9/10
John Payne/Phil Karlson combo makes for potent punch
21 August 2001
Warning: Spoilers
The underrated John Payne -- an ideal Everyman -- teamed with director Phil Karlson in a number of 50s thrillers. All bear viewing, but maybe the pick of the crop is 99 River Street. Payne plays a washed-up boxer now driving a hack, and the movie opens in a frame-within-a-frame of his watching himself in an old bout on TV. Trying to win back the affections of his couldn't-care-less wife (Peggie Castle), he discovers that she's two-timing him. Meanwhile an old gal-pal with theatrical yearnings (Evelyn Keyes, and maybe her finest hour) tries to enlist him in a scheme of her own, which backfires. Next, his wife turns up dead....Karlson keeps the tension high but well-modulated while managing to strike most of the images and motifs on the noir keyboard (including some evocative night footage of the Jersey waterfront). Overall, this installment in the cycle (which has never appeared on commercial videotape) remains one of the most satisfying and characteristic examples of noir in the early Eisenhower era -- slightly less spooky than its 40s predecessors, but a bit more brutal, too.
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