinberg: California? The sun shines and nuthin' ever happens. Before you know it, you're 60 years old.

      Sgt. Robbie White: It's no different from New York. My sister's been tryin' to get out of Brooklyn for the last 40 years.

      Assistant Crew Chief Weinberg: Brooklyn? That ain't New York, chief. Once you cross that Brooklyn Bridge, you're outta this woild. The only noise you hear is the hardening of your arteries. You know when I used to drive a hack, I had a pal who crossed that bridge in 1929. Ain't ever heard from him since.

      Radio Operator Peterson: Me, I'll take Minneapolis.

      Assistant Crew Chief Weinberg: Minneapolis? Why, the grass still grows in the streets. Besides, that ain't your hometown, Peterson. The hayseed's still stickin' outta your hair.

      Radio Operator Peterson: Yeah, but I can still milk a cow. I bet you can't.

      Assistant Crew Chief Weinberg: I'll get mine outta a bottle. That's the closest I ever wanna be to a cow.

      Sgt. Robbie White: You are handy with the old bull.

      Assistant Crew Chief Weinberg: [laughs]

    • Crazy credits
      Opening credits prologue: FOREWORD "It is for us the living .... to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced ..... It is ......for us to be here dedicated to the great task remaining before us ..... that this nation, under God, shall have a new birth of freedom and that government of the people, by the people, for the people, shall not perish from the earth." Abraham Lincoln
    • Connections
      Edited into War and Remembrance: Part IV (1988)
    • Soundtracks
      The Army Air Corps Song
      (1939) (uncredited)

      ("Off We Go Into the Wild Blue Yonder")

      Written by Robert Crawford

      Played during the opening credits and often throughout the film

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    FAQ18

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    Details

    Edit
    • Release date
      • March 20, 1943 (United States)
    • Country of origin
      • United States
    • Official site
      • Warner Bros.
    • Languages
      • English
      • Japanese
    • Also known as
      • Los que supieron morir
    • Filming locations
      • Drew Army Air Field, Tampa, Florida, USA
    • Production company
      • Warner Bros.
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $2,646,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      2 hours 4 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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