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1-11 of 11
- Music Artist
- Actress
- Composer
With almost fifty years in the music business, Tina Turner became one of the most commercially successful international female rock stars. Her sultry, powerful voice, her incredible legs, her time-tested beauty and her unforgettable story all contributed to her legendary status.
Born to a share-cropping family in the segregated South, Anna Mae Bullock and her elder sister were abandoned by their sparring parents early on. After her grandmother's death, she eventually moved to St. Louis, Missouri to reunite with her mother. This opened up a whole new world of R&B nightclubs to the precocious 16-year-old. Called up to sing onstage with Ike Turner's Kings of Rhythm in 1956, she displayed a natural talent for performing which the bandleader was keen to develop. Soon, Anna Mae's aspirations of a nursing career were forgotten and she began to hang around with the group. When the singer booked to record "A Fool in Love" failed to turn up for the session, Ike drafted Anna Mae to provide the vocal with the intention of removing it later. However, once he heard her spine-tingling performance of the song, he soon changed his plans. He changed her name to Tina Turner, and when the record became a hit, Tina became a permanent fixture in Ike's band and his quest for international stardom. One thing led to another: they were married in Mexico after the births of Tina's two sons - the first a result of an earlier relationship with a musician, the second with Ike.
Before too long, the Ike and Tina Turner Revue was tearing up large and small R&B and soul venues throughout the early and mid-1960s. The hits were relatively few, but the unsurpassed energy and excitement generated by the live stage show, primarily Tina, made the Revue a solid touring act, along with the likes of James Brown and Ray Charles. Their greatest attempt to "cross over" came in 1966 with the historic recording of the Phil Spector production, "River Deep, Mountain High". While it was a commercial flop in the United States, it was a monster hit in Europe - and the start of Tina's European superstar status, which never faded during her long stint of relative obscurity in America in the late 1970s. The Revue entered that decade as a top touring and recording act, with Tina becoming more and more recognized as the star power behind the group's international success. Ike, while having been justly described as an excellent musician, a shrewd businessman and the initial "brains" behind the Revue, was also described (by Tina and others) as a violent, drug-addicted wife-beater who was not above frequently knocking Tina (and other women) around both publicly and privately. Despite hits such as "Proud Mary" and Tina's self-penned "Nutbush City Limits", further mainstream success eluded the group and Ike blamed Tina. After years of misery and a failed suicide attempt, Tina finally had enough in July 1976, when she fled the marriage (and the Revue) with the now-famous 36 cents and a Mobil gasoline credit card.
Tina, nearing 40, endured a long and, at times, humiliating trek back to superstardom through working many substandard gigs and performing a repertoire of current Top 40 hits and old Ike & Tina tunes in hotel ballrooms and supper clubs. She later admitted she was having the time of her life at this point, simply putting together her own show and performing. She refused to wrangle for a settlement from the divorce, despite being in huge debt to all the tour promoters she had let down by fleeing the Revue. After an appearance on Olivia Newton-John: Hollywood Nights (1980), Tina - in a wise business move - persuaded Newton-John's management team to take her on. With Roger Davies at her side, Tina's profile began to rise, and performances alongside the likes of Rod Stewart and The Rolling Stones introduced her to the rock market she so wanted to pursue.
The European release of her cover of Al Green's "Let's Stay Together" in 1983 was a major turning point in Tina's career. The record hit #6 on the British chart, and Capitol Records were soon demanding a full album. "Private Dancer" was hurriedly produced in England in two weeks flat. The rest is rock and roll history. The next single - "What's Love Got to Do with It?" - became Tina's first #1 single the following year, and the album hung around the Top 10 for months, spawning two further hits. At the 1985 Grammy Awards, her astonishing comeback was recognized with nominations in the rock, R&B and pop categories and rewarded with four trophies. After that time, the successes just kept coming: a starring role in Mad Max Beyond Thunderdome (1985); duets with Bryan Adams, David Bowie, Eric Clapton and Mick Jagger amongst others; several sell-out world tours; a string of hit albums and awards; a bestselling autobiography, "I, Tina"; and the blockbuster biopic What's Love Got to Do with It (1993) chronicling her life.
After her "Twenty Four Seven Millenium Tour" in 2000, Tina announced she would retire from the concert stage, but continue to record and play live on a smaller scale. Four years later, at age 65, she released a career retrospective entitled "All the Best" featuring new recordings, and reached #2 in the American album chart, her highest ever placing for an album there. She ended 2005 as one of five recipients of the Kennedy Center Honors, the highest form of recognition of excellence in the arts in America. Despite changing the direction of her working life, she will always be remembered as a dynamic live performer and recording artist, able to thrill audiences like no other woman in music history. Tina Turner is the undisputed Queen of Rock and Roll.- Actor
- Soundtrack
Tall, dark and handsome, not to mention a charismatic rebel of 1960s Hollywood, actor George Maharis (surname originally Maharias) was born in 1928 in Astoria, New York, one of seven siblings. His immigrant father was a restaurateur. Maharis expressed an early interest in singing and initially pursued it as a career, but extensive overuse of his voice and improper vocal lessons stripped his vocal cords, and he subsequently veered towards an acting career.
Trained at the Neighborhood Playhouse with Sanford Meisner and the Actor's Studio with Lee Strasberg, the "Method" actor found roles on television, including several episodes of Naked City (1958), and secured an early name for himself on the late 1950s off-Broadway scene, especially with his performances in Jean Genet's "Deathwatch" and Edward Albee's "Zoo Story". Producer/director Otto Preminger "discovered" Maharis for film, offering him a choice of five small roles in the upcoming film Exodus (1960), in which the actor eventually played an underground freedom fighter.
One of the episodes Maharis did of the police drama Naked City (1958), entitled "Four Sweet Corners", wound up being a roundabout pilot for the buddy adventure series that would earn him household fame. With the arrival of the series Route 66 (1960), the actor earned intense TV stardom and a major cult following as a Brando-esque, streetwise drifter named Buzz Murdock. Partnered with the fair-skinned, clean-scrubbed, college-educated Tod Stiles (Martin Milner, later star of Adam-12 (1968)), the duo traveled throughout the U.S. in a hotshot convertible Corvette and had a huge female audience getting their kicks off with the show. At the show's peak, Maharis parlayed his TV fame into a recording career with Epic Records, producing six albums in the process and peaking with the single "Teach Me Tonight".
During the middle of the series' third season peak, Maharis abruptly left the series with a number of reasons cited. Often quoted is that the virile, seductive image of a fast-rising star apparently got to him, and that he proved increasingly troublesome as he grew in stature. Tabloids reported that the actor purposefully instigated ongoing clashes with both producers and co-star Milner in order to leave the series and seek film stardom while the irons were hot. Maharis denied this, insisting that his working relationships on the set were solid and that any complaints were vastly overblown. He cited health reasons as the reason for his leaving, claiming that a long-term bout (and relapse) of infectious hepatitis, caught during a 1962 shoot of the series, forced him to abandon the show under doctor's orders. For whatever reason, Maharis left. His replacement, ruggedly handsome Glenn Corbett, failed to click with audiences and the series was canceled after the next season.
Back to working on films, the brash and confident actor, with his health scare over, aggressively pursued stardom with a number of leads, but the duds he found himself in -- Quick, Before It Melts (1964), Sylvia (1965), A Covenant with Death (1967), The Happening (1967), and The Desperados (1969) prime among his list of disasters -- hampered his chances. The best of the lot was the suspense drama The Satan Bug (1965), but it lacked box-office appeal and disappeared quickly. Moreover, a 1967 sex scandal (and subsequent one in 1974) could not have helped. In the 1970s Maharis returned to series TV in the short-lived The Most Deadly Game (1970), co-starring fellow criminologists Ralph Bellamy and Yvette Mimieux (who replaced the late Inger Stevens who committed suicide shortly before shooting was about to start). The decade also included a spate of TV movies, including the more notable The Monk (1969) and Rich Man, Poor Man (1976). In between these he appeared in Las Vegas nightclubs and summer stock, and was one of the first celebrities to pose for a nude centerfold in Playgirl (July 1973).
His last working years brought about the occasional film, most notably as the resurrected warlock in The Sword and the Sorcerer (1982) and an appearance in the horror thriller Doppelganger (1993). With his "bad boy" glory days behind him, Maharis' TV career ended rather routinely with guest parts on such popular but unchallenging shows such as "Fantasy Island" and "Murder, She Wrote". Later years were spent focusing on impressionistic painting. He has been fully retired since the early 1990s.- Composer
- Actor
- Music Department
Bill Lee was born on 23 July 1928 in Snow Hill, Alabama, USA. He was a composer and actor, known for Do the Right Thing (1989), Jungle Fever (1991) and She's Gotta Have It (1986). He was married to Susan Kaplan and Jacquelyn Shelton. He died on 24 May 2023 in Brooklyn, New York City, New York, USA.- Actor
- Soundtrack
Daniel Heriban was born on 25 March 1980 in Trnava, Czechoslovakia [now Slovakia]. He was an actor, known for Únos (2017), Hniezdo (2020) and After... (2006). He was married to Kamila Heribanová and Slávka Halcáková. He died on 24 May 2023 in Svat Jur, Slovakia.- David Meeker was born on 22 December 1935 in London, England, UK. He was an actor, known for The Guardian Interview with Budd Boetticher (1994) and The Late Show (1988). He died on 24 May 2023.
- Composer
- Actor
- Music Department
Javier Álvarez was born on 8 May 1956 in Mexico City, Mexico. He was a composer and actor, known for Cronos (1992), 0.56% ¿Qué le pasó a México? (2010) and eXtrañas heterodoXias (2021). He died on 24 May 2023 in Mexico.- Devin Smith died on 24 May 2023 in Indiana, USA.
- Rocío Borrallo was born in Sevilla, Spain. She was an actress, known for El mundo es suyo (2018), Ánimas (2018) and The Ignorance of Blood (2014). She died on 24 May 2023 in Spain.
- Jack Martin Haendler was born on 30 August 1947 in Bratislava, Czechoslovakia. He was an actor, known for The Song of Names (2019). He died on 24 May 2023 in Slovakia.
- Composer
Ilham Gencer was born on 30 August 1922 in Istanbul, Turkey. He was a composer, known for Sara (1999), Türkiye'de Caz (2013) and Uykusuzlar Kulübü (2019). He died on 24 May 2023 in Bodrum, Mugla, Turkey.- Susan Kotar was born on 24 July 1951 in Manhattan, New York City, New York, USA. Susan was a writer, known for Gunsmoke (1955). Susan died on 24 May 2023 in St. Louis, Missouri, USA.