An all-star award-winning filmmaker jury is lining up to judge the competition titles of the 80th Venice Film Festival. Oscar and Palme d’Or winner Jane Campion, Oscar winner Martin McDonagh, and Oscar and Venice Golden Lion winner Laura Poitras will join jury president Damien Chazelle on the Venice 2023 international jury.
Also on this year’s jury judging the Golden and Silver Lion winners will be acclaimed French director Mia Hansen-Love, Palestinian actor Saleh Bakri, Argentine filmmaker Santiago Mitre as well as Chinese actress Shu Qi.
Most of the jury has a history with Venice. Chazelle premiered La La Land and First Man in competition on the Lido. Poitras’ last film, the documentary All the Beauty and the Bloodshed, won last year’s Golden Lion. Campion’s The Power of the Dog was a Silver Lion winner in 2021. McDonagh’s The Banshees of Inisherin, a 2022 Venice competition title, took the...
Also on this year’s jury judging the Golden and Silver Lion winners will be acclaimed French director Mia Hansen-Love, Palestinian actor Saleh Bakri, Argentine filmmaker Santiago Mitre as well as Chinese actress Shu Qi.
Most of the jury has a history with Venice. Chazelle premiered La La Land and First Man in competition on the Lido. Poitras’ last film, the documentary All the Beauty and the Bloodshed, won last year’s Golden Lion. Campion’s The Power of the Dog was a Silver Lion winner in 2021. McDonagh’s The Banshees of Inisherin, a 2022 Venice competition title, took the...
- 7/13/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
In her career to date, French director Katell Quillévéré has demonstrated an unusual talent for connecting to her characters so intensely that in some moments they seem less to be up on the screen in front of you, than sitting right next to you. Or even, as with the daydreams and interior musings that punctuated her wonderful last film “Heal the Living,” right inside you. But with her fourth feature, “Along Came Love,” that intimate connection appears to have been broken, as though this turbid post-war romantic saga is coming to us through the decades via a long-distance call that keeps dropping.
Perhaps to establish some authenticity early, the film opens with archival footage of the French liberation celebrations at the end of World War II. The jubilant scenes darken as “collaborator” Frenchwomen, accused of pursuing relationships with the occupying Germans, are lined up for ritual public humiliation. Last year,...
Perhaps to establish some authenticity early, the film opens with archival footage of the French liberation celebrations at the end of World War II. The jubilant scenes darken as “collaborator” Frenchwomen, accused of pursuing relationships with the occupying Germans, are lined up for ritual public humiliation. Last year,...
- 5/30/2023
- by Jessica Kiang
- Variety Film + TV
When the Oscar nominations were announced in January, some of the most prominent omissions were films made by and starring Black women, including Gina Prince-Bythewood’s The Woman King, with a cast led by Viola Davis; Chinonye Chukwu’s Till, starring Danielle Deadwyler; and Alice Diop’s Saint Omer, which was France’s selection for international film. Prince-Bythewood opens up about what those omissions mean to her.
I am currently a producer on a project, and the executives were adamant that the director we chose be a Black Oscar-winning director. While that sounds great, who would that be? In the 95-year history of the Academy Awards, no Black filmmaker has ever won best director. No Black woman has ever been nominated.
This awards season was an eye-opener. I was thinking about how to encapsulate what it feels like to be a Black filmmaker in the awards conversation, and I thought...
I am currently a producer on a project, and the executives were adamant that the director we chose be a Black Oscar-winning director. While that sounds great, who would that be? In the 95-year history of the Academy Awards, no Black filmmaker has ever won best director. No Black woman has ever been nominated.
This awards season was an eye-opener. I was thinking about how to encapsulate what it feels like to be a Black filmmaker in the awards conversation, and I thought...
- 2/7/2023
- by Gina Prince-Bythewood, as told to Rebecca Keegan
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.