Metacritic reviews

One of the treasures of 1930s screwball comedy.

One of the better, if not the best, of the famous screwball comedies of the era, Godfrey stands as an excellent example of witty scripting, direction, and editing.

In one of her greatest roles, as burbling blonde heiress Irene Bullock in Gregory La Cava’s 1934 screwball masterpiece My Man Godfrey, Lombard creates a ditz so rare, a creature so otherwordly in her oblivion to what others call reality, that she comes off less as a thing of flesh and blood than as a shimmering cloud of butterflies flying in perfect, girl-shaped formation.

One of the first and still among the best of the '30s screwball comedies, My Man Godfrey serves up absurdist romance and light social commentary in a fizzy mix that benefits from director Gregory La Cava's willingness to indulge improvisation, a trait he acquired from friend and frequent collaborator W.C. Fields.

La Cava’s supple but cutting romantic comedy is one of the finest works of class-conscious comedy in Hollywood history.

An exuberantly funny picture.

William Powell and Carole Lombard are pleasantly teamed in this splendidly produced comedy. Story is balmy, but not too much so, and lends itself to the sophisticated screen treatment of Eric Hatch's novel.

Chaplin built his reputation of finding the poignant humour in poverty, and many screwball comedies of the sound era invariably touched on the Depression, none more so than Gregory La Cava’s 1936 My Man Godfrey.

This is witty romantic comedy with barbed social commentary.

The film has lost some of its allure over the years, but it's still streets and streets ahead of the addled whimsy favoured by latter-day Hollywood.