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Guillermo del Toro was born October 9, 1964 in Guadalajara, Jalisco, Mexico. Raised by his Catholic grandmother, del Toro developed an interest in filmmaking in his early teens. Later, he learned about makeup and effects from the legendary Dick Smith (The Exorcist (1973)) and worked on making his own short films. At the age of 21, del Toro executive produced his first feature, Dona Herlinda and Her Son (1985). Del Toro spent almost 10 years as a makeup supervisor, and formed his own company, Necropia in the early 1980s. He also produced and directed Mexican television programs at this time, and taught film.

Del Toro got his first big break when Cronos (1992) won nine Ariel Awards (the Mexican equivalent of the Oscars), then went on to win the International Critics Week Prize at Cannes. Following this success, del Toro made his first Hollywood film, Mimic (1997), starring Mira Sorvino.

Del Toro had some unfortunate experiences working with a demanding Hollywood studio on Mimic (1997), and returned to Mexico to form his own production company, The Tequila Gang.

Next for del Toro, was The Devil's Backbone (2001), a Spanish Civil War ghost story. The film was hailed by critics and audiences alike, and del Toro decided to give Hollywood another try. In 2002, he directed the Wesley Snipes vampire sequel, Blade II (2002).

On a roll, Del Toro followed up Blade II (2002) with another successful comic-book inspired film, Hellboy (2004), starring one of Del Toro's favorite actors, Ron Perlman.

Del Toro is divorced, has a daughter and a son and lives in Los Angeles and Toronto.

Gael García Bernal was born in Guadalajara to Patricia Bernal, an actress/model & José Ángel García, an actor/director. His stepfather's cinematographer Sergio Yazbek. He began his acting career as a child, working w/ his parents in a variety of plays. At 14, he starred in a soap opera called El abuelo y yo (1992). He appeared in film school exercises and short films, including De tripas, corazón (1996), which was directed by Antonio Urrutia & nominated for an Academy Award for Best Short Film. He also starred in The Eye on the Nape (2001), a short film directed by Rodrigo Plá. He studied acting at the Central School of Speech & Drama in London. Amores Perros (2000) was his first major feature film, followed by Y tu mamá también (2001), directed by Alfonso Cuarón & filmed by Emmanuel Lubezki.

Manuel Garcia-Rulfo stars in the Netflix series "The Lincoln Lawyer." He can currently be seen starring as the title character in "Pedro Paramo," the directorial debut of Rodrigo Prieto based on the iconic book by Juan Rulfo, and co-stars in "Jurassic World: Rebirth" opposite Scarlett Johansson, coming out July 2025. Born in Mexico, Garcia-Rulfo studied in the U.S. and found his passion in acting. After returning to Mexico and appearing in television and film there, he returned to the US and made his feature debut in Carl Franklin's "Bless Me Ultima." Ensuing film credits include "A Man Called Otto," "6 Underground," "Sicario:Day of the Soldado,", "Murder on the Orient Express," and "The Magnificent Seven."

Katy Jurado was born María Cristina Estela Jurado García into a wealthy family on January 16, 1924. Her early years were spent amid luxury until her family's lands were confiscated by the federal government for redistribution to the landless peasantry. Despite the loss of property, the matriarch of the family, her grandmother, continued to live by her aristocratic ideals. When movie star Emilio Fernandez discovered Katy at the age of 16 and wanted to cast her in one of his films, Jurado's grandmother objected to her wish to become a movie actress. To get around the ban, Katy slipped from the grasp of her family's control by marrying actor Víctor Velázquez.

Jurado eventually made her debut in No matarás (1943) during the what has been called "The Golden Age of Mexican Cinema". Blessed with stunning beauty and an assertive personality, Jurado specialized in playing determined women in a wide variety of films in Mexico and the United States. Her looks were evocative of the indigenous peoples of Mexico, and she used what she called her "distinguished and sensuous look" to carve a niche for herself in Mexican cinema. Indian features were unusual for a film star in Mexico--despite the success of Fernandez, the fabled "El Indio"--and her ethnic look meant she typically was cast as a dangerous seductress, a popular type in Mexican movies. The Mexican media reported that an American movie director at one of her first Hollywood auditions laughed at her derisively because she spoke English so poorly, and an outraged Jurado promptly stormed out of the audition room, cursing in Spanish. As it turned out, that kind of brazen behavior was exactly the type of personality that the director was looking for.

In addition to acting, Jurado worked as a movie columnist and radio reporter to support her family. She also worked as a bullfight critic, and it was at a bullfight that Jurado was spotted by John Wayne and director Budd Boetticher. Boetticher, who was also a professional bullfighter, cast Jurado in his autobiographical film Bullfighter and the Lady (1951), which he shot in Mexico. She was cast in her part despite having very limited English-language skills and had to speak her lines phonetically. Luis Buñuel cast her in his Mexican melodrama The Brute (1953), and then she made her big breakthrough in American films in the role of Gary Cooper's former mistress, saloon owner Helen Ramirez, in High Noon (1952). The role necessitated her moving to Hollywood. She received two Golden Globe nominations from the Hollywood Foreign Press Association for that part, for Most Promising Newcomer and Best Supporting Actress, winning the latter. "She planted the Mexican flag in the U.S. film industry, and made her country proud", said National Actors Association official Mauricio Hernandez. Her "High Noon" performance historically proved to be an important acting watershed for Latino women in American movies. Jurado's portrayal undermined the Hollywood stereotype of the flaming, passionate Mexican "spitfire." Previously, Mexican and Latino women in Hollywood films were characterized by an unbridled sexuality, as exemplified by such diverse actresses as Lupe Velez, Dolores Del Río (who came to loathe Hollywood and returned to Mexico in the 1940s), and Rita Hayworth, nee Margarita Cansino. Although Jurado's character was forced to kow-tow to the stereotype in "High Noon", delivering such lines as, "It takes more than big, broad shoulders to make a man," the actress' great dignity in her role as a moral arbiter among the competing factions of the marshal and his fiancée, the townspeople and the gunmen out to kill the marshal showed her Helen Ramirez to be in control and controlled by nothing, not even her former love for the marshal. Her restrained performance, delivered with a great deal of conviction, emphasized the shortcomings of the rest of the other characters. Her moral integrity is the reason she, like the marshal, must abandon the town.

With her superb performance, Jurado proved that Latino women could be more than just sexpots in the American cinema. Importantly, working against the tropes of a racist cinema, she used her talent to introduce into the American cinema the model of the un-stereotyped Mexican woman who is identifiably Mexican. One of the best examples of this can be seen at the end of the middle of her career, when Jurado played sheriff Slim Pickens' wife and partner in Sam Peckinpah's elegiac Pat Garrett & Billy the Kid (1973). Determined and tough as nails, Jurado's character was clearly her screen husband's equal, and she had a very moving scene with Pickens as his character faced death. Jurado was blessed with extraordinary eyes, which were both beautiful and expressive, their beauty and strength never fading with age. Two years after "High Noon", Jurado received an Academy Award nomination as Best Supporting Actress for her role as Spencer Tracy's Indian wife in Edward Dmytryk's Broken Lance (1954), making her the first Mexican actress thus honored.

She refused to sign a contract with a major Hollywood studio in order to be able to return to Mexico between her American roles to star in Mexican films. She +remained in Los Angeles for 10 years, marrying Ernest Borgnine, her co-star in The Badlanders (1958), in 1959. During their tempestuous relationship, Jurado and Borgnine separated and reconciled before finally separating for good in 1961. The tabloids reported that Borgnine had abused her, and their separation proved rocky as well, as they fought over alimony. Their divorce became final in 1964. Borgnine summed up his ex-wife as "beautiful, but a tiger", a bon mot that described her on-screen persona as well (she had two children with former husband Victor Velasquez, a daughter and a son, who tragically was killed in an automobile accident in 1981).

Jurado played the wife of Marlon Brando's nemesis Dad Longworth (Karl Malden) in One-Eyed Jacks (1961), Brando's sole directorial effort. In her role she also was the mother of a young woman who was Brando's love interest, thus marking a career transition point as she assumed the role of a mature woman. As Jurado aged, she appeared in fewer films, but notable among them included Arrowhead (1953) with Charlton Heston, Trapeze (1956) in support of Burt Lancaster and Man from Del Rio (1956) with her fellow Mexican national Anthony Quinn who, unlike Jurado, had become an American citizen. She also appeared with Quinn in _Barabbas (1962)_and The Children of Sanchez (1978).

She appeared on the Western-themed American TV shows Death Valley Days (1952), The Rifleman (1958), The Westerner (1960) and The Virginian (1962). Her career in the US began to wind down, and she was reduced to appearing in "B" pictures like Smoky (1966) with Fess Parker and the Elvis Presley movie Stay Away, Joe (1968). She attempted to commit suicide in 1968, and then moved back home to Mexico permanently, though she continued to appear in American films as a character actress. Her last American film appearance was in Stephen Frears' The Hi-Lo Country (1998), capping a half-century-long American movie career that continued due to her talent and remarkable presence, long after her extraordinary good looks had faded.

Aside from acting in films in the US and Europe, she continued to act in Mexican films. Her most memorable role in Mexican movies was in Nosotros los pobres (1948) (aka "We the Poor") opposite superstar Pedro Infante. Though in the latter part of her career she appeared occasionally in American films shot in Mexico (including an appearance with her former mentor, Emilio Fernandez, in "Pat Garrett & Billy the Kid" and John Huston's Under the Volcano (1984)), she appeared mostly in Mexican movies in the last decades of her career, becoming a prominent and highly respected character actress. She played the leader of a religious cult in the Bunuel-like satire Divine (1998). Jurado won three Ariel awards, the Mexican equivalent of the Oscar, a Best Supporting Actress award in 1954 for Bunuel's The Brute (1953) a Best Actress Award in 1974 for Fe, esperanza y caridad (1974) and a Best Supporting Actress award in 1999 for "El evangelio de las Maravillas". She also was awarded a Special Golden Ariel for Lifetime Achievment in 1997. In the north, she was honored with a Golden Boot Award by the Motion Picture & Television Fund in 1992 and has a star on the Hollywood Walk of Fame. Jurado was an avid promoter of her home state of Morelos as a location for filmmakers.

Towards the end of her life, she suffered from heart and lung ailments. Katy Jurado died on July 5, 2002, at the age of 78 at her home in Cuernavaca, Mexico. She was survived by her daughter.

Patricia Riggen is recognized as one of America's leading female Latinx directors. She seamlessly directs films and television across genres, from her latest action thriller, G20, starring Viola Davis, to her Sundance success La Misma Luna, and the Sony Pictures box-office hit Miracles from Heaven, starring Jennifer Garner. Regardless of genre, scope, or medium, she brings humanity to every character and story she tells.

Between feature films, Patricia directs pilots and episodic television for major networks and streaming platforms. Notably, she helmed multiple episodes of the Emmy-winning drama Dopesick, starring Michael Keaton, as well as the action-packed first season of Tom Clancy's Jack Ryan.

Patricia studied film at Columbia University's School of the Arts. Her first short film won a Student Academy Award, a Student Emmy, and a Mexican Academy Award. Her second film, a documentary about photographer Gordon Parks, won the Jury Prize at Sundance. In 2011, she directed Lemonade Mouth for Disney Channel, a beloved classic among young audiences worldwide, which earned her a Directors Guild of America (DGA) Award nomination.

For The 33, the gripping drama about the Chilean miner rescue starring Antonio Banderas and Juliette Binoche, Patricia spent 30 days shooting underground in real mines.

Originally from Mexico, Patricia is one of the few women of color to have directed top-grossing films in the past decade.

Iyari Limon was born in Guadalajara, Mexico, but in her infancy she and her parents made Southern California their new home. Although English is her primary language, she's fluent in Spanish from being raised in a Spanish- speaking household. She's also semi-fluent in French, and being of Spanish, French, German, and Mexican-Indian descent, it seems only right that she is able to speak these languages. She is very well-traveled and has lived in Australia, France, Mexico, and England.

She began her acting career in 1995 with a guest appearance on an "ER" episode, followed by other significant guest roles on various TV shows, including as a guest regular in 2000 on the MTV anthology "Undressed." Her biggest break came in 2002 when she was offered the part of Kennedy, one of the 'Slayer Potentials' on "Buffy the Vampire Slayer." Because of supportive fan mail, she appeared in the last 13 episodes of "Buffy"'s 7th and final season. Being the "Scoobie Gang's" latest addition has brought Iyari a whole new fame; she now makes personal appearances at conventions around the world.

Most recently, she guest starred in the 2004 premiere episode of the Emmy-winning series "Without a Trace." She also appeared in numerous television commercials such as SBC, Always, Toyota, and Dr. Pepper. In 2001, she hosted Radio Disney's world tour 2001, traveling to all of the major cities in the U.S.

Mirelly Taylor is recurring on Monarch: Legacy of Monsters on Apple TV. She recurred on Power: Force on STARZ, as well as on Seal Team on CBS as a Mexican Cisen CIA operative. This was before shooting CBS ALL ACCESS show Interrogation opposite Peter Sarsgaard. She is best known for playing Isabella Alpert, Nestor Carbonell's wife in the last season of the ABC series "Lost."

Born the daughter of two med-students in their last year of medical school in Guadalajara, Jalisco - Mexico, by age 5 she was taking karate, ballet, tap, and gymnastics. Raised by her mother, at age 11, they moved to Dallas, Texas where she studied acting.

In high school she was heavily involved in choir and theater and graduated with high honors. Her academic achievements allowed her to attend SMU (major: Cinema - double minor: Psychology and Spanish).

Not too long after, she was cast in the spin-off of the Oscar winning film "Crash" entitled the same, created by Glenn Mazzara (Walking Dead)and Paul Haggis (Crash) on STARZ.

Under recommendation, she was accepted into the famous Actor's Studio teacher Alan Miller's private masters' class. Allan Miller has coached many notable names such as Barbra Streisand, Meryl Streep, Dustin Hoffman, Al Pacino and more.

A multidimensional artist, Mirelly elevates her career in all facets and mediums.

Mirelly : "Live your passion and be grateful for everything. Never forget to thank those who believe in you and help you on your path."

Margarita Cordova was born on 26 February 1939 in Guadalajara, Jalisco, Mexico. She is an actress, known for Sunset Beach (1997), The Twilight Zone (1959) and Mission: Impossible (1966).

Susana Dosamantes was born on 9 January 1948 in Guadalajara, Jalisco, Mexico. She was an actress, known for Darker Than Night (1975), Morir para vivir (1989) and Corazón salvaje (1977). She was married to Luis Rivas, Carlos Vasallo and Enrique Rubio González. She died on 2 July 2022 in Miami, Florida, USA.

Manolo Caro is the Creator, Executive Producer and Director of The House Of Flowers - Netflix's original series. Director, producer and script writer of Mexican film and theater. He studied the career of architecture in TEC de Monterrey and Centro in Mexico City, then after, he formed the career of scene director in San Antonio de los Baños, Cuba and Estudio de Juan Corazza in Madrid, Spain. He started his professional life working in publicity for the transnational agency BBDO.

His first projects as a film maker are short films, the most prominent work is ¨Gente bien atascada¨ . He debuted in theater directing and writing ¨No sé si cortarme las venas o dejarmelas largas¨ the one which turn out to be a real phenomenon in box office; also it has been sold to different countries. Then he wrote ¨Sin cura", "Un dos tres por mi y todos mis amores¨, "I love Romeo y Julieta" and ¨Nunca es tarde para aprender frances¨.

His film carreer started with the cinematographic version of ¨No sé si cortarme las venas o dejarmelas largas¨ which was placed in third place in box office in its year of release, he continued with ¨Amor de mis amores¨. Co-directed a documentary named ¨La fabulosa y patética historia de un montaje llamado I love Romeo y Julieta¨, ¨Elvira, te daría mi vida pero la estoy usando¨ starting Cecilia Suarez and Luis Gerardo Mendez, film that has been presented in several international film festivals and "La vida inmoral de la pareja ideal". Acts as jury for the Netflix Awards, being one of the most prolific and popular director of the moment.

Blanca Araceli

A&R Management

Blanca Araceli is a distinguished actress, choreographer, director, producer, and professional dancer. She is best known for her role as EMCEE in the two-time Oscar-winning film "COCO" from Disney/Pixar. With over 120 theater performances, including more than 70 leading roles, Blanca has established a formidable presence in the performing arts. Her extensive television and film credits include "The Neighborhood" (CBS), "Killing It" (Peacock TV), "The Conners" (ABC), "Home Economics" (ABC), "American Horror Stories" (FX on Hulu), "I'm Sorry" (TruTV), "S.W.A.T." (CBS), and "Kajillionaire," among others.

Blanca has received numerous accolades for her work, including the "Favorite Actress Award" at the 29th Annual Fred Awards for her portrayal of Carmen in Josefina López's "Real Women Have Curves" at the Pasadena Playhouse. Her unwavering commitment to promoting Mexican and global culture for over 30 years has earned her the GOLDEN EAGLE AWARD by COMMUNITY IMPACT in 2019, the "BE THE LIGHT" award at the Danzantes Unidos Festival in 2022, the Latin American Motion Pictures Award in 2022, and the Azteca Inka Gold Award in 2023.

Since 2022, Blanca has been teaching audition and acting classes and serving as an acting coach at The Village Acting Studio. She has been the driving force behind the Tierra Blanca Dance Company since 1996. Her passion for cultural education led her to establish the Tierra Blanca Arts Center in 2002, where she developed programs such as Semblanza, Cultural Summer Camp, Foro de Arte y Cultura, and Danza Escénica. During times of contingency, she pioneered online programs like the "Las Madre Hadas" radio program and "Mexicanos a la Distancia Unidos por la Danza."

Blanca's 32 years of experience as an actress culminated in the opening of the "Blanca Araceli Acting Studio" in August 2024.

Blanca Araceli's guiding principle is: "Cultural awareness makes better communities."

George J. Lewis was born on 10 December 1903 in Guadalajara, Jalisco, Mexico. He was an actor, known for Zorro's Black Whip (1944), Radar Patrol vs. Spy King (1949) and Malice in the Palace (1949). He was married to Mary Louise Lohman. He died on 8 December 1995 in Rancho Santa Fe, California, USA.

Ximena Sarinana is an actress, singer, songwriter producer from Mexico City. Born in Guadalajara to Director Producer Fernando Sarinana and Writer Carolina Rivera, she started acting at the age of 8 in musical theater in her hometown. When the family moved to Mexico City, Ximena did 3 lead roles in 3 Soap operas for Mexican TV network Televisa, and then began her career in film, doing a total of 11 films, including box office hits such as Amar Te Duele (2002) and Niñas Mal (2006) and internationally awarded films like Dos Abrazos (winner of the 2007 Tribeca Best New Narrative Filmmaker award). Ximena is also a Grammy award and Latin Grammy award nominee for her career in music. She has released two platinum selling albums under her name through Warner Music Group, as well as contributed to soundtracks of some of the movies she has participated in, not only as a performer (Amar Te Duele, Niñas Mal, Amor Extremo) but as a music supervisor as well (Enemigos Intimos). She has toured as a performing artist in the US, Europe, Latin America and Japan.

Ruth has worked extensively in English and Spanish language media. She played Elena Chavez, America Chavez's mom, in Doctor Strange in the Multiverse of Madness directed by Sam Raimi. She previously worked with the iconic Sam Raimi in Drag Me to Hell. Ruth starred in the groundbreaking Showtime series Resurrection Blvd., recurred in Beverly Hills 90210, and was directed by Franco Zeffirelli at Rome's Cinecittá Studios. Her voice credits include Disney/Pixar's Cars on the Road for Disney+, Pixar's Golden Globe and Oscar-winning Coco (dir: Lee Unkrich), she Lolita opposite Val Kilmer's Zorro in the 2012 Grammy Awards nominee The Mark of Zorro, a recurring role in Disney's Elena of Avalor, a starring role in the Fwak! animated feature Los Campeones de la Lucha Libre, among others. Videogames include Call of Duty Modern Warfare, Sly Cooper 3, Dead Rising 3. On stage, Ruth has played lead roles at top equity houses including Center Theatre Group's Kirk Douglas Theatre, South Coast Repertory, The Goodman Theatre, The La Jolla Playhouse, The Denver Theatre Center, the Cincinnati Playhouse, and the Long Beach Opera.

Also a WGAw writer, she was featured on the cover of the Writers Guild of America's Written By magazine for being the first writer to join that union via her work in digital media. Ms. Livier received special recognition by the National Hispanic Foundation for the Arts, the Breakthrough in Entertainment Industry recognition from California Lieutenant Governor Cruz Bustamante and the NAMIC Legacy Award.

She has been featured in prominent publications including: Written By, TV Guide, Emmy Magazine, People en Espanol, Latino Leaders, Hispanic, and Latino Future, among others.

Alfredo Adame was born on 10 June 1958 in Guadalajara, Jalisco, Mexico. He is an actor and producer, known for De frente al sol (1992), Mi segunda madre (1989) and Retrato de familia (1995). He is married to Mary Paz Banquells. They have three children.

Erick Elias was born on June 23, 1980 in Guadalajara, Jalisco, Mexico. A descendant of a family of architects, he started by studying for acting, music, dance, and modeling at a young age. He has been appearing in some telenovelas and other television series. His protagonist debut was in the telenovela Tormenta en el paraiso with Sara Maldonado in 2007. He has also dabbled in film dubbing and tape. In 2008, he married Karla Guindi. In 2010, he starred in the telenovela Niña de mi Corazon with Paulina Goto. In 2014, he starred in the telenovela El color de la Pasion with Esmeralda Pimentel. He has 2 daughters with Karla Guindi: Penelope and Olivia.

Bernardo Flores was born on 9 March 1996 in Guadalajara, Mexico. He is an actor, known for Like, la leyenda (2018), La Doña (2016) and Pasión de gavilanes (2003).

José Ron was born on August 8, 1981 in Guadalajara, Jalisco, Mexico as Édgar José Ron Vázquez. He is an actor known for appearing in Mexican telenovelas. He began his acting career in 2004 in Mujer de Madera with Edith Gonzalez. In 2006, he appeared in Rebelde with Anahí, Maite Perroni, Dulce María, Alfonso Herrera, and others. Later that year, he also appeared in Codigo Postal as one of the protagonists with África Zavala. In 2007, he appeared in Muchachitas como tú with Ariadne Díaz, Gabriela Carrillo, and others. In 2008, he appeared in Juro que te amo with Ana Brenda Contreras. In 2010, he appeared in Cuando me enamoro with Silvia Navarro and Juan Soler. In 2011 he appeared again with Ana Brenda Contreras, but this time in La que no podía amar with Jorge Salinas. In 2012, he appeared in with Ariadne Díaz once again, but this time in La mujer del Vendaval as the male protagonist of that telenovela. In 2014, he appeared in Muchacha Italiana Viene a Casarse (remake of the 1971 telenovela with the same title) with Livia Brito. Currently, he continues to appear in more Mexican telenovelas. He also sometimes acts in theater plays, when not on television.

Chava Cartas was born on 15 September 1971 in Guadalajara, Jalisco, Mexico. He is a director and assistant director, known for Rosario Tijeras (2016), Sobreviviendo Mis XV (2023) and Amor xtremo (2006).

Pedro Fernandez was born on September 28 in Guadalajara, Jalisco, Mexico in 1969. His birth name was Jose Martin Cuevas Cobos. He made his film debut in 1979 when producer Ruben Galindo gave him his first oportunity in the production "La nina de la mochila azul" where he started his career. He changed his name to Pedro Fernandez, because of his music idols Pedro Infante and Vicente Fernandez. He is also a singer with more than 25 LPs in a 20 year music career. He's married to Rebeca, a woman from Reinosa, Tamaulipas, Mexico. They've three children Osmara, Karina and Gema Guadalupe.

Michael Ronda was born on 28 September 1996 in Guadalajara, Jalisco, Mexico. He is an actor, known for Cuando sea joven (2022), Milarepa and Bacalar (2011).

Iván Arana was born on 21 June 1987 in Guadalajara, Jalisco, Mexico. He is an actor, known for El Señor de los Cielos (2013), La Jefa (2025) and Soy tu fan (2010).

Laura Galán, hailing from Guadalajara, Spain, has swiftly distinguished herself as a formidable presence in the acting sphere, celebrated for her deeply felt and authentic portrayals. Initially developing her skills through dedicated work in theatre productions, tackling classic adaptations and new works, she also gained experience with early roles in television series and films, including an appearance in Terry Gilliam's The Man Who Killed Don Quixote. However, it was her arresting lead performance in the feature film Cerdita (Piggy) that truly announced her arrival on the international stage. Expanding on her role from the original, highly regarded short film, Galán delivered a stunningly visceral depiction of Sara, a teenager grappling with relentless bullying related to her weight. Her performance masterfully conveyed both profound vulnerability and burgeoning strength, resonating powerfully with audiences and critics worldwide. This impactful role earned numerous accolades, culminating in the prestigious Goya Award for Best New Actress, solidifying her position as a major emerging talent within Spanish cinema. Galán consistently embraces challenging characters, often exploring difficult themes such as societal judgment, body image, and inner resilience, showcasing a fearless commitment to her craft. Following Cerdita, she has continued to diversify her portfolio, taking on demanding roles in films like the intense thriller One Night with Adela and joining the cast of the historical drama series Beguinas, further demonstrating her versatility and dedication to compelling, character-driven narratives that leave a lasting impression.

Ariadne Díaz was born on 17 August 1986 in Guadalajara, Jalisco, Mexico. She is an actress, known for Mañana es para siempre (2008), La malquerida (2014) and Te juro que yo no fui (2018). She has been married to Marcus Ornellas since 2015. They have one child.

Sherlyn was born on 14 October 1985 in Guadalajara, Jalisco, Mexico. She is an actress, known for Clase 406 (2002), Amores verdaderos (2012) and Elisa Before the End of the World (1997). She was previously married to Gerardo Islas.