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- The 15th century. Sent to remote Parma by the Grand Prince of Moscow, prince Yermolay tells his son Mikhail about his dream: to create a grand princedom that would unite the peoples inhabiting these lands. Soon Yermolay is killed in the battle against the rebellious local tribes, the Voguls. His heir Mikhail finds himself in the middle of two worlds - the Grand Duchy of Moscow and the ancient lands of Perm populated by pagans. Mikhail marries a local girl, Tiche, a half woman, a half lamia - a witch, a living incarnation of the main pagan symbol Golden Woman, Sorni Nai. The legend has it that whoever owns Sorni Nai, has the full control over Parma. A talented diplomate, Mikhail finds allies among the local khans. He is able to bring a fragile peace but the news about the increasingly powerful Permian Prince reaches Moscow. The Grand Prince Ivan III decides to overpower Mikhail and his allies. He intends to turn disparate Rus into a uniform and strong state, realizing that the peoples can't repel the endless invasions of the Russian lands on their own. Mikhail has a difficult choice to make: to accept the will of Moscow or to stick with the local rulers who had helped him more than once in the past and many of whom became his loyal friends. Mikhail decides to listen to his heart and not the reason and ultimately loses the battle against the Grand Prince of Moscow and with his friends and allies ends up in captivity. In the meantime, Tiche is kidnapped by Mikhail's bitter enemy Assyka who wants to regain his control over Parma, believing that Tiche the lamia is his and his alone.
- Four women who are connected by a military past - work in the GRU special department - converge again to conduct investigations and help the investigating authorities in particularly complicated cases. Possessing phenomenal analytical skills, Irina, Anna, Sofya and Katerina, risking themselves, as well as the well-being of their own families, catch criminals who threaten the lives of ordinary people and the whole country as a whole.
- The hero of "Uncle Sasha", director Alexander always lived only for himself, so that by the end of his life he would understand that he didn't have enough leftovers even for the last film in his career - In order to create his own film, he sucks out emotions from those around him. He lives in an idyllic house on the shore of a reservoir with his beautiful wife Elena, writes a script for pitching in the Cinema Foundation about spiritual bonds and co-sponsors the ideas of the State Duma deputy (in his place, maybe, for example, the head of the Ministry of Culture). But having quarreled with the producer, he removes what the truth wants. Strange guests, narcissistic actors, eccentric neighbors and the director himself are a reason for the author's irony, and sometimes sarcasm.
- A rich heiress, Maria Sorokina, goes missing after a quarrel with her husband. Boris Novinsky, head of the police station, entrusts this case to a young detective, yesterday's intern, Alina Novinskaya, his daughter. It turns out that a maniac who strangles and disfigures young women who look like Maria Sorokina operates in the town. The search for Maria brings her husband, Mark, and Alina together. Seven years later, Alina and Mark have a strong family. But one day, Mark goes on a business trip and meets there a woman who looks like his missing wife, Maria, like two peas in a pod. Mark is unable to master the feelings that have overwhelmed him again and leaves Alina for a woman who so frighteningly resembles his late first wife. Meanwhile murders of young women are renewed in the town - a mysterious maniac, already forgotten by everyone, goes hunting again. Alina, abandoned by her husband, returns to the police work and the search for a maniac, which leads her to a shocking discovery.
- 1943. Anna Petrova is a combat pilot who was seriously injured. She returned to the rear and works as a chief engineer at an aircraft factory, where new Krecheta aircraft are being prepared for testing. The management of the plant, not knowing about the consequences of her injury, instructs Anna, together with Major Zotov, to overtake the prototype of the Krechet to the front. In addition to the desire to defeat the enemy and return home with a victory, Anna also pursues a personal goal. She is determined to get even with Major Briggel, the German pilot who killed her lover.
- 1984. The USSR is drawn into a protracted military conflict in Afghanistan. Mitya and Anya are young, in love and have no doubt that they have a long and happy life ahead of them. But Anya's parents are expelled from the country. The lovers part. Mitya remains in the USSR, desperately trying to find an opportunity to meet his beloved. Neither Anya nor Mitya realize that their feelings will be used in a multi-way political operation called "Mukhabbat". It means "love" in Farsi. It is love that turns them into hostages of a dangerous CIA spy game aimed at disrupting the Soviet Union's exit from the war. Mitya's father, Fyodor Savelyev, an intelligence general and adviser to the general secretary, actively advocates the withdrawal of troops from Afghanistan. This is contrary to the interests of the United States, which wants the continuation of the war and the collapse of the USSR. Unexpectedly, Mitya asks his father to allow him a business trip to Kabul. It will be useful for a future military prosecutor to practice in conditions close to combat. The father is proud of his son, who finally left his childhood love in the past and decided on a real masculine act. To ensure the safety of his son, the general assigns to Mitya an experienced commando, dismissed from the army with a "wolf ticket", Captain Mikhail Krotov. But a foolproof plan doesn't work. Operation Mukhabbat is entering its final stage.
