The original soundtrack of Netflix's newest movie, Love, Divided, has a soothing score created by Arnau Bataller.
Love, Divided tells the story of two neighbors (David and Valentina) who established a strong connection after starting a conversation through the wall separating their apartment. The Spanish romantic comedy movie is based on the French comedy, Blind Date.
Love, Divided premiered on Netflix on April 12.
Read full article on The Direct.
Love, Divided tells the story of two neighbors (David and Valentina) who established a strong connection after starting a conversation through the wall separating their apartment. The Spanish romantic comedy movie is based on the French comedy, Blind Date.
Love, Divided premiered on Netflix on April 12.
Read full article on The Direct.
- 4/17/2024
- by Aeron Mer Eclarinal
- The Direct
‘The Good Boss’ leads Icíar Bollaín’s ‘Maixabel’ and Pedro Almodóvar’s ‘Parallel Mothers’.
The Good Boss, directed by Fernando León de Aranoa and starring Javier Bardem, led the Goya nominations from the Spanish Film Academy with 20 nods, an all-time record.
The satire, also Spain’s entry for the Oscars, is ahead of Icíar Bollaín’s Maixabel and Pedro Almodóvar’s Parallel Mothers, on 14 and eight nominations respectively.
The Good Boss is the fifth highest-grossing film in Spain this year with €2.6m. Written and directed by León de Aranoa, it follows the petty boss of an industrial scales factory, played...
The Good Boss, directed by Fernando León de Aranoa and starring Javier Bardem, led the Goya nominations from the Spanish Film Academy with 20 nods, an all-time record.
The satire, also Spain’s entry for the Oscars, is ahead of Icíar Bollaín’s Maixabel and Pedro Almodóvar’s Parallel Mothers, on 14 and eight nominations respectively.
The Good Boss is the fifth highest-grossing film in Spain this year with €2.6m. Written and directed by León de Aranoa, it follows the petty boss of an industrial scales factory, played...
- 11/29/2021
- by Elisabet Cabeza
- ScreenDaily
Already selected as this year’s Spanish Best International Feature Film submission for the Oscars, Fernando León de Aranoa’s dark workplace comedy “The Good Boss,” starring Javier Bardem, has set a new record for most Spanish Academy Goya Award nominations with 20, ahead of Icíar Bollaín’s standout Basque drama “Maixabel” with 14 and Pedro Almodóvar’s “Parallel Mothers,” which secured eight.
The 20 nominations include: Best picture, director, original screenplay, original music, lead actor, three nominations for supporting actor, supporting actress, two nominations for best new male actor and one for best new female actor, production design, cinematography, editing, art direction, costume design, makeup, sound design and special effects. It’s a total which breaks an almost 30-year-old record held by Imanol Uribe’s “Numbered Days,” which received 19 nominations in 1994.
León’s latest, produced by The Mediapro Studio and Reposado PC, is a return to a fruitful partnership between the director and his leading man.
The 20 nominations include: Best picture, director, original screenplay, original music, lead actor, three nominations for supporting actor, supporting actress, two nominations for best new male actor and one for best new female actor, production design, cinematography, editing, art direction, costume design, makeup, sound design and special effects. It’s a total which breaks an almost 30-year-old record held by Imanol Uribe’s “Numbered Days,” which received 19 nominations in 1994.
León’s latest, produced by The Mediapro Studio and Reposado PC, is a return to a fruitful partnership between the director and his leading man.
- 11/29/2021
- by Jamie Lang
- Variety Film + TV
The 2011 Sitges Film Festival has concluded its competition portion and announced awards in more categories than we've seen at any other fest. The biggest winners are Kevin Smith's Red State and Joe Cornish's Attack the Block, but several other films we've been closely watching here on Dread scored victories as well, including Kill List, Livid, The Divide, The Woman, Bellflower, Hell, and Detention.
Here's the full breakdown from the fest, held 6-16 October on the Catalan coast of Spain. Congratulations to all the winners!
Oficial FANTÀSTIC In-competition – Sitges 44
J. A. Bayona, Quim Casas, Lisa Marie, Ryoo Seung-Wan, Richard Stanley (judges)
Best Short Film (tie)
Dirty Silverwear by Steve Daniels
The Unliving by Hugo Lilja
Best Production Design
Marc Thiébault for Livide (Alexandre Bustillo & Julian Maury)
Best Makeup FX
Steven Kostanski for The Divide (Xavier Gens)
Best Special Effects
Lluís Castells and Javier García for Eva (Kike Maíllo)
Best...
Here's the full breakdown from the fest, held 6-16 October on the Catalan coast of Spain. Congratulations to all the winners!
Oficial FANTÀSTIC In-competition – Sitges 44
J. A. Bayona, Quim Casas, Lisa Marie, Ryoo Seung-Wan, Richard Stanley (judges)
Best Short Film (tie)
Dirty Silverwear by Steve Daniels
The Unliving by Hugo Lilja
Best Production Design
Marc Thiébault for Livide (Alexandre Bustillo & Julian Maury)
Best Makeup FX
Steven Kostanski for The Divide (Xavier Gens)
Best Special Effects
Lluís Castells and Javier García for Eva (Kike Maíllo)
Best...
- 10/15/2011
- by The Woman In Black
- DreadCentral.com
“Welcome to the first of what is a new regular feature where we take a look at the soundtracks from forthcoming movies, along with some of old favourites. First up is Jack Kirby, taking a look at some new soundtracks coming soon… Enjoy!” – Phil
Arnau Bataller’s score to Lovecraft inspired horror sequel La Sombra Prohibida begins as it means to continue; with a furious bombardment of strings, timpani and choral warbling. The music is loud and dynamic with lofty ambitions, presumably to convey the scale of the otherworldly monstrosities in the film. Santiago’s Madness builds more subtly than the Opening Credits, but its crescendo is no less dramatic. Despite some softer moments in tracks such as A Personal Feeling and You’ve Been There Before though, the score is a little too samey throughout its runtime. Its eight minute penultimate track Cthulhu proves to be the most interesting...
Arnau Bataller’s score to Lovecraft inspired horror sequel La Sombra Prohibida begins as it means to continue; with a furious bombardment of strings, timpani and choral warbling. The music is loud and dynamic with lofty ambitions, presumably to convey the scale of the otherworldly monstrosities in the film. Santiago’s Madness builds more subtly than the Opening Credits, but its crescendo is no less dramatic. Despite some softer moments in tracks such as A Personal Feeling and You’ve Been There Before though, the score is a little too samey throughout its runtime. Its eight minute penultimate track Cthulhu proves to be the most interesting...
- 3/9/2011
- by Jack Kirby
- Nerdly
2010 Film Categories Film Score Of The Year • The Ghost Writer, music by Alexandre Desplat • How To Train Your Dragon, music by John Powell • Inception, music by Hans Zimmer • The King’S Speech,...
- 2/11/2011
- by Ryan Adams
- AwardsDaily.com
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