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1-50 of 239
- Actress
- Soundtrack
Ruth Roman was born in Lynn, Massachusetts, the youngest of three daughters of Lithuanian-Jewish parents Mary Pauline (Gold) and Abraham Roman. Her father, a carnival barker, died when she was a small child, forcing her mother to support the family by working as a waitress and cleaning woman. Ruth grew up in the poor tenement district of Boston, Massachusetts, where she went to school. However, she left school after just two years to pursue an acting career. Her chosen path proved to be strewn with obstacles: in New York, she obtained a job posing for stills for a crime magazine, but theatrical work eluded her. She then worked as a hat check girl at a night club before calling it quits and returning to Boston. There, she made ends meet as an usherette during the day while at night performing with the New England Repertory Company, her first steady acting job. She also studied drama and eventually graduated from the Bishop-Lee Theatre School.
Trying to get into films, Ruth unsuccessfully made the rounds of agents and producers for two years (1940-42), until a bit part as a WAVE came her way in the film Stage Door Canteen (1943). With $200 to her name, she purchased a one-way ticket to Hollywood, where she found shared accommodation with other aspiring starlets, naming it, optimistically, 'the House of the Seven Garbos'. After a screen test with Warner Brothers failed to result in a contract, Ruth had another run of six hard years playing bit parts, many of them uncredited, some ending up on the cutting room floor. A sole speaking part of consequence was in the titular role of Jungle Queen (1945), a Universal serial (after subsequent acting lessons, Ruth was aghast when the serial was rereleased in 1951).
Ruth finally got her big break when producer Dore Schary cast her (against character, as a murderess) in the RKO thriller The Window (1949). That same year, she successfully auditioned for Stanley Kramer's boxing drama Champion (1949) as the dependable wife of the fighter (Kirk Douglas). After this turning point in her life, the shapely, smoky-voiced brunette secured a contract with Warner Brothers. During the next phase of her career, she moved effortlessly from glamorous and seductive to demure and wholesome in films opposite stars like James Stewart, Errol Flynn, and Gary Cooper. Look Magazine billed her as the 'Big Time Movie Personality of 1950', and by the following year she was receiving some 500 fan letters per week.
While many of her leads were in westerns (albeit mostly A-grade ones), Ruth was somewhat more memorable in support of Farley Granger (as his upper-crust lover and the raison d'etre for the planned murder of his wife) in Alfred Hitchcock's Strangers on a Train (1951). Another offbeat role was as a gangster's moll in the British-made updated adaptation of Shakespeare's Joe MacBeth (1955). As Lily, she is the power behind angst-ridden Paul Douglas ('Joe'), whom she easily manipulates to do her bidding. In The Bottom of the Bottle (1956), she was at her dependable best as the supportive wife of lawyer Joseph Cotten. Arguably, her last noteworthy performance on the big screen was in Alexander Singer's romance/drama Love Has Many Faces (1965).
By the 1960s, Ruth had made the transition to middle-aged character parts and began to appear mostly on television in shows like The Outer Limits (1963), Mannix (1967), Gunsmoke (1955), and (in a recurring role) in The Long, Hot Summer (1965). She also toured nationally with theatrical productions of "Plaza Suite", "Who's Afraid of Virginia Woolf", and "Two for the Seesaw". For the actress, who was said to disdain the trimmings of Hollywood stardom, real-life drama came when she and her son counted among the 760 survivors of the sinking of the luxury cruise liner 'Andrea Doria' in 1956. In September 1967, she jumped from her burning car but still managed to make her scheduled performance in "Beekman Place" at the Ivanhoe Theatre. Ruth died in September 1999 at her home in Laguna Beach, aged 76.- Lanky, balding, intense American character actor of Puerto Rican ancestry, born in New York's Spanish Harlem. Deserted by his parents, Sierra was brought up by an aunt in a rough, predominantly Irish neighbourhood from the age of six. Though briefly tempted by gang life as a teenager, he took up acting classes after accompanying a friend to an audition and ended up playing Shakespearean roles with the National Shakespeare Company and in the New York Shakespeare Festival (playing, among many other parts, Macbeth and Romeo), as well as appearing off-Broadway. He later said "I would have been happy if I continued to do that for the rest of my life". However, in 1969, Sierra decided to move to Hollywood and began acting in episodic television where he was initially typecast as Latino heavies or cops.
Sierra made his breakthrough in the role of Julio Fuentes on NBC's Sanford and Son (1972), his character the perennial butt of bigoted jokes from the show's cantankerous lead, played by Redd Foxx. He then appeared in the original cast of the police sitcom Barney Miller (1975) as the passionate, proudly Puerto Rican Detective Sergeant Chano Amenguale. Written out of the show at the end of season two, he had further recurring roles in serial television, frequently alternating between comedy and drama. These included the short-lived hospital sitcom A.E.S. Hudson Street (1977), the controversial but hugely popular parody Soap (1977) (as South American counter-revolutionary "El Puerco"), Hill Street Blues (1981) (as Assistant District Attorney Alvarez), Zorro and Son (1983) (as garrison commander Paco Pico, one of the hero's chief antagonists), Miami Vice (1984) (as Don Johnson's erstwhile boss Lou Rodriguez, killed off by a hitman in episode four -- in fact, Sierra opted to leave the show because he disliked Miami) and the science fiction series Something Is Out There (1988) (as Captain Victor Maldonado). His numerous, varied and often highly entertaining guest appearances have included supporting roles as a Native American renegade on Gunsmoke (1955), a mutated religious leader living underneath irradiated New York in Beneath the Planet of the Apes (1970), a professor of anthropology helping Mulder and Scully track down the Jersey Devil in The X-Files (1993), a Cardassian member of the sinister Obsidian Order on Star Trek: Deep Space Nine (1993), an Italian priest in John Carpenter's Vampires (1998) and an Iraqi gunboat captain in the Rambo spoof Hot Shots! Part Deux (1993).
Sierra made his home in Laguna Beach, California, where he died of cancer on January 4 2021 at the age of 84. - Actor
- Soundtrack
Leon Ames was born Harry Wycoff in Portland, Indiana, to Cora Alice (DeMoss) and Charles Elmer Wycoff. He had always wanted to be an actor and he did it the hard way, serving a long apprenticeship in touring amateur theatre companies -- even selling shoes for a while on 42nd Street in the 1920s. It took him until 1933 to make his debut on Broadway. His play at the Morosco Theatre, "It Pays to Sin," lasted for only three performances after receiving disastrous critical reviews. By then he had already appeared in his first movie, the sombre, expressionistic Murders in the Rue Morgue (1932), an Edgar Allan Poe adaptation, in which Leon played the dependable love interest of heroine Sidney Fox.
For the next three year, he appeared under his birth name (Leon Waycoff) in a variety of B-movies for "Poverty Row" studios like Mayfair, Showmen's Pictures, World-Wide, Empire and Majestic. His first film as 'Leon Ames' was the Shirley Temple vehicle, Stowaway (1932). For the next few years he served yet another apprenticeship, playing a variety of stalwart characters and the occasional bad guy in such cheerful potboilers as the anemic Murder in Greenwich Village (1937), the amusing Mysterious Mr. Moto (1938) and the eminently forgettable Secrets of a Nurse (1938). There were also occasional highlights: he popped up in Ernst Lubitsch's last film at Paramount, Bluebeard's Eighth Wife (1938), with Gary Cooper and Myrna Loy, and even starred as the leading man of Cipher Bureau (1938) and Panama Patrol (1939), albeit at Grand National.
Leon's career improved dramatically after playing Judy Garland's father Alonzo (along with Mary Astor as the matriarch of the family) in MGM's classic, Meet Me in St. Louis (1944), directed by Vincente Minnelli. For the first time, Leon's acting abilities were well employed, especially his ability to deliver dryly humorous one-liners. Signed to a contract at MGM, Leon was now cast in pivotal character roles in more important A-grade output, usually as put-upon, loving fathers: A Date with Judy (1948), Little Women (1949), (where he again teamed up with Mary Astor), By the Light of the Silvery Moon (1953), to name but a few. For something completely different, he also played district attorney Kyle Sackett in the film noir, The Postman Always Rings Twice (1946) and, against type, portrayed Paul Newman's thoroughly unpleasant father in From the Terrace (1960).
Leon continued in films well until his twilight years and was last seen as Kathleen Turner's grandfather in Peggy Sue Got Married (1986). On television, he had a popular run starring in Life with Father (1953) and Father of the Bride (1961) (played by Spencer Tracy on the big screen) as well as playing Wilbur Post's neighbor Gordon Kirkwood in Mister Ed (1961).
Leon had another claim to fame in being one of 19 actors, who -- after a clandestine meeting in June 1933 -- established the Screen Actor's Guild. For thirty years (commencing in 1945) he held a senior executive position as recording secretary and served as national president of the organization between 1957 and 1979. He also served on the board of governors of the Academy of Motion Picture Arts and Sciences. The dapper actor and avid unionist died at a Laguna Beach nursing home at the ripe old age of 91 on October 12, 1993.- Actress
- Soundtrack
The highly versatile character actress Lee Patrick could readily play a tough, scrapping, hard-bitten dame as she did in the gritty women's prison drama Caged (1950), or a meek and twittery wife as exemplified by her uppity socialite Doris Upson in the freewheeling farce Auntie Mame (1958). She would have plenty of places to show off her range from the late 1930's on for over five decades.
She was born in New York City on November 22, 1901, the daughter of an editor of a trade paper who initially prompted her interest in theater. Lee started off on the stock stage as a teen and debuted on Broadway as part of the ensemble of the musical "The Bunch and Judy" with the dancing Astaires in 1922. She continued regularly on Broadway, despite many short runs, in more visible roles with "The Green Beetle" (1924), "Bachelor Brides" (1925), "The Matrimonial Bed" (1927), "June Moon" (1929), "Little Women" (as Meg) (1931), "Blessed Event" (1932), "Knock on Wood" (1935), "Stage Door" (1936) and "Michael Drops In" (1938).
Lee's film career began at the advent of sound. Making her debut as the star of the drama Strange Cargo (1929), she focused thereafter on theatre work until returning to the big screen with a vengeance in 1937 when she was featured in the RKO western Border Cafe (1937) starring Harry Carey. Appearing in scores of films, Lee made strong impressions as a stock player in such Warner Bros. films as Law of the Underworld (1938), The Sisters (1938), Invisible Stripes (1939), Saturday's Children (1940), City for Conquest (1940), Ladies Must Live (1940), Dangerously They Live (1941), Footsteps in the Dark (1941), Million Dollar Baby (1941), Kisses for Breakfast (1941), Now, Voyager (1942), In This Our Life (1942), and Mildred Pierce (1945), as well as other studio pictures of quality, including A Night to Remember (1942), Larceny with Music (1943), Mrs. Parkington (1944) and See My Lawyer (1945). Lee's most fondly-remembered role of that period would be that of Effie, the wry, altruistic Girl Friday to Humphrey Bogart' 's Sam Spade in the Warner film noir classic The Maltese Falcon (1941).
Lee also found time to do radio with a running part on the family drama "The O'Neils." She later appeared in the 50's detective drama "Let George Do It" and in "Suspense." She continued in post-WWII filming with roles including The Walls Came Tumbling Down (1946), Mother Wore Tights (1947), The Snake Pit (1948), The Fuller Brush Girl (1950) and Tomorrow Is Another Day (1951). During her potboiler run at Warner Bros., she seemed to play everything with a biting, cynical edge, from nurses to floozies, but in the mid-1950's, the more matronly actress suddenly seemed to blossom into a dithery and obtuse Billie Burke-like delight.
As she geared herself towards these comedy eccentrics, TV got a heads up on this delightful angle and signed her to play society doyenne Henrietta Topper, the flighty, quivery-voiced wife of Leo G. Carroll on the popular ghostly sitcom Topper (1953) which ran from 1953 to 1955. Henrietta was initially played on late 1930's film by none other than Billie Burke.
There would be other fun and fluttery film turns as snooty patricians or gossipy types in such films as Pillow Talk (1959), Wives and Lovers (1963) and 7 Faces of Dr. Lao (1964), to name a couple, in addition to standard dramas like Vertigo (1958), Summer and Smoke (1961) and A Girl Named Tamiko (1962). TV guest appearances would include "Circus Boy," "The Lineup," "Wagon Train," "Lawman," "Hawaiian Eye," "77 Sunset Strip," "The Real McCoys," "The Farmer's Daughter," "The Donna Reed Show" and "Hazel." She also had a recurring role on Mr. Adams and Eve (1957) and occasionally lent her voice to animated projects ("The Alvin Show").
In the mid-1960s Lee retired to travel and paint, but was coaxed back one more time to revive her role of Effie in the Maltese Falcon spoof The Black Bird (1975) starring George Segal as Sam Spade, Jr. The only one to join her from the original cast was Elisha Cook Jr.. Long and happily married to newsman-writer H. Thomas ("Tom") Wood of the book "The Lighter Side of Billy Wilder," Lee was plagued by health problems (heart disease) in later years. Following a New York trip with her husband and a guest appearance on a live segment of Good Morning America (1975) honoring her Topper (1953) TV series, the couple returned to their Laguna Hills, California home. She died just days later of a coronary occlusion on November 25, 1982, three days after her 81st birthday. Many references list the date of her death as November 21st, but her death certificate confirms the date of November 25th. The couple had no children.- Actor
- Producer
- Director
The son of a day laborer, William Boyd moved with his family to Tulsa, Oklahoma, when he was seven. His parents died while he was in his early teens, forcing him to quit school and take such jobs as a grocery clerk, surveyor and oil field worker. He went to Hollywood in 1919, already gray-haired. His first role was as an extra in Cecil B. DeMille's Why Change Your Wife? (1920). He bought some fancy clothes, caught DeMille's eye and got the romantic lead in The Volga Boatman (1926), quickly becoming a matinée idol and earning upwards of $100,000 a year. However, with the end of silent movies, Boyd was without a contract, couldn't find work and was going broke. By mistake his picture was run in a newspaper story about the arrest of another actor with a similar name (William 'Stage' Boyd) on gambling, liquor and morals charges, and that hurt his career even more. In 1935 he was offered the lead role in Hop-a-Long Cassidy (1935) (named because of a limp caused by an earlier bullet wound). He changed the original pulp-fiction character to its opposite, made sure that "Hoppy" didn't smoke, drink, chew tobacco or swear, rarely kissed a girl and let the bad guy draw first. By 1943 he had made 54 "Hoppies" for his original producer, Harry Sherman; after Sherman dropped the series, Boyd produced and starred in 12 more on his own. The series was wildly popular, and all recouped at least double their production costs. In 1948 Boyd, in a savvy and precedent-setting move, bought the rights to all his pictures (he had to sell his ranch to raise the money) just as TV was looking for Saturday morning Western fare. He marketed all sorts of "Hoppy" products (lunch boxes, toy guns, cowboy hats, etc.) and received royalties from comic books, radio and records. He retired to Palm Desert, California, in 1953. In 1968 he had surgery to remove a tumor from a lymph gland and from then on refused all interview and photograph requests.- Shary Marshall was born Sharlayne Adell Williamson in Monmouth Oregon. She moved to Hollywood after winning a beauty contest, and made two TV appearances in 1958 as 'Shary Layne', before appearing uncredited in Gidget (1959).
Shary had over 40 television roles between 1958 and 1967. From 1958 - 1961 she was credited as Shary Layne; from 1962 on she was credited as Shary Marshall.
She made relatively few feature films, among them: Panic in Year Zero! (1962) with Frankie Avalon and Mary Mitchel, and Sam Katzman's Your Cheatin' Heart (1964) directed by Gene Nelson, starring George Hamilton and Susan Oliver.
In June 1966, she was arrested with then boyfriend and heavyweight boxer Eddie Machen for public drunkenness after an altercation at an all-night restaurant in Los Angeles.
Later she moved back to the Pacific Northwest and married realtor Armand Santilli (1923 - 2013) in 1970. It was her third marriage and lasted 43 years until her husband's death at 90 years of age.
Six months after her husband died, Shary died after a suffering a stroke at her daughter's house in California. - Actress
- Writer
- Soundtrack
Florida Friebus was born on 10 October 1909 in Auburndale, Massachusetts, USA. She was an actress and writer, known for The Many Loves of Dobie Gillis (1959), The Bob Newhart Show (1972) and The Mary Tyler Moore Show (1970). She was married to Richard Waring. She died on 27 May 1988 in Laguna Niguel, California, USA.- Actor
- Soundtrack
At age 30, actor Harvey Stephens had a sophisticated charm and staid, long-jawed handsomeness that seemed ideal for the big screen, particularly in elegant or period settings. A veteran of a handful of Broadway shows by the time he made his sudden move to film, he was handed on a silver platter a debut starring role. The drawback was that playing opposite him would be a Broadway legend and one the boldest scenery chewers of all-time -- Tallulah Bankhead. The "leading man" opportunities went quickly downhill from there for Harvey but he redeemed himself quite well in the next few years as a poised second lead player and (later) dependable character actor on TV.
Born on August 21, 1901, the Los Angeles native attended U.C.L.A. before training with Walter Hampden's repertory company for two years as well as in various other stock companies. He had already married Beatrice Nichols in 1929 by the time he established himself on Broadway. Taking his first Broadway bow with a role in "Other Men's Wives" (1929), he went on to appear in "Dishonored Lady" (1930) with the great Katharine Cornell and "Tomorrow and Tomorrow" (1931) with Herbert Marshall and Zita Johann by the time Hollywood came calling.
Paramount's Pre-Code drama The Cheat (1931) was an auspicious first assignment For Harvey in which he was cast as decent, upper-scale guy Jeffrey Carlyle, the concerned husband to voracious party girl and gambler Elsa Carlyle, played to the hilt by Tallulah Bankhead. Bankhead, the larger-than-life celebrity deemed too big for the screen, took no prisoners and Harvey was dwarfed for most of the proceedings. Despite his obvious talent, Harvey's big chance for stardom was snuffed out. This would be his first and only chance at male star movie material.
Continuing diligently on Broadway in such plays as "The Animal Kingdom" (1932) with Leslie Howard, "Best Years" (1932), "Conquest" (1932), "I Loved You Wednesday" (1932) and "The Party's Over" (1933), Fox signed Harvey up in 1933 and from there he appeared in second leads and/or "other man" parts, bolstering a number of quality films and providing a good-looking distraction between some of Hollywood's most popular cinematic stars. His first ruffled up the Janet Gaynor and Warner Baxter coupling in the comedy Paddy the Next Best Thing (1933). From there he enjoyed playing cads, flirts, and various wealthy suitor types who tried to come between some of Hollywood's glossiest and most popular pairings: William Powell and 'Myrna Loy' in Evelyn Prentice (1934); Spencer Tracy and Myrna Loy in Whipsaw (1935); Claudette Colbert and Fred MacMurray in Maid of Salem (1937); and Carole Lombard and Fred MacMurray in Swing High, Swing Low (1937).
By the end of the decade, however, Harvey was receiving credit much further down the list, especially in the higher-quality films of a Beau Geste (1939), Abe Lincoln in Illinois (1940), Sergeant York (1941) and Lady in the Dark (1944). By the end of WWII, his film career had subsided drastically. As such, he returned to Broadway in 1944 with both "Over 21" starring Ruth Gordon and "Violet". In 1949 he had an officious featured role in the musical classic "South Pacific" starring Mary Martin and Ezio Pinza in the non-singing role of Lt. Harbison, only one of two non-singing parts in the show. He stayed with the show for several years.
TV occupied much of Harvey's time in the 1950s, now a well-oiled character actor, but he never found any one series that might have given his character name a noticeable boost. His last Broadway role came with "Time Limit" (1956). Following unbilled roles in The Young Lions (1958), North by Northwest (1959) and Advance to the Rear (1964), he ended his career on TV in 1965 with an episode of "Bonanza," then retired quietly to the Southern California area. Harvey died just a few days before Christmas in 1986 at the Saddleback Medical Center in Laguna Hills, California, and was survived by present wife Barbara and three children. He was 85 years old.- Actor
- Director
- Soundtrack
Frank Bonner was born on 28 February 1942 in Little Rock, Arkansas, USA. He was an actor and director, known for WKRP in Cincinnati (1978), Equinox (1970) and The New WKRP in Cincinnati (1991). He was married to Gayle Hardage, Catherine Sherwood, Lillian Garrett, Mary Alice Rings and Sharon Gray. He died on 16 June 2021 in Laguna Niguel, California, USA.- Actress
- Soundtrack
Marilyn King was born on 11 May 1931 in Glendale, California, USA. She was an actress, known for The Hideous Sun Demon (1958), The Adventures of Ozzie and Harriet (1952) and M*A*S*H (1972). She was married to James Dalton Smith, Kent Larsen and Howard Maurice Lloyd. She died on 7 August 2013 in Laguna Niguel, California, USA.- American character actor. Raised in New York City and Cincinnati, Ohio, Beddoe was the son of a professor at the Cincinnati Conservatory of Music who happened also to be the world-famous Welsh tenor, Dan Beddoe. Although Don Beddoe intended a career in journalism, he took an interest in theatre and became involved first with amateur companies and then with professional theatre troupes. He debuted on Broadway in 1929 and kept up a decade-long career on the stage. Although said to have made some minor appearances in silent films, Beddoe made his real transfer to film work in 1938. He appeared in a wide range of supporting roles in literally scores of films, often as either a fast-talking reporter or as a mousey sort. He became one of the most readily familiar faces in Hollywood movies, despite remaining almost unknown by name outside the industry. Following service in the Army Air Corps during the Second World War, he continued to work steadily in small roles, complementing them with television work. Despite advancing (and very ripe old) age, he remained quite active, supplementing his acting work with a second career in real estate. He died in 1991.
- Actress
- Soundtrack
Harriet Nelson will always have a secure place alongside Barbara Billingsley and Jane Wyatt in the "TV's Golden Age Mom Hall of Fame." For fourteen years, she, husband Ozzie Nelson, and their two boys, David Nelson and Ricky Nelson, were the quintessential role models of the '50s ideal nuclear family.
Harriet, the daughter of actors, was practically born in a trunk on July 18, 1909, in Des Moines, Iowa. She made her debut amid the footlights at age 6 weeks with her parents. The mid-West beauty attended St. Agnes Academy in her early years. Quite a dazzler in her youth, she was playing vaudeville when she attracted the attention of saxophone-playing Ozzie Nelson and was hired by him as vocalist for his orchestra in 1932. They married three years later.
Harriet had a bold, sassy edge to her that proved a perfect counterpoint to Ozzie's genial, stumbling personality in their off-the-cuff routines. During the '40s, they were regulars on Red Skelton's radio show and even took over the comic's time slot when Red was drafted into the army. As Harriet Hilliard, she moved to leading lady status in a number of cool, snazzy war-era musicals, the most notable as "second lead" to Fred Astaire and Ginger Rogers in Follow the Fleet (1936). Other minor efforts included Cocoanut Grove (1938), Sweetheart of the Campus (1941) with Ozzie, Juke Box Jenny (1942), and Honeymoon Lodge (1943), also with Ozzie. Breezy, tuneful films, but nothing to write home about.
Once Harriet partnered with Ozzie in their own radio series "The Adventures of Ozzie and Harriet" in 1944, the family-oriented woman's career became unequivocally bound to his. They extended their devoted radio audience to TV (1952-1966). The Adventures of Ozzie and Harriet (1952), which now included both their sons, made household names of the entire clan. David followed in his father's footsteps as director/producer, while Ricky turned pop teen idol with such hits as "Hello, Mary Lou" and "Travelin' Man," songs that were introduced on the show. Following the show's long run, Ozzie and Harriet lay back a bit and settled in Laguna Beach, California, touring occasionally on stage. A second series entitled Ozzie's Girls (1973) lasted only one season.
Following Ozzie's death in 1975, Harriet turned somewhat reclusive, save for a few mini-movies or guest spots. She never fully recovered from son Ricky's death in a plane crash in 1985. She was the doting grandmother of actress Tracy Nelson and of twin rockers Matthew Nelson and Gunnar Nelson, who were simply called "Nelson." A heavy smoker most of her life, she never smoked in public, feeling it did not befit her "perfect mom" image. She died of emphysema and congestive heart failure on October 2, 1994, at age 85.- Actor
- Director
- Writer
Born in Albuquerque, New Mexico in 1892, rustic-looking George "Slim" Summerville possessed one of those malleable mugs that made you laugh even before he opened his mouth. Young Slim ran away from home as a youth and lived a rather wanderlust life until a chance meeting with Mack Sennett through his comedian friend Edgar Kennedy changed everything.
Slim broke into silent films at age nineteen as one of Sennett's pie-hurling Keystone Kops and became part of the stock company of players. Making an unbilled appearance in Keystone's first feature film Tillie's Punctured Romance (1914), Summerville's gangly build and naive innocence, not to mention his potato-like nose, mournful mug, and slim, curling upper lip, helped set him apart -- so much so that Summerville eventually branched out into his own short vehicles.
Much more comfortable in rumpled clothes and overalls than a suit and tie, he later learned the ropes of directing and in the 1920s helmed a string of short films for both Fox and Universal studios. He refocused on acting come the advent of sound and made a rather easy transition, standing out in a number of commercial films, both comedic and dramatic, including the mammoth war epic All Quiet on the Western Front (1930), the landmark musical film King of Jazz (1930), Hecht-MacArthur's classic The Front Page (1931), the Shirley Temple vehicles Captain January (1936) and Rebecca of Sunnybrook Farm (1938), and John Ford's Tobacco Road (1941). In addition, Slim scored in a series of short comedies opposite Zasu Pitts, and a slew of supports in Hoot Gibson westerns.
Usually playing much older than he was, the sleepy-eyed, slow-drawling Summerville played his last role in The Hoodlum Saint (1946), before dying of a stroke on January 5, 1946, at the not-so-old age of 53. He left a strong enough legacy, however, to be remembered as one of the screen's more reliable comedians. He was survived by his wife Eleanor and son Elliot.- Barbara Read was born on 29 December 1917 in Port Arthur, Ontario, Canada. She was an actress, known for Make Way for Tomorrow (1937), Three Smart Girls (1936) and The Spellbinder (1939). She was married to William Talman, Willard Edward Josephy, John Pershing Crawford and William Paul III. She died on 11 December 1963 in Laguna Beach, California, USA.
- Russ Conway was born on 25 April 1913 in Brandon, Manitoba, Canada. He was an actor, known for What Ever Happened to Baby Jane? (1962), Our Man Flint (1966) and Sea Hunt (1958). He was married to Muriel Idell Morrison. He died on 12 January 2009 in Laguna Hills, California, USA.
- Robert Doyle was born on 22 September 1938 in Los Angeles, California, USA. He was an actor, known for Alligator (1980), Lancer (1968) and The Outer Limits (1963). He was married to Pamela Dunlap. He died on 16 November 2000 in Laguna Hills, California, USA.
- Actor
- Camera and Electrical Department
- Location Management
American film character actor who appeared in primarily comedic roles from the 1920s through the 1950s. Born Fehmer Christy Chandler (named after his uncle, well-known architect Carl Fehmer), in Kingston, New York to Colonel George F. Chandler and the former Martha Schultze (a sportswriter and daughter of Boston Symphony Orchestra conductor Carl Schultze), by the age of 12, he was appearing as a dancer and entertainer in local stage shows. His father, an army surgeon and organizer of the New York State Police, enrolled him in a military academy, The Manlius School, which he attended for three years, serving with distinction and rising to the school rank of corporal. At 16, though he was being groomed by his family for a military career, he dropped out to work on a tramp steamer and, later, to pursue work in vaudeville and to study dance at the school of famed choreographer Ned Wayburn. Chandler maintained a successful career throughout the 1920s as a dancer and comedian in vaudeville and burlesque, at times teamed with Naomi Morton, granddaughter of vaudeville and Broadway star Sam Morton. In 1930, Chandler, still billed as Fehmer Chandler, joined the cast of the Liberty Bell Filling Station radio show starring Chic Sale, as Rodney Gordon, the assistant to Wheel Wilkins (Sale), proprietor of the titular gas station. Two years later, he landed a role in the Ben Hecht-Gene Fowler Broadway play The Great Magoo. Spotting him there, film producer David O. Selznick signed Chandler, now billed under his boyhood nickname Chick, to a film contract at RKO, telling the press that Chandler was "a cross between Lee Tracy and James Cagney." Chandler, who had done behind-the-camera work for director Charles Brabin in 1923 and had appeared in at least one silent film as an actor, turned full-time to movie acting with his first films under contract, Sweepings and Melody Cruise, in 1933. He appeared mainly in supporting roles, mostly comic, in nearly 120 films over the next 36 years. Under the pseudonym Guy Fehmer, Chandler wrote a screenplay about racing called The Quitter. In 1955, Chandler was cast in the starring role of Toubo Smith in the adventure series Soldiers of Fortune, alongside John Russell as Tim Kelly. In the show, Smith and Kelly traveled the world engaging in treasure hunts, rescues, and exploration adventures. It brought Chandler his greatest fame. During the off-seasons, he toured the country in stock and musical theatrical productions such as Harvey and Annie Get Your Gun. He was also a regular on the short-lived 1961 NBC comedy series One Happy Family. In February 1925, Chandler became engaged to Ziegfeld Follies performer and Christy model Dorothy Knapp, whom he had met in his uncle Howard Chandler Christy's studio in or around 1922. Knapp broke off the engagement to pursue her career further, and Chandler then became partnered, both privately and professionally, with 17-year-old Sallie Sharon, whom he met at West Point. The pair formed a vaudeville team, but never married. On April 4, 1931, Chandler married Eugenia "Jean" Frontai, a former contract performer with David Belasco's theatrical company. They were married 57 years, until Chandler's death from a heart attack on September 30, 1988. (Jean Chandler followed her husband in death [from cancer] the next day in the same hospital, South Coast Medical Center.) The couple had no children.- Actress
- Soundtrack
Wynne Gibson was born on 3 July 1898 in New York City, New York, USA. She was an actress, known for Children of Pleasure (1930), The Crosby Case (1934) and Double Cross (1941). She was married to John Gallaudet. She died on 15 May 1987 in Laguna Niguel, California, USA.- Prolific (and ubiquitous) bit player Leoda Richards was born Leoda Carole Knapp, March 15, 1907 in Columbus, Ohio. The daughter of Carl and Celia Knapp, Richards trained as a dancer. Moreover, Leoda was in the original company of 3 Broadway musicals: "A Connecticut Yankee," "Strike Me Pink," and "Anything Goes." She took the name, 'Leoda Richards', after marrying Charles Richards in 1928. Leoda first began appearing in films in uncredited minor roles in the late 1940's. A quintessential 'little old lady type', Richards can be spotted in scores of films and TV shows as party guests, passengers on either airplanes or ocean liners, spectators at sporting events, or patrons in clubs, diners, casinos, or restaurants. On February 7, 1998, Leoda passed away in Laguna Niguel, California. She was survived by a daughter, Barbara.
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John Eldredge was born on 30 August 1904 in San Francisco, California, USA. He was an actor, known for High Sierra (1940), Backlash (1947) and The Master Key (1945). He was married to Frances Virginia Kathleen Hubbell and Eleanor Catherine Walker. He died on 23 September 1961 in Laguna Beach, California, USA.- Marjorie Stapp was born on 17 September 1921 in Little Rock, Arkansas, USA. She was an actress, known for The Adventures of Sir Galahad (1949), Kronos (1957) and The Blazing Trail (1949). She was married to Robert Alan Browne. She died on 2 June 2014 in Laguna Woods, California, USA.
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Marion Burns was born on 9 August 1907 in Los Angeles, California, USA. She was an actress, known for The Devil Tiger (1934), The Dawn Rider (1935) and Sensation Hunters (1933). She was married to Kane Richmond and Bruce MacFarlane. She died on 22 December 1993 in Laguna Niguel, California, USA.- John Clarke was born on 14 April 1931 in South Bend, Indiana, USA. He was an actor, known for Days of Our Lives (1965), The Satan Bug (1965) and Death Valley Days (1952). He was married to Patricia Clarke. He died on 16 October 2019 in Laguna Beach, California, USA.
- John Perak was born on 10 October 1940 in Chicago, Illinois, USA. He was an actor, known for Coffy (1973), The Rockford Files (1974) and Police Story (1973). He was married to Elizabeth and Darlene Ann Hazlett. He died on 2 November 2023 in Laguna Woods, California, USA.
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Born in Los Angeles almost a year after the start of Great Depression. Bob (whose nickname 'Bobs' was given to him by his father, and for legal and professional reasons he adopted professionally) is from a family of 9 siblings; 6 boys and 3 girls. He made his first on-screen appearance as a (literal) babe in arms in Life Begins (1932). Watson received the sobriquet 'cry-baby' for his ability to cry on-cue. Watson is best known as "Pee Wee" from Boys Town (1938). Later in the mid-late 60's Watson left the film industry entirely and entered the Claremont School of Theology. Later he became a Methodist minister in Burbank and La Canada. Watson retired in 1997 and passed away in 1999, succumbing to prostate cancer