Douglas Breen (Michael Biehn) is a disturbed young man who incessantly writes fan letters to actress Sally Ross (Lauren Bacall). As Douglas's obsession over Sally becomes more and more extreme with threats of escalation, Sally takes on the lead role in a musical as she deals with insecurities about her age as well as the added stress of her stalker and his effects on her life.
The Fan is a 1981 adaptation of Bob Randall's 1977 novel of the same name which was acquired producer Robert Stigwood who centered the film as a vehicle for Lauren Bacall after other actresses were considered. The movie went through a number of different re-writes, a director switch with Waris Hussein dropping out and being replaced with Edward Bianchi, the initial studio Filmways going bankrupt leading to pickup by Paramount, and even a reshot ending and an uncomfortable parallel to the real life murder of John Lennon. Upon release, the film received negative reviews and was often lumped in with the slasher films of the early 80s "slasher glut" (despite the film being more of a thriller) and the film only made about $3 million against a $10 million budget. Bacall herself was not a fan of the film saying the producers upped the level of violence from when she first signed on, but did state some of her best work was done as Sally Ross. In the end, The Fan is very C-level material giving A-level treatment.
To start off on the positive, Lauren Bacall is right to compliment her work in the film because it is a really solid performance from her. Bacall's Sally Ross is a multi-layered character who's in a stage of uncertainty in her career while also dealing with the baggage of having an ex-husband (wonderfully played by James Garner) who is now marrying a younger woman and the backstage drama involving Sally undertaking a new venture into musical theater leads to some impressive sequences which are pretty indicative this is a Stigwood production because of their strong production design and catchy soundtrack. The movie is very stylishly shot with lots of impressive camera work on display and set design that's undeniably eye catching. What doesn't work as well is the actual thriller plot which honestly just feels kind of standard and workman like.
While Michael Biehn is a good actor and does the best he can with the material, I personally feel it was a mistake to show the film from both Sally and Douglas' point of view and feel that through most of the movie Douglas' presence should've been solely through his letters (maybe read in voice over) and his actions committed off camera. The time where Biehn's performance is most intense is during the opening credits where the camera pans over his desk and typewriter as he writes a letter to Sally and because we don't see him it makes the scene more intense. There's nothing wrong with Biehn's performance per se, but there's just not all that much in terms of commentary or intensity. For comparison Martin Scorcese would do the movie The King of Comedy two years later that focused on this story from the POV of Rupert Pupkin and if you compare it to the 1968 film Targets which had a similar but more detached plot, the movie was allowed to be more intense because it didn't dive into the killer.
The Fan I feel is worth seeing for Bacall's performance alone and it is stylish movie even if the material isn't at the level of the style. With how underwhelming the thriller side of this story is, you almost wish they'd just done away with the stalker fan aspect of the story and solely made it a drama about Sally Ross at a certain point in her career. It's perfectly serviceable for what it is, but it's also got clear signs of interference to make something less bold and more exploitative (including a very apparent reshot ending).
The Fan is a 1981 adaptation of Bob Randall's 1977 novel of the same name which was acquired producer Robert Stigwood who centered the film as a vehicle for Lauren Bacall after other actresses were considered. The movie went through a number of different re-writes, a director switch with Waris Hussein dropping out and being replaced with Edward Bianchi, the initial studio Filmways going bankrupt leading to pickup by Paramount, and even a reshot ending and an uncomfortable parallel to the real life murder of John Lennon. Upon release, the film received negative reviews and was often lumped in with the slasher films of the early 80s "slasher glut" (despite the film being more of a thriller) and the film only made about $3 million against a $10 million budget. Bacall herself was not a fan of the film saying the producers upped the level of violence from when she first signed on, but did state some of her best work was done as Sally Ross. In the end, The Fan is very C-level material giving A-level treatment.
To start off on the positive, Lauren Bacall is right to compliment her work in the film because it is a really solid performance from her. Bacall's Sally Ross is a multi-layered character who's in a stage of uncertainty in her career while also dealing with the baggage of having an ex-husband (wonderfully played by James Garner) who is now marrying a younger woman and the backstage drama involving Sally undertaking a new venture into musical theater leads to some impressive sequences which are pretty indicative this is a Stigwood production because of their strong production design and catchy soundtrack. The movie is very stylishly shot with lots of impressive camera work on display and set design that's undeniably eye catching. What doesn't work as well is the actual thriller plot which honestly just feels kind of standard and workman like.
While Michael Biehn is a good actor and does the best he can with the material, I personally feel it was a mistake to show the film from both Sally and Douglas' point of view and feel that through most of the movie Douglas' presence should've been solely through his letters (maybe read in voice over) and his actions committed off camera. The time where Biehn's performance is most intense is during the opening credits where the camera pans over his desk and typewriter as he writes a letter to Sally and because we don't see him it makes the scene more intense. There's nothing wrong with Biehn's performance per se, but there's just not all that much in terms of commentary or intensity. For comparison Martin Scorcese would do the movie The King of Comedy two years later that focused on this story from the POV of Rupert Pupkin and if you compare it to the 1968 film Targets which had a similar but more detached plot, the movie was allowed to be more intense because it didn't dive into the killer.
The Fan I feel is worth seeing for Bacall's performance alone and it is stylish movie even if the material isn't at the level of the style. With how underwhelming the thriller side of this story is, you almost wish they'd just done away with the stalker fan aspect of the story and solely made it a drama about Sally Ross at a certain point in her career. It's perfectly serviceable for what it is, but it's also got clear signs of interference to make something less bold and more exploitative (including a very apparent reshot ending).