Fire Over England

Note the date this was made..1937. What a shot in the arm for a people about to fight for their survival....AGAIN. The lines that effectively say "Loved I you, loved I not England more" spoken by Olivier speak for all the Brits that would soon have to turn their backs on a gentle home life. Today we are not faced with that decision and it seems amazing that a human being would have to lay down his life for his country. As Vivien Leigh pleads with her lover (later to be her husband) to remember 'all the sunsets we could see together", you know that she is speaking to the audience of that time in a visceral manner.

Quaintly anachronistic, and let's pray it stays that way.

To watch Raymond Massey play the king of Spain and James Mason play the English 'spy' Vane is worth the price of the movie itself. Logic rears its ugly head, of course, or illogic: Five Englishmen are identified as traitors by Olivier and what happens? Elisabeth puts them under his command to fight off the Spanish Armada. Didn't she ever hear of fragging?

As the English ships are set ablaze and sailed into the Armada, it makes me long for a history book to find out what actually happened. I thought the weather broke the Spanish Armada up before it reached English shores off the coast of Ireland....accounting for the 'black Irish', descendants from those sailors who made it ashore.

Nonetheless, to watch the Lord and Lady of the English stage appear together while their love was young (and both were married to others) is fascinating.

You think you're watching Elisabeth Taylor half the time, with those big expressive eyes. Olivier also sings and plays a lute. His singing voice isn't bad atall, and is he handsome!!!!

When he plays his acrobatic ship and sword fighting tricks, you'll think of Errol Flynn and long for the movie to be colorized. How easy it would be with today's technology to color these wonderful old movies in gorgeous realistic color. And the mood would be enhanced, not destroyed as it might were it a film noir.

When Queen Elisabeth (the first one) says, "I'm only a woman", you'll burst out laughing.....she who made England was 'only a woman'. See it.

So 'Fire over England' was a propaganda film. Fine. I loved it.

This enjoyable historical drama is particularly notable for the fine cast headed by Laurence Olivier, Vivien Leigh, and Raymond Massey. The period atmosphere works well, and the setting, against the background of the 16th century struggles between England and Spain, is an interesting one.

The story does a solid job of working the historical setting into a romance between Olivier's and Leigh's characters, setting up some interesting possibilities. Those two work well together - Leigh is a natural in her role, and it's an interesting change of pace for Olivier, from his Shakespeare roles and the like. Massey adds considerable interest and energy as the kind of heavy that he played so well – his very voice seems appropriate. Flora Robson is very well suited to the role of Queen Elizabeth. Tamara Desni and Leslie Banks also do well in their roles.

The plot creates good moments of drama, romance, and action, along with some good cat- and-mouse games between the characters. It builds to a good climax and, if it occasionally stretches plausibility, it easily holds your interest all the way through. Overall, it's pretty good and well worth seeing.

The facts:- Charles Howard, later Earl of Nottingham, commanded the British Fleet with Sir Francis Drake and Sir John Hawkins as secondary command. When the Armada was sighted, beacons were lit, as in the movie. (It was demonstrated at the pre-wedding party for Prince Charles prior to his marriage to Diana, that it was possible to get a signal from Hampstead Heath, London, to Lands End, the furthest point west, within some extraordinarily short time by this method. If my memory serves me, the time was something like 7 minutes to Lands's End and about 40 minutes to the outer Hebrides. This is why Drake was able to famously claim that he had time ti finish a game of bowls before he thrashed the Spaniard.)

The Brits met the Armada at Plymouth and fought them in the Channel to Calais, where the Spanish expected more ships to join them from the Netherlands which was in Spanish hands at the time. The battle in the Channel lasted about a week, with the smaller and much more maneuverable English vessels whipping in close to do damage, but out- numbered by the much larger vessels.

The Armada anchored at Calais and waited. It was there that the British sent in the small fire ships which, assisted by a rising wind, created havoc among the anchored vessels. When many of the ships destroyed, the remainder could not sail westward out of the Channel to return to Spain, because of the winds. They were forced to sail northwards up the east coast of England and around Scotland, where they ran into foul weather. The weather worsened as they sailed south and many of the remaining vessels were wrecked on the Irish coast.

This is a dramatic B/W film made just before WWII was begun by Adolf Hitler. The British Empire-based filmmakers draw a distinction between the theocratic Spanish Empire of Philip II, ably played by Raymond Massey, and the somewhat parliamentary government of England's island under the Protestant governance of Tudor Queen Elizabeth I, portrayed by Flora Robson with yet-unmatched power and skill. The distinction is important; although the misuse of their powers by neo-imperial-U.S. and post-Empire British governments have lessened our perception of the difference between the two regimes, that difference is in fact real and cleverly presented. The vehicle for the storyline was a novel by A.E. W. Mason. Clemence Dane's screenplay follows the adventure of young Michael, agent of the Queen, as he tries to uncover the nature and extent of a Spanish spy-ring operating in England. This requires him to pretend to be one of them and present himself to Philip; but his pretense fails for lack of a missing password. He is imprisoned in Spain, falls half in love with a lovely Spanish girl, daughter of his jailer, although he really loves one of Elizabeth's ladies-in-waiting; but she allows him to escape when she sees what Philip's evil is doing to her country's people, and he hastes back to the court in time to uncover the plot and save Elizabeth. Elizabeth then give her famous speech that rallies the English to defeat the Spanish Armada and save England, to become another empire and finally in our century a country again. The plot is fairly well-done, but the beauty of the film lies in its characters and dialogue and the way these are brought to life by an excellent cast. Laurence Olivier is Michael, Vivien Leigh is the girl he loves, Leslie Banks is the Earl of Leicester, Morton Selten is Lord Burleigh ;and Robert Newton heads the villains with Tamara Desni as the Spanish girl, plus many other fine British stage actors. The music was composed by Richard Addinsell, William K. Howard directed, cinematography was by the legendary James Wong Howe and camera-work by Wilkie Cooper. This is not a great film, but the restored B/W version is beautiful; the characters memorable, the villains intelligently unethical and some of the actors, especially Robson, superb. This is also a very good film about the era of Elizabeth and the meaning of tyranny--and what honorable men need to risk to avoid having its shadow fall over their lives; and what one group of men in the late 1580s dared to do.

I saw this years ago and didn't think much of it at the time dismissing it as a third rate Errol Flynn rip-off. I'm glad I revisited it - I found it a real exciting, superbly produced intelligent swashbuckler.

Laurence Olivier shows that he wasn't just a great dramatic actor - he could also be a fabulous dashing romantic action hero as well. It seems a stupid thing to say but he sure could act. Good old reliable Leslie Banks and Vivien - the most beautiful woman in the world, ever - Leigh provide good believable support. As for Flora Robson, she is Queen Elizabeth.

Historical films are usually guaranteed to get those of us with some historical knowledge shaking their fists at the slightest inaccuracy. Unlike Korda's earlier SIX WIVES OF HENRY VIII however, this film isn't too bad on that score. (SIX WIVES was a clever comedy anyway so doesn't really count). Apart from the timing of the famous Tilbury speech, it's surprisingly how historically accurate this film actually is. Although we can't really know exactly how these people thought, that sense of impetuousness and that sense of certainty that their beliefs were the absolute truth is reflected well in this.

The contrast of England's freedom of thought with the repressive totalitarianism of Philip's Spain is an obvious analogy with what was happening in Germany. Whilst American films in theory had to be politically neutral, no such undertaking existed in England so this no doubt helped to stir us up to stand up against that chap over in Berlin. It's very stirring stuff and still after all these years manages to engage emotionally.