Let's start with the most important fact: Naomi Ackie kills it as Whitney Houston in "I Wanna Dance with Somebody." When her casting was announced, some were put off by their lack of close physical resemblance. No matter: Ackie handily disappears into the role. She is particularly expert in capturing the cadence of Whitney's speech, conveying her fiercely independent personality in all its charisma and occasional prickliness.
This is a movie that puts Whitney's career front and center, with a special emphasis on her relationship with Arista records founder Clive Davis. Stanley Tucci makes for an impressively spot-on Davis, although perhaps his portrayal is a bit too reverent. The scene where he confronted her over her spiraling drug addiction was tough to watch. I appreciated the lack of cheap psychological gimmicks to explain away her troubles.
Whitney's important, long-lasting lesbian relationship with creative director Robyn Crawford is finally given its fair shake here. Crawford is a deeply fascinating figure in her own right, and their scenes together pop. Apparently, Crawford has written a book on her experiences and I'm very curious to check it out.
The musical highlight is the near superhuman medley of "I Loves You Porgy", "And I Am Telling You I'm Not Going" and "I Have Nothing" from the 1994 American Music Awards. Whitney's original voice is thankfully used for the singing parts, as if any other choice was possible for the greatest vocalist of the 20th century!
Music biopics do seem to bring out a special kind of snobbery and faux-cleverness from critics at times. Were you really not expecting to see Whitney singing in church or signing her first record deal? These are the facts of her life! They are told beautifully and compellingly here.
This is a movie that puts Whitney's career front and center, with a special emphasis on her relationship with Arista records founder Clive Davis. Stanley Tucci makes for an impressively spot-on Davis, although perhaps his portrayal is a bit too reverent. The scene where he confronted her over her spiraling drug addiction was tough to watch. I appreciated the lack of cheap psychological gimmicks to explain away her troubles.
Whitney's important, long-lasting lesbian relationship with creative director Robyn Crawford is finally given its fair shake here. Crawford is a deeply fascinating figure in her own right, and their scenes together pop. Apparently, Crawford has written a book on her experiences and I'm very curious to check it out.
The musical highlight is the near superhuman medley of "I Loves You Porgy", "And I Am Telling You I'm Not Going" and "I Have Nothing" from the 1994 American Music Awards. Whitney's original voice is thankfully used for the singing parts, as if any other choice was possible for the greatest vocalist of the 20th century!
Music biopics do seem to bring out a special kind of snobbery and faux-cleverness from critics at times. Were you really not expecting to see Whitney singing in church or signing her first record deal? These are the facts of her life! They are told beautifully and compellingly here.