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Ruth Elizabeth Davis was born April 5, 1908, in Lowell, Massachusetts, to Ruth Augusta (Favor) and Harlow Morrell Davis, a patent attorney. Her parents divorced when she was 10. She and her sister were raised by their mother. Her early interest was dance. To Bette, dancers led a glamorous life, but then she discovered the stage, and gave up dancing for acting. To her, it presented much more of a challenge.

After graduation from Cushing Academy, she was refused admittance to Eva Le Gallienne's Manhattan Civic Repertory. She enrolled in John Murray Anderson's Dramatic School and was the star pupil. She was in the off-Broadway play "The Earth Between" (1923), and her Broadway debut in 1929 was in "Broken Dishes". She also appeared in "Solid South". Late in 1930, she was hired by Universal, where she made her first film, called Bad Sister (1931). When she arrived in Hollywood, the studio representative who went to meet her train left without her because he could find no one who looked like a movie star. An official at Universal complained she had "as much sex appeal as Slim Summerville" and her performance in "Bad Sister" didn't impress.

In 1932, she signed a seven-year deal with Warner Brothers Pictures. Her first film with them was The Man Who Played God (1932). She became a star after this appearance, known as the actress that could play a variety of very strong and complex roles. More fairly successful movies followed, but it was the role of Mildred Rogers in RKO's Of Human Bondage (1934) that would give Bette major acclaim from the film critics. She had a significant number of write-in votes for the Best Actress Oscar, but didn't win. Warner Bros. felt their seven-year deal with Bette was more than justified. They had a genuine star on their hands. With this success under her belt, she began pushing for stronger and more meaningful roles. In 1935, she received her first Oscar for her role in Dangerous (1935) as Joyce Heath.

In 1936, she was suspended without pay for turning down a role that she deemed unworthy of her talent. She went to England, where she had planned to make movies, but was stopped by Warner Bros. because she was still under contract to them. They did not want her to work anywhere. Although she sued to get out of her contract, she lost. Still, they began to take her more seriously after that.

Returning after losing her lawsuit, her roles improved dramatically. In 1938, Bette received a second Academy Award win for her work in Jezebel (1938) opposite the soon-to-be-legendary Henry Fonda. The only role she didn't get that she wanted was Scarlett O'Hara in Gone with the Wind (1939). Warners wouldn't loan her to David O. Selznick unless he hired Errol Flynn to play Rhett Butler, which both Selznick and Davis thought was a terrible choice. It was rumored she had numerous affairs, among them George Brent and William Wyler, and she was married four times, three of which ended in divorce. She admitted her career always came first.

She made many successful films in the 1940s, but each picture was weaker than the last and by the time her Warner Brothers contract had ended in 1949, she had been reduced to appearing in such films as the unintentionally hilarious Beyond the Forest (1949). She made a huge comeback in 1950 when she replaced an ill Claudette Colbert in, and received an Oscar nomination for, All About Eve (1950). She worked in films through the 1950s, but her career eventually came to a standstill, and in 1961 she placed a now famous Job Wanted ad in the trade papers.

She received an Oscar nomination for her role as a demented former child star in What Ever Happened to Baby Jane? (1962). This brought about a new round of super-stardom for generations of fans who were not familiar with her work. Two years later, she starred in Hush...Hush, Sweet Charlotte (1964). Bette was married four times.

In 1977 she received the AFI's Lifetime Achievement Award and in 1979 she won a Best Actress Emmy for Strangers: The Story of a Mother and Daughter (1979). In 1977-78 she moved from Connecticut to Los Angeles and filmed a pilot for the series Hotel (1983), which she called Brothel. She refused to do the TV series and suffered a stroke during this time.

Her last marriage, to actor Gary Merrill, lasted ten years, longer than any of the previous three. In 1985, her daughter Barbara Davis ("B.D.") Hyman published a scandalous book about Bette called "My Mother's Keeper." Bette worked in the later 1980s in films and TV, even though a stroke had impaired her appearance and mobility. She wrote a book, "This 'N That", during her recovery from the stroke. Her last book was "Bette Davis, The Lonely Life", issued in paperback in 1990. It included an update from 1962 to 1989. She wrote the last chapter in San Sebastian, Spain.

Sadly, Bette Davis died on October 6, 1989, of metastasized breast cancer, in Neuilly-sur-Seine, Hauts-de-Seine, France. Many of her fans refused to believe she was gone.

The most famous Soviet film-maker since Sergei Eisenstein, Andrei Tarkovsky (the son of noted poet Arseniy Tarkovsky) studied music and Arabic in Moscow before enrolling in the Soviet film school VGIK. He shot to international attention with his first feature, Ivan's Childhood (1962), which won the top prize at the Venice Film Festival. This resulted in high expectations for his second feature Andrei Rublev (1966), which was banned by the Soviet authorities for two years. It was shown at the 1969 Cannes Film Festival at four o'clock in the morning on the last day, in order to prevent it from winning a prize - but it won one nonetheless, and was eventually distributed abroad partly to enable the authorities to save face. Solaris (1972), had an easier ride, being acclaimed by many in Europe and North America as the Soviet answer to Kubrick's '2001' (though Tarkovsky himself was never too fond of his own film nor Kubrick's), but he ran into official trouble again with Mirror (1975), a dense, personal web of autobiographical memories with a radically innovative plot structure. Stalker (1979) had to be completely reshot on a dramatically reduced budget after an accident in the laboratory destroyed the first version, and after Nostalghia (1983), shot in Italy (with official approval), Tarkovsky defected to Europe. His last film, The Sacrifice (1986) was shot in Sweden with many of Ingmar Bergman's regular collaborators, and won an almost unprecedented four prizes at the Cannes Film Festival. He died of lung cancer at the end of the year. Two years later link=Sergei Parajanov dedicated his film Ashik Kerib to Tarkovsky.

French director François Truffaut began to assiduously go to the movies at age seven. He was also a great reader but not a good pupil. He left school at 14 and started working. In 1947, aged 15, he founded a film club and met André Bazin, a French critic, who became his protector. Bazin helped the delinquent Truffaut and also when he was put in jail because he deserted the army. In 1953 Truffaut published his first movie critiques in "Les Cahiers du Cinema." In this magazine Truffaut, and some of his friends as passionate as he was, became defenders of what they call the "author policy". In 1954, as a test, Truffaut directed his first short film. Two years afterwords he assisted Roberto Rossellini with some later abandoned projects.

The year 1957 was an important one for him: he married Madeleine Morgenstern, the daughter of an important film distributor, and founded his own production company, Les Films du Carrosse; named after Jean Renoir's The Golden Coach (1952). He also directed The Mischief Makers (1957), considered the real first step of his cinematographic work. His other big year was 1959: the huge success of his first full-length film, The 400 Blows (1959), was the beginning of the New Wave, a new way of making movies in France. This was also the year his first daughter, Laura Truffaut, was born.

From 1959 until his death, François Truffaut's life and films are mixed up. Let's only note he had two other daughters Eva Truffaut (b. 1961) and Josephine (b. 1982, with French actress Fanny Ardant). Truffaut was the most popular and successful French film director ever. His main themes were passion, women, childhood and faithfulness.

Vittorio De Sica grew up in Naples, and started out as an office clerk in order to raise money to support his poor family. He was increasingly drawn towards acting, and made his screen debut while still in his teens, joining a stage company in 1923. By the late 1920s he was a successful matinee idol of the Italian theatre, and repeated that achievement in Italian movies, mostly light comedies. He turned to directing in 1940, making comedies in a similar vein, but with his fifth film The Children Are Watching Us (1943), he revealed hitherto unsuspected depths and an extraordinarily sensitive touch with actors, especially children. It was also the first film he made with the writer Cesare Zavattini with whom he would subsequently make Shoeshine (1946) and Bicycle Thieves (1948), heartbreaking studies of poverty in postwar Italy which won special Oscars before the foreign film category was officially established. After the box-office disaster of Umberto D. (1952), a relentlessly bleak study of the problems of old age, he returned to directing lighter work, appearing in front of the camera more frequently. Although Yesterday, Today and Tomorrow (1963) won him another Oscar, it was generally accepted that his career as one of the great directors was over. However, just before he died he made The Garden of the Finzi-Continis (1970), which won him yet another Oscar, and his final film A Brief Vacation (1973). He died following the removal of a cyst from his lungs.

Jean-Alexis Moncorgé started his career with 15 years at the theatre and debuted at the "Moulin Rouge" in Paris in 1929. Despite of his rude aspect he knew to be the gentleman of the French cinema in the time between the two World Wars. One of his most popular personalities was inspector Maigret. But he was also able to play all other kind of people: aristocrats, farmers, thieves and managers. He never stopped working and when death surprised him in 1976 he was still an institution for the French audience.

Stéphane Audran was born on November 8, 1932 in Versailles, Seine-et-Oise [now Yvelines], France as Colette Suzanne Jeannine Dacheville. She was an actress, known for Der diskrete Charme der Bourgeoisie (1972), Babettes Fest (1987) and Der Schlachter (1970). She was married to Claude Chabrol and Jean-Louis Trintignant. She died at the age of 85 on March 27, 2018 in Neuilly-sur-Seine, Hauts-de-Seine, France after an illness.

Philippe de Broca born in 1933 worked as an assistant for Claude Chabrol and Francois Truffaut ( "Les 400 coups" aka "The 400 blows" ). From 1960 to 2004 he directed over 30 full-length feature films, including the highly successful adventure movies such as "That Man from Rio" (L'Homme de Rio) in 1964 and "Le Magnifique" in 1973, romantic comedies as "Le Cavaleur" in 1979, epics as "Chouans" in 1988 and "On Guard" (Le Bossu) in 1999. His personal favorite film was "King of Hearts" ( Le Roi de Coeur) that he wrote, directed and produced.

Alain Resnais was born on 3 June 1922 in Vannes, Morbihan, France. He was a director and editor, known for Hiroshima Mon Amour (1959), Last Year at Marienbad (1961) and Same Old Song (1997). He was married to Sabine Azéma and Florence Malraux. He died on 1 March 2014 in Neuilly-sur-Seine, Hauts-de-Seine, France.

Marie Trintignant died tragically on the 1st of August, 2003 from a cerebral edema in Neuilly-sur-Seine near Paris, France, following a violent fight with her boyfriend, Bertrand Cantat, lead singer in the French rock band, Noir Désir. She was just finishing filming a TV movie about Colette, directed by her mother.

Born into show business, she made her first screen appearance when she was just four-years-old but her breakthrough came in 1979 with the film "Série noire". In 1990, she had her first leading role in "Une nuit d'été en ville". Her second major role came in 1992 as "Betty", a bourgeois alcoholic. She also did theater work, notably "Le Retour", by Harold Pinter.

Her last film, Janis et John (2003), was completed three months before her death.

At age 16, Annabella was chosen by Abel Gance to appear in Napoleon (1927). In the 30s, she became a star of French movies. She made movies in numerous other countries, before being called to Hollywood in 1938, where she met and married Tyrone Power. She remained in the USA until 1947. Then she attempted a comeback in France. She retired from show business in 1954.

A classic beauty, blonde French actress Michèle Morgan was one of her country's most popular leading ladies for over five decades. Born Simone Renee Roussel on Leap Year Day (February 29) in 1920, she ran away from home as a teenager and studied acting under René Simon, beginning her film career at 16 working as a film extra to pay for drama classes.

The young actress soon caught the eye of director Marc Allégret, who cast her in Heart of Paris (1937), which clinched her stardom. Her remote, enigmatic features and gloomy allure had audiences comparing her to a young Greta Garbo. She went on to appear elegantly opposite Charles Boyer in the drama Orage (1938) directed by Allegret; opposite Jean Gabin in Moth and the Flame (1938) directed by Marcel Carné, as well as both Coral Reefs (1939) and Stormy Waters (1941). She had her first top-billed roles in L'entraîneuse (1939) and La loi du nord (1939).

Michèle's eventual fled war-torn France for Hollywood and earned roles based purely on her European prestige. She did not stand out among the other female foreign imports of that time, however, such as Ingrid Bergman. Cast in rather routine sultry roles amid WWII surroundings, she received only a modest reception for such US-based films as Joan of Paris (1942) with Paul Henreid; Two Tickets to London (1943) with Alan Curtis; Passage to Marseille (1944) opposite Humphrey Bogart; and the noirish The Chase (1946) starring Robert Cummings.

Michèle succeeded much better at home continuing prolifically in such films as The Proud and the Beautiful (1953), The Moment of Truth (1952), Oasis (1955), The Grand Maneuver (1955), Shadow of the Guillotine (1956) (as Marie Antoinette), Grand Hotel (1959), Bluebeard (1963), Web of Fear (1964), The Diary of an Innocent Boy (1968) and Cat and Mouse (1975). Back in the late 1940's, she received the very first Cannes Film Festival award for "best actress" for her touching performance as the blind heroine in Pastoral Symphony (1946). She also received an honorary Cesar Award in 1992.

Married during the war and early post-war years (1942-1949) to American actor/singer William Marshall, Michèle's second husband was handsome Gallic star Henri Vidal and they appeared together in a couple of films, including both the historical drama Fabiola (1949) and romantic drama La belle que voilà (1950), plus The Seven Deadly Sins (1952) (albeit different "sin" segments) and Napoleon (1955). Following Vidal's sudden death of a heart at age 40 in 1959, the actress married a third time one year later to well-known French actor/writer/director Gérard Oury. They had unbilled cameos in A Man and a Woman: 20 Years Later (1986). She was left a widow in 2006.

Semi-retired by the 1970's, Michèle's last feature film was a small bit in the Marcello Mastroianni film Everybody's Fine (1990). She retired in 1999 after a few sporadic 90's TV parts. She died in her home town of Hauts-de-Seine, France on December 20, 2016, at age 96.

Michel Legrand is a three-time Academy Award-winning French composer, conductor and pianist who composed over 200 film and television scores as well as recorded over a hundred albums of jazz, popular and classical music.

He was born on February 24, 1932, in Becon-les-Bruyeres, in the Paris suburbs, France. His father, Raymond Legrand, was a French composer and actor. His mother, Marcelle der Mikaelian, was descended from the Armenian bourgeousie. From 1942 - 1949 young Legrand studied piano at the Paris Conservatoire. There his teachers were Nadia Boulanger and Henri Challan among other renowned musicians. He received numerous awards for his skills in composition and piano and mastered a dozen other instruments. In 1947 he attended a concert by Dizzy Gillespie and caught a jazz bug. He started working as a pianist for major French singers. He eventually collaborated with Dizzy Gillespie on several albums and film scores.

In 1954 Legrand became an overnight star after his album "I Love Paris" became a hit, it went on selling over 8 million copies. He followed the success with such albums as "Holiday in Rome" (1955) and "Michel Legrand Plays Cole Porter" (1957). In 1958 he was invited to play at Moscow Festival of Students and Youth. There, in Moscow, he met his future wife, a young French model with who he went on to have three children.

In the late 1950s and 1960s Legrand was caught up in the French New Wave. He scored seven films for jean-Luc Godard, he also made ten films with Jacques Demy, and became responsible for creating the genre of musical in the French Cinema. In 1963 Legrand did The Umbrellas of Cherbourg (1964), the first film musical that was entirely sung. For that film score he received three Oscar nominations. His beautiful, haunting melody, "I Will Wait For You", received nomination for Best Original Song.

In 1966 Legrand decided to take his chances in Hollywood, and moved to Los Angeles with his wife and three children. His friendship with Quincy Jones and Hank Mancini helped him a great deal, especially in meeting the lyricists Alan and Marilyn Bergman. In 1969 Legrand won his first Oscar for Best Music, Original Song for "The Windmills of Your Mind" and was also nominated for Best Music, Original score for a Motion Picture for The Thomas Crown Affair (1968). Eventually Legrand went on to become a star in the US, he received twelve nominations for Academy Awards, and won two more Oscars. He was also nominated for a Grammy 27 times and received 5 Grammys in the 1970s.

In the 1980s and 1990s Legrand continued giving live concerts with his own jazz trio. He also led his big band which he took on several international tours, accompanying such stars as Ray Charles , Diana Ross , Björk , and Stéphane Grappelli who celebrated his 85th birthday in 1992. He also recorded several classical albums, including an album with cross-genre hits entitled "Kiri Sings Michel Legrand" with the opera singer Kiri te Kanawa. During the 2000s Legrand has been working mainly in the studio, and also made several international tours.

In 2005 a compilation of Legrand's best known film soundtracks was released under the title "Le Cinema de Michel Legrand", featuring 90 songs composed in the course of his career.

Yvonne Thérèse Marie Camille Bedat de Monlaur was born in France, the daughter of a French poet and a Russian ballerina and pianist. As a youngster she was trained for ballet and in her late teens worked as a model for Elle fashion magazine. By the mid-1950's, she also began appearing in French and Italian films. Her good looks and some positive reviews paved the way to bigger roles towards the end of the decade. With this came increased publicity. In June 1959, she was featured on the cover of the weekly Milanese news publication Tempo. Another Italian paper heralded her as the year's 'most promising actress'.

There are two conflicting accounts as to how Yvonne first came to the attention of Hammer Studio's Head of Production Anthony Hinds: according to one, it was after watching her performance in Avventura a Capri (1959); another claimed that he saw an article of her in a French magazine. Either way, Hinds contacted her in Paris two days later and invited her to England where she was cast in a little-seen television drama, Women in Love (1958). A writer for the Daily Mail described this -- her first credited part in an English language production -- "as bubbly as a glass of champagne".

Yvonne's introduction to the horror genre came via Circus of Horrors (1960), made by Anglo-Amalgamated. She still had some difficulties with English but recalled receiving some benevolent mentoring from her co-star Anton Diffring (who, on screen, specialised in rather non-philanthropic types). Next came the role for which she is perhaps best remembered: that of French teacher Marianne Danielle, the heroine and potential 'tasty morsel' of The Brides of Dracula (1960). Filmed at Hammer's Bray Studio, director Terence Fisher did his best to provide suspense since the plot lacked any genuine semblance to originality. Indeed, Christopher Lee had refused to play the vampire for fear of being typecast and the role of Dracula descendant Baron Meinster fell instead to little-known David Peel, while Peter Cushing returned in the familiar guise of Van Helsing.

The Terror of the Tongs (1961) provided the finale of Yvonne's brief sojourn in Britain. First-billed Christopher Lee was particularly effective as Chung King, evil head of a Hong Kong-based Red Dragon crime gang. So much so, that he managed afterwards to secure the lucrative part of supervillain Fu Manchu in a series of four pictures made from 1965 to 1968. Yvonne was cast as a Eurasian girl (ironically named Lee), and had invisible adhesive strips mounted either side of her face to give her eyes an Asian appearance. Michael R. Pitts, in his book "Columbia Pictures, Horror, Science Fiction and Fantasy Films, 1928-1982", regards both Lee and Monlaur as the picture's highlights.

At the end of 1961, Yvonne returned to the continent and went on to appear for the rest of the decade in an assortment of Italian and French films of varying merit: some comedies, a swashbuckler, even a couple of the ever-popular crime potboilers, featuring Eddie Constantine as Lemmy Caution or Nick Carter. Her last outing was in a 1969 made-for-television homage to French music hall, doing a rendition of grand chanteuse Mistinguett's hit 'C'est vrais'. The following year she retired from the screen 'for personal reasons' and lived most of her remaining life in Paris, occasionally attending film festivals and conventions.

The distinguished film director Anatole Litvak was born in the Ukrainian city of Kiev, the son of Jewish parents. His very first job was as a stage hand. In 1915, he became an actor, performing at a little-known experimental theater in St. Petersburg, Russia. As a teenager, he witnessed the 1917 Russian Revolution and the consequent nationalization of all theaters and drama schools. It was at this time Litvak decided to quit the stage and join the burgeoning Soviet film industry. He was given a job at the Leningrad Nordkino studio as a set designer, but, before long, he worked his way up to directing short features, notably Tatiana (1925), a film about children.

In 1925, he left the Soviet Union for Berlin and was hired by the renowned director Georg Wilhelm Pabst to edit The Joyless Street (1925) starring Greta Garbo. He then began directing numerous short films for Ufa, and, eventually, moved on to full-length features. The most important of these was the romantic comedy Dolly macht Karriere (1930). Litvak's stay in Germany was cut short by the rise to power of Adolf Hitler. Litvak moved to France, and directed Mayerling (1936), starring Charles Boyer and Danielle Darrieux. This production was the turning point in Litvak's career, being a major hit on both sides of the Atlantic. He received effusive praise from critic Frank S. Nugent of the New York Times, who commented on the director's "superb assembling of scenes" and the "matchless performances" of the stars (September 14,1937). Hollywood soon beckoned, and, from 1937 to 1941, Litvak became a contract director for Warner Brothers. His first film was The Woman I Love (1937), which starred his future wife Miriam Hopkins. His experience with diverse aspects of stagecraft, as well as his fluency in four languages (Russian, German, French and English), enabled him to competently tackle a wide variety of subjects: from sophisticated continental comedy (Tovarich (1937)) to historical drama (Anastasia (1956)) and romance (All This, and Heaven Too (1940)).

Litvak was at his best directing taut, suspenseful crime dramas, such as The Amazing Dr. Clitterhouse (1938) with Edward G. Robinson and Humphrey Bogart, hailed by Variety as "an unquestionable winner"; and two tough action films starring John Garfield: Castle on the Hudson (1940) and Out of the Fog (1941). Having become an American citizen in 1940, Litvak enlisted in the US army and collaborated with Frank Capra on the wartime "Why we Fight" series of documentaries. At war's end he left the army with the rank of colonel and returned to Hollywood to direct the classic thriller Sorry, Wrong Number (1948) with Barbara Stanwyck. Arguably his best film was the superb psychological drama The Snake Pit (1948), Hollywood's first attempt to seriously examine the treatment of mental illness. Indeed, the film was so influential that it precipitated changes in the American mental health system. Litvak was nominated for an Academy Award as Best Director, but lost out to John Huston for The Treasure of the Sierra Madre (1948).

In 1949, the director -- who had once described Hollywood as a "Mecca" -- returned to Europe and settled in Paris, working only infrequently. He undertook several projects under contract to 20th Century Fox (in 1951, and from 1955 to 1956). Notable among his later efforts are two contrasting films with Ingrid Bergman: the lavishly produced Anastasia (1956), about a woman claiming to be the Romanoff dynasty's last living direct descendant; and the moody, introspective romantic drama Goodbye Again (1961), shot on location in Paris. In stark thematic contrast to these, he also directed the suspenseful wartime thriller The Night of the Generals (1967), starring Peter O'Toole.

Anatole Litvak died in a hospital in Neuilly, Paris, in December 1974 at the age of 72.

Françoise Hardy was born on 17 January 1944 in Paris, France. She was an actress and composer, known for Grand Prix (1966), The Boat That Rocked (2009) and The Dreamers (2003). She was married to Jacques Dutronc. She died on 11 June 2024 in Neuilly-sur-Seine, Hauts-de-Seine, France.

René Clair was born on 11 November 1898 in Paris, France. He was a writer and director, known for Man About Town (1947), Beauties of the Night (1952) and À nous la liberté (1931). He was married to Bronia Clair. He died on 15 March 1981 in Neuilly-sur-Seine, Hauts-de-Seine, France.

Albert Uderzo is a French comic book writer and artist, of Italian descent. Albert was born in 1927 in the town of Fismes, in the Marne department of north-eastern France. Marne was created from the remains of the older province of Champagne, and the local capital is Chalons-en-Champagne.

Alnert's parents were Silvio Uderzo (1888-1985) and Iria Crestini. They had met in 1915, during World War I. Silvio was at the time serving in the Royal Italian Army, and Iria was working at the arsenal of La Spezia, Liguria, where she was maintaining and repairing weapons and ammunition. Silvio was discharged from military service in 1919, and the couple married in 1920. Silvio returned to his civilian job as a carpenter, and the Uderzo family soon migrated to the French Third Republic, where there were more job opportunities.

Albert was named after his older brother Albert Uderzo, who had been born in 1925 . The older Albert had died of pneumonia when he was only 8-months-old, and the grieving parents wanted a replacement. The official name of the younger Albert at the birth registry was Alberto Aleandro Uderzo, due to a misunderstanding between Silvio and the employee at the registry. The family rarely used this "official" name.

Albert was born an Italian citizen, and officially gained French citizenship 1934. He experienced racism against Italian immigrants as a child, though he was both born and raised in France. He recalled people blaming him for Benito Mussolini's policies and spitting at him.

In the 1930s, Albert developed a fascination for American comic and animated cartoons, and was particularly impressed with the works of Walt Disney. He was a poor student at school, but received good grades in sketching and art-related lessons. He had been practicing drawing as a hobby since he was in kindergarten, and he was good at it. When he was 11 or 12 years old, his parents realized that Albert was color-blind. It had not affected his sketches, because most of them were black-and-white.

During World War II, Albert was too young to serve in the conflict, but his older brother Bruno was conscripted and fought in the Battle of France (1940). By the 1950s, Albert had become a professional artist, and he met his partner René Goscinny in 1951. During the 1950s, Uderzo provided the artwork for moderately successful series such as the historical fiction series "Oumpah-pah" and "Jehan Pistolet" (both written by Goscinny) and the aviation comic series "Tanguy et Laverdure" (written by Jean-Michel Charlier).

Uderzo and Goscinny created the historical fiction series "Asterix" in 1959, featuring heroic Gauls fighting in the historical Gallic Wars (58-50 BC). It became one of the most successful European comic book series, with Uderzo serving as its main artist from 1959 to 2004. When Goscinny died in 1977, Uderzo decided to take over the writing duties as well. While writing several successful stories of his own, Uderzo is mostly considered an inferior writer to Goscinny. There was a perceived decline in the writing quality of the series over the decades.

In 2005, Uderzo released "Asterix and the Falling Sky", the only science-fiction entry in this historic fantasy series, and intended to serve as a parody of then-popular anime and manga series. The story was widely mocked for its dated humor, and the use of anti-Japanese stereotypes dating back to World War II. It was the last Asterix story written by Uderzo.

In 2007, Uderzo sold his shares of the company "Editions Albert René" (which owns the rights to Asterix) to the publishing company Hachette. He had a public falling out with his daughter Sylvie Uderzo who also owned shares of the original company and disagreed with her father's decision. After a few years of mostly working on short-stories and comic strips, Uderzo announced his retirement in 2011. He died in 2020.

According to UNESCO's Index Translationum, Uderzo was the 10th most often translated French-language author, with Goscinny being the 4th one. He was the third most often translated French-language comics author behind René Goscinny and Hergé.

Hans Meyer was born in South Africa, into a German farming family. He spent his childhood in Natal and Zululand. He also became a farmer, but then he decided to travel to Europe. A friend in Germany working in an advertising agency helped him get his first acting job, in a popular television advert for Puschkin Vodka. He helped the vodka become Germany's leading brand and he became well known and his acting career took off!

He quickly became very successful, working with many of the top directors in both films and television in Europe. He is fluent in English, German, French and Zulu. He is highly respected by fellow actors, a very cultured man who is both reserved and modest about his long and distinguished career.

Georges Lautner was born on 24 January 1926 in Nice, Alpes-Maritimes, France. He was a director and writer, known for The Professional (1981), Crooks in Clover (1963) and Galia (1966). He was married to Caroline Lautner. He died on 22 November 2013 in Neuilly-sur-Seine, Hauts-de-Seine, France.

Paul Meurisse was the son of a bank manager and it first looked as if he would follow in his father's footsteps when he became a solicitor's clerk in Aix-en-Provence. But his passion was elsewhere and he soon did the splits appearing as a chorus boy in music-hall revues. Leaving Aix for Paris, with a letter of recommendation signed by Huguette Duflos, he found work at once, at the Trianon first, and then at the ABC in a show by realistic singer Marie Dubas. He also appeared in Pigalle nightclubs. In 1939, Édith Piaf fell in love with him and both spent long months together. As "la Môme Piaf" did not think much of his singing talent (he had specialized in singing cheerful songs in a gloomy tone) she urged him to become an actor, which he did in being her partner in Jean Cocteau's play "Le bel Indifférent", even if it was in ... a silent role. From then on, his activity on stage as well as in films never ceased until his untimely death at age 66, following an acute attack of asthma. In the theater he played either in very successful light comedies by Marcel Achard, André Roussin, Françoise Dorin or Jean Anouilh or in classics by Shakespeare or Shaw. He belonged to the Comédie Française company for 27 months. On the night before he passed away, he was still triumphing in Sacha Guitry's "Mon Père avait Raison". Most of the first films he made were mediocre but things improved in the 1950Henri-Georges Clouzot to star in Diabolique (1955), in which he played to perfection a cruel, obnoxious husband. An unforgettable interpretation indeed, but Meurisse also appeared in a fistful of interesting movies directed by Duvivier (Marie-Octobre (1959)), Renoir (Picnic on the Grass (1959)) and Melville (Le deuxième souffle (1966) and Army of Shadows (1969)). On the other hand, Meurisse proved unique and irreplaceable in a series of parodic spy movies hemmed by Georges Lautner (The Black Monocle (1961), The Eye of the Monocle (1962) and The Monocle (1964)) as Commandant Theobald Dromard aka "Le Monocle", gracing these unpretentious films with distinction, composure and irony. The quintessence of Paul Meurisse's art.

Annie Fargue was born on 15 April 1934 in Etterbeek, Brussels, Belgium. She was an actress and producer, known for I Love You, I Love You (1968), Victory (1981) and Angel (1960). She was married to Dirk Sanders. She died on 4 March 2011 in Neuilly-sur-Seine, Hauts-de-Seine, France.

Oliva R. Duffy was born on October 20, 1894, in Charleroi, Pennsylvania, the eldest of three children, with two younger brothers. Olive or Ollie, as she was known to family and friends, did not have much of a childhood. Life in industrial Pittsburgh (at the time, spelled "Pittsburg") was depressing and grim with its smoky factories and hard living. She married Bernard Krug Thomas at the age of 16 (which wasn't uncommon at the time), but the marriage wasn't happy, and they divorced two years later.

By that time, Olive had left Pittsburgh for New York, where she found work in a department store. On a lark, she entered a competition for the most beautiful girl in New York City and, unsurprisingly, won. With the ensuing publicity, she caught the eye of Florenz Ziegfeld Jr. and immediately joined his famed Follies. An outstanding addition, men went wild over her beauty. She also posed nude for the famed Peruvian artist Alberto Vargas. As a result of her sudden fame, she was signed to a contract with Triangle Pictures. Her first film was Beatrice Fairfax (1916). Later that year, she married Jack Pickford, brother of screen star Mary Pickford.

The relationship was a stormy one. In 1917, she starred in four more films: Madcap Madge (1917), A Girl Like That (1917), Broadway Arizona (1917), and Indiscreet Corinne (1917). With five films on her resume, Olive was the toast of Hollywood. She made three films in 1918 and six in 1919. By 1920, Olive was at the top of the film world. She continued to make good pictures, most notably, Youthful Folly (1920) and also The Flapper (1920), which was an overwhelming success. After finishing Everybody's Sweetheart (1920), Olive and Jack sailed to France for a much-needed vacation.

The couple finally seemed happy, which seems odd in light of what was to follow. Olive accidentally ingested bichloride of mercury from a French-labeled bottle in a darkened bathroom, believing it to be another medication. Found unconscious, she died five days later. The death made worldwide headlines. Olive was only 25 when she died.

Pierre Fresnay was born on 4 April 1897 in Paris, France. He was an actor and writer, known for The Grand Illusion (1937), The Murderer Lives at Number 21 (1942) and Le Corbeau (1943). He was married to Berthe Bovy and Rachel Bérendt. He died on 9 January 1975 in Neuilly-sur-Seine, Hauts-de-Seine, Île-de-France, France.

Jean-François Stévenin was born on 23 April 1944 in Lons-le-Saunier, Jura, France. He was an actor and assistant director, known for Passe montagne (1978), Mischka (2002) and Double messieurs (1986). He was married to Jacqueline Monnier and Claire Stévenin. He died on 27 July 2021 in Neuilly-sur-Seine, Hauts-de-Seine, France.

Harry Saltzman was born on 27 October 1915 in Sherbrooke, Québec, Canada. He was a producer and production manager, known for Dr. No (1962), Goldfinger (1964) and You Only Live Twice (1967). He was married to Tanya Morris, Jacqueline Colin and Adriana Ghinsberg. He died on 28 September 1994 in Neuilly-sur-Seine, Hauts-de-Seine, France.