One of the Best
30 November 2003
Warning: Spoilers
This is one of my favorite Bond's. It has the best story and most closely resemble the original novel. It has become notorious for featuring a one-time Bond, George Lazenby, but it surpasses most of the later films.

Lazenby gets far too much criticism. As a first time actor, he is quite good. Yes, his performance is mixed, but so are several other actors, many with far more experience. More time should have been put into acting classes and rehearsal for Lazenby, to prepare him for the role. Instead, they concentrated on his look and mannerisms. This has been one of the failing aspects to the films; the emphasis on sight rather than substance.

Diana Rigg is fantastic as Tracy, which is to be expected. Who else but Emma Peel could marry James Bond? (wonder what Mr. Peel thought, or Steed, for that matter.) Rigg is the first, and arguably the last real actress to play the female lead in a Bond film. Most are chosen for their looks and their performance rarely rises above looking sexy. Rigg has the looks and sex appeal, but she also has the acting chops and tends to dominate any scene she is in.

Telly Savalas was an interesting, yet mixed choice for Blofeld. He is quite charming, but not very menacing. He was far deadlier in the Dirty Dozen. Blofeld was far more effective before he was seen in the series. Imagination was always far better than reality. Savalas seems more like a gangster than a megalomaniac. Since I saw this after Kojak, I kept waiting for him to say, "who loves ya baby?"

The stunts are fantastic and act in service to the plot. The ski chase is gripping and the tension builds throughout. Although it becomes obvious in several scenes that Diana Rigg is doubled by a man, it is not too distracting.

Ultimately, the story raises this above the level of most Bond films. The plot moves along at a quick pace and there are few sidelines. The jokes are kept to a minimum and character is stressed. The actions scenes are eye catching, but never out of place. The threat is believable and the final resolution to Blofeld's plans works.

Spoiler: The director has said he would have preferred to open Diamonds Are Forever with Tracy's death, and then lead to the search for Blofeld. I disagree. I think the death scene is one of Lazenby's best and it carries quite an impact. It let's you know that Bond must return to his work to gain vengeance. I think DAF should have opened with a flashback to the scene and then the hunt for Blofeld. If the death had not occurred at the end of OHMSS, then the opening of DAF would feel like a cheat, much like the opening of the second Austin Powers film. It would just seem like an excuse to get rid of the wife and return to business as usual.
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