Niagara Falls

Being a fan of ZaSu Pitts comedies, I thought this one looked like it was worth a try. I was quite disappointed.

(The version I saw was on TCM, but consisted only of the Niagara Falls movie; the Miss Polly movie was absent.) The talents of the actors, who give fine performances, is wasted on one of the stupidest stories I have ever had the misfortune of sitting through.

Tom Brown (Tom Wilson) surprised me by being the strongest actor in the show, but the spotlight is hogged by Slim Summerville (Sam Sawyer), who, if he has any talent, didn't demonstrate it here.

ZaSu Pitts (Elly Sawyer) is great, but doesn't have near big enough a part. The biggest laugh in the movie is when she ends up under Sam under a table.

The only one in the movie who has any sense at all is Tom Wilson. Margie (Marjorie Woodworth) is unreasonable in general. While she is physically quite attractive, her personality and attitudes make her completely undesirable. Elly, Sam, and the hotel desk clerk are just complete fools.

Sam and Elly give up their honeymoon suite in the crowded hotel for Tom and Margie. But then they take it back. Sam ends up imprisoning Tom and Margie in their room. Most of the movie is them trying to break out, but Sam, using a rifle, always puts them back again.

Towards the end comes the worst part. Tom, who is finally about to make good his escape, runs into a minister on a lower floor of the hotel. Now the guy, who, as I said, is the only one in the whole movie who has a head on his shoulders, suddenly, for absolutely no reason at all, decides he has to marry Margie!

He drags the minister up to the room he has just escaped from, but Margie doesn't want to marry him. He gives her a kiss, and now, after one kiss, she feels compelled to marry him.

Finally, Sam has the nerve to say to Tom, "You deceived me," when practically the only line Tom had to Sam earlier was, "We're not married," to which Sam replied, "You think I'd believe that?"

Idiotic.

This appears to be two movies spliced into one. In the first, ZaSu Pitts is a renegade in a small town. She wants to help the romantic life of Marjorie Woodworth. OK: I'd never heard of her before either. But she and Pitts are in both parts of this concoction.

Before we know it, Pitts is no longer Miss {Polly. She is Emmie. I had to rewind to see if I'd fallen asleep somewhere. I hadn't. She no longer in a small town but on her way to the title Honeymoon destination.

The movie has some cute moments. The first part is better, with roles for what seems to be every third-rate character actress working in Hollywood at the time.

And what of Ms. Woolworth? She sounds a little like Betty Hutton. She sounds a little like Marie Wilson. She's pretty, certainly. But she's no comedienne.

Pitts often was used in very small roles. Here she has the largest role. She's always fun, though this movie made me wonder if a little of her doesn't go quite a long way. (As a comic. When she was a tragic actress in Von Stroheim silents -- "The Wedding March" and Greed" are the two I have seen -- she was brilliant.)

Sweethearts Sam (Slim Summerville) and Emmy (Zasu Pitts) have waited twenty years to get married but are finally on their way to a Niagara Falls hotel. Nearly there, they encounter a young couple having car trouble at the side of the road. Sam and Emmy assume the couple are newlyweds like themselves; in fact, Margy (Marjorie Woodworth) and Tom (Tom Brown) are anything but—they're strangers having trouble with two separate cars, and Margy is helping herself to Tom's tools while he fiddles under his own hood. There lies the setup: and the rest of the film consists of Sam attempting to "reconcile" Tom and Margy; Emmy waiting for Sam to pay attention to her back in the bridal suite; and Margy and Tom trading insults, attempting to escape Sam's watchful eye, and eventually….Well, I don't want to spoil it for you.

This is a very silly film, which is completely okay because it makes absolutely no pretensions to being anything else.

The two young leads are attractive and pleasant—nothing exceptional, but they're interesting enough to root for. We don't get enough of Zasu Pitts—though she does have a good scene cuddling with a man's jacket, pretending it's Sam.

Summerville as Sam is persistently and vigorously goofy, to the point where he really looks natural enough climbing along a window ledge in his pajamas carrying a large revolver. The scene where he re-enters from the window ledge into a strange couple's room and hides in their bed is hilarious—what makes it funniest is that he plays it exactly as if this ridiculous situation is perfectly normal.

This 43-minute "streamliner" has to be just about what Hal Roach had in mind when he started producing these quickies.

I have been watching lot of 30s and 40s classics. I came across this and this was so much fun. If you are ok with appreciating the values more than 8 decades ago, I think this is so much fun as a screwball comedy of errors.

This was a laugh riot from start to finish. All the characters- the young "couple", the old couple and the hotel manager were all very funny.

Too many people are bothered that this doesn't seem to be shot in Niagara Falls. I don't know if people were expecting this as a romantic movie based in the Niagara Falls. This is just a sweet and funny comedy. Best 40 minutes of my time spent.

Slow moving Slim Summerville and fidgety and flibberty gibbet Zasu Pitts did a series of B film comedies for Hal Roach. This is the first of them I've seen. I'm betting some of the others are better for both these performers.

I doubt anyone got near Niagara Falls for shooting, it just looked like a lot of background shots used.

Slim and Zasu are looking to recapture some of their youth in that most romantic of places Niagara Falls. Along the way they meet a young couple who've been thrown together by chance, Tom Brown and Marjorie Woodworth. Slim and Zasu get the idea these two are prospective bride and groom. Take it from there in this comedy of errors.

I have to say that Summerville was the most insistent of busybodies. Today no one would care if Woodworth and Brown were getting married or just shacking up. But it was a different age and that's what dates this film so.

What you normally see from Pitts and Summerville you get in Niagara Falls. For fans of the leads.