Carlos Marques-Marcet’s Toronto-winning musical drama They Will Be Dust, will open the 69th edition of the Valladolid International Film Week, also known as the Seminci, on October 18.
The end of life drama starring Alfredo Castro and Angela Molina won the Platform section at TIFF last month.
Valladolid, headed by José Luis Cienfuegos for a second year, is a key launchpad into the Spanish market for local and international films.
There are a total of 22 titles in the running for the festival’s top prize, the Golden Spike that comes with a €70,000 award for the Spanish distributor. The Silver Spike...
The end of life drama starring Alfredo Castro and Angela Molina won the Platform section at TIFF last month.
Valladolid, headed by José Luis Cienfuegos for a second year, is a key launchpad into the Spanish market for local and international films.
There are a total of 22 titles in the running for the festival’s top prize, the Golden Spike that comes with a €70,000 award for the Spanish distributor. The Silver Spike...
- 10/16/2024
- ScreenDaily
La 69 edición del Festival de Cine contará con 18 producciones españolas. © Seminci
La Semana Internacional de Cine de Valladolid, en su 69 edición, que se celebra del 18 al 26 de octubre, ha anunciado las producciones españolas que formarán parte de su programación.
Entre las películas anunciadas, cinco películas La Espiga de Oro competirán por la Espiga de Oro: la película inaugural de Carlos Marques-Marcet, Polvo serán, Javier Rebollo con En la alcoba del sultán, Mar Coll con Salve Maria, Marta Nieto con La mitad de Ana y Elena Manrique con Fin de fiesta.
La inaugural Polvo serán, de Carlos Marques-Marcet, tendrá en la Seminci su estreno nacional después de pasar por el Festival Internacional de Cine de Toronto (TIFF). En esta película, definida como una tragicomedia musical y protagonizada por Ángela Molina, Alfredo Castro y Mònica Almirall, Tras ser diagnosticada con una enfermedad terminal, Claudia decide hacer su último viaje a Suiza y Flavio,...
La Semana Internacional de Cine de Valladolid, en su 69 edición, que se celebra del 18 al 26 de octubre, ha anunciado las producciones españolas que formarán parte de su programación.
Entre las películas anunciadas, cinco películas La Espiga de Oro competirán por la Espiga de Oro: la película inaugural de Carlos Marques-Marcet, Polvo serán, Javier Rebollo con En la alcoba del sultán, Mar Coll con Salve Maria, Marta Nieto con La mitad de Ana y Elena Manrique con Fin de fiesta.
La inaugural Polvo serán, de Carlos Marques-Marcet, tendrá en la Seminci su estreno nacional después de pasar por el Festival Internacional de Cine de Toronto (TIFF). En esta película, definida como una tragicomedia musical y protagonizada por Ángela Molina, Alfredo Castro y Mònica Almirall, Tras ser diagnosticada con una enfermedad terminal, Claudia decide hacer su último viaje a Suiza y Flavio,...
- 8/27/2024
- by Marta Medina
- mundoCine
“La Mesías” star Carmen Machi, Almodóvar muse Rossy de Palma and Blanca Portillo, a Cannes best actress co-winner for Almodóvar’s “Volver,” are set to star in “The Prey” (“Dia de Caza”), billed as a contemporary revision of Carlos Saura’s 1965 pic “The Hunt,” quite possibly his crowing achievement.
The film is set to shoot in July in Spain’s Extremadura, with theatrical release scheduled for autumn 2025.
Brutal, kinetic at times and taking no prisoners, Saura’s original won a Berlin Silver Bear. The film follows three once-close friends reuinting for a rabbit hunt; the final bloody outcome was read as a broad metaphor of the social elite in dictator Francisco Franco’s Spain.
Directed by Pedro Aguilera “The Prey,” set in the summer of 2024, has three women reuniting for a rabbit hunt in the very same stark valley where Saura shot “The Hunt” almost 60 years before. Under a remorseless sun,...
The film is set to shoot in July in Spain’s Extremadura, with theatrical release scheduled for autumn 2025.
Brutal, kinetic at times and taking no prisoners, Saura’s original won a Berlin Silver Bear. The film follows three once-close friends reuinting for a rabbit hunt; the final bloody outcome was read as a broad metaphor of the social elite in dictator Francisco Franco’s Spain.
Directed by Pedro Aguilera “The Prey,” set in the summer of 2024, has three women reuniting for a rabbit hunt in the very same stark valley where Saura shot “The Hunt” almost 60 years before. Under a remorseless sun,...
- 5/17/2024
- by John Hopewell
- Variety Film + TV
Catalan films routinely punch above their weight at high-profile international festivals: Think 2022 Berlin Golden Bear winner “Alcarràs.” That trend looks primed to continue in 2024.
Catalan auteur Albert Serra will debut “Afternoons of Solitude,” co-produced by Catalan companies Andergraun Films and Lacima, with Ideale Audience and Tardes de Soledad.
A fall fest bet, “They Will Be Dust,” from Carlos Marqués- Marcet, is produced by Catalonia’s Lastor Media alongside Chile’s Alina Film and Kino Produzioni in Italy.
Few regions boast a lineup of female filmmakers as impressive as Catalonia. This year, new films from Goya Award winners Pilar Palomero (“Glimmers”) and Belén Funes (“The Turtles”) are strong contenders for festival recognition.
With the backing of Catalonia’s Minority Co-Production Fund, four international co-prods are poised to make a significant impact on this year’s festival circuit. Keep an eye out for Javier Rebollo’s “Close to the Sultan”, Calia Atan...
Catalan auteur Albert Serra will debut “Afternoons of Solitude,” co-produced by Catalan companies Andergraun Films and Lacima, with Ideale Audience and Tardes de Soledad.
A fall fest bet, “They Will Be Dust,” from Carlos Marqués- Marcet, is produced by Catalonia’s Lastor Media alongside Chile’s Alina Film and Kino Produzioni in Italy.
Few regions boast a lineup of female filmmakers as impressive as Catalonia. This year, new films from Goya Award winners Pilar Palomero (“Glimmers”) and Belén Funes (“The Turtles”) are strong contenders for festival recognition.
With the backing of Catalonia’s Minority Co-Production Fund, four international co-prods are poised to make a significant impact on this year’s festival circuit. Keep an eye out for Javier Rebollo’s “Close to the Sultan”, Calia Atan...
- 5/14/2024
- by Jamie Lang
- Variety Film + TV
Underscoring a renaissance on Spain’s genre scene, a duo of titles – Daniel Calparsoro’s “All the Names of God” and Carlota Pereda’s “The Chapel” – lead the lineup of the second Spanish Screenings on Tour, which unspools at Rome’s Mia forum, taking place Oct. 9-13.
A platform of market premieres, projects, pics in post and potential remake titles, the Spanish Screenings also underscore the ever stronger emergence in Spain of open arthouse titles – Isaki Lacuesta’s “Saturn Return,” Arantxa Echeverría “Chinas,” Benito Zambrano’s “Jumping the Fence” and Gerardo Herrero’s “Under Therapy,” which was one of the best-selling titles at March’s Malaga Spanish Screenings.
With titles in Next from Spain set to present trailers, Spanish Screenings on Tour will also position a bevy of anticipated feature debuts, at different stages of production, from Spain’s seemingly bottomless well of new talent, such as Jaume Claret Muxart.
A platform of market premieres, projects, pics in post and potential remake titles, the Spanish Screenings also underscore the ever stronger emergence in Spain of open arthouse titles – Isaki Lacuesta’s “Saturn Return,” Arantxa Echeverría “Chinas,” Benito Zambrano’s “Jumping the Fence” and Gerardo Herrero’s “Under Therapy,” which was one of the best-selling titles at March’s Malaga Spanish Screenings.
With titles in Next from Spain set to present trailers, Spanish Screenings on Tour will also position a bevy of anticipated feature debuts, at different stages of production, from Spain’s seemingly bottomless well of new talent, such as Jaume Claret Muxart.
- 9/11/2023
- by John Hopewell and Emiliano De Pablos
- Variety Film + TV
In a sign of a new ebullience in Spain’s film industry, Spain’s Elamedia Estudios, founded by Roberto Butragueño is launching Sideral, an integrated production-distribution-sales label which makes its debut presenting at the Berlinale Co-Production Market the feature project “Cheaper Than Stealing.”
Titles Sideral handles either in international sales, production or distribution take in “In the Sultan’s Bedchamber,” from San Sebastian best director winner Javier Rebollo (“Woman Without Piano”), a Sideral production; “The Fantastic Golem,” Affairs” from hot Spanish duo Burning Percebes, which it sells abroad, and “I Have Electric Dreams,” Costa Rican Valerie Maurel’s Locarno best director, actor and actress winner.
Underscoring its status as a new force on Spain’s movie scene, Sideral has confirmed 22 production, distribution or sales titles.
“From several years back, Elamedia has been backing many titles. Now we’re ramping up production and domestic distribution and want to create a brand which is identifiable,...
Titles Sideral handles either in international sales, production or distribution take in “In the Sultan’s Bedchamber,” from San Sebastian best director winner Javier Rebollo (“Woman Without Piano”), a Sideral production; “The Fantastic Golem,” Affairs” from hot Spanish duo Burning Percebes, which it sells abroad, and “I Have Electric Dreams,” Costa Rican Valerie Maurel’s Locarno best director, actor and actress winner.
Underscoring its status as a new force on Spain’s movie scene, Sideral has confirmed 22 production, distribution or sales titles.
“From several years back, Elamedia has been backing many titles. Now we’re ramping up production and domestic distribution and want to create a brand which is identifiable,...
- 2/17/2023
- by John Hopewell
- Variety Film + TV
24 feature projects, including four documentary and three animation films, received funding
Portuguese filmmaker Miguel Gomes and Danish director Charlotte Sieling have both received co-production support for projects from Eurimages’ third round of funding for 2022.
Some €6.7m sum has been awarded to 24 feature projects including four documentary and three animation films.
Gomes has received €500,000 for Grand Tour, about an engaged couple travelling from Burma to China in 1918. The film is a co-production between Portugal’s Uma Pedra No Sapato, Italy’s Vivo Film, France and Germany.
Also receiving €500,000 is Titanic Ocean, the feature debut from Greek director Konstantina Kotzamani whose shorts have been screened at Cannes,...
Portuguese filmmaker Miguel Gomes and Danish director Charlotte Sieling have both received co-production support for projects from Eurimages’ third round of funding for 2022.
Some €6.7m sum has been awarded to 24 feature projects including four documentary and three animation films.
Gomes has received €500,000 for Grand Tour, about an engaged couple travelling from Burma to China in 1918. The film is a co-production between Portugal’s Uma Pedra No Sapato, Italy’s Vivo Film, France and Germany.
Also receiving €500,000 is Titanic Ocean, the feature debut from Greek director Konstantina Kotzamani whose shorts have been screened at Cannes,...
- 12/5/2022
- by Ellie Calnan
- ScreenDaily
Already selected as this year’s Spanish Best International Feature Film submission for the Oscars, Fernando León de Aranoa’s dark workplace comedy “The Good Boss,” starring Javier Bardem, has set a new record for most Spanish Academy Goya Award nominations with 20, ahead of Icíar Bollaín’s standout Basque drama “Maixabel” with 14 and Pedro Almodóvar’s “Parallel Mothers,” which secured eight.
The 20 nominations include: Best picture, director, original screenplay, original music, lead actor, three nominations for supporting actor, supporting actress, two nominations for best new male actor and one for best new female actor, production design, cinematography, editing, art direction, costume design, makeup, sound design and special effects. It’s a total which breaks an almost 30-year-old record held by Imanol Uribe’s “Numbered Days,” which received 19 nominations in 1994.
León’s latest, produced by The Mediapro Studio and Reposado PC, is a return to a fruitful partnership between the director and his leading man.
The 20 nominations include: Best picture, director, original screenplay, original music, lead actor, three nominations for supporting actor, supporting actress, two nominations for best new male actor and one for best new female actor, production design, cinematography, editing, art direction, costume design, makeup, sound design and special effects. It’s a total which breaks an almost 30-year-old record held by Imanol Uribe’s “Numbered Days,” which received 19 nominations in 1994.
León’s latest, produced by The Mediapro Studio and Reposado PC, is a return to a fruitful partnership between the director and his leading man.
- 11/29/2021
- by Jamie Lang
- Variety Film + TV
Juan Marisé’s “Camionero,” Laura Baumeister’s “Daughter of Rage” and Ion Bors’ “Carbon” triumphed Wednesday at San Sebastian Festival’s prize ceremony for winners at its main industry competitions: the Europe-Latin America Co-production Forum and Wip Latin America and Wip Europa pix-in-post showcases.
Also among victors were Juan Andrés Arango’s “Where the River Begins,” María Zanetti’s “Alemania,” Carlos Lechuga’s “Vicenta B.,” and Eduardo Crespo’s “The Wind’s Cave,” the latter walking off with the trophy at San Sebastián’s Ikusmira Berriak, fast emerging as one of the key young talent hubs in Spain.
Three of the seven winning titles are from Argentina, a sign of the country’s undeniable depth in talent as its industry, with Covid-19 on the wane, continues to be whammied by economic crisis.
The caliber of many Latin American producers with projects at the Forum suggest another strong year for an...
Also among victors were Juan Andrés Arango’s “Where the River Begins,” María Zanetti’s “Alemania,” Carlos Lechuga’s “Vicenta B.,” and Eduardo Crespo’s “The Wind’s Cave,” the latter walking off with the trophy at San Sebastián’s Ikusmira Berriak, fast emerging as one of the key young talent hubs in Spain.
Three of the seven winning titles are from Argentina, a sign of the country’s undeniable depth in talent as its industry, with Covid-19 on the wane, continues to be whammied by economic crisis.
The caliber of many Latin American producers with projects at the Forum suggest another strong year for an...
- 9/22/2021
- by John Hopewell
- Variety Film + TV
Nathalie Trafford’s Paraiso Production Diffusion and Jérôme Vidal’s Noodles from France and Roberto Butragueño’s Elamedia and Luis Miñarro’s Eddie Saeta from Spain have teamed to co-produce Javier Rebollo’s “Dans la chambre du Sultan.”
A multi-prized Spanish film director, Rebollo won San Sebastian’s best director with “La mujer sin piano” (The Woman Without a Piano) and a Fipresci prize with “El muerto y ser feliz” (“The Dead Man and Being Happy”) at the festival’s 2009 and 2012 editions.
“Dans la chambre du Sultan” (Close to the Sultan) turns on Gabriel Veyre (pictured), the most gifted of Auguste and Louis Lumière’s camera operators who traveled to Morocco for three months in 1900, hired by the Sultan Moulay Abd el-Aziz to initiate him into the mysteries of cinema. He remained for his lifetime.
Starring Vincent Macaigne (Louis Garrel’s “Two Friends”), “Dans la chambre”’s cast will also...
A multi-prized Spanish film director, Rebollo won San Sebastian’s best director with “La mujer sin piano” (The Woman Without a Piano) and a Fipresci prize with “El muerto y ser feliz” (“The Dead Man and Being Happy”) at the festival’s 2009 and 2012 editions.
“Dans la chambre du Sultan” (Close to the Sultan) turns on Gabriel Veyre (pictured), the most gifted of Auguste and Louis Lumière’s camera operators who traveled to Morocco for three months in 1900, hired by the Sultan Moulay Abd el-Aziz to initiate him into the mysteries of cinema. He remained for his lifetime.
Starring Vincent Macaigne (Louis Garrel’s “Two Friends”), “Dans la chambre”’s cast will also...
- 9/21/2021
- by Emilio Mayorga
- Variety Film + TV
Spain’s Lolita Films, co-founded by auteur Javier Rebollo (“La mujer sin piano”), is re-teaming with Argentina’s Amateur Cinema on road movie project “Camionero,” directed by “Para la guerra” helmer Francisco Marise.
Selected for San Sebastian Festival’s 9th Europe-Latin America Co-Production Forum, “Camionero” is co-penned by Rebollo, who earned a best director award at San Sebastian 2009 with “La mujer sin piano.”
The companies are linking up once more after co-producing Marise’s feature debut, war film “Para la guerra,” also co-written by Rebollo, which world-premiered in 2018 at San Sebastian’s New Directors.
“’Camionero’ is a road movie without a road; a movie that happens when truckers turn off their engines and don’t drive. In paradores, tyre stores, grills, motels and shoulders,” Marise told Variety.
“A film of (mis)encounters between the bodies of truck drivers and other bodies in places of passage and driving break, which explores their joys and loneliness,...
Selected for San Sebastian Festival’s 9th Europe-Latin America Co-Production Forum, “Camionero” is co-penned by Rebollo, who earned a best director award at San Sebastian 2009 with “La mujer sin piano.”
The companies are linking up once more after co-producing Marise’s feature debut, war film “Para la guerra,” also co-written by Rebollo, which world-premiered in 2018 at San Sebastian’s New Directors.
“’Camionero’ is a road movie without a road; a movie that happens when truckers turn off their engines and don’t drive. In paradores, tyre stores, grills, motels and shoulders,” Marise told Variety.
“A film of (mis)encounters between the bodies of truck drivers and other bodies in places of passage and driving break, which explores their joys and loneliness,...
- 9/9/2021
- by Emiliano De Pablos
- Variety Film + TV
Paula Hernández’s “El Viento Que Arrasa,”Cristian Leighton’s “El Porvenir de la Mirada” and Johnny Ma’s “Chin-Gone” feature among 14 projects selected for San Sebastian’s 9th Europe-Latin America Co-Production Forum, the Spanish festival’s industry centerpiece.
Many projects come with high-caliber Latin American arthouse backing.
“El Viento Que Arrasa” was talked up by producer Hernán Musaluppi at Cannes; “El Porvenir de la Mirada” is associate produced by Academy Award winner Sebastián Lelio, (“A Fantastic Woman”); Ma’s “Chin Gone” is produced by Rachel Daisy Ellis’ Desvia Produçoes in Brazil, whose credits include “Divine Love,” “Rojo” and “Prayers for the Stolen.”
Of two feature debuts, “Alemania” is backed by Tarea Fina (“The Sleepwalkers”), and “La Sucesión” by Pasto, which had “The Employer and the Employee” at Cannes’ Directors’ Fortnight, and Gema Films (“Soldado”). New Argentine Cinema icon Diego Dubcovsky produces Romina Paula’s “People by Night.” Multi-prized Spanish...
Many projects come with high-caliber Latin American arthouse backing.
“El Viento Que Arrasa” was talked up by producer Hernán Musaluppi at Cannes; “El Porvenir de la Mirada” is associate produced by Academy Award winner Sebastián Lelio, (“A Fantastic Woman”); Ma’s “Chin Gone” is produced by Rachel Daisy Ellis’ Desvia Produçoes in Brazil, whose credits include “Divine Love,” “Rojo” and “Prayers for the Stolen.”
Of two feature debuts, “Alemania” is backed by Tarea Fina (“The Sleepwalkers”), and “La Sucesión” by Pasto, which had “The Employer and the Employee” at Cannes’ Directors’ Fortnight, and Gema Films (“Soldado”). New Argentine Cinema icon Diego Dubcovsky produces Romina Paula’s “People by Night.” Multi-prized Spanish...
- 8/12/2021
- by John Hopewell
- Variety Film + TV
The Cnc will also be supporting films by Léa Mysius, Kaouther Ben Hania, Sébastien Marnier, Olivier Babinet, Renaud Barret, Davy Chou and Javier Rebollo, as well as four feature debuts. Eight projects were selected at the 2nd 2020 session of the Cnc’s second advance on receipts committee. Standing out among them is Incroyable Mais Vrai which will be the 9th feature film by Quentin Dupieux after, among other titles, Rubber (Cannes’ Critics’ Week 2010), Wrong (Sundance 2012), Wrong Cops (Piazza Grande in Locarno 2013), Reality (Orizzonti in Venice in 2014), Deerskin (Directors’ Fortnight 2019) and Mandibles. Incroyable Mais Vrai is set to star Alain Chabat, Léa Drucker, Benoît Magimel and Anaïs Demoustier. The script centres on Alain and Marie as they move to the banlieue house of their dreams. But the real estate agent did warn them: whatever is in the basement may very well change their lives… Handled by...
Un blues para Teherán –financed by a successful crowdfunding campaign– will be the directorial debut for the film journalist. During the last Abycine festival, where Lluís Miñarro received the festival’s special award, filming began of a documentary directed by Sebastián Arabia about the lively Catalan producer, who has been behind works by –among many other distinguished filmmakers– Albert Serra, Javier Rebollo and Apichatpong Weerasethakul, winner of the Palme d’Or in Cannes. Miñarro, always chatty and enthusiastic, was accompanied at the festival by Javier Tolentino, radio journalist for Radio Nacional de España, Spain’s national public radio service: together they are preparing filming of the reporter’s directorial debut, Un blues para Teherán, which is in the pre-production phase. The film has been defined by its director as a special tribute –between love, poetry and tragicomedy– to the people of Iran: “I want to tell the story of their everyday lives,...
- 12/19/2019
- Cineuropa - The Best of European Cinema
The winning director and Spanish distributor in the section will receive €50,000.
The 2018 San Sebastian Film Festival (Sept 21-29) has revealed 13 of the first and second films by European, Asian and Latin American filmmakers set to compete for the Kutxabank-New Directors Award.
Among the films are Notes For A Heist Film directed by León Siminiani - Goya nominated for documentary Mapa (Map) in 2013 - and Core Of The World from Natalia Meschaninova, who competed in Rotterdam with her first feature The Hope Factory in 2014.
Further titles includeThe Third Wife, from Vietnamese director Ash Mayfair whose screenplay won the Spike Lee Film...
The 2018 San Sebastian Film Festival (Sept 21-29) has revealed 13 of the first and second films by European, Asian and Latin American filmmakers set to compete for the Kutxabank-New Directors Award.
Among the films are Notes For A Heist Film directed by León Siminiani - Goya nominated for documentary Mapa (Map) in 2013 - and Core Of The World from Natalia Meschaninova, who competed in Rotterdam with her first feature The Hope Factory in 2014.
Further titles includeThe Third Wife, from Vietnamese director Ash Mayfair whose screenplay won the Spike Lee Film...
- 7/12/2018
- by Orlando Parfitt
- ScreenDaily
Madrid — Lila Avilés’ “The Chambermaid,” Natalia Meschaninova’s “Core of the World” and Celia Rico’s “Journey To a Mother’s Room” have been selected for San Sebastián’s Kutxabank New Directors’ competition, which has consolidated over the years as one of the festival’s most exciting sections.
Also one of Europe’s strongest new talent showcases, offering a €50,000 cash prize for the winning film, the New Directors’ showcase is the biggest sidebar at the highest-profile festival in the Spanish-speaking world, a constant fount of firm fest favorites and select titles which break out to world sales, as well as a snap-shot of major contemporary trends in world cinema.
This year, the selection runs a broad gamut. There is a brace of female directors who bring a woman’s sensibility to films, tracing growing sorority, (“Journey To a Mother’s Room) the contemporary inhibition of masculinity (“Core of the World...
Also one of Europe’s strongest new talent showcases, offering a €50,000 cash prize for the winning film, the New Directors’ showcase is the biggest sidebar at the highest-profile festival in the Spanish-speaking world, a constant fount of firm fest favorites and select titles which break out to world sales, as well as a snap-shot of major contemporary trends in world cinema.
This year, the selection runs a broad gamut. There is a brace of female directors who bring a woman’s sensibility to films, tracing growing sorority, (“Journey To a Mother’s Room) the contemporary inhibition of masculinity (“Core of the World...
- 7/12/2018
- by John Hopewell
- Variety Film + TV
Directors' Assembly
In 2013, the Directors’ Assembly became the exceptional platform of worldwide filmmakers, where they exchange with professionals and share with the public their experiences and their ideas. The event takes place in the frame of the Directors' Fortnight.
Edition 2014
What do Filmmakers want for tomorrow's Europe?
Last year, many filmmaker, from different backgrounds, came together for cultural diversity, demanding the exclusion of audiovisual and film services from the commercial agreements between the European Union and the United States. One of the interesting timing coincidences of 2014 is the European elections taking place directly following the 2014 Cannes Film Festival, which gives a unique opportunity to directors to discuss their expectations from the future European Commission and Members of Parliament
With the support of the following directors
Clio Barnard, David Cronenberg, Joe Dante, Amat Escalante, Emmanuel Finkiel, Stephen Frears, Matteo Garrone, Costa-Gavras, Valeria Golino, Anurag Kashyap, Naomi Kawase, Ágnes Kocsis, Joachim Lafosse, Pablo Larraín, Ken Loach, Sergei Loznitsa, Mahamat-Saleh Haroun, Cristian Mungiu, Yousry Nasrallah, Raoul Peck, Christian Petzold, Nicolas Philibert, Javier Rebollo, Walter Salles, Andrea Segre, Silvio Soldini, Bertrand Tavernier, Pablo Trapero, Joachim Trier, Felix van Groeningen, Andrey Zvyagintsev
The Assembly will be held
Sunday, May 18 - 5 Pm
Fnac Cannes (83 rue d'Antibes)
Open to all
Follow the Assembly on
www.quinzaine-realisateurs.com...
In 2013, the Directors’ Assembly became the exceptional platform of worldwide filmmakers, where they exchange with professionals and share with the public their experiences and their ideas. The event takes place in the frame of the Directors' Fortnight.
Edition 2014
What do Filmmakers want for tomorrow's Europe?
Last year, many filmmaker, from different backgrounds, came together for cultural diversity, demanding the exclusion of audiovisual and film services from the commercial agreements between the European Union and the United States. One of the interesting timing coincidences of 2014 is the European elections taking place directly following the 2014 Cannes Film Festival, which gives a unique opportunity to directors to discuss their expectations from the future European Commission and Members of Parliament
With the support of the following directors
Clio Barnard, David Cronenberg, Joe Dante, Amat Escalante, Emmanuel Finkiel, Stephen Frears, Matteo Garrone, Costa-Gavras, Valeria Golino, Anurag Kashyap, Naomi Kawase, Ágnes Kocsis, Joachim Lafosse, Pablo Larraín, Ken Loach, Sergei Loznitsa, Mahamat-Saleh Haroun, Cristian Mungiu, Yousry Nasrallah, Raoul Peck, Christian Petzold, Nicolas Philibert, Javier Rebollo, Walter Salles, Andrea Segre, Silvio Soldini, Bertrand Tavernier, Pablo Trapero, Joachim Trier, Felix van Groeningen, Andrey Zvyagintsev
The Assembly will be held
Sunday, May 18 - 5 Pm
Fnac Cannes (83 rue d'Antibes)
Open to all
Follow the Assembly on
www.quinzaine-realisateurs.com...
- 5/14/2014
- by Sydney Levine
- Sydney's Buzz
The Guadalajara International Film Festival (Ficg) is taking part in the year’s first celebration of the seventh art—the Palm Springs International Film Festival—where it is slated to present the Cine Latino Award to the best Iberoamerican film screened at the 24th edition of the California festival, which will run from January 3rd to 14th, 2013.
The award is accompanied by a cash prize of Us$5,000 contributed by the Guadalajara International Film Festival and the University of Guadalajara Foundation/USA located in Los Angeles, California.
The Cine Latino Award highlights the enormous creativity of new talents in the world of Iberoamerican cinema, at the same time underlining the commitment of the Ficg and the University of Guadalajara Foundation/USA to the consolidation of culture and the arts in the region and to the wider interchange of ideas within a global context.
I will have the pleasure of being on the jury along with Juan Carlos Arciniegas (Ccn en Español), a journalist with an established career in the area of motion picture and entertainment criticism and analysis—and Iván Trujillo Bolio, director of the Guadalajara International Film Festival.
Listed below are the 22 films eligible for the award. They include some of the productions from Iberoamerican countries nominated by the Academy of Motion Picture Arts and Sciences in the Foreign Language Film category of the 85th Academy Awards, to be held on February 24th, 2013.
7 Boxes (Paraguay), (Isa:Shoreline Entertainment)
Director: Juan Carlos Maneglia, Tana Schémbori
After Lucia (Mexico), (Isa: Bac Films)
Director: Michel Franco
Beauty (Argentina), (Isa: Campo Cine)
Director: Daniela Seggiaro
Blancanieves (Spain/France) (Dreamcatchers)
Director: Pablo Berger
Checkmate (Dominican Republic)
Director: José María Cabral
Clandestine Childhood (Argentina/Brazil/Spain)
Director: Benjamín Ávil
The Cleaner (Peru) (Isa: Flamingo Films)
Director: Adrian Saba
The Clown (Brazil)
Director: Selton Mellobr
The Dead Man and Being Happy (Spain) (Isa: Udi)
Director: Javier Rebollo
Drought (Mexico) (Isa:imcine)
Director: Everardo González
The Girl (USA/Mexico) (Isa: Goldcrest Fims)
Director: David Riker
Here and There (Spain/USA/Mexico) (Isa: Alpha Violet)
Director: Antonio Méndez Esparza
La Playa D.C. (Colombia/Brazil/France) (Isa: Cineplex)
Director: Juan Andrés Arango García
Multiple Visions (The Crazy Machine) (Mexico/France/Spain)
Director: Emilio Maillé
The Passion of Michelangelo (Chile/France)
Director: Esteban Larraín
Sadourni’s Butterflies (Argentina)
Director: Darío Nardi
The Sleeping Voice (Spain) (Isa: The Match Factory)
Director: Benito Zambrano
The Snitch Cartel (Colombia)
Director: Carlos Moreno
Tabu (Portugal/Brazil/France/Germany)
Director: Miguel Gomes
The End (Spain)
Director: Jorge Torregrossa
Una Noche (Cuba/UK/USA)
Director: Lucy Mulloy
White Elephant (Argentina/Spain/France)
Director: Pablo Trapero
Festival Internacional de Cine en Guadalajara.
Nebulosa 2916, Jardines del Bosque C.P. 44520 Guadalajara, Jal., México
Teléfonos: +52 (33) 3121-7461, 3122-7827, 3121-6860
Fax: 3121 7426
www.ficg.mx
Todos los derechos reservados ® Pficg | Patronato del Festival Internacional de Cine en Guadalajara.
The award is accompanied by a cash prize of Us$5,000 contributed by the Guadalajara International Film Festival and the University of Guadalajara Foundation/USA located in Los Angeles, California.
The Cine Latino Award highlights the enormous creativity of new talents in the world of Iberoamerican cinema, at the same time underlining the commitment of the Ficg and the University of Guadalajara Foundation/USA to the consolidation of culture and the arts in the region and to the wider interchange of ideas within a global context.
I will have the pleasure of being on the jury along with Juan Carlos Arciniegas (Ccn en Español), a journalist with an established career in the area of motion picture and entertainment criticism and analysis—and Iván Trujillo Bolio, director of the Guadalajara International Film Festival.
Listed below are the 22 films eligible for the award. They include some of the productions from Iberoamerican countries nominated by the Academy of Motion Picture Arts and Sciences in the Foreign Language Film category of the 85th Academy Awards, to be held on February 24th, 2013.
7 Boxes (Paraguay), (Isa:Shoreline Entertainment)
Director: Juan Carlos Maneglia, Tana Schémbori
After Lucia (Mexico), (Isa: Bac Films)
Director: Michel Franco
Beauty (Argentina), (Isa: Campo Cine)
Director: Daniela Seggiaro
Blancanieves (Spain/France) (Dreamcatchers)
Director: Pablo Berger
Checkmate (Dominican Republic)
Director: José María Cabral
Clandestine Childhood (Argentina/Brazil/Spain)
Director: Benjamín Ávil
The Cleaner (Peru) (Isa: Flamingo Films)
Director: Adrian Saba
The Clown (Brazil)
Director: Selton Mellobr
The Dead Man and Being Happy (Spain) (Isa: Udi)
Director: Javier Rebollo
Drought (Mexico) (Isa:imcine)
Director: Everardo González
The Girl (USA/Mexico) (Isa: Goldcrest Fims)
Director: David Riker
Here and There (Spain/USA/Mexico) (Isa: Alpha Violet)
Director: Antonio Méndez Esparza
La Playa D.C. (Colombia/Brazil/France) (Isa: Cineplex)
Director: Juan Andrés Arango García
Multiple Visions (The Crazy Machine) (Mexico/France/Spain)
Director: Emilio Maillé
The Passion of Michelangelo (Chile/France)
Director: Esteban Larraín
Sadourni’s Butterflies (Argentina)
Director: Darío Nardi
The Sleeping Voice (Spain) (Isa: The Match Factory)
Director: Benito Zambrano
The Snitch Cartel (Colombia)
Director: Carlos Moreno
Tabu (Portugal/Brazil/France/Germany)
Director: Miguel Gomes
The End (Spain)
Director: Jorge Torregrossa
Una Noche (Cuba/UK/USA)
Director: Lucy Mulloy
White Elephant (Argentina/Spain/France)
Director: Pablo Trapero
Festival Internacional de Cine en Guadalajara.
Nebulosa 2916, Jardines del Bosque C.P. 44520 Guadalajara, Jal., México
Teléfonos: +52 (33) 3121-7461, 3122-7827, 3121-6860
Fax: 3121 7426
www.ficg.mx
Todos los derechos reservados ® Pficg | Patronato del Festival Internacional de Cine en Guadalajara.
- 1/9/2013
- by Sydney Levine
- Sydney's Buzz
Pacha, a Bolivian film by Héctor Ferreiro will open the first edition of the Kochi International Film Festival today. The festival that will run from December 16-23 will be inaugurated by Kerala Chief Minister Oomen Chandy.
The festival will screen films from Latin America, Europe, Asia and USA, apart from films on the 100 Years of Indian Cinema and Centenary of Masters.
A total of 50 international films and 24 Indian films will be screened. Five films from Thailand, eight from Poland six films from Iran will be a part of the international section. While 18 Malayalam, one Tulu film and three Hindi films are in the line-up.
Line up of films:
100 Years of Indian Cinema
Malayalam Golden 10:
Elippathayam (The Rat Trap) by Adoor Gopalakrishnan
Chidambaram by G. Aravindan
Danny by T. V. Chandran
Amma Ariyan by John Abraham
Oppol by K. S. Sethumadhavan
Nirmalyam by M. T. Vasudevan Nair
Uppu by Pavithran
Olavum Theeravum by P.
The festival will screen films from Latin America, Europe, Asia and USA, apart from films on the 100 Years of Indian Cinema and Centenary of Masters.
A total of 50 international films and 24 Indian films will be screened. Five films from Thailand, eight from Poland six films from Iran will be a part of the international section. While 18 Malayalam, one Tulu film and three Hindi films are in the line-up.
Line up of films:
100 Years of Indian Cinema
Malayalam Golden 10:
Elippathayam (The Rat Trap) by Adoor Gopalakrishnan
Chidambaram by G. Aravindan
Danny by T. V. Chandran
Amma Ariyan by John Abraham
Oppol by K. S. Sethumadhavan
Nirmalyam by M. T. Vasudevan Nair
Uppu by Pavithran
Olavum Theeravum by P.
- 12/16/2012
- by NewsDesk
- DearCinema.com
Meeting up with Javier Rebollo at a westside bistro, the week following the 50th New York Film Festival, where The Dead Man And Being Happy - which tells the story of an ageing hitman (José Sacristán) on an absurdist road to nowhere - had its North American premiere, he quoted Jacques Rivette to me: "You can't show death, without being an imposter." We spoke about the difference between the classic city and the modern city. Towns that survive men, and men who survive towns.
I said to Javier, there is no perversion without innocence. He agreed, "in fairytales you have both, innocence and perversion. They are like silent cinema".
Anne-Katrin Titze: You said after the press screening that you had your reservations about New York. How was the festival experience for you? What did you think of the audience's reaction to your film...
I said to Javier, there is no perversion without innocence. He agreed, "in fairytales you have both, innocence and perversion. They are like silent cinema".
Anne-Katrin Titze: You said after the press screening that you had your reservations about New York. How was the festival experience for you? What did you think of the audience's reaction to your film...
- 10/22/2012
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Every hero of mythical proportions should have his own theme song. The Greatest American Hero had one, and so did Davey Crockett. Santos (José Sacristán), the mythic hero in Javier Rebollo’s The Dead Man And Being Happy, has his own theme song indeed, which plays over the film’s end credits. Santos is a veteran hitman who has offed many, and sets out on a journey across Argentina. Does he prove to be as epic as his song makes him out to be? While The Dead Man And Being Happy remains fairly bleak in tone and doesn’t establish enough of a rapport between its characters, it is quite successful, taking filmic risks with interesting narration and sound choices. Santos is terminally ill, with three cancerous tumors in his body. He also never went through with his last hit, leaving his target alive and taking the money anyway. His bosses are after him, so...
- 10/11/2012
- by Caitlin Hughes
- FilmSchoolRejects.com
New York Film Festival - Léos Carax on Holy Motors, Sally Potter on Ginger & Rosa and Javier Rebollo
Our latest report from the New York Film Festival sees Holy Motors director Léos Carax say thank you to Henry James, Sally Potter provide visual clues with the cast of Ginger And Rosa and The Dead Man And Being Happy director Javier Rebollo discuss archiving images.
Holy Motors
Holy Motors - which follows a man on his shadowy journey from one life to the next - gives thanks to Claire Denis, Georges Franju and Henry James. The last one might puzzle you, but after all, Carax's 1999 film Pola X was based on Herman Melville's Pierre: Or, The Ambiguities. Maybe it isn't the author at all, and the dedication goes to Henry James Ford, Mr "Motor Man." Let one of the most intriguing day trips into our eros and psyche begin!
Anne-Katrin Titze: Thank you for a wonderful film about life. I have a question...
Holy Motors
Holy Motors - which follows a man on his shadowy journey from one life to the next - gives thanks to Claire Denis, Georges Franju and Henry James. The last one might puzzle you, but after all, Carax's 1999 film Pola X was based on Herman Melville's Pierre: Or, The Ambiguities. Maybe it isn't the author at all, and the dedication goes to Henry James Ford, Mr "Motor Man." Let one of the most intriguing day trips into our eros and psyche begin!
Anne-Katrin Titze: Thank you for a wonderful film about life. I have a question...
- 10/11/2012
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The New York Film Festival is celebrating its 50th birthday this year while at the same time saying goodbye to Richard Peña, who served as Program Director for the last 25 years. This year’s festival is packed with films from all over the world, bringing the best of the best from Cannes, Berlin, and other renowned festivals to a New York audience. Peña, who also teaches in the Film Department at Columbia University, has long championed Latin American cinema, in particular. After traveling in the region as a young undergrad he decided to focus his academic research on Latin America. Peña has gone on to not only spotlight Latino films in the classroom but also carved out a space, year after year, for Latino films to shine at the New York Film Festival. This year is no exception. Now in its second week, the fest has some exciting Latino premieres that will close out its 50th edition.
Here and There
Aquí y Allá | Antonio Méndez Esparza (2012)
Mexico/Spain/USA | Spanish with English subtitles | Format: Dcp | 110 minutes
Having won the top prize at the Critic’s Week sidebar at Cannes, this debut feature from Antonio Méndez Esparza looks at immigration from a different point of view--what happens when you go back? Pedro returns home to his family in Mexico after a stint working in New York. When he arrives he is surprised to see how different things look, how things have changed. He has little to say to his daughters and has to get to know his wife all over again. He feels detached, lonely, alienated. He feels distant from his family--and in parallel, the camera stays far away from the characters. In a series of long takes, conversations amongst family and friends are seen from a distance and the camera remains stationary. People walk in and out of scenes, have their backs turned to the camera, or are just too far away to see clearly. We rarely get a glimpse of those who talk and without close-ups of their faces--miss out on facial expressions and the nuances of the nonverbal. Just like Pedro--the audience, as a result of the camera work--has trouble emotionally connecting with the people on the screen.
No
Pablo Larraín (2012)
Chile/USA | Spanish with English subtitles | Format: Dcp | 110 minutes
Pablo Larraín and Gael García Bernal in person at both screenings and at the SoHo Apple Store on Thursday, October 11 as part of NyffLive.
“In 1988, in an effort to extend and legitimize its rule, the Chilean military junta announced it would hold a plebiscite to get the people’s permission to stay in power. Despite being given 15 minutes a day to plead its case on television, the anti-Pinochet opposition was divided and without a clear message. Enter Rene Saavedra, an ad man who, after a career pushing soft drinks and soap, sets out to sell Chileans on democracy and freedom.” Gael García Bernal (Y Tu Mama Tambien, Motorcycle Diaries) stars as Rene Saavedra. His performance is said to be the major reason behind the standing ovation it received at the Cannes Film Festival, its world premiere. It also was just announced as Chile’s entry for the Best Foreign Language Film Academy Award.
The Dead Man and Being Happy
El muerto y ser feliz | Javier Rebollo (2012)
Spain/Argentina/France | Spanish with English subtitles | Format: Dcp | 94 minutes
“For his third feature, the gifted Spanish director Javier Rebollo (Woman Without Piano) has decamped to Argentina and created a literate, screwball road movie that Borges surely would have loved. The “dead man” of the title is Santos (veteran Spanish screen star José Sacristán), a cancer-stricken hired killer who flees his Buenos Aires hospital bed and sets off on one last assignment. It is a journey that takes him through an interior Argentina rarely glimpsed in movies, from the Cordoba resort town of La Cumbrecita (with its disproportionate—and disconcerting—population of elderly Germans) to the northern province of Santiago del Estero. Along the way, Santos finds himself joined by Alejandra (the wonderful Roxana Blanco), an attractive middle-aged woman who impulsively jumps into his vintage Ford Falcon at a gas station and soon thwarts him from his intended path.”
Films from Portugal are often excluded from a discussion of Latin American or Latino films. But, in the same way that we include Brazilian films even though they are in Portuguese and Spanish films because of the country’s colonial ties to the Americas--i personally think that films from Portugal should also qualify as Latin American or Latino. Maybe, I’ll just start calling them Ibero-American films.
Tabu
Miguel Gomes (2012)
Portugal | Portuguese with English Subtitles | Format: 35mm | 118 minutes
“Shot in ephemeral black-and-white celluloid, Tabu is movie-as-dream—an evocation of irrational desires, extravagant coincidences, and cheesy nostalgia that nevertheless is grounded in serious feeling and beliefs, even anti-colonialist politics. There is a story, which is delightful to follow and in which the cart comes before the horse: the first half is set in contemporary Lisbon, the second, involving two of the same characters, in a Portuguese colony in the early 1960s. “Be My Baby” belted in Portuguese, a wandering crocodile, and a passionate, ill-advised coupling seen through gently moving mosquito netting make for addled movie magic.”
The Last Time I Saw Macao
A Última Vez Que Vi Macau | João Pedro Rodrigues, João Rui Guerra da Mata (2012)
Portugal/France | Portuguese with English Subtitles | 85 minutes
“This stunning amalgam of playful film noir and Chris Marker–like cine-essay from João Pedro Rodrigues (To Die Like a Man, Nyff 2009) and João Rui Guerra da Mata explores the psychic pull of the titular former Portuguese colony. After a spectacular opening scene, in which actress Cindy Scrash lip-synchs, as tigers pace behind her, to Jane Russell’s “You Kill Me”—from Josef von Sternberg’s Macao (1952), a key reference here—the film shifts to da Mata’s off-screen recollections of growing up in this gambling haven in the South China Sea.”
The New York Film Festival, presented by the Film Society of Lincoln Center, runs through October 14.
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature onSydneysBuzzthat highlights emerging and established Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow@LatinoBuzzon twitter.
Here and There
Aquí y Allá | Antonio Méndez Esparza (2012)
Mexico/Spain/USA | Spanish with English subtitles | Format: Dcp | 110 minutes
Having won the top prize at the Critic’s Week sidebar at Cannes, this debut feature from Antonio Méndez Esparza looks at immigration from a different point of view--what happens when you go back? Pedro returns home to his family in Mexico after a stint working in New York. When he arrives he is surprised to see how different things look, how things have changed. He has little to say to his daughters and has to get to know his wife all over again. He feels detached, lonely, alienated. He feels distant from his family--and in parallel, the camera stays far away from the characters. In a series of long takes, conversations amongst family and friends are seen from a distance and the camera remains stationary. People walk in and out of scenes, have their backs turned to the camera, or are just too far away to see clearly. We rarely get a glimpse of those who talk and without close-ups of their faces--miss out on facial expressions and the nuances of the nonverbal. Just like Pedro--the audience, as a result of the camera work--has trouble emotionally connecting with the people on the screen.
No
Pablo Larraín (2012)
Chile/USA | Spanish with English subtitles | Format: Dcp | 110 minutes
Pablo Larraín and Gael García Bernal in person at both screenings and at the SoHo Apple Store on Thursday, October 11 as part of NyffLive.
“In 1988, in an effort to extend and legitimize its rule, the Chilean military junta announced it would hold a plebiscite to get the people’s permission to stay in power. Despite being given 15 minutes a day to plead its case on television, the anti-Pinochet opposition was divided and without a clear message. Enter Rene Saavedra, an ad man who, after a career pushing soft drinks and soap, sets out to sell Chileans on democracy and freedom.” Gael García Bernal (Y Tu Mama Tambien, Motorcycle Diaries) stars as Rene Saavedra. His performance is said to be the major reason behind the standing ovation it received at the Cannes Film Festival, its world premiere. It also was just announced as Chile’s entry for the Best Foreign Language Film Academy Award.
The Dead Man and Being Happy
El muerto y ser feliz | Javier Rebollo (2012)
Spain/Argentina/France | Spanish with English subtitles | Format: Dcp | 94 minutes
“For his third feature, the gifted Spanish director Javier Rebollo (Woman Without Piano) has decamped to Argentina and created a literate, screwball road movie that Borges surely would have loved. The “dead man” of the title is Santos (veteran Spanish screen star José Sacristán), a cancer-stricken hired killer who flees his Buenos Aires hospital bed and sets off on one last assignment. It is a journey that takes him through an interior Argentina rarely glimpsed in movies, from the Cordoba resort town of La Cumbrecita (with its disproportionate—and disconcerting—population of elderly Germans) to the northern province of Santiago del Estero. Along the way, Santos finds himself joined by Alejandra (the wonderful Roxana Blanco), an attractive middle-aged woman who impulsively jumps into his vintage Ford Falcon at a gas station and soon thwarts him from his intended path.”
Films from Portugal are often excluded from a discussion of Latin American or Latino films. But, in the same way that we include Brazilian films even though they are in Portuguese and Spanish films because of the country’s colonial ties to the Americas--i personally think that films from Portugal should also qualify as Latin American or Latino. Maybe, I’ll just start calling them Ibero-American films.
Tabu
Miguel Gomes (2012)
Portugal | Portuguese with English Subtitles | Format: 35mm | 118 minutes
“Shot in ephemeral black-and-white celluloid, Tabu is movie-as-dream—an evocation of irrational desires, extravagant coincidences, and cheesy nostalgia that nevertheless is grounded in serious feeling and beliefs, even anti-colonialist politics. There is a story, which is delightful to follow and in which the cart comes before the horse: the first half is set in contemporary Lisbon, the second, involving two of the same characters, in a Portuguese colony in the early 1960s. “Be My Baby” belted in Portuguese, a wandering crocodile, and a passionate, ill-advised coupling seen through gently moving mosquito netting make for addled movie magic.”
The Last Time I Saw Macao
A Última Vez Que Vi Macau | João Pedro Rodrigues, João Rui Guerra da Mata (2012)
Portugal/France | Portuguese with English Subtitles | 85 minutes
“This stunning amalgam of playful film noir and Chris Marker–like cine-essay from João Pedro Rodrigues (To Die Like a Man, Nyff 2009) and João Rui Guerra da Mata explores the psychic pull of the titular former Portuguese colony. After a spectacular opening scene, in which actress Cindy Scrash lip-synchs, as tigers pace behind her, to Jane Russell’s “You Kill Me”—from Josef von Sternberg’s Macao (1952), a key reference here—the film shifts to da Mata’s off-screen recollections of growing up in this gambling haven in the South China Sea.”
The New York Film Festival, presented by the Film Society of Lincoln Center, runs through October 14.
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature onSydneysBuzzthat highlights emerging and established Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow@LatinoBuzzon twitter.
- 10/10/2012
- by Vanessa Erazo
- Sydney's Buzz
Above: Passion (Brian de Palma, France/Germany).
Tonight the 50th incarnation of the New York Film Festival gets underway at Lincoln Center, and for the third year running I have tried to find posters for all the films in the festival’s main slate (see 2010 and 2011). Poster art not being what it used to be, these inevitably pale in comparison to the posters I collected last week for the very first Nyff of 1963. For starters, most of those were illustrated, whereas only two of this year’s batch are hand drawn: the folk-art Filipino design for Bwakaw and Spanish artist Riki Blanco’s illustration for The Dead Man and Being Happy. But there are some other standouts, like the striking UK quads for Holy Motors and Ginger and Rosa, the near-abstract monochrome and gothic lettering of Leviathan, the unconventional titling for Barbara (coupled with that can’t-lose photo of Nina Hoss on a bike,...
Tonight the 50th incarnation of the New York Film Festival gets underway at Lincoln Center, and for the third year running I have tried to find posters for all the films in the festival’s main slate (see 2010 and 2011). Poster art not being what it used to be, these inevitably pale in comparison to the posters I collected last week for the very first Nyff of 1963. For starters, most of those were illustrated, whereas only two of this year’s batch are hand drawn: the folk-art Filipino design for Bwakaw and Spanish artist Riki Blanco’s illustration for The Dead Man and Being Happy. But there are some other standouts, like the striking UK quads for Holy Motors and Ginger and Rosa, the near-abstract monochrome and gothic lettering of Leviathan, the unconventional titling for Barbara (coupled with that can’t-lose photo of Nina Hoss on a bike,...
- 9/28/2012
- by Adrian Curry
- MUBI
The New York Film Festival announced its full slate of films on Thursday, a line up of 32 titles that largely serves as a catch-all compendium of standouts from other international festivals like Cannes, Berlin, Venice, and Toronto.
Along with the previously announced opening night film (Ang Lee’s Life of Pi), centerpiece gala (David Chase’s Not Fade Away), and closing night film (Robert Zemeckis’ Flight) — all world premieres — the highlights of the festival include: Hyde Park on Hudson, starring Bill Murray as President Franklin D. Roosevelt; Ginger and Rosa, starring Elle Fanning as a girl growing up in 1962 London...
Along with the previously announced opening night film (Ang Lee’s Life of Pi), centerpiece gala (David Chase’s Not Fade Away), and closing night film (Robert Zemeckis’ Flight) — all world premieres — the highlights of the festival include: Hyde Park on Hudson, starring Bill Murray as President Franklin D. Roosevelt; Ginger and Rosa, starring Elle Fanning as a girl growing up in 1962 London...
- 8/17/2012
- by Adam B. Vary
- EW - Inside Movies
HollywoodNews.com: After a little bit of pondering on my part, the question of what will be playing this year at the New York Film Festival has now been answered. 32 films will comprise the main section of the fest, according to the Nyff website (here), and besides the movies already known about, we'll also be seeing 'Amour', 'Frances', 'Holy Motors', 'Hyde Park on Hudson', and 'Passion' represent some of the most notable entries. After the jump you can see the full lineup, but it's looking like a really stellar film festival (I'm especially interested in that new flick from Noah Baumbach). Amour (Michael Haneke, Austria/France/Germany) Michael Haneke’s Palme d’Or winner of Cannes 2012 is a merciless and compassionate masterpiece about an elderly couple dealing with the ravages of old age. A Sony Pictures Classics release. Araf—Somewhere In Between (Yeşim Ustaoğlu, Turkey/France...
- 8/16/2012
- by Clayton Davis
- Hollywoodnews.com
After Venice and Toronto unveiled their strong assembly of titles, the 50th annual New York Film Festival have released this year’s primary lineup. Short answer: We won’t be left out in the cold this fall.
Though not necessarily on the same massive scale as last year, the Film Society of Lincoln Center look to be offering some of world cinema’s finest options for 2012. The biggest title would, unquestionably, have to be Michael Haneke‘s Palme d’Or winner, Amour, while “the rest,” if you’re so callous as to call it that, include some of our favorite Cannes selections — including Abbas Kiarostami‘s Like Someone in Love, or Leos Carax‘s Holy Motors. Sure, maybe Beyond the Hills was a flat bore that didn’t live up to its director’s last effort, but at least I get to find out for myself.
Past those obvious picks,...
Though not necessarily on the same massive scale as last year, the Film Society of Lincoln Center look to be offering some of world cinema’s finest options for 2012. The biggest title would, unquestionably, have to be Michael Haneke‘s Palme d’Or winner, Amour, while “the rest,” if you’re so callous as to call it that, include some of our favorite Cannes selections — including Abbas Kiarostami‘s Like Someone in Love, or Leos Carax‘s Holy Motors. Sure, maybe Beyond the Hills was a flat bore that didn’t live up to its director’s last effort, but at least I get to find out for myself.
Past those obvious picks,...
- 8/16/2012
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
AFI Fest 2009 Awards AFI Fest 2009: Hollywood/Santa Monica, Oct. 30-Nov. 7, 2009 Andrea Arnold’s Fish Tank focuses on a working-class teenager (Katie Jarvis) frustrated that her mother has found a new beau (Michael Fassbender); Javier Rebollo’s Woman Without Piano is a dramatic portrait of 24 hours in the life of a Madrid housewife (Carmen Machi); and Scandar Copti and Yaron Shani’s Ajami (above) chronicles the day-to-day, anything-but-routine lives of several denizens of a tough neighborhood in Jaffa, where Muslims, Jews, and Christians are sworn to live in bloody disharmony. New Lights Competition Award Winner Fish Tank Dir: Andrea Arnold UK Woman Without Piano (La Mujer Sin Piano) Dir: Javier Rebollo Spain/France Special Jury Mention Ajami Dir: Scandar Copti, Yaron Shani Israel/Germany AFI Fest 2009 New Lights [...]...
- 11/6/2009
- by Andre Soares
- Alt Film Guide
San Sebastian -- Lu Chuan's controversial Chinese film "City of Life and Death," depicting the atrocities committed during the 1938 Japanese siege of China's former capital, Nanjing, won the Golden Shell Saturday at the 57th San Sebastian International Film Festival.
Spain's Javier Rebollo picked up the best directing award for his "Woman Without Piano," portraying the alienation of a Madrid housewife on the threshold of menopause.
The Silver Shell acting awards went to Spanish actors Lola Duenas and Pablo Pineda for their central performances in Alvaro Pastor and Antonio Naharro's "Me Too," focusing on a man with Down syndrome and his efforts to woo a woman without. Pineda is the first Down's sufferer to get a university degree in Europe.
Philippe Van Leeuw's look at the Rwandan massacre "The Day God Walked Away" won the coveted Kutxa-New Directors Award worth 90,000 euros to be equally divided between the director and the Spanish distributor.
Spain's Javier Rebollo picked up the best directing award for his "Woman Without Piano," portraying the alienation of a Madrid housewife on the threshold of menopause.
The Silver Shell acting awards went to Spanish actors Lola Duenas and Pablo Pineda for their central performances in Alvaro Pastor and Antonio Naharro's "Me Too," focusing on a man with Down syndrome and his efforts to woo a woman without. Pineda is the first Down's sufferer to get a university degree in Europe.
Philippe Van Leeuw's look at the Rwandan massacre "The Day God Walked Away" won the coveted Kutxa-New Directors Award worth 90,000 euros to be equally divided between the director and the Spanish distributor.
- 9/26/2009
- by By Pamela Rolfe
- The Hollywood Reporter - Movie News
- Lots of Fall festival news today from New York, Toronto and Spain and I know what my first piece of Tiff coverage will be: Christopher Doyle's "Picture Start" (Doyle (Happy Together) reconsiders how images evolve before the director’s call to “action” and what happens to them after the “cut.” Doyle superimposes directives from traditional film leader on to the processed still film and filmmaking images he has created during his extensive career. Curated by Noah Cowan at the Indexg, 50 Gladstone Avenue in Toronto. Here is a look at eight and 1/2 news items that we didn't have enough time to cover but are worth mentioning here for August 11th... 1. Tell Me Where you are Josh!Blair Witch creators looking to make a sequel. Must be out of money and ideas. (Via Slashfilm.com) 2. Charlie, Sophie and Giamatti Cold Souls director and star on Charlie Rose last night. 3. San
- 8/12/2009
- IONCINEMA.com
- The Festival du Nouveau Cinema is a staple event for the hardcore Montreal cinephile – it’s an event that quality-wise collects the edgier, controversial fair from the international film circuit and in recent years has started to promote not only new media film forms but the local (Quebecois) auteur cinema. Now in its 36th edition, the fest has snared some of the top must see, prize-winning flicks that will usually not spend one day in a megaplex theater. Starting today and running until the 21st of the month, the globe trotting Claude Chamberlan and the youthful programming team have once again insured the quality control of the event – nabbing some controversial films that aren’t even shown in their country of origin and some Cannes prize winners that I personally hope get a release in the U.S.The film fest opener is Durs à cuire – a docu debut
- 10/10/2007
- IONCINEMA.com
- Volver dominated the noms for Spain's Goya Awards taking in 14 nominations, but it is Alatriste the Viggo Mortensen starrer that picked up an impressive 15 noms. The Goyas will be presented the last weekend of January. Here are the noms: Major Category 2007 Goya Nominations Film"Volver," Pedro Almodovar"Alatriste," Agustin Diaz-Yanes"Salvador," Manuel Huerga"Pan's Labyrinth," Guillermo del ToroDIRECTORAgustin Diaz-Yanes, "Alatriste"Guillermo del Toro, "Pan's Labyrinth"Manuel Huerga, "Salvador"Pedro Almodovar, "Volver"ACTORDaniel Bruehl, "Salvador"Juan Diego, "Vete de mi"Sergi Lopez, "Pan's Labyrinth", "Alatriste"ACTRESSMaribel Verdu, "Pan's Labyrinth"Marta Etura, "Darkbluealmostblack"Penelope Cruz, "Volver"Silvia Abascal, "The Silly Lady"New DIRECTORCarlos Iglesias, "Crossing Borders"Daniel Sanchez Arevalo, "Darkbluealmostblack"Javier Rebollo, "What I Know About Lola"Jorge Sanchez Cabezudo, "The Night of the Sunflowers"Original SCREENPLAYDaniel Sanchez Arevalo, "Darkbluealmostblack"Guillermo del Toro, "Pan's Labyrinth"Jorge Sanchez Cabezudo, "The Night of the Sunflowers"Pedro Almodovar, "Volver"Adapted SCREENPLAYAgustin Diaz-Yanes, "Alatriste"Antonio Banderas,
- 12/18/2006
- IONCINEMA.com
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