"Macho manhood is flagged up in the opening montage, and unwittingly or not, HUSBANDS also shows up a pick-up artist's aggression in the sequences of Gas courting a tall, blonde Londoner Mary Tynan (Runacre, whose discomfiture and snit is vividly teased out by Cassavetes to alarmingly horrendous lucidity), how the manipulation of negging allows a man to have his way with a reluctant woman under his clutches."
read the full review on my blog: Cinema Omnivore, thanks.
read the full review on my blog: Cinema Omnivore, thanks.