Warwick Thornton and Sam Neill on the set of ‘Sweet Country.’
While movie sequels are relatively rare in Australia, the producers of Warwick Thornton’s Sweet Country are convinced they have a new, compelling story which is worth telling.
Currently being scripted, the follow-up will look at events from the perspective of the mother of scrappy child labourer Philomac, played in the original by twins Tremayne and Trevon Doolan.
Philomac and old Aboriginal hand Archie (Gibson John) are sent by farmer Mick Kennedy (Thomas M. Wright) to work for Harry March (Ewen Leslie), who chains the boy to a rock on suspicion of stealing his watch. Philomac frees himself and March heads in pursuit, leading to a violent confrontation.
“Sweet Country was really the story of Sam (Hamilton Morris) and Philomac,” Bunya Productions’ David Jowsey, who produced with Greer Simpkin, tells If. “Philomac has a sister and a mother, which...
While movie sequels are relatively rare in Australia, the producers of Warwick Thornton’s Sweet Country are convinced they have a new, compelling story which is worth telling.
Currently being scripted, the follow-up will look at events from the perspective of the mother of scrappy child labourer Philomac, played in the original by twins Tremayne and Trevon Doolan.
Philomac and old Aboriginal hand Archie (Gibson John) are sent by farmer Mick Kennedy (Thomas M. Wright) to work for Harry March (Ewen Leslie), who chains the boy to a rock on suspicion of stealing his watch. Philomac frees himself and March heads in pursuit, leading to a violent confrontation.
“Sweet Country was really the story of Sam (Hamilton Morris) and Philomac,” Bunya Productions’ David Jowsey, who produced with Greer Simpkin, tells If. “Philomac has a sister and a mother, which...
- 2/5/2019
- by The IF Team
- IF.com.au
The vast, open landscape of the Australia outback so closely resembles the Old West that it’s a wonder there aren’t more Australian westerns. “Sweet Country,” Warwick Thortnon’s hypnotic sophomore effort, makes up for missed time. This gorgeous, sprawling tale of early 20th century desert survival and racist villains packs the brutal punch of Sam Peckinpah, but folds the majestic vistas and gunplay into a disquieting statement on persecution with echoes of “12 Years a Slave.” Thortnon’s leisurely approach applies the Dirty Dozen formula to a historic tragedy, and the uncompromising narrative doesn’t always resolve the tension between those two ingredients, but it’s nevertheless a remarkable elevation of the Western trope to poetic heights.
Set in 1929, “Sweet Country” unfolds across the desolation of Alice Springs, a sweaty, red-tinted region of the Eastern Arrente Nation, which may as well be Mars. Aborigine in the Northern region...
Set in 1929, “Sweet Country” unfolds across the desolation of Alice Springs, a sweaty, red-tinted region of the Eastern Arrente Nation, which may as well be Mars. Aborigine in the Northern region...
- 4/5/2018
- by Eric Kohn
- Indiewire
Samuel Goldwyn Films acquired North American rights to the Warwick Thornton-directed Sweet Country. Pic stars Bryan Brown, Hamilton Morris, Thomas M. Wright, Ewen Leslie, Natassia Gorey-Furber, Gibson John, Matt Day, Anni Finsterer, Treymayne Doolan, Trevon Doolan and Sam Neill. The film won Special Jury Prize after its world premiere at Venice, and won the Platform competition at the Toronto Film Festival. The plot: Sam, a middle-aged Aboriginal man, works for a preacher…...
- 9/21/2017
- Deadline
Samuel Goldwyn Films acquired the North American rights to director Warwick Thornton’s “Sweet Country,” the company announced Thursday. “Sweet Country” stars Bryan Brown, Hamilton Morris, Thomas M. Wright, Ewen Leslie, Natassia Gorey-Furber, Gibson John, Matt Day, Anni Finsterer, Treymaybe Doolan, Trevon Doolan and Sam Neill. The film is the winner of the Special Jury Prize at this year’s Venice Film Festival, where it also had its world premiere. The film is also the winner of the Platform Competition at this mont’s Toronto International Film Festival. Also Read: The Oscars Race After the Festivals: Are We Still Just Waiting for Spielberg?...
- 9/21/2017
- by Beatrice Verhoeven
- The Wrap
It’s been a weekend full of reviews from the Toronto International Film Festival, and along with the premieres, it means producers or (if the film is lucky enough) distributors releasing the first look at footage in an attempt to drum up interest and stand out of the pack of hundreds of others at the festival. Well, it seems to have done the trick as we’re posting a round-up today.
First up, we have the first trailer for Let the Corpses Tan, the latest film from Hélène Cattet and Bruno Forzani, the duo behind Amer and The Strange Colour of Your Body’s Tears. We reviewed it here, and the preview displays some of the visual inventiveness at play. Along with that, there are previews for three other anticipated projects, including the Netflix documentary One of Us, arriving on the platform on October, as well as a pair of...
First up, we have the first trailer for Let the Corpses Tan, the latest film from Hélène Cattet and Bruno Forzani, the duo behind Amer and The Strange Colour of Your Body’s Tears. We reviewed it here, and the preview displays some of the visual inventiveness at play. Along with that, there are previews for three other anticipated projects, including the Netflix documentary One of Us, arriving on the platform on October, as well as a pair of...
- 9/11/2017
- by Jordan Raup
- The Film Stage
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