Movie News
Lily Allen is the latest star ready to lighten up Night and Day, an adaptation of the comedic Virginia Woolf novel.
The singer and actress joins a cast that includes Haley Bennett, Elyas M’Barek and Timothy Spall, who will bring to life the 1919 novel revolving around the daily lives and romances of two women. Katharine Hilbery (Bennett), is an Edwardian astronomer who avoids love, while Mary (Allen) is a straight-talking, fearless, funny suffragette. Jack Farthing rounds out the cast for the feature.
Justine Waddell penned the script and will produce, with BAFTA nominee Tina Gharavi directing the feature, which is aiming to shoot this fall in Newcastle, England and Cologne, Germany.
Financing company FilmHedge has come on board to back the project, withs its founder and CEO Jon Gosier and its COO Chandler Heinz Laun serving as executive producers, along with Konstantin Korenchuk.
Producers include Christopher Figg, Meg Thomson and German co-producers Glisk,...
The singer and actress joins a cast that includes Haley Bennett, Elyas M’Barek and Timothy Spall, who will bring to life the 1919 novel revolving around the daily lives and romances of two women. Katharine Hilbery (Bennett), is an Edwardian astronomer who avoids love, while Mary (Allen) is a straight-talking, fearless, funny suffragette. Jack Farthing rounds out the cast for the feature.
Justine Waddell penned the script and will produce, with BAFTA nominee Tina Gharavi directing the feature, which is aiming to shoot this fall in Newcastle, England and Cologne, Germany.
Financing company FilmHedge has come on board to back the project, withs its founder and CEO Jon Gosier and its COO Chandler Heinz Laun serving as executive producers, along with Konstantin Korenchuk.
Producers include Christopher Figg, Meg Thomson and German co-producers Glisk,...
- 5/16/2024
- by Aaron Couch
- The Hollywood Reporter - Movie News
The “Silent Hill” film franchise continues with “Return to Silent Hill,” the latest adaptation of the hit horror anthology video game series. Variety has the first look at the famed monster Pyramid Head in the Christophe Gans-directed film, which is previewing at the Cannes Film Festival.
After helming the “Silent Hill” in 2006, Gans returns to direct the next installment from a script he co-with Sandra Vo-Anh and William Josef Schneider. The project is produced by Victor Hadida for Davis Films, Molly Hassell for Hassell Free Productions and David Wulf.
“Return to Silent Hill” is based on “Silent Hill 2,” the second and most popular game in Konami’s successful video game series, which has been named to top video game lists by Time Magazine, IGN and more. Originally released in 2001 for PlayStation 2, “Silent Hill 2,” is widely considered the best game in the series (and introduced the Pyramid Head character.
After helming the “Silent Hill” in 2006, Gans returns to direct the next installment from a script he co-with Sandra Vo-Anh and William Josef Schneider. The project is produced by Victor Hadida for Davis Films, Molly Hassell for Hassell Free Productions and David Wulf.
“Return to Silent Hill” is based on “Silent Hill 2,” the second and most popular game in Konami’s successful video game series, which has been named to top video game lists by Time Magazine, IGN and more. Originally released in 2001 for PlayStation 2, “Silent Hill 2,” is widely considered the best game in the series (and introduced the Pyramid Head character.
- 5/16/2024
- by Angelique Jackson
- Variety - Film News
Lionsgate is developing a John Wick spinoff movie around Donnie Yen’s Caine assassin character.
Yen will reprise his John Wick: Chapter 4 role in the untitled project set to shoot in Hong Kong in 2025. The franchise expanding film, with no director yet announced, will follow the events of John Wick 4 as Caine has been freed from his obligations to the High Table.
The project also follows Yen, a veteran Hong Kong action hero, pushing back against what he claimed were Asian stereotypes in the original script for John Wick 4. After some prodding, John Wick 4 director Chad Stahelski agreed to change the name and clothes for Yen’s character.
China-born Yen is a household name internationally thanks to his hugely popular and acclaimed Ip Man movie series, and he has crossed over to Hollywood with outings in Rogue One: A Star Wars Story, which grossed over a billion dollars,...
Yen will reprise his John Wick: Chapter 4 role in the untitled project set to shoot in Hong Kong in 2025. The franchise expanding film, with no director yet announced, will follow the events of John Wick 4 as Caine has been freed from his obligations to the High Table.
The project also follows Yen, a veteran Hong Kong action hero, pushing back against what he claimed were Asian stereotypes in the original script for John Wick 4. After some prodding, John Wick 4 director Chad Stahelski agreed to change the name and clothes for Yen’s character.
China-born Yen is a household name internationally thanks to his hugely popular and acclaimed Ip Man movie series, and he has crossed over to Hollywood with outings in Rogue One: A Star Wars Story, which grossed over a billion dollars,...
- 5/15/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Natasha Lyonne is joining the Marvel Cinematic Universe.
The actor, best known for the TV shows “Russian Doll” and “Poker Face,” has been cast in Disney’s upcoming “The Fantastic Four” reboot. It’s not clear who Lyonne will portray in the comic book adventure.
Created for Marvel Comics by Stan Lee and Jack Kirby, “The Fantastic Four” centers around Marvel’s First Family. This iteration of the superhero quartet will star Pedro Pascal as Reed Richards (aka Mr. Fantastic), Vanessa Kirby as Sue Storm (aka the Invisible Woman), Joseph Quinn as Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach as Ben Grimm (aka the Thing). Other already-announced cast members include Julia Garner as the Silver Surfer, Paul Walter-Hauser and John Malkovich.
Matt Shakman, whose credits include “WandaVision,” is directing “The Fantastic Four” from a script by Josh Friedman, Jeff Kaplan, Eric Pearson and Ian Springer. Production is expected...
The actor, best known for the TV shows “Russian Doll” and “Poker Face,” has been cast in Disney’s upcoming “The Fantastic Four” reboot. It’s not clear who Lyonne will portray in the comic book adventure.
Created for Marvel Comics by Stan Lee and Jack Kirby, “The Fantastic Four” centers around Marvel’s First Family. This iteration of the superhero quartet will star Pedro Pascal as Reed Richards (aka Mr. Fantastic), Vanessa Kirby as Sue Storm (aka the Invisible Woman), Joseph Quinn as Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach as Ben Grimm (aka the Thing). Other already-announced cast members include Julia Garner as the Silver Surfer, Paul Walter-Hauser and John Malkovich.
Matt Shakman, whose credits include “WandaVision,” is directing “The Fantastic Four” from a script by Josh Friedman, Jeff Kaplan, Eric Pearson and Ian Springer. Production is expected...
- 5/15/2024
- by Rebecca Rubin
- Variety Film + TV
“If,” a fantasy-comedy from director John Krasinski and star Ryan Reynolds, looks to collect a promising $40 million in its box office debut.
Based on projections, “If” — short for imaginary friends — is tracking to land at least $35 million and as much as $45 million from 4,000 North American theaters. At the higher end of estimates, those ticket sales would mark a solid start for a live-action PG family film that’s not based on an existing property. But the movie cost $110 million, so it’ll need to resonate globally to justify its price tag. Ahead of its domestic release, “If” opened last weekend in two overseas markets, France and Belgium, where it’s earned $3.7 million to date. It lands this week in 56 additional international territories.
Krasinski wrote, directed and stars in “If,” which follows neighbors Cal and Bea (Reynolds and Cailey Fleming) with the ability to see other people’s imaginary friends. While...
Based on projections, “If” — short for imaginary friends — is tracking to land at least $35 million and as much as $45 million from 4,000 North American theaters. At the higher end of estimates, those ticket sales would mark a solid start for a live-action PG family film that’s not based on an existing property. But the movie cost $110 million, so it’ll need to resonate globally to justify its price tag. Ahead of its domestic release, “If” opened last weekend in two overseas markets, France and Belgium, where it’s earned $3.7 million to date. It lands this week in 56 additional international territories.
Krasinski wrote, directed and stars in “If,” which follows neighbors Cal and Bea (Reynolds and Cailey Fleming) with the ability to see other people’s imaginary friends. While...
- 5/15/2024
- by Rebecca Rubin
- Variety - Film News
DC Studios is wasting no time in setting a release date for Supergirl: Woman of Tomorrow now that the movie has found its director.
The high-profile movie will fly into cinemas on June 26, 2026, DC and Warner Bros. announced Tuesday. It is the second film to receive a release date since James Gunn and Peter Safran were brought in to overhaul DC under the new banner DC Studios. The first was Superman, which Gunn is currently shooting for a July 2025 release date.
Flimmaker Craig Gillespie was tapped by Gunn and Safran to shepherd Supergirl, which stars Milly Alcock (House of the Dragon). She’ll play Superman’s Kara Zor-El, the cousin of Superman. The feature film, from a script by Ana Nogueira, is inspired by the Tom King and Bilquis Evely comic, and will depart from the earnest take on the character seen on the CW Supergirl series.
The plan is...
The high-profile movie will fly into cinemas on June 26, 2026, DC and Warner Bros. announced Tuesday. It is the second film to receive a release date since James Gunn and Peter Safran were brought in to overhaul DC under the new banner DC Studios. The first was Superman, which Gunn is currently shooting for a July 2025 release date.
Flimmaker Craig Gillespie was tapped by Gunn and Safran to shepherd Supergirl, which stars Milly Alcock (House of the Dragon). She’ll play Superman’s Kara Zor-El, the cousin of Superman. The feature film, from a script by Ana Nogueira, is inspired by the Tom King and Bilquis Evely comic, and will depart from the earnest take on the character seen on the CW Supergirl series.
The plan is...
- 5/14/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Warner Bros. is aiming for a flawless victory, dating “Mortal Kombat 2” for an IMAX release on Oct. 24, 2025.
The New Line sequel, first announced in January 2022, will be written by Jeremy Slater, best known for the Disney Plus Marvel series “Moon Knight.” Simon McQuoid, who directed “Mortal Kombat,” returns to direct the follow-up. Karl Urban, Adeline Rudolph, Lewis Tan, Jessica McNamee, Josh Lawson, Tadanobu Asano, Mehcad Brooks, Ludi Lin, Damon Herriman, Tati Gabrielle Martyn Ford, Max Huang and Ana Thu Nguyen star, with Chin Han, Joe Taslim and Hiroyuki Sanada. Todd Garner, James Wan, Simon McQuoid, E. Bennett Walsh and Toby Emmerich are producing.
The first “Mortal Kombat,” a martial arts-inspired adaptation of the popular video game created by Ed Boon and John Tobias, opened in theaters and on HBO Max in April 2021, earning $42 million domestically and $83 million worldwide.
In a 2021 interview with Variety, McQuoid hinted at characters he’d...
The New Line sequel, first announced in January 2022, will be written by Jeremy Slater, best known for the Disney Plus Marvel series “Moon Knight.” Simon McQuoid, who directed “Mortal Kombat,” returns to direct the follow-up. Karl Urban, Adeline Rudolph, Lewis Tan, Jessica McNamee, Josh Lawson, Tadanobu Asano, Mehcad Brooks, Ludi Lin, Damon Herriman, Tati Gabrielle Martyn Ford, Max Huang and Ana Thu Nguyen star, with Chin Han, Joe Taslim and Hiroyuki Sanada. Todd Garner, James Wan, Simon McQuoid, E. Bennett Walsh and Toby Emmerich are producing.
The first “Mortal Kombat,” a martial arts-inspired adaptation of the popular video game created by Ed Boon and John Tobias, opened in theaters and on HBO Max in April 2021, earning $42 million domestically and $83 million worldwide.
In a 2021 interview with Variety, McQuoid hinted at characters he’d...
- 5/14/2024
- by Katcy Stephan
- Variety - Film News
Stephen Curry has netted a new scripted project as the basketball superstar continues making inroads as a Hollywood playmaker.
Curry’s producing banner Unanimous Media and David Henrie’s Cedar Hill are developing the basketball-focused comedy feature Trick Shot. A director has yet to be attached to the film that has a script from Jay Longino, whose previous writing credits include Uncle Drew (2018) and Skiptrace (2016).
Trick Shot centers on a middle school student who is dismal at basketball until a freak accident occurs, and he suddenly can’t miss a shot. His newfound hoops talent leads him to become an unexpected NBA rookie, where he is soon an integral member of his favorite team.
Producers include Curry and Erick Peyton for Unanimous Media, David Henrie and James Henrie for Cedar Hill and Ben Everard for Everard Entertainment. Longino and Unanimous’ Brian Testuro Ivie serve as executive producers.
Curry is a...
Curry’s producing banner Unanimous Media and David Henrie’s Cedar Hill are developing the basketball-focused comedy feature Trick Shot. A director has yet to be attached to the film that has a script from Jay Longino, whose previous writing credits include Uncle Drew (2018) and Skiptrace (2016).
Trick Shot centers on a middle school student who is dismal at basketball until a freak accident occurs, and he suddenly can’t miss a shot. His newfound hoops talent leads him to become an unexpected NBA rookie, where he is soon an integral member of his favorite team.
Producers include Curry and Erick Peyton for Unanimous Media, David Henrie and James Henrie for Cedar Hill and Ben Everard for Everard Entertainment. Longino and Unanimous’ Brian Testuro Ivie serve as executive producers.
Curry is a...
- 5/16/2024
- by Ryan Gajewski
- The Hollywood Reporter - Movie News
Horror and thriller directors Michael and Peter Spierig (Lionsgate’s Jigsaw) are set to direct Fall 2, it was announced by Capstone Studios’ CEO Christian Mercuri. Scott Mann, who directed and co-wrote the first film, is returning to co-write Fall 2 with Jonathan Frank.
Following the successful survival thriller Fall released in 2022 by Lionsgate, Fall 2 will reunite producers Mark Lane and James Harris of Tea Shop Productions (47 Meters Down), Capstone’s Christian Mercuri, David Haring, and Scott Mann via the Flawless banner.
Dan Asma, John Long, and Roman Viaris will also reunite as executive producers alongside Capstone’s Ruzanna Kegeyan. Capstone will finance the sequel, with Fall 2 set to begin shooting in June 2024.
Capstone Global is handling worldwide rights to the franchise. In late 2023, Capstone Studios greenlit both Fall 2 and Fall 3 under the franchise. Mann will return to write and direct the third installment.
“We’re extremely excited to helm the second...
Following the successful survival thriller Fall released in 2022 by Lionsgate, Fall 2 will reunite producers Mark Lane and James Harris of Tea Shop Productions (47 Meters Down), Capstone’s Christian Mercuri, David Haring, and Scott Mann via the Flawless banner.
Dan Asma, John Long, and Roman Viaris will also reunite as executive producers alongside Capstone’s Ruzanna Kegeyan. Capstone will finance the sequel, with Fall 2 set to begin shooting in June 2024.
Capstone Global is handling worldwide rights to the franchise. In late 2023, Capstone Studios greenlit both Fall 2 and Fall 3 under the franchise. Mann will return to write and direct the third installment.
“We’re extremely excited to helm the second...
- 5/16/2024
- by Mirko Parlevliet
- Vital Thrills
One Cannes ritual is IMAX CEO Rich Gelfond’s annual press lunch. IMAX is thriving in the global marketplace, with more than 1,700 screens in 90 countries, as audiences continue to recognize and embrace the global brand for giant film and digital cameras and big-screen formats. Helfand announced the company’s upcoming 2025 filmed for IMAX slate (below) while at Cannes, which he believes will break records for the company. Thanks to IMAX believer Chris Nolan‘s global blockbuster “Oppenheimer,” IMAX performed at peak capacity with over $1 billion in revenue in 2023, matching the company’s 2019 pre-pandemic record.
IMAX delivered 20% of the global box office for “Oppenheimer” — shot entirely with IMAX film cameras — and more than $190 million worldwide, making it the fifth highest grossing IMAX film of all time. IMAX also delivered 21% of the global box office for “Dune: Part Two” — shot entirely with IMAX-certified digital cameras — and over $145 million worldwide, making it the seventh highest.
IMAX delivered 20% of the global box office for “Oppenheimer” — shot entirely with IMAX film cameras — and more than $190 million worldwide, making it the fifth highest grossing IMAX film of all time. IMAX also delivered 21% of the global box office for “Dune: Part Two” — shot entirely with IMAX-certified digital cameras — and over $145 million worldwide, making it the seventh highest.
- 5/16/2024
- by Anne Thompson
- Indiewire
The main cast of Jim Jarmusch‘s first film since 2019’s “The Dead Don’t Die” has been revealed, and what a cast it is. Variety reports that Adam Driver, Mayim Bialik, Jarmusch regular Tom Waits, Charlotte Rampling, Indya Moore, and Luka Sabbat join Cate Blanchett and Vicky Krieps on “Father Mother Sister Brother.” Jarmusch has already wrapped shooting, with post-production underway in NYC, so expect the film to be ready for a premiere later this year.
Continue reading ‘Father Mother Sister Brother’: Jim Jarmusch’s Latest Star Cate Blanchett, Adam Driver, Tom Waits & More at The Playlist.
Continue reading ‘Father Mother Sister Brother’: Jim Jarmusch’s Latest Star Cate Blanchett, Adam Driver, Tom Waits & More at The Playlist.
- 5/16/2024
- by Ned Booth
- The Playlist
Dearest readers: It’s Bridgerton Week at IndieWire. We’re celebrating the new season by diving deep on one of the best romance shows on TV.
A few days before “Bridgerton” Season 3 premieres worldwide, an eager fan muscled her way through the small crowd hovering around star Nicola Coughlan at the world premiere in New York City.
That fan would be this author’s mother, delighted to see her favorite character from one of her favorite shows (and she said as much in the moment). When Coughlan arrived at the IndieWire offices a couple days later, I expected the confident, funny, and affable actor now in month four of an international press tour — but I had also already witnessed her attentiveness and compassion firsthand in the best way.
“I believe strongly that everyone needs to do a year in retail,” Coughlan said as we discussed her journey to “Bridgerton.” “That...
A few days before “Bridgerton” Season 3 premieres worldwide, an eager fan muscled her way through the small crowd hovering around star Nicola Coughlan at the world premiere in New York City.
That fan would be this author’s mother, delighted to see her favorite character from one of her favorite shows (and she said as much in the moment). When Coughlan arrived at the IndieWire offices a couple days later, I expected the confident, funny, and affable actor now in month four of an international press tour — but I had also already witnessed her attentiveness and compassion firsthand in the best way.
“I believe strongly that everyone needs to do a year in retail,” Coughlan said as we discussed her journey to “Bridgerton.” “That...
- 5/16/2024
- by Proma Khosla
- Indiewire
The rise and fall of theater subscription service MoviePass is captured in new HBO documentary “MoviePass, MovieCrash.”
Dubbed “the Netflix of the movie theater” in the trailer, MoviePass was founded by Stacy Spikes and Hamet Watt in 2011 before former CEOs Mitch Lowe and Ted Farnsworth allegedly utilized fraudulent business tactics; the duo were charged by the Securities and Exchange Commission (SEC) in a 2022 lawsuit. The lawsuit additionally named ex-MoviePass Vice President Khalid Itum as a defendant, with Itum being accused of submitting false invoices for the company.
MoviePass filed for bankruptcy in 2020 after launching a $9.99 per month subscription in 2017 allowing people to see a movie a day. Upon moving to the $9.99 one movie per day model, subscriptions went from 20,000 to 100,000 users within two days, ultimately capping at more than 3 million subscribers in 2018. Yet the company still lost more than $150 million in 2017 alone. MoviePass filed for bankruptcy in 2019.
The company later...
Dubbed “the Netflix of the movie theater” in the trailer, MoviePass was founded by Stacy Spikes and Hamet Watt in 2011 before former CEOs Mitch Lowe and Ted Farnsworth allegedly utilized fraudulent business tactics; the duo were charged by the Securities and Exchange Commission (SEC) in a 2022 lawsuit. The lawsuit additionally named ex-MoviePass Vice President Khalid Itum as a defendant, with Itum being accused of submitting false invoices for the company.
MoviePass filed for bankruptcy in 2020 after launching a $9.99 per month subscription in 2017 allowing people to see a movie a day. Upon moving to the $9.99 one movie per day model, subscriptions went from 20,000 to 100,000 users within two days, ultimately capping at more than 3 million subscribers in 2018. Yet the company still lost more than $150 million in 2017 alone. MoviePass filed for bankruptcy in 2019.
The company later...
- 5/16/2024
- by Samantha Bergeson
- Indiewire
Morgana Studios, ReachStar and ReDefine Originals are partnering on the animated feature “Diamante,” set on the lush Caribbean Island of the Dominican Republic.
The film will be directed by Mathieu Ratthé with the screenplay written by Ratthé and Leticia Tonos Paniagua from an original idea by Claudio Lluberes.
Animation will be handled by ReDefine Originals, which is part of Dneg. The producers are casting.
“Diamante” follows young Luisito’s dream of becoming a pro baseball player. He is crushed by his fear of people until he discovers a mysterious power, leading him on a journey alongside an unlikely companion, to learn the true value of friendship, family, and resilience.
Producing are Ratthé, Caroline Desmarais and Steven Thibault for Reachstar, and Miguel Cabañas, Verónica Buide, Claudio Lluberes and Daysi Cruz for Morgana Studios. Executive producing for ReDefine Originals are Greg Gavanski, John Harvey and Daniel Krech.
“‘Diamante’ aims to highlight the...
The film will be directed by Mathieu Ratthé with the screenplay written by Ratthé and Leticia Tonos Paniagua from an original idea by Claudio Lluberes.
Animation will be handled by ReDefine Originals, which is part of Dneg. The producers are casting.
“Diamante” follows young Luisito’s dream of becoming a pro baseball player. He is crushed by his fear of people until he discovers a mysterious power, leading him on a journey alongside an unlikely companion, to learn the true value of friendship, family, and resilience.
Producing are Ratthé, Caroline Desmarais and Steven Thibault for Reachstar, and Miguel Cabañas, Verónica Buide, Claudio Lluberes and Daysi Cruz for Morgana Studios. Executive producing for ReDefine Originals are Greg Gavanski, John Harvey and Daniel Krech.
“‘Diamante’ aims to highlight the...
- 5/16/2024
- by Leo Barraclough
- Variety - Film News
Glen Powell remained the king of grassroots publicity at an Austin, Texas, screening of his new Netflix movie, Richard Linklater’s “Hit Man.” The leading man hit the red carpet at the event accompanied by his family, but his mother and father decided to troll their son with signs directed at the press line that read: “Stop trying to make Glen Powell happen” and “It’s never gonna happen.”
It appears Powell’s parents have been paying attention to all the press attention their son has been getting over the last few years. Every time Powell appears in a movie, be it Netflix’s “Set It Up” or Tom Cruise’s blockbuster “Top: Gun Maverick” or Sony’s rom-com “Anyone But You” with Sydney Sweeney, the press can’t help but say he’s got bona fide star power and is the next big thing. The “Hit Man” reviews also...
It appears Powell’s parents have been paying attention to all the press attention their son has been getting over the last few years. Every time Powell appears in a movie, be it Netflix’s “Set It Up” or Tom Cruise’s blockbuster “Top: Gun Maverick” or Sony’s rom-com “Anyone But You” with Sydney Sweeney, the press can’t help but say he’s got bona fide star power and is the next big thing. The “Hit Man” reviews also...
- 5/16/2024
- by Zack Sharf
- Variety - Film News
Benedict Cumberbatch Talks Marvel’s “Big Machine” But Says He’s In The Dark About ‘Doctor Strange 3’
These days, avoiding Marvel confirmation of any kind might be an occupational hazard. For example, today, “Top Gun: Maverick” star Lewis Pullman was on the Happy Sad Confused podcast to promote his Apple TV+ series, “Lessons In Chemistry,” co-starring Brie Larson, which is vying for Emmy Contention now. The actor was asked about this upcoming appearance in Marvel’s “Thunderbolts*” movie, reportedly playing the character of Sentry, and the actor skirted around the subject as much as possible in a squirm-inducing segment of the interview.
Continue reading Benedict Cumberbatch Talks Marvel’s “Big Machine” But Says He’s In The Dark About ‘Doctor Strange 3’ at The Playlist.
Continue reading Benedict Cumberbatch Talks Marvel’s “Big Machine” But Says He’s In The Dark About ‘Doctor Strange 3’ at The Playlist.
- 5/16/2024
- by The Playlist
- The Playlist
Imagine it’s 1920s Los Angeles. You’re driving around town in a Model T, cruising from Echo Park’s Edendale studios to Universal City to Musso and Frank on Hollywood Boulevard. That experience comes to life for visitors at the Academy Museum’s new permanent exhibit “Hollywoodland: Jewish Founders and the Making of a Movie Capital,” which opens to the public on Sunday in Los Angeles.
The exhibit, housed in the museum’s Laika Gallery, opens more than two years after the Academy was criticized for not including much material covering the largely Jewish moguls who created the studio system.
The new installment seeks to remedy that with three exhibits that showcase the history of Hollywood, with an emphasis on how it was shaped by Jewish immigrants. Outside the gallery, a large Hollywoodland sign mural, red carpet and giant-sized Oscar statue provide a natural selfie spot for visitors, with...
The exhibit, housed in the museum’s Laika Gallery, opens more than two years after the Academy was criticized for not including much material covering the largely Jewish moguls who created the studio system.
The new installment seeks to remedy that with three exhibits that showcase the history of Hollywood, with an emphasis on how it was shaped by Jewish immigrants. Outside the gallery, a large Hollywoodland sign mural, red carpet and giant-sized Oscar statue provide a natural selfie spot for visitors, with...
- 5/16/2024
- by Pat Saperstein
- Variety - Film News
Rulers cannot, as the old anecdote goes, physically roll back the tide on command, but “The Regime” would not be the first piece of art (or history) to show that with enough money, guns, sycophants, and social media, dictators can create a manufactured reality where it sure seems like they can. The HBO limited series explores what it’s like to live in the reality of Elena Vernham (Kate Winslet), chancellor and de-facto dictator of an unnamed country vaguely located near the Danube.
What it’s like is kind of a nightmare. Elena’s palace is as imposing and grand as it is nonsensically tailored to her whims, and the people whose security, power, and lives depend on pleasing her can never quite anticipate what she wants next. That unpredictability is baked into every technical aspect of “The Regime,” from the way that odd instruments like pan flutes and didgeridoos...
What it’s like is kind of a nightmare. Elena’s palace is as imposing and grand as it is nonsensically tailored to her whims, and the people whose security, power, and lives depend on pleasing her can never quite anticipate what she wants next. That unpredictability is baked into every technical aspect of “The Regime,” from the way that odd instruments like pan flutes and didgeridoos...
- 5/16/2024
- by Sarah Shachat
- Indiewire
On paper, it was too good to be true: a theatrical movie subscription service that offers a movie ticket every day for $9.99 a month. But in 2017, MoviePass was a dream come true for moviegoers, with subscribers flocking, stocks rising, and investors trying to get in on the action. By 2019, however, the party was over, and MoviePass went from one of the world’s buzziest companies to a costly corporate misfire.
Read More: The 100 Most Anticipated Films Of 2024
“MoviePass, MovieCrash,” a new documentary from HBO, details the company’s rise and fall in unflinching detail. It’s all here: details about the original vision for MoviePass, its co-founders ousting by new execs who partied hard at Sundance and Cannes as the company sank, and how much value was lost as the company met a swift demise.
Continue reading ‘MoviePass, MovieCrash’ Trailer: HBO’s Doc About The Rise & Fall Of Infamous Theatrical...
Read More: The 100 Most Anticipated Films Of 2024
“MoviePass, MovieCrash,” a new documentary from HBO, details the company’s rise and fall in unflinching detail. It’s all here: details about the original vision for MoviePass, its co-founders ousting by new execs who partied hard at Sundance and Cannes as the company sank, and how much value was lost as the company met a swift demise.
Continue reading ‘MoviePass, MovieCrash’ Trailer: HBO’s Doc About The Rise & Fall Of Infamous Theatrical...
- 5/16/2024
- by Ned Booth
- The Playlist
Lyrical Media has entered into a first-look film deal with Ryder Picture Company (Rpc), a production company helmed by industry veteran and Academy Award-nominee Aaron Ryder and partner Andrew Swett.
Lyrical Media, which is run by CEO Alexander Black, COO/CFO Jon Rosenberg and vice president of development and production Natalie Sellers, and Rpc recently partnered on Michael Sarnoski’s “The Death of Robin Hood,” starring Hugh Jackman and Jodie Comer, which WME Independent introduced in Cannes, as well as Adam Wingard’s action-thriller “Onslaught” with A24.
“We’re thrilled to be making this collaboration between Lyrical and Rpc official,” Black said. “Aaron and Andrew are incredible talents and the perfect partners to build an independent ecosystem for leading filmmakers and storytellers.”
“Over the years, we’ve enjoyed success not only through our collaborations with some of the best filmmakers in the industry, but also through vital partnerships we’ve forged,...
Lyrical Media, which is run by CEO Alexander Black, COO/CFO Jon Rosenberg and vice president of development and production Natalie Sellers, and Rpc recently partnered on Michael Sarnoski’s “The Death of Robin Hood,” starring Hugh Jackman and Jodie Comer, which WME Independent introduced in Cannes, as well as Adam Wingard’s action-thriller “Onslaught” with A24.
“We’re thrilled to be making this collaboration between Lyrical and Rpc official,” Black said. “Aaron and Andrew are incredible talents and the perfect partners to build an independent ecosystem for leading filmmakers and storytellers.”
“Over the years, we’ve enjoyed success not only through our collaborations with some of the best filmmakers in the industry, but also through vital partnerships we’ve forged,...
- 5/16/2024
- by Brent Lang
- Variety - Film News
Mena Suvari and Antoine Olivier Pilon (“French Girl”) have been cast as the leads in psychological drama “Anatomy of the Sun.”
The film, from writer and director Steven Richter, also features Iman Karram in a supporting role.
“Anatomy of the Sun” follows Alex (Pilon), a music producer who is haunted by visions of his dead sister as he tries to understand the details of her untimely demise. Suvari plays his mother Carol, who is also in the throes of grief.
Casting is underway for the role of Alex’s step-father Hector. Alexis Allen is overseeing casting for the project, which is in pre-production and scheduled to start shooting in the fall.
Richter’s 2011 feature “Center of Gravity” was nominated as Raindance’s Film of the Festival.
“I think of ‘Anatomy of the Sun’ as an immersive visual and sonic narrative experience that blurs reality and the natural dreamscapes of the mind,...
The film, from writer and director Steven Richter, also features Iman Karram in a supporting role.
“Anatomy of the Sun” follows Alex (Pilon), a music producer who is haunted by visions of his dead sister as he tries to understand the details of her untimely demise. Suvari plays his mother Carol, who is also in the throes of grief.
Casting is underway for the role of Alex’s step-father Hector. Alexis Allen is overseeing casting for the project, which is in pre-production and scheduled to start shooting in the fall.
Richter’s 2011 feature “Center of Gravity” was nominated as Raindance’s Film of the Festival.
“I think of ‘Anatomy of the Sun’ as an immersive visual and sonic narrative experience that blurs reality and the natural dreamscapes of the mind,...
- 5/16/2024
- by K.J. Yossman
- Variety - Film News
Many questions abound as Francis Ford Coppola‘s self-budgeted epic “Megalopolis” heads into its Cannes debut. Will the film be received more generously than its LA industry screening in March? Will Coppola find a distributor for it on the Croisette? And will “Megalopolis” survive controversy and be a smash success at the festival much like Coppola’s 1979 masterwork “Apocalypse Now“?
Read More: ‘Megalopolis’ Teaser: One Man Wants To Create A Utopia In Francis Ford Coppola’s Passion Project
IMAX is banking on “Megalopolis” no matter what happens after its premiere.
Continue reading ‘Megalopolis’: IMAX Commits To Limited Release Of Francis Ford Coppola’s Latest As Director Still Searches For Domestic Distributor at The Playlist.
Read More: ‘Megalopolis’ Teaser: One Man Wants To Create A Utopia In Francis Ford Coppola’s Passion Project
IMAX is banking on “Megalopolis” no matter what happens after its premiere.
Continue reading ‘Megalopolis’: IMAX Commits To Limited Release Of Francis Ford Coppola’s Latest As Director Still Searches For Domestic Distributor at The Playlist.
- 5/16/2024
- by Ned Booth
- The Playlist
“The Strangers: Chapter 1” is more enjoyable than anticipated. In a backwards way, that’s all the more reason to be let down by Lionsgate’s increasingly confused slasher franchise: A recognizable and once cherished piece of IP that, less than two decades since its creation, is already getting picked for parts.
What began as a barebones home invasion horror — extraordinary because of how well writer/director Bryan Bertino manipulated a total lack of expectation in his first film from 2008 — isn’t so beautifully subtle or senseless anymore. No, these days and directed by Renny Harlin, “The Strangers” is your average melodramatic thriller packed front-to-end with shadowy forest scenes, tight jump-scares, and clumsy repeated references to what few lines work as callbacks from the original script.
That’s fun enough for casual fans and, although the character work and dialogue leave something to be desired, it’s hard to knock “Chapter...
What began as a barebones home invasion horror — extraordinary because of how well writer/director Bryan Bertino manipulated a total lack of expectation in his first film from 2008 — isn’t so beautifully subtle or senseless anymore. No, these days and directed by Renny Harlin, “The Strangers” is your average melodramatic thriller packed front-to-end with shadowy forest scenes, tight jump-scares, and clumsy repeated references to what few lines work as callbacks from the original script.
That’s fun enough for casual fans and, although the character work and dialogue leave something to be desired, it’s hard to knock “Chapter...
- 5/16/2024
- by Alison Foreman
- Indiewire
When Bryan Bertino unleashed "The Strangers" onto the world in 2008, I doubt he could have predicted what a phenomenon the story and characters would become. The first-time feature film director took inspiration from the senseless violence that plagues so many people, and a real-life encounter as a child where vandals were randomly knocking on doors in his neighborhood and breaking into houses if no one was home. The terrifying "point" of "The Strangers" was that there was no point. The Man in the Mask, Pin-Up Girl, and Dollface killed Kristen and James because, as Dollface horrifically admits, "because you were home." Alas, with such phenomenal character designs and a cult-like following, "The Strangers" was destined to get the horror franchise treatment. The sequel film "The Strangers: Prey at Night" arrived 10 years after the original, and was surprisingly well received. Unfortunately, the three killers were killed by the film's final girl,...
- 5/16/2024
- by BJ Colangelo
- Slash Film
Cannes film festival
Toads who sweat hallucinogens, lonely pre-teens and a sudden German in a kilt: Arnold’s pick’n’mix latest dives as much as it soars
Andrea Arnold’s flawed, garrulous new movie is a chaotic social-realist adventure with big, chancy performances, grimly violent episodes, tragedy butting heads with comedy and physical existence facing off with fantasy and imagination.
It meditates on identity and belonging, the poignancy of not being valued, not being seen, the transition from childhood to adulthood, girlhood to womanhood, sexism and cruelty. The energy and heartfelt good humour offset the moments of cliche and implausibility.
Barry Keoghan plays Bug, a lairy bloke who is over the moon at his imminent wedding and his foolproof idea for easy money: he has imported from Colorado a certain kind of toad whose slime is a powerful (and expensive) hallucinogen. It’s just that the toad needs the...
Toads who sweat hallucinogens, lonely pre-teens and a sudden German in a kilt: Arnold’s pick’n’mix latest dives as much as it soars
Andrea Arnold’s flawed, garrulous new movie is a chaotic social-realist adventure with big, chancy performances, grimly violent episodes, tragedy butting heads with comedy and physical existence facing off with fantasy and imagination.
It meditates on identity and belonging, the poignancy of not being valued, not being seen, the transition from childhood to adulthood, girlhood to womanhood, sexism and cruelty. The energy and heartfelt good humour offset the moments of cliche and implausibility.
Barry Keoghan plays Bug, a lairy bloke who is over the moon at his imminent wedding and his foolproof idea for easy money: he has imported from Colorado a certain kind of toad whose slime is a powerful (and expensive) hallucinogen. It’s just that the toad needs the...
- 5/16/2024
- by Peter Bradshaw
- The Guardian - Film News
Cannes film festival
Lou Ye’s docu-realist film starts as sophisticated comedy, morphs from looking like a zombie apocalypse to intimate drama, and evolves into a tribute to how a nation handled trauma
Out of agony and chaos, Chinese film-maker Lou Ye has created something mysterious, moving and even profound – a kind of multilayered docu-realist film, evidently inspired by a real-life situation in film production. As well as everything else, the film meditates on what it means to be “unfinished”. Very few of us will leave this life with a satisfied sense of everything achieved, complete, squared away. To be mortal is to feel that things have ended without being finished. It is possibly his best film since the courageous Tiananmen Square drama Summer Palace from 2006 – and set near Wuhan, the city in which his 2012 film Mystery was set in the days when that place was internationally known – if at...
Lou Ye’s docu-realist film starts as sophisticated comedy, morphs from looking like a zombie apocalypse to intimate drama, and evolves into a tribute to how a nation handled trauma
Out of agony and chaos, Chinese film-maker Lou Ye has created something mysterious, moving and even profound – a kind of multilayered docu-realist film, evidently inspired by a real-life situation in film production. As well as everything else, the film meditates on what it means to be “unfinished”. Very few of us will leave this life with a satisfied sense of everything achieved, complete, squared away. To be mortal is to feel that things have ended without being finished. It is possibly his best film since the courageous Tiananmen Square drama Summer Palace from 2006 – and set near Wuhan, the city in which his 2012 film Mystery was set in the days when that place was internationally known – if at...
- 5/16/2024
- by Peter Bradshaw
- The Guardian - Film News
Barry Keoghan smiled from ear to ear as Andrea Arnold’s latest film, “Bird,” earned a seven-minute standing ovation at its Cannes Film Festival premiere on Thursday.
Festival favorite Arnold, who brought the Shia Labeouf-starring “American Honey” to Cannes in 2016 and her documentary “Cow” in 2021, basked in appreciation as the audience applauded the drama. “Thank you, this is really lovely but I really want to go and party right now,” she said as laughter erupted in the room.
While Keoghan was the biggest name in “Bird,” the loudest cheers were offered to his young co-stars, including Jason Buda and Jasmine Jobson. Some of the cast, although they may have been on the red carpet outside, were too young to make it into the screening.
Barry Keoghan and the cast of Andrea Arnold's "Bird" receive a standing ovation at the film's #Cannes premiere. pic.twitter.com/xy7mIv17me
— Variety (@Variety) May 16, 2024
“Bird,...
Festival favorite Arnold, who brought the Shia Labeouf-starring “American Honey” to Cannes in 2016 and her documentary “Cow” in 2021, basked in appreciation as the audience applauded the drama. “Thank you, this is really lovely but I really want to go and party right now,” she said as laughter erupted in the room.
While Keoghan was the biggest name in “Bird,” the loudest cheers were offered to his young co-stars, including Jason Buda and Jasmine Jobson. Some of the cast, although they may have been on the red carpet outside, were too young to make it into the screening.
Barry Keoghan and the cast of Andrea Arnold's "Bird" receive a standing ovation at the film's #Cannes premiere. pic.twitter.com/xy7mIv17me
— Variety (@Variety) May 16, 2024
“Bird,...
- 5/16/2024
- by Alex Ritman and Ellise Shafer
- Variety - Film News
In The Damned, Roberto Minervini embeds us with Union Army soldiers ranging across the Western front in 1862, far from the battlegrounds in the East but no less at risk. But when you direct a Civil War movie in 2020s America, it can be hard for audiences to view it as solely a fictional matter, especially when you’ve previously directed two of the most revealing documentary cross-sections of the United States in the last decade, The Other Side (2015) and What You Gonna Do When the World’s on Fire (2018). It’s possible to watch The Damned as a rugged journey […]
The post “We Question Together Hyper-Masculinity in Life as Well As In the War Movie Genre”: Roberto Minervini on The Damned first appeared on Filmmaker Magazine.
The post “We Question Together Hyper-Masculinity in Life as Well As In the War Movie Genre”: Roberto Minervini on The Damned first appeared on Filmmaker Magazine.
- 5/16/2024
- by Nicolas Rapold
- Filmmaker Magazine - Blog
Kleber Mendonça Filho’s “Rivers of Dust,” Anna Muyleart’s “Geni and the Zeppelin” and “Pearl Motel,” fromJorge Furtado, feature among potential nine brand new projects announced at the Cannes Festival by Globo Filmes, the theatrical film co-production arm of Brazilian TV giant Globo.
With Mendonça Filho deep in pre-production on political thriller “The Secret Agent,” co-produced by France’s Mk Productions, details on “Rivers of Dust,” save that he will re-team on it with Juliano Dornelles after their 2019 Cannes Jury Prize winner “Bacurau.”
Elsewhere, the new projects speak volumes of Globo Filmes’ current content focus. There’s the broad spectrum. . Titles straddle commercial plays – gay espionage operatives comedy “Special Agents” from Pedro Antônio – “A” list festival plays such as “Rivers” and Geni” and cross-over titles such as sex-laced situation comedy “Pearl Motel.”
Above all, additions to Globo Filmes’ development slate underscore two of its biggest investment priorities.
One is diversity.
With Mendonça Filho deep in pre-production on political thriller “The Secret Agent,” co-produced by France’s Mk Productions, details on “Rivers of Dust,” save that he will re-team on it with Juliano Dornelles after their 2019 Cannes Jury Prize winner “Bacurau.”
Elsewhere, the new projects speak volumes of Globo Filmes’ current content focus. There’s the broad spectrum. . Titles straddle commercial plays – gay espionage operatives comedy “Special Agents” from Pedro Antônio – “A” list festival plays such as “Rivers” and Geni” and cross-over titles such as sex-laced situation comedy “Pearl Motel.”
Above all, additions to Globo Filmes’ development slate underscore two of its biggest investment priorities.
One is diversity.
- 5/16/2024
- by John Hopewell
- Variety - Film News
HBO’s “True Detective: Night Country” is the most haunting and eerie season of “True Detective” yet, a result of showrunner and director Issa López‘s willingness to explore harrowing questions and her ability to find the precise visual corollaries for her characters’ isolated, traumatized inner states. Although “Night Country” shares DNA with Nic Pizzolatto and Cary Joji Fununaga’s first season in its core idea — which López described to IndieWire’s Filmmaker Toolkit podcast as “the sense that something very rotten is coming to the surface” — López was determined to approach the series’ pitiless tone in a fresh way.
So instead of making the series hot and masculine like the first season’s Louisiana-set story of two male police detectives, López went cold and feminine, following cops Jodie Foster and Kali Reis as they try to solve a mystery in arctic Alaska. That meant taking a deep dive into the region since,...
So instead of making the series hot and masculine like the first season’s Louisiana-set story of two male police detectives, López went cold and feminine, following cops Jodie Foster and Kali Reis as they try to solve a mystery in arctic Alaska. That meant taking a deep dive into the region since,...
- 5/16/2024
- by Jim Hemphill
- Indiewire
Mediawan Rights will rep international sales rights and has released a first teaser clip for “My Way,” a documentary about the iconic song that features a star-studded cast including Ol’ Blue Eyes himself and is narrated by Jane Fonda. The film premieres May 16 with a screening at the Cannes Film Festival’s Cinema de la Plage.
Directed by Thierry Teston in collaboration with Lisa Azuelos, “My Way” is billed as “a captivating journey into the heart of an iconic song that explores the universal appeal and enduring legacy of a timeless classic.”
Through the lens of performers including Frank Sinatra, Ben Harper, Paul Anka, David Bowie, Claude François, Clara Luciani and Sparks, and full of never-before-heard anecdotes, the documentary aims to paint a vivid portrait of the song’s evolution and impact on different generations and cultures, using rare archival footage to trace the remarkable journey of a single melody...
Directed by Thierry Teston in collaboration with Lisa Azuelos, “My Way” is billed as “a captivating journey into the heart of an iconic song that explores the universal appeal and enduring legacy of a timeless classic.”
Through the lens of performers including Frank Sinatra, Ben Harper, Paul Anka, David Bowie, Claude François, Clara Luciani and Sparks, and full of never-before-heard anecdotes, the documentary aims to paint a vivid portrait of the song’s evolution and impact on different generations and cultures, using rare archival footage to trace the remarkable journey of a single melody...
- 5/16/2024
- by Christopher Vourlias
- Variety - Film News
There is only one Andrea Arnold, as much as her contemporaries in Europe and beyond try to imitate her particular style: emotionally heightened social realism with often first-time actors playing characters not far from their real selves. That itself started in the 1950s with British kitchen sink realism. Yet Arnold has done much to imbue it with a radical poetry that finds the beauty in a hardscrabble life, from a volatile East London teenager with hip-hop ambitions in “Fish Tank” (2009) to the rumbling road odyssey “American Honey” (2016) that found Arnold shooting in the United States for the first time.
Her latest film “Bird,” continuing a tradition for one-word titles centered around animalia Arnold started in 2001 with her short film “Dog” and more recently with the documentary “Cow,” is a departure for Arnold in a key way: This sensitively drawn if opaque coming-of-age fable about 12-year-old Bailey (newcomer Nykiya Adams) uses,...
Her latest film “Bird,” continuing a tradition for one-word titles centered around animalia Arnold started in 2001 with her short film “Dog” and more recently with the documentary “Cow,” is a departure for Arnold in a key way: This sensitively drawn if opaque coming-of-age fable about 12-year-old Bailey (newcomer Nykiya Adams) uses,...
- 5/16/2024
- by Ryan Lattanzio
- Indiewire
Warning: This article contains spoilers for the latest episode of "Star Trek: Discovery."
Has anyone else noticed that the final season of "Discovery" has started to feel a little ... monotonous? Almost every episode to this point has followed a similar structure: Captain Michael Burnham (Sonequa Martin-Green) and her crew must outrun Moll (Eve Harlow) and her Breen lover L'ak (Elias Toufexis) to find the next clue to the Progenitors technology in some distant part of the galaxy, pass a series of tests in order to prove themselves worthy of such an important find, and end on a mini cliffhanger of sorts as one of the other officers announces a breakthrough to the location of the next clue. Be sure to tune in next week to see the Discovery crew creep that much closer to the ultimate power in the universe!
Episode 8, fittingly titled "Labyrinths," just revealed a certain method behind that madness,...
Has anyone else noticed that the final season of "Discovery" has started to feel a little ... monotonous? Almost every episode to this point has followed a similar structure: Captain Michael Burnham (Sonequa Martin-Green) and her crew must outrun Moll (Eve Harlow) and her Breen lover L'ak (Elias Toufexis) to find the next clue to the Progenitors technology in some distant part of the galaxy, pass a series of tests in order to prove themselves worthy of such an important find, and end on a mini cliffhanger of sorts as one of the other officers announces a breakthrough to the location of the next clue. Be sure to tune in next week to see the Discovery crew creep that much closer to the ultimate power in the universe!
Episode 8, fittingly titled "Labyrinths," just revealed a certain method behind that madness,...
- 5/16/2024
- by Jeremy Mathai
- Slash Film
Marija Kavtaradze’s new film is a love story with a truly radical approach to intimacy. She reveals how she made a will they/won’t they tale that strays into little-known territory
They meet cute in a dance rehearsal studio. She’s a contemporary dancer teaching a class of deaf teenagers. He’s the sign language interpreter. When he walks into the room and takes off his shoes, they both look down at his odd socks and smile, something clicks. Like so much of the Lithuanian film Slow, the moment is romantic and feels true to life – as if someone is secretly filming real people with invisible cameras.
The pair start hanging out. Then one day, in her bedroom, just as you think this is it, he suddenly blurts out: “I’m asexual.” She splutters a giggle and asks what he means. “I’m not attracted to anyone sexually.
They meet cute in a dance rehearsal studio. She’s a contemporary dancer teaching a class of deaf teenagers. He’s the sign language interpreter. When he walks into the room and takes off his shoes, they both look down at his odd socks and smile, something clicks. Like so much of the Lithuanian film Slow, the moment is romantic and feels true to life – as if someone is secretly filming real people with invisible cameras.
The pair start hanging out. Then one day, in her bedroom, just as you think this is it, he suddenly blurts out: “I’m asexual.” She splutters a giggle and asks what he means. “I’m not attracted to anyone sexually.
- 5/16/2024
- by Cath Clarke
- The Guardian - Film News
In this week’s episode of Bingeworthy, our TV and streaming podcast host Mike DeAngelo dives headfirst into “Outer Range.” The mysterious and compelling Prime Video series follows a rancher who discovers a mysterious hole in his pasture, leading to land wars, family drama, and time-jumping mysteries. The show stars Josh Brolin, Imogen Poots, Lili Taylor, Lewis Pullman, Tom Pelphrey, Will Patton, and more (read our review here).
Continue reading ‘Outer Range’: Josh Brolin, Imogen Poots, & Charles Murray Discuss Their Sci-Fi Western Series, ‘Deadpool & Wolverine,’ & More [Bingeworthy Podcast] at The Playlist.
Continue reading ‘Outer Range’: Josh Brolin, Imogen Poots, & Charles Murray Discuss Their Sci-Fi Western Series, ‘Deadpool & Wolverine,’ & More [Bingeworthy Podcast] at The Playlist.
- 5/16/2024
- by Mike DeAngelo
- The Playlist
Blake Lively’s return to acting marks a momentous occasion not just for her fans, but also most BookTok members. Lively leads the adaptation of Colleen Hoover’s “It Ends with Us,” adding to the rise of fem-lit features in 2024. It will follow “The Idea of You,” “Lessons in Chemistry,” and the highly anticipated announcements “People We Meet on Vacation,” “Beach Read,” and “Red, White, and Royal Blue 2,” all coming to the big screen soon.
“It Ends with Us” centers on Lily Bloom (Lively), a woman who overcomes a traumatic childhood to embark on a new life in Boston and chase a lifelong dream of opening her own business. A chance meeting with charming neurosurgeon Ryle Kincaid (Justin Baldoni) sparks an intense connection, but as the two fall deeply in love, Lily begins to see sides of Ryle that remind her of her parents’ toxic relationship.
When Lily’s first love,...
“It Ends with Us” centers on Lily Bloom (Lively), a woman who overcomes a traumatic childhood to embark on a new life in Boston and chase a lifelong dream of opening her own business. A chance meeting with charming neurosurgeon Ryle Kincaid (Justin Baldoni) sparks an intense connection, but as the two fall deeply in love, Lily begins to see sides of Ryle that remind her of her parents’ toxic relationship.
When Lily’s first love,...
- 5/16/2024
- by Samantha Bergeson
- Indiewire
Untamed Talent, the recently launched Arab world management and production company led by former Mister Smith Entertainment executive Antone Saliba is rebranding as 75East and bringing on board Shams Mohajerani, a former acquisitions executive at Cairo-based Mad Solutions, as its chief manager and producer.
The change in name to 75East of the company, which launched last December with backing from Front Row Productions – a joint venture between leading Middle East distribution companies Front Row Filmed Entertainment and Empire Entertainment – is a geographical reference to the wider Southwest Asian and North African (Swana) region from Morocco to Pakistan, “reflecting the company’s commitment to representing talent beyond Arabic-speaking territories,” according to a statement.
The addition of Mohajerani, an Iranian-American raised in Boston, will expand the company’s reach outside the Arab world and commit to its focus on neighboring territories “including the Persian-speaking world, as well as filmmakers with ties to...
The change in name to 75East of the company, which launched last December with backing from Front Row Productions – a joint venture between leading Middle East distribution companies Front Row Filmed Entertainment and Empire Entertainment – is a geographical reference to the wider Southwest Asian and North African (Swana) region from Morocco to Pakistan, “reflecting the company’s commitment to representing talent beyond Arabic-speaking territories,” according to a statement.
The addition of Mohajerani, an Iranian-American raised in Boston, will expand the company’s reach outside the Arab world and commit to its focus on neighboring territories “including the Persian-speaking world, as well as filmmakers with ties to...
- 5/16/2024
- by Nick Vivarelli
- Variety - Film News
Red Water Entertainment has snapped up North American distribution rights to the single take thriller “Failure!” led by Ted Raimi (“The Quarry”).
This Mexico-u.S. co-production, shot in an unbroken 87-minute take, follows business tycoon James (Raimi) as he faces a crushing bank debt deadline. With time running out, he contends with treacherous associates, deceitful friends and haunting pasts, and is forced to choose between financial collapse or murder.
Directed by Alex Kahuam (“Forgiveness”), “Failure!” is believed to be the first time a Mexican filmmaker has made a feature film without cuts in the U.S.
The cast also includes Merrick McCartha (“Senior Year”), Melissa Diaz (“Ruthless”), John Paul Medrano (“Seven Days”), Daniel Kuhlman (“Voodoo Macbeth”) and Noel Douglas Orput.
The film gained a boost after bowing at the inaugural Fantastic Pavilion Galas, the Cannes Film Festival market’s genre showcase that was introduced in 2023. It has since screened at Frightfest,...
This Mexico-u.S. co-production, shot in an unbroken 87-minute take, follows business tycoon James (Raimi) as he faces a crushing bank debt deadline. With time running out, he contends with treacherous associates, deceitful friends and haunting pasts, and is forced to choose between financial collapse or murder.
Directed by Alex Kahuam (“Forgiveness”), “Failure!” is believed to be the first time a Mexican filmmaker has made a feature film without cuts in the U.S.
The cast also includes Merrick McCartha (“Senior Year”), Melissa Diaz (“Ruthless”), John Paul Medrano (“Seven Days”), Daniel Kuhlman (“Voodoo Macbeth”) and Noel Douglas Orput.
The film gained a boost after bowing at the inaugural Fantastic Pavilion Galas, the Cannes Film Festival market’s genre showcase that was introduced in 2023. It has since screened at Frightfest,...
- 5/16/2024
- by Naman Ramachandran
- Variety - Film News
[Editor’s note: The following interview contains light spoilers for “Back to Black.”]
How do you capture a life — a famous one, a big one, an incredibly well-documented one — on the silver screen? Take it moment by moment. For her Amy Winehouse biopic “Back to Black,” director Sam Taylor-Johnson traces the rise and fall of the beloved British singer and songwriter (played by Marisa Abela), telling a well-known tragic tale through a series of iconic images.
We still remember so much about the Grammy winner: the swoop of her eyeliner, the tease of her hair, what she looked like performing on stage, what she looked like relaxing in a park with her husband, the fear in her eyes when the paparazzi tailed her. And the relentless documentation of her life that made all of those images possible is also what makes telling a “new” story so hard. And while many early reactions to the film’s casting and very existence...
How do you capture a life — a famous one, a big one, an incredibly well-documented one — on the silver screen? Take it moment by moment. For her Amy Winehouse biopic “Back to Black,” director Sam Taylor-Johnson traces the rise and fall of the beloved British singer and songwriter (played by Marisa Abela), telling a well-known tragic tale through a series of iconic images.
We still remember so much about the Grammy winner: the swoop of her eyeliner, the tease of her hair, what she looked like performing on stage, what she looked like relaxing in a park with her husband, the fear in her eyes when the paparazzi tailed her. And the relentless documentation of her life that made all of those images possible is also what makes telling a “new” story so hard. And while many early reactions to the film’s casting and very existence...
- 5/16/2024
- by Kate Erbland
- Indiewire
While the film industry mourned the loss of one of their favorite Cannes rituals, a beach party thrown every year by the Toronto International Film Festival, TIFF CEO Cameron Bailey promised to throw a “refreshed” version next year. He dropped into Cannes to announce a landmark $23 million Cad investment supported by the Canadian federal government, for a new content initiative to begin in 2026 that will expand TIFF’s scope of offerings. This is the single largest government investment TIFF has received since the campaign to build TIFF Lightbox. The three-year investment will enable the organization to accelerate planning and development work that is currently underway.
TIFF is looking for good news, as the pandemic and the loss of festival sponsors including Bell — the theater complex used to be called Bell Lightbox — made a dent in the festival’s finances.
Envisioned as the North American hub for buying and selling screen-based projects,...
TIFF is looking for good news, as the pandemic and the loss of festival sponsors including Bell — the theater complex used to be called Bell Lightbox — made a dent in the festival’s finances.
Envisioned as the North American hub for buying and selling screen-based projects,...
- 5/16/2024
- by Anne Thompson
- Indiewire
As the 77th Cannes Film Festival gets underway, there are plenty of obvious frontrunners for the coveted Palme d’Or. But don’t count out Ali Abbasi‘s “The Apprentice” as a dark horse pick to win the festival’s top prize. The latest film from the “Holy Spider” director (a film that won Best Actress at the 2022 fest) is quite the pivot for the Iranian-Danish filmmaker: a ’70s-set period piece about the professional relationship between a young Donald Trump and NYC lawyer Roy Cohn.
Continue reading ‘The Apprentice’: Jeremy Strong Compares Ali Abbasi’s Film To ‘Midnight Cowboy,’ Describes His Roy Cohn As “A Heart-Of-Darkness Heart Donor” at The Playlist.
Continue reading ‘The Apprentice’: Jeremy Strong Compares Ali Abbasi’s Film To ‘Midnight Cowboy,’ Describes His Roy Cohn As “A Heart-Of-Darkness Heart Donor” at The Playlist.
- 5/16/2024
- by Ned Booth
- The Playlist
Man, we didn't know how good we had it, did we? For those of us who grew up watching cable TV as a simple matter of course, looking back on what we took for granted might as well feel like taking a peek at an alternate dimension. Receiving access to dozens (and eventually hundreds) of channels for a flat monthly rate? In an environment that allowed movies to receive a second wind and thrive after their theatrical run came to a close? Giving countless television shows a chance to grow their viewership over time? All while writers and directors were paid the residuals they deserved every time their work aired? In this economy???
Nobody should ever make the mistake of confusing capitalism for innovation, but the streaming era has certainly put to bed any notion that the tech industry is on the cutting edge of new, game-changing ideas. To wit:...
Nobody should ever make the mistake of confusing capitalism for innovation, but the streaming era has certainly put to bed any notion that the tech industry is on the cutting edge of new, game-changing ideas. To wit:...
- 5/16/2024
- by Jeremy Mathai
- Slash Film
What’s next for Ultraman? The legendary hero has been on many adventures, but he’s never seen anything like what’s to come. “Ultraman: Rising” represents a new chapter for this long-running character, based on characters by Eiji Tsuburaya, known for co-creating “Godzilla.” This time, Ken Sato takes on the iconic role. The baseball player finds himself protecting something special, a 35-foot-tall kaiju with its own powers.
Continue reading ‘Ultraman: Rising’ Trailer: The World’s Biggest Hero Becomes A Monster Daddy On June 14 at The Playlist.
Continue reading ‘Ultraman: Rising’ Trailer: The World’s Biggest Hero Becomes A Monster Daddy On June 14 at The Playlist.
- 5/16/2024
- by Valerie Thompson
- The Playlist
In “Babes,” Neon’s raucous comedy about the intricate emotional threads that are tested when best friends become new mothers, there’s a particularly rousing scene where Eden (Ilana Glazer) and Dawn (Michelle Buteau) lose their minds on mushrooms. In need of a night away from their troubles, the lifelong pals hole up in Eden’s Queens apartment to let loose a little — Ok, to let loose a lot — and it’s up to director Pamela Adlon to capture it all.
“So it’s 2:30 in the morning and they’re screaming,” Adlon said. “Michelle’s like, ‘Fuck yeah!’ Milk is squirting out of her tits. People are just screaming. Then, all of a sudden, I hear another scream and I’m like, ‘That’s not them.’ And I turn around and there’s a woman from the building in the apartment going, ‘Shut the fuck up! It’s 2:30 in the morning!
“So it’s 2:30 in the morning and they’re screaming,” Adlon said. “Michelle’s like, ‘Fuck yeah!’ Milk is squirting out of her tits. People are just screaming. Then, all of a sudden, I hear another scream and I’m like, ‘That’s not them.’ And I turn around and there’s a woman from the building in the apartment going, ‘Shut the fuck up! It’s 2:30 in the morning!
- 5/16/2024
- by Ben Travers
- Indiewire
The series of talks and debates taking place mainly in the UK Pavilion to highlight the role of the UK as an international partner launch on Friday May 17 with a Talent Talk with cinemagrapher Robbie Ryan and a series of production case studies about UK-international collaborations.
There will also be a panel talk exploring how the screen production sector can improve working conditions to benefit the mental and physical health of the sector that will be held in the Palais des Festivals.
Ryan, whose credits include Andrea Arnold’s Competition title Bird will be talking in the UK Pavilion at...
There will also be a panel talk exploring how the screen production sector can improve working conditions to benefit the mental and physical health of the sector that will be held in the Palais des Festivals.
Ryan, whose credits include Andrea Arnold’s Competition title Bird will be talking in the UK Pavilion at...
- 5/16/2024
- ScreenDaily
Cannes film festival
Nyoni uses unsettlingly playful surrealism in this account of a malign uncle and the family mythmaking that effaces his crimes
Rungano Nyoni is the Zambian-Welsh film-maker who in 2017 had an arthouse smash with her debut, the witty and distinctive misogyny fable I Am Not a Witch. Her new film is an oblique, intensely self-aware and often seriocomically strange family drama about sexual abuse. Its final moments give us something of the magic realism that the title hints at, but its playfully and startlingly surreal images are perhaps at odds with the fundamental seriousness of what this film is about. While it’s such an intriguing idea, an almost absurdist scrutiny of what avoidance looks like and how families choreograph their collective denial, there is something a little bit contrived in it and, though always engaged, I found myself longing for some outright passion or rage or confrontation.
Nyoni uses unsettlingly playful surrealism in this account of a malign uncle and the family mythmaking that effaces his crimes
Rungano Nyoni is the Zambian-Welsh film-maker who in 2017 had an arthouse smash with her debut, the witty and distinctive misogyny fable I Am Not a Witch. Her new film is an oblique, intensely self-aware and often seriocomically strange family drama about sexual abuse. Its final moments give us something of the magic realism that the title hints at, but its playfully and startlingly surreal images are perhaps at odds with the fundamental seriousness of what this film is about. While it’s such an intriguing idea, an almost absurdist scrutiny of what avoidance looks like and how families choreograph their collective denial, there is something a little bit contrived in it and, though always engaged, I found myself longing for some outright passion or rage or confrontation.
- 5/16/2024
- by Peter Bradshaw
- The Guardian - Film News
Oooh, this looks creepy.
"Never Let Go" is a new horror film from Alexandre Aja, director of the pretty good remake of "The Hills Have Eyes" and the excellent killer alligator movie "Crawl." With his new feature, Aja seems to be channeling "A Quiet Place" crossed with a bit of the supernatural, resulting in this effective trailer. In "Never Let Go," Halle Berry plays a mother who is hiding out in the woods with her twin sons. According to Berry's character, these are post-apocalyptic times. Berry tells her sons that they'll be safe as long as they tether themselves to the secluded cabin where they're hiding out. But what's really going on here? And what's lurking out in the woods? I don't know. All I know is that the dog that shows up in the trailer better make it out alive.
Watch the "Never Let Go" trailer above!
Read...
"Never Let Go" is a new horror film from Alexandre Aja, director of the pretty good remake of "The Hills Have Eyes" and the excellent killer alligator movie "Crawl." With his new feature, Aja seems to be channeling "A Quiet Place" crossed with a bit of the supernatural, resulting in this effective trailer. In "Never Let Go," Halle Berry plays a mother who is hiding out in the woods with her twin sons. According to Berry's character, these are post-apocalyptic times. Berry tells her sons that they'll be safe as long as they tether themselves to the secluded cabin where they're hiding out. But what's really going on here? And what's lurking out in the woods? I don't know. All I know is that the dog that shows up in the trailer better make it out alive.
Watch the "Never Let Go" trailer above!
Read...
- 5/16/2024
- by Chris Evangelista
- Slash Film
This year’s Cannes Film Festival should prove particularly festive for Mediawan Pictures managing director Elisabeth d’Arvieu. With five in-house productions premiering in the official selection and another in Critics’ Week, the exec and her team will hit the Croisette with cause for celebration.
As an ardent cinephile, she bolstered an extracurricular passion for movies while getting an Mba from Baruch College in New York. She still takes in a film a day.
The Cannes celebration promises to start early for Mediawan, kicking off with Quentin Dupieux’s festival opener “The Second Act,” then Palme d’Or contending Hearts” from Gilles Lellouche and Kirill Serebrennikov’s “Limonov: The Ballad of Eddie,” the epic “The Count of Monte-Cristo” screening out of competition and Un Certain Regard player “Le Royaume” from
emerging talent Julien Colonna.
When taken as a whole, the strong showing nicely reflects the group’s wider ambitions, from...
As an ardent cinephile, she bolstered an extracurricular passion for movies while getting an Mba from Baruch College in New York. She still takes in a film a day.
The Cannes celebration promises to start early for Mediawan, kicking off with Quentin Dupieux’s festival opener “The Second Act,” then Palme d’Or contending Hearts” from Gilles Lellouche and Kirill Serebrennikov’s “Limonov: The Ballad of Eddie,” the epic “The Count of Monte-Cristo” screening out of competition and Un Certain Regard player “Le Royaume” from
emerging talent Julien Colonna.
When taken as a whole, the strong showing nicely reflects the group’s wider ambitions, from...
- 5/16/2024
- by Elsa Keslassy and Ben Croll
- Variety - Film News
It’s little wonder why French president Emmanuel Macron was visibly moved as he inducted Mediawan CEO Pierre-Antoine Capton into France’s Legion of Honor last October, calling the exec “the ultimate French success story.”
In a country rarely known to promote social mobility, Capton-esque career trajectories are scarce. A self-made entrepreneur born into a middle-class Normandy family, Capton began his professional life as a teen with an entry-level internship, eschewing elite universities, making the exec a rare bird among France’s top media execs. For all that, Capton remains more humble than flamboyant, letting his track record speak for itself.
In 2015, he co-founded Mediawan with investment banker Matthieu Pigasse and telecom billionaire Xavier Niel, and since then the group has traversed a tumultuous period marked by a pandemic, strikes and economic recessions by growing stronger.
France’s president Emmanuel Macron and Pierre-Antoine Capton.
Following its recent acquisition of German...
In a country rarely known to promote social mobility, Capton-esque career trajectories are scarce. A self-made entrepreneur born into a middle-class Normandy family, Capton began his professional life as a teen with an entry-level internship, eschewing elite universities, making the exec a rare bird among France’s top media execs. For all that, Capton remains more humble than flamboyant, letting his track record speak for itself.
In 2015, he co-founded Mediawan with investment banker Matthieu Pigasse and telecom billionaire Xavier Niel, and since then the group has traversed a tumultuous period marked by a pandemic, strikes and economic recessions by growing stronger.
France’s president Emmanuel Macron and Pierre-Antoine Capton.
Following its recent acquisition of German...
- 5/16/2024
- by Elsa Keslassy
- Variety - Film News
Indonesia’s Jogja-Netpac Asian Film Festival (Jaff) will unveil its inaugural Jaff Market in December. The initiative was announced at the Cannes Film Festival on Thursday.
This new three-day event aims to reshape the Indonesian film industry by fostering networking, innovation and collaboration among various sectors.
Since its start in 2006, Jaff has played a crucial role in nurturing Indonesian cinema, helping many filmmakers rise. “Jaff has consistently strengthened the film ecosystem,” said festival director Ifa Isfansyah.
The Jaff Market will cover 10,000 square meters, featuring over 150 booths with production companies, content creators and service providers. Leading the initiative is experienced producer Linda Gozali, former secretary-general of the Indonesian Film Festival. “We look forward to creating new connections and opportunities,” said Gozali.
The event highlights the rapid post-pandemic recovery of Indonesia’s film industry, which saw local films capture 61% of the market in 2022. The industry fully rebounded in 2023. Despite being the largest market in Southeast Asia,...
This new three-day event aims to reshape the Indonesian film industry by fostering networking, innovation and collaboration among various sectors.
Since its start in 2006, Jaff has played a crucial role in nurturing Indonesian cinema, helping many filmmakers rise. “Jaff has consistently strengthened the film ecosystem,” said festival director Ifa Isfansyah.
The Jaff Market will cover 10,000 square meters, featuring over 150 booths with production companies, content creators and service providers. Leading the initiative is experienced producer Linda Gozali, former secretary-general of the Indonesian Film Festival. “We look forward to creating new connections and opportunities,” said Gozali.
The event highlights the rapid post-pandemic recovery of Indonesia’s film industry, which saw local films capture 61% of the market in 2022. The industry fully rebounded in 2023. Despite being the largest market in Southeast Asia,...
- 5/16/2024
- by Naman Ramachandran and Patrick Frater
- Variety - Film News
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