
Enrique Gato volverá a dirigir la nueva película que promete llevar al famoso arqueólogo a través del tiempo en una emocionante travesía. © Paramount Pictures
La “tadeomanía” sigue en auge con la confirmación del regreso de Tadeo Jones a la gran pantalla con su cuarta entrega. Dirigida por Enrique Gato, la película se encuentra en fase de pre-producción.
El arqueólogo más icónico de nuestro país volverá a cautivar al público con una nueva aventura que promete superar todas las expectativas. Tras el éxito de las tres películas anteriores, que han conquistado a más de 8 millones de espectadores y han recaudado 47 millones de euros en España, la cuarta entrega se prepara para llevar a Tadeo a un nuevo nivel.
Enrique Gato ha afirmado que esta nueva aventura será el mayor reto hasta la fecha, llevando a los queridos personajes a una travesía completamente diferente… ¡a través del tiempo! Con un guion lleno de diversión y emoción,...
La “tadeomanía” sigue en auge con la confirmación del regreso de Tadeo Jones a la gran pantalla con su cuarta entrega. Dirigida por Enrique Gato, la película se encuentra en fase de pre-producción.
El arqueólogo más icónico de nuestro país volverá a cautivar al público con una nueva aventura que promete superar todas las expectativas. Tras el éxito de las tres películas anteriores, que han conquistado a más de 8 millones de espectadores y han recaudado 47 millones de euros en España, la cuarta entrega se prepara para llevar a Tadeo a un nuevo nivel.
Enrique Gato ha afirmado que esta nueva aventura será el mayor reto hasta la fecha, llevando a los queridos personajes a una travesía completamente diferente… ¡a través del tiempo! Con un guion lleno de diversión y emoción,...
- 3/14/2024
- by Marta Medina
- mundoCine

In a highly anticipated animation event at this year’s Cannes Festival, Emmy-winning Spanish director Rodrigo Blaas attends on Sunday the screening of his short film “Sith,” part of Disney+’s “Star Wars: Visions” Season 2 anthology. The first big-screen exhibition of “Sith” — released worldwide May 4 on Disney+ — followed by a meet and greet with Blaas marks one highlight of the Animation Day Revelations New Animated Shorts From Spain, organized by Icex Spain’s Trade & Investment.
The Spanish animation event at Cannes will also showcase Alberto Mielgo’s celebrated 2022 Oscar-winning short film “The Windshield Wiper.”
Another leading light in the renaissance of Spanish animation, Mielgo also took an Emmy Award last year for individual achievement in animation for “Jíbaro,” part of Season 3 of Netflix’s animated series “Love, Death + Robots.” An earlier episode of the series directed by Mielgo, “The Witness,” won three Emmys in 2019.
Blaas has worked on successful...
The Spanish animation event at Cannes will also showcase Alberto Mielgo’s celebrated 2022 Oscar-winning short film “The Windshield Wiper.”
Another leading light in the renaissance of Spanish animation, Mielgo also took an Emmy Award last year for individual achievement in animation for “Jíbaro,” part of Season 3 of Netflix’s animated series “Love, Death + Robots.” An earlier episode of the series directed by Mielgo, “The Witness,” won three Emmys in 2019.
Blaas has worked on successful...
- 5/21/2023
- by Emiliano De Pablos
- Variety Film + TV

To mark the release of Tad the Lost Explorer and The Curse of The Mummy on 26th December, we’ve been given DVD copies to give away to 3 winners.
Tad’s biggest dream is to be accepted by his archaeology colleagues, but his accident-prone nature gets in his way. When he inadvertently destroys a rare sarcophagus, a spell is cast, putting his friends’ lives in danger. Saving Mummy, Jeff and Belzoni triggers an action-packed adventure that will lead Tad and Sara to travel to the far corners of the world to find a way to stop the curse of the Emerald Tablet. Directed by Enrique Gato.
Please note: This competition is open to UK residents only
a Rafflecopter giveaway
Tad The Lost Explorer and The Curse Of The Mummy available to Download & Keep now and on DVD December 26th.
The Small Print
Open to UK residents only The competition will...
Tad’s biggest dream is to be accepted by his archaeology colleagues, but his accident-prone nature gets in his way. When he inadvertently destroys a rare sarcophagus, a spell is cast, putting his friends’ lives in danger. Saving Mummy, Jeff and Belzoni triggers an action-packed adventure that will lead Tad and Sara to travel to the far corners of the world to find a way to stop the curse of the Emerald Tablet. Directed by Enrique Gato.
Please note: This competition is open to UK residents only
a Rafflecopter giveaway
Tad The Lost Explorer and The Curse Of The Mummy available to Download & Keep now and on DVD December 26th.
The Small Print
Open to UK residents only The competition will...
- 12/16/2022
- by Competitions
- HeyUGuys.co.uk

The rise of Spain’s animation power promises to provide one of the leading narratives at this year’s Cartoon Forum.
In one of its strongest representations ever at the Toulouse event, eight high-profile TV series projects from Spain will be pitched, trailing only France.
To complete its standout presence, a spotlight on Spain will take place at the Forum, with several networking activities to promote local industry, backed by Spanish trade promotion broad Icex in collaboration with Diboos, the country’s toon and VFX federation.
In recent years, the animation scene has experienced a historic growth, becoming a key sector in the rapidly growing local audiovisual market.
By Icex estimates, the animation and VFX sector generates 20 of all audiovisual industry jobs. Its annual turnover – €900 million (900 million) – reps 9 of total revenues.
This year, the animation TV industry has released six TV series and is preparing at least 26 more projects at different production stages,...
In one of its strongest representations ever at the Toulouse event, eight high-profile TV series projects from Spain will be pitched, trailing only France.
To complete its standout presence, a spotlight on Spain will take place at the Forum, with several networking activities to promote local industry, backed by Spanish trade promotion broad Icex in collaboration with Diboos, the country’s toon and VFX federation.
In recent years, the animation scene has experienced a historic growth, becoming a key sector in the rapidly growing local audiovisual market.
By Icex estimates, the animation and VFX sector generates 20 of all audiovisual industry jobs. Its annual turnover – €900 million (900 million) – reps 9 of total revenues.
This year, the animation TV industry has released six TV series and is preparing at least 26 more projects at different production stages,...
- 9/19/2022
- by Emiliano De Pablos
- Variety Film + TV

Tad the Explorer – aka Tad Stones the Chicago bricklayer – is onto his third adventure in new Enrique Gato feature, Tad the Lost Explorer and the Curse of the Mummy (or Tad the Lost Explorer and the Emerald Tablet in some regions) and is as accident-prone as ever as he tries to gain acceptance into the upper echelons of archaeological circles.
Indeed, we first see Tad (voiced by Trevor White) making a major discovery on a dig in Mexico led by the University of Chicago’s archaeological department which (naturally) all ends in disaster. Expelled from the site and leaving ever patient girlfriend Sara (Alex Kelly) behind, a crestfallen Tad returns home to decomposing old friend Mummy (Joseph Balderrama) who is as addicted to gadgets and social media as any youth is today (parents/guardians unite in rolling their collective eyes to the cinema ceiling in weary recognition here). However, in the chaos that follows,...
Indeed, we first see Tad (voiced by Trevor White) making a major discovery on a dig in Mexico led by the University of Chicago’s archaeological department which (naturally) all ends in disaster. Expelled from the site and leaving ever patient girlfriend Sara (Alex Kelly) behind, a crestfallen Tad returns home to decomposing old friend Mummy (Joseph Balderrama) who is as addicted to gadgets and social media as any youth is today (parents/guardians unite in rolling their collective eyes to the cinema ceiling in weary recognition here). However, in the chaos that follows,...
- 9/12/2022
- by Lisa Giles-Keddie
- HeyUGuys.co.uk


Paramount has debuted a new trailer for the upcoming animation ‘Tad The Lost Explorer And The Curse Of The Mummy.’
Tad’s biggest dream is to be accepted by his archaeology colleagues, but his accident-prone nature gets in his way. When he inadvertently destroys a rare sarcophagus, a spell is cast, putting his friends’ lives in danger. Saving Mummy, Jeff and Belzoni will trigger an action-packed adventure that will lead Tad and Sara to travel to the far corners of the world to find a way to stop the curse of the Emerald Tablet.
Directed by Enrique Gato, the animation features a voice cast of Trevor White, Joseph Balderrama, Alex Kelly, Pippa Bennett-Warner, Elena Sanz.
Also in trailers – Jamie Foxx stars in trailer for ‘Day Shift’
The film hits cinemas on September 9th.
The post Trailer launched for animation ‘Tad The Lost Explorer And The Curse Of The Mummy’ appeared first on HeyUGuys.
Tad’s biggest dream is to be accepted by his archaeology colleagues, but his accident-prone nature gets in his way. When he inadvertently destroys a rare sarcophagus, a spell is cast, putting his friends’ lives in danger. Saving Mummy, Jeff and Belzoni will trigger an action-packed adventure that will lead Tad and Sara to travel to the far corners of the world to find a way to stop the curse of the Emerald Tablet.
Directed by Enrique Gato, the animation features a voice cast of Trevor White, Joseph Balderrama, Alex Kelly, Pippa Bennett-Warner, Elena Sanz.
Also in trailers – Jamie Foxx stars in trailer for ‘Day Shift’
The film hits cinemas on September 9th.
The post Trailer launched for animation ‘Tad The Lost Explorer And The Curse Of The Mummy’ appeared first on HeyUGuys.
- 7/14/2022
- by Zehra Phelan
- HeyUGuys.co.uk

Europe’s emerging upscale movie animation power, Spain, saw eight titles selected for March’s Cartoon Movie meet, trailing only France. Meanwhile, Spaniard Alberto Mielgo won an Academy Award for his animated short film “The Windshield Wiper.”
Spain’s animation industry generated revenues of over 950 million in 2021, according to Spanish trade promotion board Icex.
Growing a dedicated animation film fund, Catalonia looks set to grab an ever-larger piece of this action. Of Spain’s eight animation movie titles in 2022, up from five in 2019, three features have Catalan production input: Enrique Gato’s “Tad, The Lost Explorer and the Emerald Tablet” produced by Ikiru, Jesús García Galocha’s “Momias,” from 4 Cats Pictures and Fernando Trueba and Javier Mariscal’s “They Shot the Piano Player,” selected for a Work in Progress presentation at Annecy.
The number of eagerly awaited Catalan animation features in different stages of production is way up, however,...
Spain’s animation industry generated revenues of over 950 million in 2021, according to Spanish trade promotion board Icex.
Growing a dedicated animation film fund, Catalonia looks set to grab an ever-larger piece of this action. Of Spain’s eight animation movie titles in 2022, up from five in 2019, three features have Catalan production input: Enrique Gato’s “Tad, The Lost Explorer and the Emerald Tablet” produced by Ikiru, Jesús García Galocha’s “Momias,” from 4 Cats Pictures and Fernando Trueba and Javier Mariscal’s “They Shot the Piano Player,” selected for a Work in Progress presentation at Annecy.
The number of eagerly awaited Catalan animation features in different stages of production is way up, however,...
- 5/18/2022
- by Emilio Mayorga
- Variety Film + TV

“Agus and Monsters,” “Mironins” and “The Triplets” feature among five projects to be highlighted by promotion board Catalan Films at a Partner Content Showcase on April 12 focusing on animation, a burgeoning TV asset in Catalonia. More details:
“Mironins” (Cornelius Films, Walking the Dog Bvba, Wuji House, Peekaboo Animation)
A transmedia project made up of seven-minute episodes aimed at children immersing themselves in the artistic universe of Catalan surrealist master Joan Miró. The show is co-directed by Mikel Mas (“The Fig Tree”) and Celia Rico, a live-action director (“Journey Around a Mother’s Room”) selected by Variety as a talent to track.
“Agus and Monsters” (Motion Pictures)
Produced and sold by Motion Pictures (“Pumpking Reports” ), “Agus” is a fantasy-adventure comedy series focusing on a kid whose bedroom is full of monsters, although the kid makes his parents believe they are just cuddly toys.
“The Triplets” (Brutal Media)
A reboot of a...
“Mironins” (Cornelius Films, Walking the Dog Bvba, Wuji House, Peekaboo Animation)
A transmedia project made up of seven-minute episodes aimed at children immersing themselves in the artistic universe of Catalan surrealist master Joan Miró. The show is co-directed by Mikel Mas (“The Fig Tree”) and Celia Rico, a live-action director (“Journey Around a Mother’s Room”) selected by Variety as a talent to track.
“Agus and Monsters” (Motion Pictures)
Produced and sold by Motion Pictures (“Pumpking Reports” ), “Agus” is a fantasy-adventure comedy series focusing on a kid whose bedroom is full of monsters, although the kid makes his parents believe they are just cuddly toys.
“The Triplets” (Brutal Media)
A reboot of a...
- 4/11/2021
- by Emilio Mayorga
- Variety Film + TV


Barcelona – Rémi Chayé’s “Calamity, a Childhood of Martha Jane Cannary,” Anca Damian’s “The Island,” Fernando Trueba and Javier Mariscal’s “They Shot the Piano Player,” and Enrique Gato’s “Tad the Lost Explorer and the Curse of the Mummy” are among the sixty-six projects from twenty countries to be pitched at the 22nd Cartoon Movie, Europe’s leading animated movie co-production event. Cartoon Movie will take place in the French port city of Bordeaux, kicking off March 3rd.
Projects will be accessible for buyers and potential partners and will be pitched in different stages of production: 28 in concept, 27 in development, six in production and five sneak previews. The five projects at the sneak preview showcase and the six in production have previously been to Cartoon Movie in preliminary production stages. Twenty-three projects are co-productions.
A family adventure, Rémi Chayé’s (acclaimed “Long Way North”) sophomore feature depicts the...
Projects will be accessible for buyers and potential partners and will be pitched in different stages of production: 28 in concept, 27 in development, six in production and five sneak previews. The five projects at the sneak preview showcase and the six in production have previously been to Cartoon Movie in preliminary production stages. Twenty-three projects are co-productions.
A family adventure, Rémi Chayé’s (acclaimed “Long Way North”) sophomore feature depicts the...
- 1/21/2020
- by Emilio Mayorga
- Variety Film + TV


Riviera Maya, Mexico — As widely predicted, Sebastian Lelio’s “A Fantastic Woman” swept the 5th Platino Ibero-American Film Awards Sunday, held at the Xcaret Riviera Maya resort in Mexico.
This is the second time Lelio has snagged the best picture Platino Award. His poignant drama about a divorcee, “Gloria,” won at the inaugural edition of the four-year old annual event.
The Platino Awards sweep is another feather in the cap for Lelio who took home the foreign language Oscar for Chile this year for “A Fantastic Woman.”
“Those of us who make movies play with perception and reality; those who watch our films are responsible for making sense of it,” said Lelio upon receiving his best director prize.
In industry terms, Spain was a producer or very often co-producer of virtually all the winning projects, both TV and film.
The glittering event featured a bevy of actors from across Ibero-America...
This is the second time Lelio has snagged the best picture Platino Award. His poignant drama about a divorcee, “Gloria,” won at the inaugural edition of the four-year old annual event.
The Platino Awards sweep is another feather in the cap for Lelio who took home the foreign language Oscar for Chile this year for “A Fantastic Woman.”
“Those of us who make movies play with perception and reality; those who watch our films are responsible for making sense of it,” said Lelio upon receiving his best director prize.
In industry terms, Spain was a producer or very often co-producer of virtually all the winning projects, both TV and film.
The glittering event featured a bevy of actors from across Ibero-America...
- 4/30/2018
- by Anna Marie de la Fuente
- Variety Film + TV
Saturday, April 7 marked the debut edition of the Quirino Awards ceremony. Held in the Canary Island city of Tenerife, the event was created to celebrate Ibero-American animation, and to create links within the industry across the Atlantic.
In addition to Saturday night’s awards ceremony, an Ibero-American co-production forum was held over the two days which included: Presentations of the state of the animation industry in different countries and regions; B2B coproduction meetings: and industry work tables.
Additionally, an international congress was held as a forum for debate and discussion on the rapid evolution of animation technologies and techniques, as well as the platforms which host that content.
Saturday’s awards ceremony was the culmination of the two-day event, named in honor of Argentina’s Quirino Cristiani who, in 1917, directed “El Apóstol,” the world’s first animated feature. Unfortunately, the film was destroyed in a fire.
The inaugural best...
In addition to Saturday night’s awards ceremony, an Ibero-American co-production forum was held over the two days which included: Presentations of the state of the animation industry in different countries and regions; B2B coproduction meetings: and industry work tables.
Additionally, an international congress was held as a forum for debate and discussion on the rapid evolution of animation technologies and techniques, as well as the platforms which host that content.
Saturday’s awards ceremony was the culmination of the two-day event, named in honor of Argentina’s Quirino Cristiani who, in 1917, directed “El Apóstol,” the world’s first animated feature. Unfortunately, the film was destroyed in a fire.
The inaugural best...
- 4/8/2018
- by Jamie Lang
- Variety Film + TV
Handia and Summer 1993 were the other two big winners of the night.
Source: Celsius Entertainment
‘The Bookshop’
The Bookshop, starring Emily Mortimer, Bill Nighy and Patricia Clarkson, won best film, best director for Isabel Coixet and best adapted script at the 2018 edition of the Goya Awards given by the Spanish Film Academy on Saturday. Handia and Summer 1993 were the other two big winners of the night.
The Bookshop and Handia had 12 and 13 nominations espectively.
Isabel Coixet attended the ceremony in Madrid with the two co-stars of the film, Emily Mortimer and Bill Nighy, nominated for best actress and best supporting actor respectively. Her adaptation of the story by Booker Prize-winning novelist Penelope Fitzgerald, set in 1959s Britain, has been a success at the Spanish box office so far grossing €2.47m ($3m).
Isabel Coixet’s win and the success of Summer 1993, directed by Carla Simón demonstrated a stronger female presence in the Spanish film industry in the wave of...
Source: Celsius Entertainment
‘The Bookshop’
The Bookshop, starring Emily Mortimer, Bill Nighy and Patricia Clarkson, won best film, best director for Isabel Coixet and best adapted script at the 2018 edition of the Goya Awards given by the Spanish Film Academy on Saturday. Handia and Summer 1993 were the other two big winners of the night.
The Bookshop and Handia had 12 and 13 nominations espectively.
Isabel Coixet attended the ceremony in Madrid with the two co-stars of the film, Emily Mortimer and Bill Nighy, nominated for best actress and best supporting actor respectively. Her adaptation of the story by Booker Prize-winning novelist Penelope Fitzgerald, set in 1959s Britain, has been a success at the Spanish box office so far grossing €2.47m ($3m).
Isabel Coixet’s win and the success of Summer 1993, directed by Carla Simón demonstrated a stronger female presence in the Spanish film industry in the wave of...
- 2/4/2018
- by Elisabet Cabeza
- ScreenDaily


Zombillenium announced as opener; China named as guest country, Guillermo del Toro to return.
French animator and illustrator Arthur de Pin’s child-friendly comedy-horror tale Zombillenium (pictured) - set against the backdrop of an amusement-terror park were the staff are a motley crew of vampires, zombies and werewolves - will open this year’s edition of the Annecy International Animated Film Festival, running June 12-17 this year.
It is among nine special event screenings including Pixar’s Cars 3, which will be proceeded by a presentation of footage from Mexico-set, Day of the Dead-inspired drama Coco in the presence of director Lee Unkrich, producer Darla K. Anderson and co-director Adrian Molina; Despicable Me 3 and The Big Bad Fox And Other Animals.
Zombillenium will also compete in the 10-title feature film competition.
Other contenders for Annecy’s Cristal for best feature film include Iranian director Ali Soozandeh’s Tehran Taboo, exploring sexuality...
French animator and illustrator Arthur de Pin’s child-friendly comedy-horror tale Zombillenium (pictured) - set against the backdrop of an amusement-terror park were the staff are a motley crew of vampires, zombies and werewolves - will open this year’s edition of the Annecy International Animated Film Festival, running June 12-17 this year.
It is among nine special event screenings including Pixar’s Cars 3, which will be proceeded by a presentation of footage from Mexico-set, Day of the Dead-inspired drama Coco in the presence of director Lee Unkrich, producer Darla K. Anderson and co-director Adrian Molina; Despicable Me 3 and The Big Bad Fox And Other Animals.
Zombillenium will also compete in the 10-title feature film competition.
Other contenders for Annecy’s Cristal for best feature film include Iranian director Ali Soozandeh’s Tehran Taboo, exploring sexuality...
- 4/25/2017
- ScreenDaily
It's a well-known fact that Iberoamerican cinema, which includes Latin American, Spanish, and Portuguese productions, has had a prominent presence at the most important international film festivals for several years now and several films have been recognized at some of the most important film awards around the world. Colombia's "Embrace of the Serpent" earning the country's first-ever Oscar nomination in the Best Foreign Language Film category and Argentina's "Wild Tales" taking home the 2016 BAFTA Award for Best Film Not in English Language are juts two examples of recent victories.
Acknowledging the need for a unified industry in the region and a platform for the Iberoamerican industry to honor and support its own productions, the Premios Platino of Iberoamerican Cinema were born three years ago. Each year the organizing committee selects a diverse group of nominees and invites members of the industry across the American continent and the Iberian peninsula to vote in order to select the winners. The ceremony takes place in a different country every year as a way to include all of the varied industries in the process and execution of the event.
This morning, after considering more than 150 films from a pool of over 800 theatrically releases productions, the final nominees were announced by a group of talented actors, including legendary Mexican-American thespian Edward James Olmos, and filmmakers led by CNN en Español's journalist Juan Carlos Arciniegas. Guatemala's Berlin-winning gem "Ixcanul" received 8 nominations, just as Colombia's Oscar-nominated "Embrace of the Serpent" did. These two gorgeously executed works center on indigenous stories and highlight the rich cultural heritage of Latin America. It's a pleasant surprise to see these two fantastic films get the most love.
Chile's "The Club" and Argentina's "The Clan," films by the two most prolific Pablos working in South America, Pablo Larrain and Pablo Trapero, received 6 nominations each. Larrain's dark tale about Catholic priests with questionable pasts was also nominated this year for a Golden Globe in the Best Foreign Language Film category. Perhaps one of the most surprising, yet well-deserved nominations, was the inclusion of Alonso Ruizpalacios among the Best Director nominees for his brilliant debut "Güeros."
Two films distributed by Pantelion received nomations: "600 Miles" and "Un Gallo con Muchos Huevos." Oscilloscope earned 10 mentions with properties "Ma Ma" and "Embrace of the Serpent." Kino Lorber's "Ixcanul, ""Güeros," and "The Pearl Button" also earned the art house distributor 10 nominations.
Regarding the quality of the films being produced in Iberoamerica Egeda's Elvi Cano said, “This has been an exceptional year for Iberoamerican Cinema, with 826 qualifying releases. Iberoamerican Cinema is alive, growing and stronger then ever.” Renowned journalist and host Juan Carlos Arciniegas added," These awards are starting a revolution and it's my dream, as an ambassador for Premios Platino, that these magnificent films that got nominated today to be seen by all our Iberoamerican audiences. I can't be more proud of what our filmmakers are doing today and if the public don't get to enjoy them, we won't be doing our job"
The 3rd Annual Premios Platino of Iberoamerican Cinema will take place on July 24th in Punta del Este, Uruguay
Here is the full list of nominees:
Premio Platino for Best Iberoamerican Picture
-"Embrace of the Serpent" (El abrazo de la serpiente), by Ciro Guerra (Ciudad Lunar Producciones, Caracol Cine, Dago García Producciones, Nortesur Producciones S.A., Mc Producciones, Buffalo Films) (Colombia, Venezuela, Argentina).
-"The Clan" (El clan), by Pablo Trapero (Kramer & Sigman Films, Matanza Cine S.R.L., El Deseo, P.C., S.A.) (Argentina, Spain).
-"The Club" (El club), by Pablo Larraín (Fabula Producciones) (Chile).
-"Ixcanul," by Jayro Bustamante (La Casa de Producción, Tu vas voir Productions) (Guatemala).
-"Truman," by Cesc Gay (Imposible Films S.L., Truman Film A.I.E., Bd Cine S.R.L) (Spain, Argentina).
Premio Platino for Best Director
-Alonso Ruizpalacios, for "Güeros."
-Cesc Gay, for "Truman."
-Ciro Guerra, for "Embrace of the Serpent" (El abrazo de la serpiente).
Pablo Larraín, for "The Club" (El club).
Pablo Trapero, for "The Clan" (El clan).
Premio Platino for Best Actor
-Alfredo Castro, for "The Club" (El club).
-Damián Alcázar, for "Magallanes."
-Guillermo Francella, for "The Clan" (El clan).
-Javier Cámara, for "Truman."
-Ricardo Darín, for "Truman."
Premio Platino for Best Actress
-Antonia Zegers, for "The Club" (El club).
-Dolores Fonzi, for "Paulina."
-Elena Anaya, for "The Memory of Water" (La memoria del agua).
-Inma Cuesta, for "The Bride" (La novia).
-Penélope Cruz, for "Ma Ma."
Premio Platino for Best Original Score
-Alberto Iglesias, for "Ma Ma."
-Federico Jusid, for "Magallanes."
-Lucas Vidal, for "Nobody Wants the Night" (Nadie quiere la noche).
-Nascuy Linares, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Pascual Reyes, for "Ixcanul."
Premio Platino for Best Animated Feature Film
-"Capture the Flag" (Atrapa la bandera), by Enrique Gato (Telecinco Cinema S.A., Los Rockets La Película A.I.E., Telefónica Studios S.L.U., 4 Cats Pictures S.L., Ikiru Films S.L., Lightbox Animation Studios S.L.) (Spain).
-"Top Cat Begins" (Don Gato 2: El inicio de la pandilla), by Andrés Couturier (Anima Estudios) (Mexico).
-"El Americano", by Ricardo Arnaiz, Mike Kunkel (Olmos Productions, Phil Roman Entertainment, Animex) (Mexico).
-"Amila's Secret" (El secreto de Amila), by Gorka Vázquez (Baleuko, S.L., Talape Animazioa, Draftoon Animation) (Spain, Argentina).
-"Huevos: Little Rooster's Egg-Cellent Adventure" (Un gallo con muchos huevos), by Gabriel Riva Palacio Alatriste, Rodolfo Riva Palacio Alatriste (Huevocartoon Producciones) (Mexico).
Premio Platino for Best Documentary Feature Film
-"Beyond My Grandfather Allende" (Allende mi abuelo Allende), by Marcia Tambutti Allende (Errante Producciones Ltda, Martfilms) (Chile, Mexico).
-"New Girls 24 Hours" (Chicas nuevas 24 horas), by Mabel Lozano (Mafalda Entertainment, S.L., Aleph Media S.A., Puatarará Films, Hangar Films, Arte Vital) (Spain, Argentina, Paraguay, Colombia, Peru).
-"The Pearl Button" (El botón de nácar), by Patricio Guzmán (Atacama Productions, Valdivia Film, France 3 Cinema, Mediaproduccion, S.L.) (Chile, Spain).
-"Tea Time" (La once), by Maite Alberdi (Micromundo Producciones) (Chile).
-"The Propaganda Game," by Álvaro Longoria (Morena Films S. L.) (Spain).
Premio Platino for Best Screenplay
-Cesc Gay, Tomás Aragay, for "Truman."
-Ciro Guerra, Jacques Toulemonde, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Jayro Bustamante, for "Ixcanul."
-Pablo Larraín, Guillermo Calderón, Daniel Villalobos; for "The Club" (El club).
-Salvador del Solar, for "Magallanes."
Premio Platino for Best Iberoamerican Debut Feature Film
-"600 Miles" (600 Millas), by Gabriel Ripstein (Lucia Films) (Mexico).
- "Retribution" (El desconocido), by Dani de la Torre (Atresmedia Cine S. L., Vaca Films Studio, S.L.) (Spain).
-"The Boss, Anatomy of a Crime" (El patrón: radiografía de un crimen), by Sebastián Schindel (Magoya Films S.A., Estrella Films) (Argentina, Venezuela).
-"Ixcanul," by Jayro Bustamante (La Casa de Producción, Tu vas voir Productions) (Guatemala).
-"Magallanes," by Salvador del Solar (Péndulo Films, Tondero Producciones, Cepa Audiovisual S.R.L., Proyectil, Cinemara, Nephilim Producciones, S.L.) (Peru, Colombia, Argentina, Spain).
Premio Platino for Best Film Editing
-César Díaz, for "Ixcanul."
-Eric Williams, for "Magallanes."
-Etienne Boussac, Cristina Gallego, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Jorge Coira, for "Retribution" (El desconocido).
-Pablo Trapero, Alejandro Carrillo Penovi, for "The Clan" (El clan).
Premio Platino for Best Art Direction
-Angélica Perea, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Bruno Duarte, Artur Pinheiro, for "Arabian Nights: Vol.2 - The Desolate One" (As mil e uma noites: Volume 2, O desolado).
-Jesús Bosqued Maté, Pilar Quintana, for "The Bride" (La novia).
-Pilar Peredo, for "Ixcanul."
-Sebastián Orgambide, for "The Clan" (El clan).
Premio Platino for Best Cinematography
-Arnaldo Rodríguez, for "The Memory of Water" (La memoria del agua).
-David Gallego, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Luis Armando Arteaga, for "Ixcanul."
-Miguel Ángel Amoedo, for "The Bride" (La novia).
-Sergio Armstrong, for "The Club" (El club).
Premio Platino for Best Sound Direction
-Carlos García, Marco Salavarría, for "Embrace of the Serpent" (El abrazo de la serpiente).
-David Machado, Jaime Fernández, Nacho Arenas, for "Retribution" (El desconocido).
-Eduardo Cáceres, Julien Cloquet, for "Ixcanul."
-Federico Esquerro, Santiago Fumagalli, Edson Secco, for "Paulina."
-Vicente D’Elía, Leandro de Loredo, for "The Clan" (El clan).
Acknowledging the need for a unified industry in the region and a platform for the Iberoamerican industry to honor and support its own productions, the Premios Platino of Iberoamerican Cinema were born three years ago. Each year the organizing committee selects a diverse group of nominees and invites members of the industry across the American continent and the Iberian peninsula to vote in order to select the winners. The ceremony takes place in a different country every year as a way to include all of the varied industries in the process and execution of the event.
This morning, after considering more than 150 films from a pool of over 800 theatrically releases productions, the final nominees were announced by a group of talented actors, including legendary Mexican-American thespian Edward James Olmos, and filmmakers led by CNN en Español's journalist Juan Carlos Arciniegas. Guatemala's Berlin-winning gem "Ixcanul" received 8 nominations, just as Colombia's Oscar-nominated "Embrace of the Serpent" did. These two gorgeously executed works center on indigenous stories and highlight the rich cultural heritage of Latin America. It's a pleasant surprise to see these two fantastic films get the most love.
Chile's "The Club" and Argentina's "The Clan," films by the two most prolific Pablos working in South America, Pablo Larrain and Pablo Trapero, received 6 nominations each. Larrain's dark tale about Catholic priests with questionable pasts was also nominated this year for a Golden Globe in the Best Foreign Language Film category. Perhaps one of the most surprising, yet well-deserved nominations, was the inclusion of Alonso Ruizpalacios among the Best Director nominees for his brilliant debut "Güeros."
Two films distributed by Pantelion received nomations: "600 Miles" and "Un Gallo con Muchos Huevos." Oscilloscope earned 10 mentions with properties "Ma Ma" and "Embrace of the Serpent." Kino Lorber's "Ixcanul, ""Güeros," and "The Pearl Button" also earned the art house distributor 10 nominations.
Regarding the quality of the films being produced in Iberoamerica Egeda's Elvi Cano said, “This has been an exceptional year for Iberoamerican Cinema, with 826 qualifying releases. Iberoamerican Cinema is alive, growing and stronger then ever.” Renowned journalist and host Juan Carlos Arciniegas added," These awards are starting a revolution and it's my dream, as an ambassador for Premios Platino, that these magnificent films that got nominated today to be seen by all our Iberoamerican audiences. I can't be more proud of what our filmmakers are doing today and if the public don't get to enjoy them, we won't be doing our job"
The 3rd Annual Premios Platino of Iberoamerican Cinema will take place on July 24th in Punta del Este, Uruguay
Here is the full list of nominees:
Premio Platino for Best Iberoamerican Picture
-"Embrace of the Serpent" (El abrazo de la serpiente), by Ciro Guerra (Ciudad Lunar Producciones, Caracol Cine, Dago García Producciones, Nortesur Producciones S.A., Mc Producciones, Buffalo Films) (Colombia, Venezuela, Argentina).
-"The Clan" (El clan), by Pablo Trapero (Kramer & Sigman Films, Matanza Cine S.R.L., El Deseo, P.C., S.A.) (Argentina, Spain).
-"The Club" (El club), by Pablo Larraín (Fabula Producciones) (Chile).
-"Ixcanul," by Jayro Bustamante (La Casa de Producción, Tu vas voir Productions) (Guatemala).
-"Truman," by Cesc Gay (Imposible Films S.L., Truman Film A.I.E., Bd Cine S.R.L) (Spain, Argentina).
Premio Platino for Best Director
-Alonso Ruizpalacios, for "Güeros."
-Cesc Gay, for "Truman."
-Ciro Guerra, for "Embrace of the Serpent" (El abrazo de la serpiente).
Pablo Larraín, for "The Club" (El club).
Pablo Trapero, for "The Clan" (El clan).
Premio Platino for Best Actor
-Alfredo Castro, for "The Club" (El club).
-Damián Alcázar, for "Magallanes."
-Guillermo Francella, for "The Clan" (El clan).
-Javier Cámara, for "Truman."
-Ricardo Darín, for "Truman."
Premio Platino for Best Actress
-Antonia Zegers, for "The Club" (El club).
-Dolores Fonzi, for "Paulina."
-Elena Anaya, for "The Memory of Water" (La memoria del agua).
-Inma Cuesta, for "The Bride" (La novia).
-Penélope Cruz, for "Ma Ma."
Premio Platino for Best Original Score
-Alberto Iglesias, for "Ma Ma."
-Federico Jusid, for "Magallanes."
-Lucas Vidal, for "Nobody Wants the Night" (Nadie quiere la noche).
-Nascuy Linares, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Pascual Reyes, for "Ixcanul."
Premio Platino for Best Animated Feature Film
-"Capture the Flag" (Atrapa la bandera), by Enrique Gato (Telecinco Cinema S.A., Los Rockets La Película A.I.E., Telefónica Studios S.L.U., 4 Cats Pictures S.L., Ikiru Films S.L., Lightbox Animation Studios S.L.) (Spain).
-"Top Cat Begins" (Don Gato 2: El inicio de la pandilla), by Andrés Couturier (Anima Estudios) (Mexico).
-"El Americano", by Ricardo Arnaiz, Mike Kunkel (Olmos Productions, Phil Roman Entertainment, Animex) (Mexico).
-"Amila's Secret" (El secreto de Amila), by Gorka Vázquez (Baleuko, S.L., Talape Animazioa, Draftoon Animation) (Spain, Argentina).
-"Huevos: Little Rooster's Egg-Cellent Adventure" (Un gallo con muchos huevos), by Gabriel Riva Palacio Alatriste, Rodolfo Riva Palacio Alatriste (Huevocartoon Producciones) (Mexico).
Premio Platino for Best Documentary Feature Film
-"Beyond My Grandfather Allende" (Allende mi abuelo Allende), by Marcia Tambutti Allende (Errante Producciones Ltda, Martfilms) (Chile, Mexico).
-"New Girls 24 Hours" (Chicas nuevas 24 horas), by Mabel Lozano (Mafalda Entertainment, S.L., Aleph Media S.A., Puatarará Films, Hangar Films, Arte Vital) (Spain, Argentina, Paraguay, Colombia, Peru).
-"The Pearl Button" (El botón de nácar), by Patricio Guzmán (Atacama Productions, Valdivia Film, France 3 Cinema, Mediaproduccion, S.L.) (Chile, Spain).
-"Tea Time" (La once), by Maite Alberdi (Micromundo Producciones) (Chile).
-"The Propaganda Game," by Álvaro Longoria (Morena Films S. L.) (Spain).
Premio Platino for Best Screenplay
-Cesc Gay, Tomás Aragay, for "Truman."
-Ciro Guerra, Jacques Toulemonde, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Jayro Bustamante, for "Ixcanul."
-Pablo Larraín, Guillermo Calderón, Daniel Villalobos; for "The Club" (El club).
-Salvador del Solar, for "Magallanes."
Premio Platino for Best Iberoamerican Debut Feature Film
-"600 Miles" (600 Millas), by Gabriel Ripstein (Lucia Films) (Mexico).
- "Retribution" (El desconocido), by Dani de la Torre (Atresmedia Cine S. L., Vaca Films Studio, S.L.) (Spain).
-"The Boss, Anatomy of a Crime" (El patrón: radiografía de un crimen), by Sebastián Schindel (Magoya Films S.A., Estrella Films) (Argentina, Venezuela).
-"Ixcanul," by Jayro Bustamante (La Casa de Producción, Tu vas voir Productions) (Guatemala).
-"Magallanes," by Salvador del Solar (Péndulo Films, Tondero Producciones, Cepa Audiovisual S.R.L., Proyectil, Cinemara, Nephilim Producciones, S.L.) (Peru, Colombia, Argentina, Spain).
Premio Platino for Best Film Editing
-César Díaz, for "Ixcanul."
-Eric Williams, for "Magallanes."
-Etienne Boussac, Cristina Gallego, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Jorge Coira, for "Retribution" (El desconocido).
-Pablo Trapero, Alejandro Carrillo Penovi, for "The Clan" (El clan).
Premio Platino for Best Art Direction
-Angélica Perea, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Bruno Duarte, Artur Pinheiro, for "Arabian Nights: Vol.2 - The Desolate One" (As mil e uma noites: Volume 2, O desolado).
-Jesús Bosqued Maté, Pilar Quintana, for "The Bride" (La novia).
-Pilar Peredo, for "Ixcanul."
-Sebastián Orgambide, for "The Clan" (El clan).
Premio Platino for Best Cinematography
-Arnaldo Rodríguez, for "The Memory of Water" (La memoria del agua).
-David Gallego, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Luis Armando Arteaga, for "Ixcanul."
-Miguel Ángel Amoedo, for "The Bride" (La novia).
-Sergio Armstrong, for "The Club" (El club).
Premio Platino for Best Sound Direction
-Carlos García, Marco Salavarría, for "Embrace of the Serpent" (El abrazo de la serpiente).
-David Machado, Jaime Fernández, Nacho Arenas, for "Retribution" (El desconocido).
-Eduardo Cáceres, Julien Cloquet, for "Ixcanul."
-Federico Esquerro, Santiago Fumagalli, Edson Secco, for "Paulina."
-Vicente D’Elía, Leandro de Loredo, for "The Clan" (El clan).
- 5/27/2016
- by Carlos Aguilar
- Sydney's Buzz


Festival to open with Michaël Dudok de Wit’s The Red Turtle [pictured]; Guillermo del Toro and Aardman to give masterclasses.
Annecy International Animation Film Festival, running June 13-18 this year, has unveiled its line-up.
New Zealand director Leanne Pooley’s documentary 25 April, about the Battle of Gallipoli; Canadian film-makers Jean-François Pouliot and François Brisson’s 3D hit Snowtime! (La Guerre des Tuques 3D); Claude Barras’s Cannes-screener My Life As A Courgette, and Sundance discovery Nuts! are among the titles in the feature-length competition.
The festival will open with Michaël Dudok de Wit’s The Red Turtle, which will premiere first in Official Selection at Cannes.
Other highlights include a preview screening of Chris Renaud and Yarrow Cheney’s The Secret Life Of Pets, in the presence of the directors. Andrew Stanton will also attend the festival, accompanying Finding Dory.
First images of Ron Clements and John Musker’s upcoming film Moana and Michael Thurmeier’s [link...
Annecy International Animation Film Festival, running June 13-18 this year, has unveiled its line-up.
New Zealand director Leanne Pooley’s documentary 25 April, about the Battle of Gallipoli; Canadian film-makers Jean-François Pouliot and François Brisson’s 3D hit Snowtime! (La Guerre des Tuques 3D); Claude Barras’s Cannes-screener My Life As A Courgette, and Sundance discovery Nuts! are among the titles in the feature-length competition.
The festival will open with Michaël Dudok de Wit’s The Red Turtle, which will premiere first in Official Selection at Cannes.
Other highlights include a preview screening of Chris Renaud and Yarrow Cheney’s The Secret Life Of Pets, in the presence of the directors. Andrew Stanton will also attend the festival, accompanying Finding Dory.
First images of Ron Clements and John Musker’s upcoming film Moana and Michael Thurmeier’s [link...
- 4/28/2016
- ScreenDaily
Among the most anticipated Spanish productions of the year are a Paleolithic period drama, the new Almodovar and a regal role for Penelope Cruz.A Monster Calls
Dir Ja Bayona
A Monster Calls completes Bayona’s trilogy exploring motherhood, after The Orphanage and The Impossible. Patrick Ness has adapted his novel about a boy who seeks refuge in a fantasy world. The English-language film, which shot in Spain and the UK, stars Liam Neeson. It is a Spain-us co-production between Apaches Entertainment with Telecinco Cinema, Peliculas La Trini, Participant Media, River Road Entertainment and Lionsgate. Set for release in the autumn, it will be distributed in Spain by Universal Pictures International, in the Us by Focus and in the UK via eOne.
Contact Lionsgate International: www.lionsgate.com
Abracadabra
Dir Pablo Berger
Berger’s follow-up to Blancanieves again stars Maribel Verdu, this time as a housewife determined to fight the spirit possessing her husband. Set to shoot...
Dir Ja Bayona
A Monster Calls completes Bayona’s trilogy exploring motherhood, after The Orphanage and The Impossible. Patrick Ness has adapted his novel about a boy who seeks refuge in a fantasy world. The English-language film, which shot in Spain and the UK, stars Liam Neeson. It is a Spain-us co-production between Apaches Entertainment with Telecinco Cinema, Peliculas La Trini, Participant Media, River Road Entertainment and Lionsgate. Set for release in the autumn, it will be distributed in Spain by Universal Pictures International, in the Us by Focus and in the UK via eOne.
Contact Lionsgate International: www.lionsgate.com
Abracadabra
Dir Pablo Berger
Berger’s follow-up to Blancanieves again stars Maribel Verdu, this time as a housewife determined to fight the spirit possessing her husband. Set to shoot...
- 4/1/2016
- ScreenDaily
A tremendous space race story will shortly be soaring onto the big screen to chase away children’s late January blues. Director Enrique Gato’s Capture the Flag is both an exciting and accessible introduction to the story of man’s first walk on the moon and a fanciful smack-down to the conspiracy theorists who deny it. Mike, Amy
The post Capture the Flag Review appeared first on HeyUGuys.
The post Capture the Flag Review appeared first on HeyUGuys.
- 1/29/2016
- by Emily Breen
- HeyUGuys.co.uk
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A solid animated movie with a bit more heart than expected. Here's our review of Capture The Flag...
Not bad, this. An animated film that's been put out by Paramount ahead of the broader relaunch of Paramount Animation, Capture The Flag's origins actually lie in Spain. The work of director Enrique Gato and his team, their approach has been commercially savvy. It's a Spanish film, made by a Spanish studios, yet Capture The Flag is set in America, was clearly made with an English language audience in mind, and plays on fairly straightforward, universal themes.
It also has nothing to do with Unreal Tournament or Doom, sadly.
Instead, this is a family animation, which at heart is the story of a young surfer by the name of Richard - introduced in one of the sequences given away in the spoiler-y trailer - who finds himself trying...
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A solid animated movie with a bit more heart than expected. Here's our review of Capture The Flag...
Not bad, this. An animated film that's been put out by Paramount ahead of the broader relaunch of Paramount Animation, Capture The Flag's origins actually lie in Spain. The work of director Enrique Gato and his team, their approach has been commercially savvy. It's a Spanish film, made by a Spanish studios, yet Capture The Flag is set in America, was clearly made with an English language audience in mind, and plays on fairly straightforward, universal themes.
It also has nothing to do with Unreal Tournament or Doom, sadly.
Instead, this is a family animation, which at heart is the story of a young surfer by the name of Richard - introduced in one of the sequences given away in the spoiler-y trailer - who finds himself trying...
- 1/25/2016
- by simonbrew
- Den of Geek
Here’s the first look at Capture The Flag, Paramount’s brand new animation which features a voice cast which includes Michelle Jenner and Dani Rovira with direction from Enrique Gato. What would you do to try to capture the flag from the moon? Gather some inspiration from this brand new trailer!
The post Head to the Moon in new Animation ‘Capture The Flag’ Trailer appeared first on HeyUGuys.
The post Head to the Moon in new Animation ‘Capture The Flag’ Trailer appeared first on HeyUGuys.
- 10/6/2015
- by David Sztypuljak
- HeyUGuys.co.uk


Back in 2012 director Enrique Gato scored the biggest ever box-office haul for a Spanish animated movie with the Indiana Jones-y Tad, The Lost Explorer. Three years later his sci-fi adventure follow-up, Capture The Flag, has been picked up by Paramount for worldwide distribution. Have a look at the new trailer.Inspired by the 1960s space race, Capture The Flag is a family adventure to the moon, with young surfer dude Mike, his pals, his grandfather, and a pet lizard who wants to be Godzilla. The plot involves a ruthless billionaire who wants to colonise the moon as part of his clean energy business, somehow rewriting the achievements of the Apollo XI mission in the process. But our heroes have snuk aboard the rocket...The American voice cast hasn't been made public yet, so if you think you recognise anybody, let us know in the comments or on the social medias.
- 10/6/2015
- EmpireOnline
Madrid – In a first for Spanish productions, Paramount Pictures has signed a deal for worldwide distribution rights to two animated features – Capture the Flag and the sequel to 2012 hit Tad, the Lost Explorer. Enrique Gato, who helmed the first Tad film, will direct both projects which are to be co-produced by Mediaset Espana’s Telecinco Cinema, Telefonica Studios and Los Rockets Aie, the companies said in a press release. “This tie-up is an historic landmark in Spanish cinema as it will be the first time that a Hollywood studio agreed to distribute
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- 7/21/2014
- by Benjamin Jones
- The Hollywood Reporter - Movie News
Paramount Pictures has closed worldwide distribution rights for Spanish animation duo.
Paramount Pictures has closed a worldwide distribution deal for Enrique Gato’s next two animation productions, Capture the Flag and Tad Jones: The Hero Returns.
The agreement was signed with TeleCinco Cinema, Telefónica Studios and Los Rockets Aie along with producers Jordi Gasull - creator and co-writer of Tad - Edmon Roch and Nico Maji, CEO of Lightbox Entertainment.
The deal follows the breakout success of Spanish animation feature Tad the Explorer ($54m worldwide), which charts the story of a construction worker who realises his dream of becoming an adventurer like his hero Indiana Jones.
This character will be back “with new and exciting adventures”, said Gasull, “in funnier film that won’t lose its tenderness”.
Capture the Flag, based on the return of men to the moon when a greedy millionaire wants to exploit its natural resources for his own benefit, is scheduled...
Paramount Pictures has closed a worldwide distribution deal for Enrique Gato’s next two animation productions, Capture the Flag and Tad Jones: The Hero Returns.
The agreement was signed with TeleCinco Cinema, Telefónica Studios and Los Rockets Aie along with producers Jordi Gasull - creator and co-writer of Tad - Edmon Roch and Nico Maji, CEO of Lightbox Entertainment.
The deal follows the breakout success of Spanish animation feature Tad the Explorer ($54m worldwide), which charts the story of a construction worker who realises his dream of becoming an adventurer like his hero Indiana Jones.
This character will be back “with new and exciting adventures”, said Gasull, “in funnier film that won’t lose its tenderness”.
Capture the Flag, based on the return of men to the moon when a greedy millionaire wants to exploit its natural resources for his own benefit, is scheduled...
- 7/21/2014
- by jsardafr@hotmail.com (Juan Sarda)
- ScreenDaily
Paramount Pictures has closed worldwide distribution rights for Spanish animation duo.
Paramount Pictures has closed a worldwide distribution deal for Enrique Gato’s next two animation productions, Capture the Flag and Tad Jones: The Hero Returns.
The agreement was signed with TeleCinco Cinema, Telefónica Studios and Los Rockets Aie along with producers Jordi Gasull - creator and co-writer of Tad - Edmon Roch and Nico Maji, CEO of Lightbox Entertainment.
The deal follows the breakout success of Spanish animation feature Tad the Explorer ($54m worldwide), which charts the story of a construction worker who realises his dream of becoming an adventurer like his hero Indiana Jones.
This character will be back “with new and exciting adventures”, said Gasull, “in funnier film that won’t lose its tenderness.”
Capture the Flag, based on the return of men to the moon when a greedy millionaire wants to exploit its natural resources for his own benefit, is scheduled...
Paramount Pictures has closed a worldwide distribution deal for Enrique Gato’s next two animation productions, Capture the Flag and Tad Jones: The Hero Returns.
The agreement was signed with TeleCinco Cinema, Telefónica Studios and Los Rockets Aie along with producers Jordi Gasull - creator and co-writer of Tad - Edmon Roch and Nico Maji, CEO of Lightbox Entertainment.
The deal follows the breakout success of Spanish animation feature Tad the Explorer ($54m worldwide), which charts the story of a construction worker who realises his dream of becoming an adventurer like his hero Indiana Jones.
This character will be back “with new and exciting adventures”, said Gasull, “in funnier film that won’t lose its tenderness.”
Capture the Flag, based on the return of men to the moon when a greedy millionaire wants to exploit its natural resources for his own benefit, is scheduled...
- 7/21/2014
- by jsardafr@hotmail.com (Juan Sarda)
- ScreenDaily
Paramount Pictures has boarded worldwide distribution on two upcoming animated features hailing from Spanish director Enrique Gato. The studio has entered a landmark deal with Telecinco Cinema, Telefónica Studios and Los Rockets Aie on space race adventure Capture The Flag and Tad Jones: The Hero Returns, the sequel to 2012′s Tad, The Lost Explorer. Gato won the Best New Director Goya for The Lost Explorer, a wink to the Indiana Jones series, and the movie also took the screenplay honors last year. It is the highest grossing Spanish animated film of all time with a worldwide haul of about $45M. […]...
- 7/21/2014
- Deadline
With European auteurs Stefan Ruzowitzy (Blackbird) and Tomas Alfredson (Tinker, Tailor, Soldier, Spy) (see pic of Gary Oldman) moving into more mainstream items, Studiocanal have a strong pair for the Fall festival season that we can look forward to. Here is the rest of their slate from mostly French filmmakers. Blackbird by Stefan Ruzowitzky - Post-Production Sammy 2 Escape From Paradise by Ben Stassen - Production Tinker, Tailor, Soldier, Spy by Tomas Alfredson - Post-Production African Safari 3D by Ben Stassen - Production Attack The Block by Joe Cornish - Completed My Piece Of The Pie by Cédric Klapisch - Completed Romantic Anonymous by Jean-Pierre AMÉRIS - Completed Special Forces by Stephane Rybojad - Post-Production Tad, The Lost Explorer by Enrique Gato - Production Tales Of The Night by Michel Ocelot - Completed The Prey by Eric Valette - Completed When Pigs Have Wings by Sylvain Estibal - Completed...
- 5/31/2011
- IONCINEMA.com
- edro Almodóvar and Guillermo del Toro you can both breathe a sign of relief. Spanish cinema is rejuvenated. The split-screen/drama that was premiered in the Un Certain Regard section at last year's Cannes (I'm guilty for having fallen asleep to this one: victim of watching one too many films and not necessarily the film itself) has walked away from Spain's equivalent to the Oscar with top honors: Best Film and Best Director. Jaime Rosales' La Soledad (Solitary Fragments) (two parallel urban stories highlighting the fragility and simplicity of human existence) beat out the heavy favorite The Orphanage (the Picturehouse-released pic that investigates the power the dead have over the living, especially over children in the most imaginative and vulnerable stages). For a full list of the winners: scroll below. Picture"Solitary Fragments," Jaime Rosales ACTRESSMaribel Verdu, "Seven Billiards Tables" ACTORAlberto San Juan, "Under the Stars" DIRECTORJaime Rosales,
- 2/4/2008
- IONCINEMA.com
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