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Casablanca

  • 1942
  • PG
  • 1h 42m
IMDb RATING
8.5/10
631K
YOUR RATING
POPULARITY
725
336
Ingrid Bergman, Humphrey Bogart, Peter Lorre, Claude Rains, Sydney Greenstreet, Paul Henreid, and Conrad Veidt in Casablanca (1942)
Trailer for the classic drama Casablanca starring Humphrey Bogart and Ingrid Bergman.
Play trailer2:11
7 Videos
99+ Photos
Psychological DramaDramaRomanceWar

A cynical expatriate American cafe owner struggles to decide whether or not to help his former lover and her fugitive husband escape the Nazis in French Morocco.A cynical expatriate American cafe owner struggles to decide whether or not to help his former lover and her fugitive husband escape the Nazis in French Morocco.A cynical expatriate American cafe owner struggles to decide whether or not to help his former lover and her fugitive husband escape the Nazis in French Morocco.

  • Director
    • Michael Curtiz
  • Writers
    • Philip G. Epstein
    • Julius J. Epstein
    • Howard Koch
  • Stars
    • Humphrey Bogart
    • Ingrid Bergman
    • Paul Henreid
  • See production info at IMDbPro
  • IMDb RATING
    8.5/10
    631K
    YOUR RATING
    POPULARITY
    725
    336
    • Director
      • Michael Curtiz
    • Writers
      • Philip G. Epstein
      • Julius J. Epstein
      • Howard Koch
    • Stars
      • Humphrey Bogart
      • Ingrid Bergman
      • Paul Henreid
    • 1.6KUser reviews
    • 214Critic reviews
    • 100Metascore
  • See production info at IMDbPro
  • Top rated movie #45
    • Won 3 Oscars
      • 17 wins & 11 nominations total

    Videos7

    Casablanca
    Trailer 2:11
    Casablanca
    Casablanca
    Trailer 2:52
    Casablanca
    Casablanca
    Trailer 2:52
    Casablanca
    Which Iconic Movie Characters Should Meet at the 'El Royale'?
    Clip 1:35
    Which Iconic Movie Characters Should Meet at the 'El Royale'?
    Casablanca: Kiss Me
    Clip 0:51
    Casablanca: Kiss Me
    Casablanca: Practice
    Clip 0:52
    Casablanca: Practice
    Shakespeare "Goes Hollywood" With Finn Wittrock
    Video 1:36
    Shakespeare "Goes Hollywood" With Finn Wittrock

    Photos270

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    + 262
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    Top cast99+

    Edit
    Humphrey Bogart
    Humphrey Bogart
    • Rick Blaine
    Ingrid Bergman
    Ingrid Bergman
    • Ilsa Lund
    Paul Henreid
    Paul Henreid
    • Victor Laszlo
    Claude Rains
    Claude Rains
    • Captain Louis Renault
    Conrad Veidt
    Conrad Veidt
    • Major Heinrich Strasser
    Sydney Greenstreet
    Sydney Greenstreet
    • Signor Ferrari
    Peter Lorre
    Peter Lorre
    • Ugarte
    S.Z. Sakall
    S.Z. Sakall
    • Carl
    • (as S.K. Sakall)
    Madeleine Lebeau
    Madeleine Lebeau
    • Yvonne
    • (as Madeleine LeBeau)
    Dooley Wilson
    Dooley Wilson
    • Sam
    Joy Page
    Joy Page
    • Annina Brandel
    John Qualen
    John Qualen
    • Berger
    Leonid Kinskey
    Leonid Kinskey
    • Sascha
    Curt Bois
    Curt Bois
    • Pickpocket
    Abdullah Abbas
    • Arab
    • (uncredited)
    Enrique Acosta
    • Guest at Rick's
    • (uncredited)
    Ed Agresti
    • Bar Patron
    • (uncredited)
    Arnet Amos
    • French Soldier
    • (uncredited)
    • …
    • Director
      • Michael Curtiz
    • Writers
      • Philip G. Epstein
      • Julius J. Epstein
      • Howard Koch
    • All cast & crew
    • Production, box office & more at IMDbPro

    Oscars Best Picture Winners, Ranked

    Oscars Best Picture Winners, Ranked

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Many of the actors who played the Nazis were in fact European Jews who had fled Nazi occupation.
    • Goofs
      (at around 37 mins) When Rick is getting drunk he ask Sam, "It's December 1941 in Casablanca, what time is it in New York?" After Sam replies, "My watch stopped," he goes on to say, "I'll bet they're asleep in New York. I'll bet they're asleep all over America." However, Rick is not referring to the actual time (noted by giving a month and year rather than a time) and is actually making reference to, in pre-Pearl Harbor America, most Americans are "asleep" when it comes to the war and fighting the Axis powers. This is an intentional attempt at a poetic reference, not a statement of fact.
    • Quotes

      Captain Renault: What in heaven's name brought you to Casablanca?

      Rick: My health. I came to Casablanca for the waters.

      Captain Renault: The waters? What waters? We're in the desert.

      Rick: I was misinformed.

    • Alternate versions
      As late as 1974, the references to an extra-marital affair were banned in Ireland. The Irish cut got rid of two important sequences. First, after Ilsa tells Rick that she had left him after finding out that Viktor was still alive, the embraces and dialogue that followed were cut. Second, the emotional dialogue at the end of the film from Ilsa's line "You're saying that only to make me go" to Rick's line "What I've got to do, you haven't any part of". This led to Irish audiences' being bemused by the relationship between Rick and Ilsa, and often interpreting Rick's final speech beginning "I'm no good at being noble" as a reflection on the debilitating effects of war.
    • Connections
      Edited into 77 Sunset Strip: The Secret of Adam Cain (1959)
    • Soundtracks
      La Marseillaise
      (1792) (uncredited)

      Written by Claude Joseph Rouget de Lisle

      Arranged by Max Steiner

      Played during the opening credits

      Sung by Madeleine Lebeau and others at Rick's

      Variations played often in the score

    User reviews1.6K

    Featured review
    10/10

    A masterwork for all time...

    There is a scene about halfway through the movie Casablanca that has become commonly known as 'The Battle of the Anthems' throughout the film's long history. A group of German soldiers has come into Rick's Café American and are drunkenly singing the German National Anthem at the top of their voice. Victor Lazlo, the leader of the French Resistance, cannot stand this act and while the rest of the club stares appalled at the Germans, Lazlo orders the band to play 'Le Marseilles (sic?)' the French National Anthem. With a nod from Rick, the band begins playing, with Victor singing at the top of HIS voice. This in turn, inspires the whole club to begin singing and the Germans are forced to surrender and sit down at their table, humbled by the crowd's dedication. This scene is a turning point in the movie, for reasons that I leave to you to discover.

    As I watched this movie again tonight for what must be the 100th time, I noticed there was a much smaller scene wrapped inside the bigger scene that, unless you look for it, you may never notice. Yvonne, a minor character who is hurt by Rick emotionally, falls into the company of a German soldier. In a land occupied by the Germans, but populated by the French, this is an unforgivable sin. She comes into the bar desperately seeking happiness in the club's wine, song, and gambling. Later, as the Germans begin singing we catch a glimpse of Yvonne sitting dejectedly at a table alone and in this brief glimpse, it is conveyed that she has discovered that this is not her path to fulfillment and she has no idea where to go from there. As the singing progresses, we see Yvonne slowly become inspired by Lazlo's act of defiance and by the end of the song, tears streaming down her face, she is singing at the top of her voice too. She has found her redemption. She has found something that will make her life never the same again from that point on.

    Basically, this is Casablanca in a nutshell. On the surface, you may see it as a romance, or as a story of intrigue, but that is only partially correct.

    The thing that makes Casablanca great is that it speaks to that place in each of us that seeks some kind of inspiration or redemption. On some level, every character in the story receives the same kind of catharsis and their lives are irrevocably changed. Rick's is the most obvious in that he learns to live again, instead of hiding from a lost love. He is reminded that there are things in the world more noble and important than he is and he wants to be a part of them. Louis, the scoundrel, gets his redemption by seeing the sacrifice Rick makes and is inspired to choose a side, where he had maintained careful neutrality. The stoic Lazlo gets his redemption by being shown that while thousands may need him to be a hero, there is someone he can rely upon when he needs inspiration in the form of his wife, who was ready to sacrifice her happiness for the chance that he would go on living. Even Ferrai, the local organized crime leader gets a measure of redemption by pointing Ilsa and Lazlo to Rick as a source of escape even though there is nothing in it for him.

    This is the beauty of this movie. Every time I see it (and I have seen it a lot) it never fails that I see some subtle nuance that I have never seen before. Considering that the director would put that much meaning into what is basically a throw away moment (not the entire scene, but Yvonne's portion) speaks bundles about the quality of the film. My wife and I watched this movie on our first date, and since that first time over 12 years ago, it has grown to be, in my mind, the greatest movie ever made.
    • kdryan
    • Nov 9, 2004
    • Permalink

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    FAQ23

    • How long is Casablanca?Powered by Alexa
    • Was Ronald Reagan originally cast as Rick?
    • What exactly are "letters of transit"?
    • Is the character Victor Laszlo's name mispronounced?

    Details

    Edit
    • Release date
      • January 23, 1943 (United States)
    • Country of origin
      • United States
    • Official sites
      • Facebook
      • Warner Bros.
    • Languages
      • English
      • French
      • German
      • Italian
      • Russian
    • Also known as
      • Everybody Comes to Rick's
    • Filming locations
      • Waterman Drive, Van Nuys, Los Angeles, California, USA(airport runway)
    • Production company
      • Warner Bros.
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $950,000 (estimated)
    • Gross US & Canada
      • $4,219,709
    • Opening weekend US & Canada
      • $181,494
      • Apr 12, 1992
    • Gross worldwide
      • $4,728,925
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 42 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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    Ingrid Bergman, Humphrey Bogart, Peter Lorre, Claude Rains, Sydney Greenstreet, Paul Henreid, and Conrad Veidt in Casablanca (1942)
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