On Your Toes was one of Richard Rodgers&Lorenz Hart's best Broadway musicals and a landmark show in that it was one of the first to integrate ballet into the plot. Georges Balanchine did the choreography for the production that ran 315 performances in the 1936- 1937 season and was responsible for making Ray Bolger a star and getting him to Hollywood through MGM.
So when they were buying Bolger why didn't Louis B. Mayer buy the show as well? Because of that and probably because Mayer was asking too much for Bolger for Jack Warner, Eddie Albert was put in the lead.
But if we couldn't get Bolger, Jack Warner had the best guy possible for the role of Philip Dolan, III. I can't believe James Cagney didn't lobby like a madman for this role with Warner. He'd have much preferred to do this instead of The Oklahoma Kid or The Roaring Twenties, classic Cagney parts that they are.
The big hit of On Your Toes was the instrumental ballet Slaughter On Tenth Avenue, the music was played everywhere in the late Thirties. It is the center piece of the film as well, it has to be because such Rodgers&Hart classics as There's A Small Hotel and Quiet Nights are only heard as background music. The only other song which was to demonstrate Albert as vaudeville hoofer was Oh You Beautiful Doll.
I think it's a miracle that On Your Toes came out as good as it did on screen with an emasculation of the Rodgers&Hart score and the fact that the best guy on the lot for the part was passed over if they couldn't get the guy who introduced it on stage. The Brothers Warner did field some of their best character actors with such people as Frank McHugh, Leonid Kinskey, Alan Hale, and Erik Rhodes in the cast. A film that has these four guys in it has something going for it.
Vera Zorina plays the prima ballerina who it turns out knew Albert as a lad back in vaudeville days. Her ballet numbers do remain intact and show why she was THE ballerina back in the day.
But what a classic this would have been if James Cagney had done the lead and more Rodgers&Hart had been retained.
So when they were buying Bolger why didn't Louis B. Mayer buy the show as well? Because of that and probably because Mayer was asking too much for Bolger for Jack Warner, Eddie Albert was put in the lead.
But if we couldn't get Bolger, Jack Warner had the best guy possible for the role of Philip Dolan, III. I can't believe James Cagney didn't lobby like a madman for this role with Warner. He'd have much preferred to do this instead of The Oklahoma Kid or The Roaring Twenties, classic Cagney parts that they are.
The big hit of On Your Toes was the instrumental ballet Slaughter On Tenth Avenue, the music was played everywhere in the late Thirties. It is the center piece of the film as well, it has to be because such Rodgers&Hart classics as There's A Small Hotel and Quiet Nights are only heard as background music. The only other song which was to demonstrate Albert as vaudeville hoofer was Oh You Beautiful Doll.
I think it's a miracle that On Your Toes came out as good as it did on screen with an emasculation of the Rodgers&Hart score and the fact that the best guy on the lot for the part was passed over if they couldn't get the guy who introduced it on stage. The Brothers Warner did field some of their best character actors with such people as Frank McHugh, Leonid Kinskey, Alan Hale, and Erik Rhodes in the cast. A film that has these four guys in it has something going for it.
Vera Zorina plays the prima ballerina who it turns out knew Albert as a lad back in vaudeville days. Her ballet numbers do remain intact and show why she was THE ballerina back in the day.
But what a classic this would have been if James Cagney had done the lead and more Rodgers&Hart had been retained.