Tim Robbins's 'Dead Man Walking' is a brave piece of cinema. Though the film is about a man on death row and a nun's struggle to help him, I liked how he presented both sides of the central theme of capital punishment. This isn't a preachy film about capital punishment being wrong or right as I doubt one's opinion would change on that after watching the movie. But, it's more of a subtle movie that tells the story of two people who form an unlikely friendship.
This couldn't have been an easy film to make yet he manages to pull it off. Poncelet is a ruthless murderer and in no way does Robbins condone what he has done but he and actor Sean Penn manage to win Poncelet the viewer's sympathy. The execution is terrific. The last scene particularly stands out. We see, in flashback, what had happened while Poncelet meets his ultimate fate. We see how he and Helen make the final connection, we see remorse in his eyes, we see him dying a slow death and at the same time the horror of the crime is exposed to us. We know that what he did is unforgivable but he finally took responsibility for that which allows us to see him as a human being rather than a ruthless killer. This also makes the whole tragedy more astonishing because you just ponder, like Sister Helen, on how such a normal human being commit such a heinous deed?
Both Sean Penn and Susan Sarandon deliver powerful performances. We pretty much see most of the film from Helen's point of view. Sarandon clearly has put a lot of heart into the role as she skillfully downplays her part showing tremendous depth and pathos. Sean Penn plays his difficult complex character with ease. The supporting cast do well (watch out for a young Jack Black and Peter Sarsgaard).
The score is mesmerizing, especially the Nusrat Fateh Ali Khan tracks. I also felt that sense of isolation that was brought out in the prison scenes. The terrific writing grips the viewer's attention right from the start. Even though we can predict Poncelet's fate, we are drawn into the fascinating transforming journey of these two intriguing characters.
This couldn't have been an easy film to make yet he manages to pull it off. Poncelet is a ruthless murderer and in no way does Robbins condone what he has done but he and actor Sean Penn manage to win Poncelet the viewer's sympathy. The execution is terrific. The last scene particularly stands out. We see, in flashback, what had happened while Poncelet meets his ultimate fate. We see how he and Helen make the final connection, we see remorse in his eyes, we see him dying a slow death and at the same time the horror of the crime is exposed to us. We know that what he did is unforgivable but he finally took responsibility for that which allows us to see him as a human being rather than a ruthless killer. This also makes the whole tragedy more astonishing because you just ponder, like Sister Helen, on how such a normal human being commit such a heinous deed?
Both Sean Penn and Susan Sarandon deliver powerful performances. We pretty much see most of the film from Helen's point of view. Sarandon clearly has put a lot of heart into the role as she skillfully downplays her part showing tremendous depth and pathos. Sean Penn plays his difficult complex character with ease. The supporting cast do well (watch out for a young Jack Black and Peter Sarsgaard).
The score is mesmerizing, especially the Nusrat Fateh Ali Khan tracks. I also felt that sense of isolation that was brought out in the prison scenes. The terrific writing grips the viewer's attention right from the start. Even though we can predict Poncelet's fate, we are drawn into the fascinating transforming journey of these two intriguing characters.