Ozu has a very distinct style; his frames are always full of leading lines, staggered staging, lots of depth, and layered patterns upon patterns. Many of his shots are symmetrical or close to it, and nigh everything he puts in front of the camera is meant to be there for a certain reason. The way his scenes play out are slow but charming, particularly in "Good Morning". The humor doesn't come from rip-roaring jokes but from unusual coincidences or repeated circumstances. This film isn't so much a comedy as it is a charming, nostalgic glimpse at 1950s Japan. There aren't any life altering circumstances that arise throughout this film, it's just a simple story about generational disparity. If you're at all familiar with Ozu's work, then you'll know this is a theme that he likes to visit frequently. If you're a huge fan of Ozu, Japanese cinema, or quiet, innocent films with a few laughs then this movie is for you. This isn't Ozu's best, by any means, but it's certainly worth the hour and a half it takes to watch it.
Review of Good Morning
