Director Corrie Chen has hit a stride in her career where she is able to make projects she really believes in.
Tonight is the premiere of one such example in Sbs/Goalpost Television’s New Gold Mountain, with Chen having directed all four episodes.
Set in 1857 Ballarat, the mini-series looks at the gold rush from the perspective of Chinese miners, with the story unravelling around a murder mystery. The stellar ensemble cast includes Yoson An, Alyssa Sutherland, Christopher James Baker, Dan Spielman, Mabel Li, Leonie Whyman, Sam Wang, Rhys Muldoon, Alison Bell, Chris Masters Mah and Travis Cotton.
Sbs director of content Marshall Heald has called New Gold Mountain the broadcaster’s “most ambitious drama yet”, with producer Kylie du Fresne noting it draws inspiration from Deadwood. The series is dense in detail in terms of costuming and production design, and boasts a diverse cast of around 65 speaking roles, all in multiple languages,...
Tonight is the premiere of one such example in Sbs/Goalpost Television’s New Gold Mountain, with Chen having directed all four episodes.
Set in 1857 Ballarat, the mini-series looks at the gold rush from the perspective of Chinese miners, with the story unravelling around a murder mystery. The stellar ensemble cast includes Yoson An, Alyssa Sutherland, Christopher James Baker, Dan Spielman, Mabel Li, Leonie Whyman, Sam Wang, Rhys Muldoon, Alison Bell, Chris Masters Mah and Travis Cotton.
Sbs director of content Marshall Heald has called New Gold Mountain the broadcaster’s “most ambitious drama yet”, with producer Kylie du Fresne noting it draws inspiration from Deadwood. The series is dense in detail in terms of costuming and production design, and boasts a diverse cast of around 65 speaking roles, all in multiple languages,...
- 10/13/2021
- by Jackie Keast
- IF.com.au
Nicole Chamoun will star opposite US actor Thomas Jane in ABC crime drama Troppo, with cameras now rolling in Queensland.
Produced by Beyond Entertainment and Eq Media Group in association with Jane’s production company Renegade Entertainment, the Fnq-set series is created by Yolanda Ramke and based on the novel Crimson Lake by Candice Fox.
Chamoun, best known for her roles in On The Ropes, The Gloaming, Safe Harbour and Romper Stomper, plays Amanda Pharrell, an eccentric Pi with a disturbing criminal past. She begrudgingly recruits disgraced ex-cop Ted Conkaffey (Jane) to investigate the murder of a brilliant research scientist.
As they battle to uncover the truth, and the tightly held secrets of Crimson Lake, their own traumatic pasts are dragged painfully into the present – tearing them apart, as each of them faces their own fight for sanity and survival.
The supporting cast includes David Lyons, Sun Park, Simon Lyndon,...
Produced by Beyond Entertainment and Eq Media Group in association with Jane’s production company Renegade Entertainment, the Fnq-set series is created by Yolanda Ramke and based on the novel Crimson Lake by Candice Fox.
Chamoun, best known for her roles in On The Ropes, The Gloaming, Safe Harbour and Romper Stomper, plays Amanda Pharrell, an eccentric Pi with a disturbing criminal past. She begrudgingly recruits disgraced ex-cop Ted Conkaffey (Jane) to investigate the murder of a brilliant research scientist.
As they battle to uncover the truth, and the tightly held secrets of Crimson Lake, their own traumatic pasts are dragged painfully into the present – tearing them apart, as each of them faces their own fight for sanity and survival.
The supporting cast includes David Lyons, Sun Park, Simon Lyndon,...
- 8/12/2021
- by Jackie Keast
- IF.com.au
Marvel projects may be drawing a slew of high-profile actors to Australia, but it seems there are also local productions inversely capable of attracting MCU talent.
Christopher James Baker has been back in his native country for the past year following more than a decade in New York, during which he starred in Marvel’s Agents of S.H.I.E.L.D, and also shot the upcoming DC Universe Series, Stargirl.
He has been able to hit the ground running following his return, with roles in Stan’s eight-part mystery drama Eden, as well as Goalpost’s gold rush drama New Gold Mountain.
Baker will first be seen in the former, which is set to premiere on the streaming platform on June 11.
The Every Cloud Productions/Balloon Entertainment series centres on the disappearance of a young woman and a subsequent chain of events that serves to lay bare dark and hidden secrets within the titular coastal town.
Christopher James Baker has been back in his native country for the past year following more than a decade in New York, during which he starred in Marvel’s Agents of S.H.I.E.L.D, and also shot the upcoming DC Universe Series, Stargirl.
He has been able to hit the ground running following his return, with roles in Stan’s eight-part mystery drama Eden, as well as Goalpost’s gold rush drama New Gold Mountain.
Baker will first be seen in the former, which is set to premiere on the streaming platform on June 11.
The Every Cloud Productions/Balloon Entertainment series centres on the disappearance of a young woman and a subsequent chain of events that serves to lay bare dark and hidden secrets within the titular coastal town.
- 5/26/2021
- by Sean Slatter
- IF.com.au
In an idyllic coastal town, the disappearance of a young woman triggers a devastating chain of events which lay bare dark and hidden secrets.
Stan’s eight-part mystery drama Eden will premiere on the service June 11, with all episodes dropping at once.
The Every Cloud Productions/Balloon Entertainment series boasts a cast that includes BeBe Bettencourt, Sophie Wilde, Keiynan Lonsdale, Cody Fern, Christopher James Baker, Samuel Johnson, Rachael Blake, Leeanna Walsman, Simon Lyndon and Maggie Kirkpatrick.
Created by Fiona Eagger and Deb Cox together with Skins creator Bryan Elsley, Eden is produced by Fiona McConaghy and directed by John Curran, Mirrah Foulkes and Peter Andrikidis. All eight episodes of the series are shot by award-winning cinematographer Geoffrey Hall.
Eden also boasts an all female writing team, led by head writer Vanessa Gazy, alongside Jess Brittain, Anya Beyersdorf, Clare Sladden and Penelope Chai.
Major production investment from Screen Australia in association with Screen Nsw.
Stan’s eight-part mystery drama Eden will premiere on the service June 11, with all episodes dropping at once.
The Every Cloud Productions/Balloon Entertainment series boasts a cast that includes BeBe Bettencourt, Sophie Wilde, Keiynan Lonsdale, Cody Fern, Christopher James Baker, Samuel Johnson, Rachael Blake, Leeanna Walsman, Simon Lyndon and Maggie Kirkpatrick.
Created by Fiona Eagger and Deb Cox together with Skins creator Bryan Elsley, Eden is produced by Fiona McConaghy and directed by John Curran, Mirrah Foulkes and Peter Andrikidis. All eight episodes of the series are shot by award-winning cinematographer Geoffrey Hall.
Eden also boasts an all female writing team, led by head writer Vanessa Gazy, alongside Jess Brittain, Anya Beyersdorf, Clare Sladden and Penelope Chai.
Major production investment from Screen Australia in association with Screen Nsw.
- 5/13/2021
- by The IF Team
- IF.com.au
Second features from directors Natalie Erika James (Relic) and Samuel Van Grinsven (Sequin in a Blue Room) are among the 28 projects to recently share in $1 million worth of development funding from Screen Australia.
The agency announced the funding recipients today, with money going towards seven features, 16 TV drama and five online projects.
These are the first projects to be announced for the 2020-21 financial year, from both the Premium and Generate funds.
Projects funded via Premium Plus, the additional development funding allocation Screen Australia launched to support the industry through Covid-19, are expected to be announced later today.
Screen Australia head of development Nerida Moore said: “It’s great to see producers thinking globally and developing unique stories for Australian audiences and the world. We’re excited to support these original story ideas, many with distinct storyworlds and fantastic comedic imaginations that I’m confident will resonate. We’re also...
The agency announced the funding recipients today, with money going towards seven features, 16 TV drama and five online projects.
These are the first projects to be announced for the 2020-21 financial year, from both the Premium and Generate funds.
Projects funded via Premium Plus, the additional development funding allocation Screen Australia launched to support the industry through Covid-19, are expected to be announced later today.
Screen Australia head of development Nerida Moore said: “It’s great to see producers thinking globally and developing unique stories for Australian audiences and the world. We’re excited to support these original story ideas, many with distinct storyworlds and fantastic comedic imaginations that I’m confident will resonate. We’re also...
- 10/28/2020
- by Staff Writer
- IF.com.au
Fiona Eagger.
The biggest challenge facing TV producers next year is figuring out ways to keep Australian dramas screening on the free-to-air broadcasters, according to Fiona Eagger.
Eagger, who co-founded Every Cloud Productions with Deb Cox, welcomes the raising of the TV Producer Offset to 30 per cent but laments the abolition of the local content sub-quotas for Fta networks.
“For Australian producers our greatest challenge is keeping Australian drama alive on our free-to-airs,” she tells If. “All the networks want to keep making Australian drama because when it hits the sweet spot, it creates great audience loyalty to a brand.
“But they’re worried about their revenues and livelihoods so, hand-in-glove with Screen Australia and the state agencies, we have to be really clever in how we put deals together.
“We are resilient and inventive but it’s not easy when the government gives on one hand but takes away on the other hand.
The biggest challenge facing TV producers next year is figuring out ways to keep Australian dramas screening on the free-to-air broadcasters, according to Fiona Eagger.
Eagger, who co-founded Every Cloud Productions with Deb Cox, welcomes the raising of the TV Producer Offset to 30 per cent but laments the abolition of the local content sub-quotas for Fta networks.
“For Australian producers our greatest challenge is keeping Australian drama alive on our free-to-airs,” she tells If. “All the networks want to keep making Australian drama because when it hits the sweet spot, it creates great audience loyalty to a brand.
“But they’re worried about their revenues and livelihoods so, hand-in-glove with Screen Australia and the state agencies, we have to be really clever in how we put deals together.
“We are resilient and inventive but it’s not easy when the government gives on one hand but takes away on the other hand.
- 10/19/2020
- by Don Groves
- IF.com.au
‘Bump.’
Stan today unveiled five Stan Original productions – two drama series, a true crime docuseries, a film and a comedy special – as part of an ambitious plan to ramp up local commissions.
The Nine-owned streamer said it plans to invest in more than 30 productions per year within five years, drawing on Nine’s production facilities and via co-productions with international partners including Hollywood studios and international networks.
It will continue to build on relationships with state and national screen agencies including initiatives such as the Stan and Film Victoria Development Fund and the Screen Queensland and Stan Premium Drama Development Fund.
The slate announced today includes Every Cloud Productions and Balloon Entertainment’s eight-part murder mystery Eden; Claudia Karvan, Kelsey Munro and Roadshow Rough Diamond’s 10-part half-hour drama Bump; and After the Night, a four-part true crime docuseries from Eq Media Group and Salon Pictures, created and directed by Thomas Meadmore.
Stan today unveiled five Stan Original productions – two drama series, a true crime docuseries, a film and a comedy special – as part of an ambitious plan to ramp up local commissions.
The Nine-owned streamer said it plans to invest in more than 30 productions per year within five years, drawing on Nine’s production facilities and via co-productions with international partners including Hollywood studios and international networks.
It will continue to build on relationships with state and national screen agencies including initiatives such as the Stan and Film Victoria Development Fund and the Screen Queensland and Stan Premium Drama Development Fund.
The slate announced today includes Every Cloud Productions and Balloon Entertainment’s eight-part murder mystery Eden; Claudia Karvan, Kelsey Munro and Roadshow Rough Diamond’s 10-part half-hour drama Bump; and After the Night, a four-part true crime docuseries from Eq Media Group and Salon Pictures, created and directed by Thomas Meadmore.
- 8/23/2020
- by The IF Team
- IF.com.au
(L-r) Moreblessing Maturure, Ratidzo Mambo, Taryne Laffar.
Screen Australia today announced the 11 creatives who have been selected to take part in the Developing the Developer workshop for 2019.
Held in Sydney from November 21-24, the workshop aims to diversify the pool of professionals developing Australian stories for the screen.
It will be co-run by script developer Louise Gough and Screen Australia’s industry development executive Bali Padda, who participated in the first Developing the Developer workshop in 2017,
The presenters will include Julie Kalceff, Kodie Bedford, and Penelope Chai (Other People’s Problems).
Among the creatives who took part in Developing the Developer last year, seven went on to secure work placements: Sarah Bassiuoni at Fremantle, Amy Stewart at Matchbox Pictures, Hiroki Kobayashi at Berg Shanley Productions, Dan Prichard at Lingo Pictures, Li-Kim Chuah at ABC, Vidya Rajan at Tony Ayres Productions, Jean Tong at Goalpost Pictures and Leticia Cáceres at Seven Studios.
Screen Australia today announced the 11 creatives who have been selected to take part in the Developing the Developer workshop for 2019.
Held in Sydney from November 21-24, the workshop aims to diversify the pool of professionals developing Australian stories for the screen.
It will be co-run by script developer Louise Gough and Screen Australia’s industry development executive Bali Padda, who participated in the first Developing the Developer workshop in 2017,
The presenters will include Julie Kalceff, Kodie Bedford, and Penelope Chai (Other People’s Problems).
Among the creatives who took part in Developing the Developer last year, seven went on to secure work placements: Sarah Bassiuoni at Fremantle, Amy Stewart at Matchbox Pictures, Hiroki Kobayashi at Berg Shanley Productions, Dan Prichard at Lingo Pictures, Li-Kim Chuah at ABC, Vidya Rajan at Tony Ayres Productions, Jean Tong at Goalpost Pictures and Leticia Cáceres at Seven Studios.
- 11/12/2019
- by The IF Team
- IF.com.au
(L-r): Melissa Lee Speyer, Gemma Bird Matheson, Lynette Wallworth.
Screen Australia has put almost $900,000 towards the story development of seven TV dramas, nine online projects, nine features and in an agency first – a podcast.
Podcast Engineering Consciousness, helmed by Emmy Award winner Lynette Wallworth, explores what happens to someone’s consciousness during a near-death experience. The idea is that the podcast will be used as a proof-of-concept for a television drama on the same topic. It will be produced by Bunya Productions’ Sophia Zachariou and Greer Simpkin.
Also on the slate is a live-action feature film from Ludo Studio (Bluey), written and directed by Daley Pearson, and a 10-part fictional TV series about what went on behind the scenes of the iconic Leyland Brothers’ adventures across Australia, created by Daina Reid and produced by Joanna Werner.
This is the first story development round of the year. Screen Australia runs...
Screen Australia has put almost $900,000 towards the story development of seven TV dramas, nine online projects, nine features and in an agency first – a podcast.
Podcast Engineering Consciousness, helmed by Emmy Award winner Lynette Wallworth, explores what happens to someone’s consciousness during a near-death experience. The idea is that the podcast will be used as a proof-of-concept for a television drama on the same topic. It will be produced by Bunya Productions’ Sophia Zachariou and Greer Simpkin.
Also on the slate is a live-action feature film from Ludo Studio (Bluey), written and directed by Daley Pearson, and a 10-part fictional TV series about what went on behind the scenes of the iconic Leyland Brothers’ adventures across Australia, created by Daina Reid and produced by Joanna Werner.
This is the first story development round of the year. Screen Australia runs...
- 11/11/2019
- by jkeast
- IF.com.au
Cleverman..
Michael Miller, co-writer of the ABC's Cleverman, has won the $10,000 Australian Writers' Guild's 2016 John Hinde Award for Science Fiction.
The annual award, first presented in 2008, is funded by a bequest from the late film critic John Hinde.
The award has two categories: one for a produced script, won by Miller, and one for an unproduced script, which this year was awarded to Graeme Burfoot for his screenplay, Red to Blue..Both were presented their awards at an industry event held at Brisbane Powerhouse on Wednesday evening..
Miller was awarded the prize for episode five of the Cleverman.s first season, .A Man of Vision.. He said sci-fi is a form that allows a writer to convey things not always so easily said in traditional formats.
.That was definitely part of the logic behind setting Cleverman in the future. It's exciting to think that Cleverman is one of several sci-fi-inspired shows on television at present,...
Michael Miller, co-writer of the ABC's Cleverman, has won the $10,000 Australian Writers' Guild's 2016 John Hinde Award for Science Fiction.
The annual award, first presented in 2008, is funded by a bequest from the late film critic John Hinde.
The award has two categories: one for a produced script, won by Miller, and one for an unproduced script, which this year was awarded to Graeme Burfoot for his screenplay, Red to Blue..Both were presented their awards at an industry event held at Brisbane Powerhouse on Wednesday evening..
Miller was awarded the prize for episode five of the Cleverman.s first season, .A Man of Vision.. He said sci-fi is a form that allows a writer to convey things not always so easily said in traditional formats.
.That was definitely part of the logic behind setting Cleverman in the future. It's exciting to think that Cleverman is one of several sci-fi-inspired shows on television at present,...
- 11/10/2016
- by Staff Writer
- IF.com.au
The Code. . Shelley Birse has taken out the top prize at this year.s Awgie Awards, winning the Major Award for the second season of ABC cyber-thriller The Code..
The first season of The Code also took out the Australian Writers. Guild Major Award in 2014. This year.s award makes it the only series to have been recognised by two Major Awards for both of its seasons. The Code also received the Awgie Award for the Television: Miniseries — Original category.
Overall, more than 25 Australian writers —.from radio, television, film, theatre and interactive media — were honoured at this year.s Awgie Awards, held in Sydney on Friday evening.
Andrew Knight and Osamah Sami.s Ali.s Wedding took out the award for most outstanding script for an original feature, while Shaun Grant and Craig Silvey received the award for most outstanding feature adaptation for Jasper Jones.
Samantha Strauss was honoured for her original telemovie,...
The first season of The Code also took out the Australian Writers. Guild Major Award in 2014. This year.s award makes it the only series to have been recognised by two Major Awards for both of its seasons. The Code also received the Awgie Award for the Television: Miniseries — Original category.
Overall, more than 25 Australian writers —.from radio, television, film, theatre and interactive media — were honoured at this year.s Awgie Awards, held in Sydney on Friday evening.
Andrew Knight and Osamah Sami.s Ali.s Wedding took out the award for most outstanding script for an original feature, while Shaun Grant and Craig Silvey received the award for most outstanding feature adaptation for Jasper Jones.
Samantha Strauss was honoured for her original telemovie,...
- 10/17/2016
- by Staff Writer
- IF.com.au
Michael Noonan.
Aussie writers are among those vying to take out the 2016 Script Pipeline Screenwriting Contest, with the winner to be announced in Los Angeles this weekend.
The competition, now in its 14th year, aims to discover up-and-coming writers and connect them with producers, agencies, and managers across studio and independent markets.
Finalists are given exposure to Script Pipeline industry partners — approximately 200 qualified contacts — and circulation.
The winning script receives $25,000 and the runner-up gets $1,500. Both receive development consultation.
According to Script Pipeline, over $6 million in specs have been sold from its alumni since 2000.
Brisbane.s Michael Noonan, who is currently teaching film at the University of Monterrey in Mexico, has two scripts in the mix, Alternate Ending and #Escape.
Both scripts were also semi-finalists in the Academy Nicholl Fellowships for Screenwriting; Alternate Ending in 2014, and #Escape in 2015 (then titled The Lupis Escape).
Alternate Ending is a thriller that follows a political candidate who,...
Aussie writers are among those vying to take out the 2016 Script Pipeline Screenwriting Contest, with the winner to be announced in Los Angeles this weekend.
The competition, now in its 14th year, aims to discover up-and-coming writers and connect them with producers, agencies, and managers across studio and independent markets.
Finalists are given exposure to Script Pipeline industry partners — approximately 200 qualified contacts — and circulation.
The winning script receives $25,000 and the runner-up gets $1,500. Both receive development consultation.
According to Script Pipeline, over $6 million in specs have been sold from its alumni since 2000.
Brisbane.s Michael Noonan, who is currently teaching film at the University of Monterrey in Mexico, has two scripts in the mix, Alternate Ending and #Escape.
Both scripts were also semi-finalists in the Academy Nicholl Fellowships for Screenwriting; Alternate Ending in 2014, and #Escape in 2015 (then titled The Lupis Escape).
Alternate Ending is a thriller that follows a political candidate who,...
- 7/22/2016
- by Jackie Keast
- IF.com.au
Michael Noonan.
Aussie writers are among those vying to take out the 2016 Script Pipeline Screenwriting Competition, with the winner to be announced in Los Angeles this weekend.
The contest, now in its 14th year, aims to discover up-and-coming writers and connect them with producers, agencies, and managers across studio and independent markets.
Finalists are given exposure to Script Pipeline industry partners — approximately 200 qualified contacts — and circulation.
The winning script receives $25,000 and the runner-up gets $1,500. Both receive development consultation.
According to Script Pipeline, over $6 million in specs have been sold from its alumni since 2000.
Brisbane.s Michael Noonan, who is currently teaching film at the University of Monterrey in Mexico, has two scripts in the mix, Alternate Ending and #Escape.
Both scripts were also semi-finalists in the Academy Nicholl Fellowships for Screenwriting; Alternate Ending in 2014, and #Escape in 2015 (then titled The Lupis Escape).
Alternate Ending is a thriller that follows a political candidate who,...
Aussie writers are among those vying to take out the 2016 Script Pipeline Screenwriting Competition, with the winner to be announced in Los Angeles this weekend.
The contest, now in its 14th year, aims to discover up-and-coming writers and connect them with producers, agencies, and managers across studio and independent markets.
Finalists are given exposure to Script Pipeline industry partners — approximately 200 qualified contacts — and circulation.
The winning script receives $25,000 and the runner-up gets $1,500. Both receive development consultation.
According to Script Pipeline, over $6 million in specs have been sold from its alumni since 2000.
Brisbane.s Michael Noonan, who is currently teaching film at the University of Monterrey in Mexico, has two scripts in the mix, Alternate Ending and #Escape.
Both scripts were also semi-finalists in the Academy Nicholl Fellowships for Screenwriting; Alternate Ending in 2014, and #Escape in 2015 (then titled The Lupis Escape).
Alternate Ending is a thriller that follows a political candidate who,...
- 7/22/2016
- by Jackie Keast
- IF.com.au
Arrowhead, 2015 produced winner
Entries are now open for the Australian Writers. Guild.s 2016 John Hinde Award for Excellence in Science Fiction screenwriting.
The awards, funded by a bequest from the late Australian film critic John Hinde, offer $10,000 for the best produced script, and professional support for the best unproduced script submitted each year.
The award was established to encourage, reward and foster creativity in the development and showcasing of science fiction writing for feature film, short film, television, radio and interactive media.
Jesse O.Brien, the 2015 winner in the produced category for his screenplay Arrowhead, said the existence of the award sends a strong message that ambitious genre in Australia isn't only possible, but welcome.
.We're only a few movies away from a significant genre resurgence and if Arrowhead can inspire the imaginations of other writers, then it has done the very best thing movies can do,. he said.
.Thank...
Entries are now open for the Australian Writers. Guild.s 2016 John Hinde Award for Excellence in Science Fiction screenwriting.
The awards, funded by a bequest from the late Australian film critic John Hinde, offer $10,000 for the best produced script, and professional support for the best unproduced script submitted each year.
The award was established to encourage, reward and foster creativity in the development and showcasing of science fiction writing for feature film, short film, television, radio and interactive media.
Jesse O.Brien, the 2015 winner in the produced category for his screenplay Arrowhead, said the existence of the award sends a strong message that ambitious genre in Australia isn't only possible, but welcome.
.We're only a few movies away from a significant genre resurgence and if Arrowhead can inspire the imaginations of other writers, then it has done the very best thing movies can do,. he said.
.Thank...
- 6/30/2016
- by Staff Writer
- IF.com.au
Arrowhead, 2015 produced winner
Entries are now open for the Australian Writers. Guild.s 2016 John Hinde Award for Excellence in Science Fiction screenwriting.
The awards, funded by a bequest from the late Australian film critic John Hinde, offer $10,000 for the best produced script, and professional support for the best unproduced script submitted each year.
The award was established to encourage, reward and foster creativity in the development and showcasing of science fiction writing for feature film, short film, television, radio and interactive media.
Jesse O.Brien, the 2015 winner in the produced category for his screenplay Arrowhead, said the existence of the award sends a strong message that ambitious genre in Australia isn't only possible, but welcome.
.We're only a few movies away from a significant genre resurgence and if Arrowhead can inspire the imaginations of other writers, then it has done the very best thing movies can do,. he said.
.Thank...
Entries are now open for the Australian Writers. Guild.s 2016 John Hinde Award for Excellence in Science Fiction screenwriting.
The awards, funded by a bequest from the late Australian film critic John Hinde, offer $10,000 for the best produced script, and professional support for the best unproduced script submitted each year.
The award was established to encourage, reward and foster creativity in the development and showcasing of science fiction writing for feature film, short film, television, radio and interactive media.
Jesse O.Brien, the 2015 winner in the produced category for his screenplay Arrowhead, said the existence of the award sends a strong message that ambitious genre in Australia isn't only possible, but welcome.
.We're only a few movies away from a significant genre resurgence and if Arrowhead can inspire the imaginations of other writers, then it has done the very best thing movies can do,. he said.
.Thank...
- 6/30/2016
- by Staff Writer
- IF.com.au
Sophie Hyde.
Screen Australia and ABC have announced the five successful projects to be funded through the $1.5 million Long Story Short initiative. Each project will be funded to create and produce a short-form, digital-first scripted series for 18-35 year olds, to screen on ABC iview. The five successful creative teams were chosen from more than 250 applications, and offer a mix of comedy and drama. Each will participate in a two-day workshop in July, led by ABC TV executives and multiplatform writer and script developer Mike Jones. .We were blown away by the standard of the applications, there were so many strong creative teams in the mix. We think these five projects really know their audience and will work so well as digital-first content,. said Screen Australia investment manager Mike Cowap. .We.re thrilled to team with Screen Australia on so many fantastic new scripted projects, building on ABC iview.s reputation for world class digital-first,...
Screen Australia and ABC have announced the five successful projects to be funded through the $1.5 million Long Story Short initiative. Each project will be funded to create and produce a short-form, digital-first scripted series for 18-35 year olds, to screen on ABC iview. The five successful creative teams were chosen from more than 250 applications, and offer a mix of comedy and drama. Each will participate in a two-day workshop in July, led by ABC TV executives and multiplatform writer and script developer Mike Jones. .We were blown away by the standard of the applications, there were so many strong creative teams in the mix. We think these five projects really know their audience and will work so well as digital-first content,. said Screen Australia investment manager Mike Cowap. .We.re thrilled to team with Screen Australia on so many fantastic new scripted projects, building on ABC iview.s reputation for world class digital-first,...
- 6/23/2016
- by Staff Writer
- IF.com.au
Melbourne-based screenwriter, video artist and filmmaker Harry Aletras has won the 2015 Australian Writers Guild.s Insite award for unproduced screenplays.
Aletras will attend the Adelaide Film Festival (October 15-25) and meet industry directors and producers with a view to moving the project, crime thriller Martingale, onto the screen.
Martingale follows Finnigan Wallace, a 24-year-old gambling addict and philosophy major whose addictions have ruined his relationships with his girlfriend and his widowed mother. Owing a considerable debt to a gangland boss, he is ordered to go to a criminal club in Vietnam to collect a sizeable quantity of heroin, an ultimatum. which he sees as a symbolic suicide.
Awg president Jan Sardi hailed the screenplay as a .taut crime thriller showcasing a talented writer with a bright future..
Aff director Amanda Duthie joined the Awg panel to determine the winner. The judges gave a special runner up (highly recommended) commendation to...
Aletras will attend the Adelaide Film Festival (October 15-25) and meet industry directors and producers with a view to moving the project, crime thriller Martingale, onto the screen.
Martingale follows Finnigan Wallace, a 24-year-old gambling addict and philosophy major whose addictions have ruined his relationships with his girlfriend and his widowed mother. Owing a considerable debt to a gangland boss, he is ordered to go to a criminal club in Vietnam to collect a sizeable quantity of heroin, an ultimatum. which he sees as a symbolic suicide.
Awg president Jan Sardi hailed the screenplay as a .taut crime thriller showcasing a talented writer with a bright future..
Aff director Amanda Duthie joined the Awg panel to determine the winner. The judges gave a special runner up (highly recommended) commendation to...
- 10/15/2015
- by Don Groves
- IF.com.au
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