After his new wife Mandy (Peggy Castle) has a seizure, Dick Anthony (Arthur Franz) finds that she has become possessed by the spirit of his first wife Felicia, who drowned six years earlier. Dick's sister-in-law Kate (Marsha Hunt) suspects that Felicia's mother is somehow responsible and goes to occultist Maitre Renall (Otto Reichow) for help.
Back From the Dead is one of the earliest horror movies to deal with the subject of Satanic cults and of possession, sub-genres that would become much more popular in the late-'60s and early-'70s thanks to films such as Rosemary's Baby and The Exorcist.
The reason this one isn't better known is that, despite its intriguing premise, the script is strictly second-rate and the pacing dreary. Director Charles Marquis Warren is clearly out of his comfort zone, his stock-in-trade being the Western, and he fails to conjure up any real atmosphere or suspense, the overly talky material not helping matters.
Castle is captivating as Mandy/Felicia, her beauty one reason to seek out the film, but this is an unremarkable movie on the whole, one that ends in a muddled and rushed manner as though even Warren had grown tired of it.
Back From the Dead is one of the earliest horror movies to deal with the subject of Satanic cults and of possession, sub-genres that would become much more popular in the late-'60s and early-'70s thanks to films such as Rosemary's Baby and The Exorcist.
The reason this one isn't better known is that, despite its intriguing premise, the script is strictly second-rate and the pacing dreary. Director Charles Marquis Warren is clearly out of his comfort zone, his stock-in-trade being the Western, and he fails to conjure up any real atmosphere or suspense, the overly talky material not helping matters.
Castle is captivating as Mandy/Felicia, her beauty one reason to seek out the film, but this is an unremarkable movie on the whole, one that ends in a muddled and rushed manner as though even Warren had grown tired of it.