I don't understand the low rating on this film at all. Although I can understand why people would be skeptical about a horror film starring Connie Stevens and Walt Disney leading man Dean Jones, these two really click in this one. John Harley 'Duke' Duquesne (Cesar Romero) is a magician whose wife (Connie Stevens in a dual role as wife Melinda/daughter Cassie twenty years later) is part of the act. Daughter Cassie has been living with an aunt that does not approve of her show-business parents ever since her mother disappeared when she was two. Neither father nor mother have ever tried to contact her in all of these years, and then one day she is notified of her father's death and comes to the funeral.
Thus Cassie returns to L.A. first for the funeral and then to take up residence in her father's mansion for a week, which is a condition of his will in which he promises to rise from the grave within that time. If he does not, Cassie is free to move out and take possession of her inheritance. In the meantime, reporter Val Henderson (Dean Jones) has taken an interest in the story and in Cassie. Complicating matters is the fact that if Cassie for any reason leaves the mansion between midnight and dawn during these seven days then her former nursemaid and her father's long-time care-taker and her father's former agent get to split the fortune instead. Let me also mention that the fact that Duquesne retired from show business twenty years before has left the two indigent. So when Cassie starts hearing and seeing things in the wee hours, is this Duke back from the dead, is it the two secondary heirs trying to drive her out of the mansion, or something else entirely? Watch and find out.
The big creepy mansion is full of tricks and traps that somewhat presage the ending, and then there's the movie's score that is about the creepiest thing I've ever heard, aptly done by Max Steiner. Take it from me, this is no mediocre six star horror film.
Thus Cassie returns to L.A. first for the funeral and then to take up residence in her father's mansion for a week, which is a condition of his will in which he promises to rise from the grave within that time. If he does not, Cassie is free to move out and take possession of her inheritance. In the meantime, reporter Val Henderson (Dean Jones) has taken an interest in the story and in Cassie. Complicating matters is the fact that if Cassie for any reason leaves the mansion between midnight and dawn during these seven days then her former nursemaid and her father's long-time care-taker and her father's former agent get to split the fortune instead. Let me also mention that the fact that Duquesne retired from show business twenty years before has left the two indigent. So when Cassie starts hearing and seeing things in the wee hours, is this Duke back from the dead, is it the two secondary heirs trying to drive her out of the mansion, or something else entirely? Watch and find out.
The big creepy mansion is full of tricks and traps that somewhat presage the ending, and then there's the movie's score that is about the creepiest thing I've ever heard, aptly done by Max Steiner. Take it from me, this is no mediocre six star horror film.