This is one of those conventional comedies of the '50s in which the righteous triumph over big bad corporate America, with MONTY WOOLLEY as a man who becomes indignant when forced to retire and goes about hatching a plan to draw attention to the subject of forced retirement.
The theme isn't conventional, but the treatment is. Woolley gets to strut his stuff in scene after scene until the point becomes so obvious that you're willing to watch others in the cast who seem to be watching him on the sidelines. And there are some new faces to watch. David WAYNE, JEAN PETERS, RUSS TAMBLYN and newcomer MARILYN MONROE, who already had such a publicity build-up from Fox that many flocked to see the film because Marilyn was in it. She has a small, but choice role, as a curvy secretary who knows her effect on men. She shines (glows is a better word) in a charming small role.
If you're a Monty Woolley fan and like his particular style of emoting (acid-tongued and quick witted most of the time), you'll enjoy this, although it's certain a lesser work considering that it was written by Paddy Cheyefsky, who was then at the height of his writing powers.
The theme isn't conventional, but the treatment is. Woolley gets to strut his stuff in scene after scene until the point becomes so obvious that you're willing to watch others in the cast who seem to be watching him on the sidelines. And there are some new faces to watch. David WAYNE, JEAN PETERS, RUSS TAMBLYN and newcomer MARILYN MONROE, who already had such a publicity build-up from Fox that many flocked to see the film because Marilyn was in it. She has a small, but choice role, as a curvy secretary who knows her effect on men. She shines (glows is a better word) in a charming small role.
If you're a Monty Woolley fan and like his particular style of emoting (acid-tongued and quick witted most of the time), you'll enjoy this, although it's certain a lesser work considering that it was written by Paddy Cheyefsky, who was then at the height of his writing powers.