If I Were King

Colman was not only good looking, suave, sophisticated, and dashing, but he had a lyrical voice, an absolute necessity for a great actor. Recall the speech and voices of Peter O'Toole, James Mason, Richard Burton, Laurence Olivier: when they spoke, it was not mere prose but verse. So who better to play the poet, Francois Villon, than Ronald Colman, who possessed the voice of a poet.

Ronald Colman is my favorite actor of all time. I loved his performance in this film as well as his performances in "Random Harvest", "The Prisoner of Zenda", "The Lost Horizon", and "The Talk of the Town".

There were other great performances in this film besides that of Ronald Colman. Basil Rathbone's performance as King Louis XI is perhaps one of his finest, and deserving of an Academy Award as best supporting actor, while Frances Dee's performance as Villon's beloved is mesmerizing, the images to relive forever in one's dreams: the perfection of beauty and femininity. And Ellen Drew's portrayal of Huguette is touching without being maudlin.

Great film, great performances. Hollywood at its very best.

Hollywood certainly had reason to thank their lucky stars that Ronald Colman's career straddled both silent and sound films, and that he was of an age where he was still believable as a romantic leading man as sound became the industry standard. Silent films had made him a major star; sound revealed that amazing, distinctive voice, oft imitated but never surpassed, that made him legendary.

Of his amazing output of classic films in the 1930s, IF I WERE KING is one of the most audience-friendly, and, with THE PRISONER OF ZENDA, stands as two of the best swashbucklers of the decade. With a wryly engaging script by the legendary Preston Sturges (based on the famous operatic play by Justin Huntly McCarthy), and the 'no frills' directorial style of veteran director Frank Lloyd (who specialized in action films), the fanciful adventures of vagabond poet François Villon (Colman) may lack the sweep of the Michael Curtiz/Errol Flynn spectacles at Warner Brothers, but makes up for it with humor, a sense of the absurd, and Colman, himself, who could act rings around the younger Flynn.

As fifteenth century Paris is besieged and slowly crushed by Burgundian armies, all that holds the city, and the dream of a united France together, is the iron will of doddering old King Louis XI (brilliantly portrayed by frequent Flynn nemesis Basil Rathbone, who is obviously having a ball in the character role). Meanwhile, the rabble of the city, victims of the corruption of the court, are stirred by the writings of poet/revolutionary Villon, who steals from the rich, dodges authorities nimbly, and is unafraid to speak the truth. While drinking stolen wine with friends at a local inn, he presents such an eloquent case of how he'd change things "If I were King", that Louis, watching in disguise, and well aware of his government's shortcomings, decides to put Villon to the test. Capturing the revelers, he surprises the poet by appointing him Lord High Chancellor for a week, daring him to improve things...and Villon delivers, demanding the Burgundians to surrender(!), opening the food coffers to the starving masses (and forcing the aristocracy out of their well-fed complacency), dispensing justice tempered with mercy, and creating among the lower classes a sense of patriotism and greater purpose towards King and Country.

As the King cackles at the turn of events, the military and aristocracy despise Villon (other than beautiful Katherine de Vaucelles, portrayed by Frances Dee, who falls in love with the Lord High Chancellor, while suspecting him to be the penniless poet who once pledged his love as she attended Mass). As the week draws to a close, and plots and machinations against Villon reach an explosive climax, the future of not only Paris but all of France will depend on the poet's quick wit, decisiveness, and ability to rouse the masses.

While the history portrayed is fanciful, Ronald Colman is the perfect embodiment of the charismatic Villon, and Rathbone's cranky gruffness offers the ideal compliment to Colman's suave persona.

If the film has a fault, it is in the print itself, which is showing signs of deterioration and aging. One hopes that it will be a candidate for restoration, soon.

IF I WERE KING should be preserved for future generations to enjoy!

Ronald Colman gets his wish in "If I Were King," a 1938 film also starring Basil Rathbone and Francis Dee. Colman plays the vagabond poet Francois Villon, who is overheard by the disguised King (Basil Rathbone) criticizing His Highness and talking about what he would do if given the chance. He and his entire party are arrested, and Louis makes Villon the Lord High Chancellor. Villon gets to work immediately and elevates the king's reputation among the people. He opens up the stores of food at the palace and gives it to the citizens - they have no food because the city is being held by the Burgundians. The sentences he passes out to anyone arrested are merciful and fair. It seems as if he has succeeded. But what the King has failed to inform Villon is that he is only Chancellor for a week - and he has that week to convince the French army, who are refusing to fight the Burgundian army, to do so and win.

"If I Were King" is a great deal of fun, and Ronald Colman is delightful as Villon. But first, in response to a previous post, a word about accents. The previous poster asks if there was a vocal coach available, as there were people speaking in British and American accents - no French accents. Hollywood often confuses the accent issue of films set in foreign lands by casting one or two people who have some type of accent while the rest do not. The rule in acting is that no accent is necessary when doing a film or a play set in a foreign country. Why? Because the people of that country are not speaking English. They are speaking their own language. They are NOT walking around France speaking English with a French accent. This is why when actors perform Russian plays, or Hollywood did films set in Nazi Germany, Budapest, Spain or anywhere else, the actors did not have to use an accent of that country. An accent would only be necessary if a German were in America speaking English, for instance.

To get back to the cast, led by the wonderful Colman, Basil Rathbone is excellent as the hated Louis, and Frances Dee is lovely as Katherine de Vaucelles, who falls in love with the Lord High Chancellor.

Someone complained because Errol Flynn did not play this role. Flynn would have been marvelous, as he was a very charismatic actor, but I think Colman is marvelous. His Louis is not only energetic and charming, but highly intelligent, and Colman is able to shade the role in a way that Flynn, who tended to be much more superficial in his characterizations, could not.

An enchanting film, highly recommended.

I knew I was in for a treat when I saw Preston Sturges was scriptwriter for this film, which was clever and energetic, but I didn't expect such wonderful performances from both Basil Rathbone (who received an Oscar nomination) and Ronald Colman. I always felt Colman didn't pick up his lines fast enough (at least in his later years), but he's perfect playing the poet François Villon. Colman sounds like a poet whenever he speaks in all his roles! You've never seen Rathbone in any role quite like that of Louis XI. He sounds at first almost childlike, but it is a mask - he's pretty wily and knows what he is doing all the time. The script, of course, is pure hokum. You can't imagine for one moment that a king would make Grand Constable a man who was caught stealing food from the royal storehouse. As Grand Constable, he runs France! The extended scene where he, while hidden, metes out sentences to his friends who were also caught stealing, is pure delight, and very worthy of Sturges. I found fault with Villon's earlier escape, as it was too easy, and with the casting of Ellen Drew in the role of one of the wenches at the Fir Cone tavern, and who loves Villon. There was too much to enjoy in the film so those were easy to forgive. His other love is Frances Dee, playing one of the nobles at court, and she is always stunningly dressed in Edith Head's costumes. The rest of the cast was all first rate, and the Oscar-nominated sets were excellent. Curiously, the film is set in 1463, the approximate year that Villon died at the age of 32. Also, William Farnum, who plays General Barbezier in this film, played Villon in the 1920 silent of the same name as this film.

Ronald Colman and Basil Rathbone, two wonderful actors having the time of their careers playing wittily written opposites who are also spiritual soulmates -- Francois Villon, the poetic rebel, born into poverty with a noble soul, and Louis XI, King of France, born into privilege but with a rebel's iconoclasm. Add a witty script by that poetic comedic rebel Preston Sturges, who hits all the crowd-pleasing buttons without condescension and no-nonsense direction by Frank Lloyd, and you have a top Hollywood product -- a crowd pleaser with intelligence.

Rathbone is a particular delight. Pre-Holmes, he revels in playing an unprepossessing cynic to whom everyone must bow because he happens to be the king. Colman is doing what he does best, playing an intelligent, superior man, without losing the common touch. A delight all the way around.