Tilda Cobham-Hervey in Girl Asleep (photo credit: Shane Reid).
I know this was originally a piece of theatre; what made you want to adapt it for the screen?
When we made the play we always knew we were going to make the film. The play is a standalone play, but it was a great chance to test the story out really thoroughly and learn about the storytelling before we shot the film.
Why did you decide to write a play to make a film?
We were doing a trilogy of works for teenagers in the Adelaide Festival, and Katrina [Sedgwick] and Amanda [Duthie] had seen some of that work and thought it would be a very interesting audience to make a Hive project for. The writer Matthew Whittet and I were in the very first Hive workshop. We started developing it as a film, pitched it to the Hive and we knew...
I know this was originally a piece of theatre; what made you want to adapt it for the screen?
When we made the play we always knew we were going to make the film. The play is a standalone play, but it was a great chance to test the story out really thoroughly and learn about the storytelling before we shot the film.
Why did you decide to write a play to make a film?
We were doing a trilogy of works for teenagers in the Adelaide Festival, and Katrina [Sedgwick] and Amanda [Duthie] had seen some of that work and thought it would be a very interesting audience to make a Hive project for. The writer Matthew Whittet and I were in the very first Hive workshop. We started developing it as a film, pitched it to the Hive and we knew...
- 8/2/2016
- by Harry Windsor
- IF.com.au
The first round of Aacta Award winners have been announced today at the 4th Aacta Award Luncheon held at the Star Event Centre in Sydney.
Celebrating screen craft excellence in Australia, 22 awards were presented, recognising the work of screen practitioners working in television, documentary, short fiction film, short animation and feature film.
The Luncheon was hosted by writer/actor/producer/director Adam Zwar, who was also joined throughout the event by a list of distinguished presenters. including Aacta President Geoffrey Rush, David Stratton, Damian Walshe-Howling, Alexandra Schepisi, Charlotte Best and Diana Glenn.
In the feature film category, Predestination took home the most Awards; with Ben Nott Acs taking out the prize for Best Cinematography, Matt Villa Ase winning the award for Best Editing, and Matthew Putland scooping Best Production Design.
Tess Schofield was honoured with the Aacta Award for Best Costume Design for her work on The Water Diviner while...
Celebrating screen craft excellence in Australia, 22 awards were presented, recognising the work of screen practitioners working in television, documentary, short fiction film, short animation and feature film.
The Luncheon was hosted by writer/actor/producer/director Adam Zwar, who was also joined throughout the event by a list of distinguished presenters. including Aacta President Geoffrey Rush, David Stratton, Damian Walshe-Howling, Alexandra Schepisi, Charlotte Best and Diana Glenn.
In the feature film category, Predestination took home the most Awards; with Ben Nott Acs taking out the prize for Best Cinematography, Matt Villa Ase winning the award for Best Editing, and Matthew Putland scooping Best Production Design.
Tess Schofield was honoured with the Aacta Award for Best Costume Design for her work on The Water Diviner while...
- 1/27/2015
- by Emily Blatchford
- IF.com.au
Russell Crowe-Directed Movie Up for Australian Film Award; Crowe Shortlisted Only in Acting Category
Director Russell Crowe Movie up for Best Film: Australian Academy Awards 2015 nominations (photo: Actor-director Russell Crowe in 'The Water Diviner') Aacta Awards: Feature Film Categories Best Film The Babadook Kristina Ceyton and Kristian Moliere Charlie's Country Nils Erik Nielsen, Peter Djigirr and Rolf de Heer Predestination Paddy McDonald, Tim McGahan, Peter Spierig and Michael Spierig The Railway Man Chris Brown, Andy Paterson and Bill Curbishley Tracks Emile Sherman and Iain Canning The Water Diviner Andrew Mason, Keith Rodger and Troy Lum Best Director The Babadook Jennifer Kent Charlie's Country Rolf de Heer Predestination Peter Spierig and Michael Spierig The Rover David Michôd Best Actress Kate Box The Little Death Essie Davis The Babadook Sarah Snook Predestination Mia Wasikowska Tracks Best Actor Russell Crowe The Water Diviner David Gulpilil Charlie's Country Damon Herriman The Little Death Guy Pearce The Rover Best Supporting Actor Patrick Brammall The Little Death Yilmaz Erdogan...
- 12/3/2014
- by Steve Montgomery
- Alt Film Guide
The Australian Screen Editors’ Guild has added a new category to include online and new content streams to its awards night and announced the nominees for the 2012 Ase Awards.
The announcement:
The Australian Screen Editors’ (Ase) Guild is dedicated to the pursuit and recognition of excellence in screen editing across all its forms. It aims to highlight the often invisible art of editing to the public while supporting the people who construct our screen narratives frame by frame.
In 2012 the Ase expanded its activities by opening a new Committee in Brisbane, growing the membership base already established in Sydney, Melbourne, Perth and Adelaide, and expanding its year-round program of seminars, screenings, masterclasses, training days and mentorships. This year the Ase also celebrated its 10th anniversary of Accreditation, the highest honour the Guild can bestow on an editor.
The culmination of the Guild’s year happens at the annual Ase Awards,...
The announcement:
The Australian Screen Editors’ (Ase) Guild is dedicated to the pursuit and recognition of excellence in screen editing across all its forms. It aims to highlight the often invisible art of editing to the public while supporting the people who construct our screen narratives frame by frame.
In 2012 the Ase expanded its activities by opening a new Committee in Brisbane, growing the membership base already established in Sydney, Melbourne, Perth and Adelaide, and expanding its year-round program of seminars, screenings, masterclasses, training days and mentorships. This year the Ase also celebrated its 10th anniversary of Accreditation, the highest honour the Guild can bestow on an editor.
The culmination of the Guild’s year happens at the annual Ase Awards,...
- 11/14/2012
- by Colin Delaney
- Encore Magazine
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