Welcome to Global Breakouts, Deadline’s fortnightly strand in which we shine a spotlight on the TV shows and films killing it in their local territories. The industry is as globalized as it’s ever been, but breakout hits are appearing in pockets of the world all the time and it can be hard to keep track… So, we’re going to do the hard work for you.
We head to France this week, a fitting time to spotlight TV in the nation given that Mipcom Cannes is taking place. France Télévisions’ Daughters of Fire takes a modernistic approach to a tale from some 400 years or so ago and the creators and producers wanted to conjure themes around feminism, resistance and #MeToo when forging the drama series.
Name: Daughters of Fire
Country: France
Producer: Kwaï
Distributor: Fremantle
For fans of: Jane Campion movies, Bridgerton
In the Basque Country more than 400 years ago,...
We head to France this week, a fitting time to spotlight TV in the nation given that Mipcom Cannes is taking place. France Télévisions’ Daughters of Fire takes a modernistic approach to a tale from some 400 years or so ago and the creators and producers wanted to conjure themes around feminism, resistance and #MeToo when forging the drama series.
Name: Daughters of Fire
Country: France
Producer: Kwaï
Distributor: Fremantle
For fans of: Jane Campion movies, Bridgerton
In the Basque Country more than 400 years ago,...
- 10/17/2023
- by Max Goldbart
- Deadline Film + TV
The push and pull of cultural heritage is married to coming-of-age in Nineties France in Kamir Aïnouz's feature debut, which while getting to the heart of young desire struggles to fully integrate its political themes.
"You're Algerian?" says one of the admissions interviewers at the college that 17-year-old Selma (Zoé Adjani) wants to attend, "It doesn't show", the first of many references to both an inherent prejudice in French society and to the way that some things can resonate deeply even if they are not visible on the surface.
"I'm double," says Selma, who was raised in an upper middle-class French household although her parents are both Algerian, although, a better term might be "split" - as just as she begins to explore her sexuality and self-determination, she begins to be steered down a different path by her overbearing mum (Amira Casar) and overprotective father (Lyès Salem), who though...
"You're Algerian?" says one of the admissions interviewers at the college that 17-year-old Selma (Zoé Adjani) wants to attend, "It doesn't show", the first of many references to both an inherent prejudice in French society and to the way that some things can resonate deeply even if they are not visible on the surface.
"I'm double," says Selma, who was raised in an upper middle-class French household although her parents are both Algerian, although, a better term might be "split" - as just as she begins to explore her sexuality and self-determination, she begins to be steered down a different path by her overbearing mum (Amira Casar) and overprotective father (Lyès Salem), who though...
- 4/13/2021
- by Amber Wilkinson
- eyeforfilm.co.uk
A 17-year-old Parisian girl of Algerian parentage struggles to negotiate the conflicting tensions between desire, familial expectation, peer pressure and heritage in debuting writer-director Kamir Aïnouz’s intermittently successful “Honey Cigar.” Refreshingly empowering in how it foregrounds the female gaze together with the young woman’s ownership of her sexual urges, While the core ideas are sound and Zoé Adjani’s charismatic performance imbues those ideas with a soul, the unexceptional screenplay flounders in its attempt to make each issue equally real and multifaceted. Francophone territories will likely account for the lion’s share of the film’s revenue, together with feminist showcases.
Aïnouz, half-sister of Brazilian-Algerian director Karim Aïnouz, mines elements of her own life for the story, set in 1993 when Algeria was experiencing a surge of Islamist violence. Selma Merabet (Adjani) lives with her parents (Amira Casar and Lyes Salem) in the upscale Paris suburb Neuilly-sur-Seine. Dad’s...
Aïnouz, half-sister of Brazilian-Algerian director Karim Aïnouz, mines elements of her own life for the story, set in 1993 when Algeria was experiencing a surge of Islamist violence. Selma Merabet (Adjani) lives with her parents (Amira Casar and Lyes Salem) in the upscale Paris suburb Neuilly-sur-Seine. Dad’s...
- 9/20/2020
- by Jay Weissberg
- Variety Film + TV
Brussels-based company Best Friend Forever has acquired Kamir Aïnouz’s promising feature debut “Honey Cigar” which was developed with the support of the Sundance Screenwriters Lab and is co-produced by Luc and Jean-Pierre Dardenne, the Palme d’Or-winning directors/producers.
Set in Paris in 1993, the film follows Selma, 17, who lives in a bourgeois and secular Berber family. When she meets Julien in college, she realizes for the first time the impact of patriarchal rules on her intimacy. While Selma discovers the strength of her own desire, fundamentalism takes over her country and her family starts to crumble.
“Honey Cigar” is being produced by French veteran producer Christine Rouxel (“Houba! On the Trail of the Marsupilami”) and Marie-Castille Mention Schaar (“Heaven Will Wait”). The movie is being co-produced by the Dardennes and Malek Ali-Yahia, as well as French star Dany Boon.
Best Friend Forever will unveil the exclusive first footage of...
Set in Paris in 1993, the film follows Selma, 17, who lives in a bourgeois and secular Berber family. When she meets Julien in college, she realizes for the first time the impact of patriarchal rules on her intimacy. While Selma discovers the strength of her own desire, fundamentalism takes over her country and her family starts to crumble.
“Honey Cigar” is being produced by French veteran producer Christine Rouxel (“Houba! On the Trail of the Marsupilami”) and Marie-Castille Mention Schaar (“Heaven Will Wait”). The movie is being co-produced by the Dardennes and Malek Ali-Yahia, as well as French star Dany Boon.
Best Friend Forever will unveil the exclusive first footage of...
- 2/18/2020
- by Elsa Keslassy
- Variety Film + TV
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