- Born
- Died
- Height5′ 8″ (1.73 m)
- Acclaimed actress Jessica Walter was born on January 31, 1941 in Brooklyn, New York, the daughter of Esther (Groisser), a teacher, and David Walter (his original surname was Warshawsky), a musician who was a member of the NBC Symphony Orchestra and the NYC Ballet Orchestra. She was of Russian Jewish descent, the sister of screenwriter and Chairman of the UCLA Screenwriting program Richard Walter. Their uncle was stage and screen actor Jerry Jarrett. Raised in Queens, Walter was a graduate of New York's High School of the Performing Arts and the Neighborhood Playhouse School of the Theatre. She first acted in summer stock and her extensive subsequent career on the stage included productions both on- and off-Broadway.
On Broadway, Walter appeared in Peter Ustinov's "Photo Finish" (which earned her the Clarence Derwent Award as Most Promising Newcomer), "A Severed Head", "Advise and Consent", "Night Life" and Neil Simon's "Rumors". Off-Broadway, she acted in a 1986 Los Angeles Theater Center production of "Tartuffe" opposite Ron Leibman (to whom she was married from 1983 until his death in 2019).
After guesting on several TV series in the early and mid-1960s, Walter made her move to feature films where she attracted attention for her role as the brash Libby in Sidney Lumet's The Group (1966). This seemed to set the tone for her next screen personae as bitchy, difficult or dangerously vindictive women, the most memorable of which was Evelyn in Clint Eastwood's directorial debut film, Play Misty for Me (1971). This earned Walter a richly deserved Golden Globe nomination. Another stand-out role was Pat, the bored ex-glamour model wife of one racing driver (Brian Bedford) and troublesome girlfriend of another (James Garner) in Grand Prix (1966). Walter's numerous TV roles included the enchantress Morgan LeFay in the rarely seen telemovie Dr. Strange (1978). Of her many screen villainesses she later said: "those are the fun roles. They're juicy, much better than playing the vanilla ingénues".
By the 1980s, Walter had turned increasingly towards comedy, both on the big screen (The Flamingo Kid (1984)) and the small (Three's a Crowd (1984)). However, she never shied away from other genres, whether playing an EarthGov senator on the cult sci-fi series Babylon 5 (1993) or providing the voice for the leading female character in the animated sitcom Dinosaurs (1991). Walter received an Emmy Award for Best Dramatic Actress in the Ironside (1967) spin-off Amy Prentiss (1974) and was nominated for guest-starring roles in episodes of Trapper John, M.D. (1979) and The Streets of San Francisco (1972). She found a new audience among younger viewers as the devious matriarch Lucille Bluth in Arrested Development (2003).
Jessica Walter died in her sleep on March 24, 2021 from undisclosed causes at the age of 80. Riverside Memorial Chapel and Funeral Home in New York City completed her final arrangements. She was cremated and her ashes are with her daughter.- IMDb mini biography by: I.S.Mowis
- SpousesRon Leibman(June 26, 1983 - December 6, 2019) (his death)Ross Bowman(March 27, 1966 - November 2, 1976) (divorced, 1 child)
- Children
- ParentsDavid WalterEsther Walter
- RelativesJerry Jarrett(Aunt or Uncle)Richard Walter(Sibling)Daniel Walter(Niece or Nephew)
- Appeared as Helen Patroni, the wife of Captain Joe Patroni (George Kennedy) in deleted scenes used in the television version of The Concorde... Airport '79 (1979).
- Her father, David Walter, was a double-bassist with the NBC Symphony Orchestra under Arturo Toscanini.
- Was considered for the role of Alexis Carrington on Dynasty (1981), which went to Joan Collins.
- Her brother, Richard Walter, is screenwriter and Chairman of the UCLA Screenwriting program.
- Starred in a spin-off series, Three's a Crowd (1984), and an unrelated television movie entitled Three's a Crowd (1969).
- [in response to being asked about similarities between her and Lucille Bluth] I'm nothing like Lucille. Nothing. My daughter will tell you. I'm really a very nice, boring person.
- [on Jeffrey Tambor] In like almost 60 years of working, I've never had anybody yell at me like that on a set. And it's hard to deal with, but I'm over it now.
- I've got just enough looks to get by. I've never pretended to be a great beauty, but I do try to be a good actress.
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