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1-14 of 14
- A former summer camp caretaker, horribly burned from a prank gone wrong, lurks around an upstate New York summer camp bent on killing the teenagers responsible for his disfigurement.
- A Mysterious Intruder Breaks into a Fraternity House and begins to stalk and murder the occupants one by one, as the victims try to figure out who is behind the killings before they all become victims to the intruder.
- A young man is making his daily commute to work when he decides to take a shortcut. This ends up being a mistake, as almost immediately he is faced with an odd and rather terrifying figure.
- Jack, a sullen dropout from upper class America, travels home with his young girlfriend, Nina, to see his estranged father after a long absence.
- A grief-ridden woman, Irene, finds solace in her expansive garden until her plants mysteriously start dying. Plagued by nightmares, tensions rise between her and her husband as her garden and mental well-being deteriorate.
- A woman in transit tries to get a good night's rest at a nearby motel, but perpetual harassment stirs wounds of subconscious trauma.
- In 2019, we decided to do it in the language of the theatre. Then the virus came in a soapy mask and forced us to be indoors. So much for the trial process. But because it is not in our nature to be dissuaded, we thought of something. If it is now illegal to sneeze right at each other's faces, this should be a quarantine movie. So, we asked beloved and important creators to recite the texts of Esterházy in a camera. Or a phone. Or a washing machine. Whatever is at hand. Send them in, this will be the movie. Not a distance-keeping pixel-recital. A montage. Upon hearing that word, the arts bachelorettes around the foosball table whisper into the boys' ears: it is an imaginary documentary, just as the French Bazin has written. The Russian Eizenstein would, however, say that it is completely passionate, emotional. The guys would shrug, saying there is no need to be so fancy, it's a simple cut. Iron Man beats the bad guy. It is edited together, done and done. The girls spat, montage is an art, you morons, their desire fading. Our movie doesn't tell a story. It's an imprint of an experience we all shared. Poetic images through the texts of Esterházy. Of desire, of its complete lack. How was life during the lockdown, how much did one miss living like before? A poetic mould of our times. How could we be close to each other? What did the lockdown awaken in us? What became important? We wanted to reach out for others. The making and screening of this movie were approved by successors of Péter Esterházy, and their representatives of Proscenium Szerzöi Ügynökség Kft.
- The Loafer sneaks into a house and leaves the scene with nothing more than candy, a pair of sunglasses, and a baseball cap.
- The Loafer goes to someone's house and helps himself to a hoard of bicycles, leaving the scene with only worthless children's bikes.
- The Loafer finds car keys during a break-in and locates the vehicle they belong to - a rusty mini van. His attempt to steal the van ends in failure.
- The Loafer manages to swipe someone's unattended vehicle and gets away with it despite Officer Wolf's efforts to catch him.
- The Loafer gets wind of the COVID-19 outbreak and comically portrays the public's reaction to the 2020 event - aggressively stocking up on toilet paper.
- The jokers are posing as salesmen and must sell their bizarre products to focus group participants, then attempt a challenge that turns out to be a mouthful.
- Murr, Q, and Sal try to give strangers free tickets to made-up shows, then overreact to some "bad news" phone calls in a waiting room. Guest star ALF helps deliver an unpalatable punishment.