I have just two words for producer Lawrence Turman, who died Saturday at 96. “Thank you.”
Way back in 1968, Larry Turman, who at the time had much bigger things on his mind, managed to change my life. I was then growing up in the working-class suburbs of Detroit. A garage band of which I was the drummer had landed a gig at the Willow Drive-in outside of Ypsilanti. One of the pictures that night was The Graduate, produced by Turman (and directed by Mike Nichols). Although I’d never given it one minute’s thought before, I went home knowing I would live in California.
It wasn’t Mrs. Robinson that did it. No, really, it was Benjamin Braddock’s manic tour up and down the state, back when California was still as good as its myth. Beverly Hills to Berkeley. Berkeley to Beverly Hills. Palms. Pines. The bridge. The pool.
Way back in 1968, Larry Turman, who at the time had much bigger things on his mind, managed to change my life. I was then growing up in the working-class suburbs of Detroit. A garage band of which I was the drummer had landed a gig at the Willow Drive-in outside of Ypsilanti. One of the pictures that night was The Graduate, produced by Turman (and directed by Mike Nichols). Although I’d never given it one minute’s thought before, I went home knowing I would live in California.
It wasn’t Mrs. Robinson that did it. No, really, it was Benjamin Braddock’s manic tour up and down the state, back when California was still as good as its myth. Beverly Hills to Berkeley. Berkeley to Beverly Hills. Palms. Pines. The bridge. The pool.
- 7/3/2023
- by Michael Cieply
- Deadline Film + TV
The reviews were strong. Filmgoers in key markets lined up around the block. Enthusiastic media coverage of the $3.2 million dark horse stunned industry veterans. Given this reception, the confrontation between producer and distributor was inevitable: With the Oscars looming, there surely had to be a campaign to support the film’s chances for an award. The response from mogul Joe Levine, whose Embassy Pictures funded the film: “I’m not spending a dime.”
Lawrence Turman, producer of The Graduate, this week recalled the events surrounding the release of his film exactly 50 years ago. His low-budget indie would go on to gross almost $800 million in today’s dollars and win an array of Oscars and Globes (it lost Best Picture to In the Heat of the Night). Its Best Director winner, Mike Nichols, was to go on to a brilliant career in film and theater, as would stars Anne Bancroft and Dustin Hoffman.
Lawrence Turman, producer of The Graduate, this week recalled the events surrounding the release of his film exactly 50 years ago. His low-budget indie would go on to gross almost $800 million in today’s dollars and win an array of Oscars and Globes (it lost Best Picture to In the Heat of the Night). Its Best Director winner, Mike Nichols, was to go on to a brilliant career in film and theater, as would stars Anne Bancroft and Dustin Hoffman.
- 12/13/2018
- by Peter Bart
- Deadline Film + TV
Writer-producer Chris Van Dusen, who has worked on several Shondaland series, most recently as co-executive producer on Scandal, is joining Shonda Rhimes at Netflix, signing a multi-year overall deal with the streaming platform to create new series and other projects.
His first project under the pact is Shondaland’s Untitled Bridgeton Project, a one-hour drama ordered straight-to-series, based on Julia Quinn’s best-selling novels. As previously announced, Van Dusen will adapt, showrun, and executive produce, along with Shonda Rhimes and Betsy Beers through Shondaland. The smart feminist take on Regency England romance unveils the glittering, wealthy, sexual, painful, funny and sometimes lonely lives of the women and men in London’s high society marriage mart as told through the eyes of the powerful Bridgerton family.
A homegrown Shondaland talent, Van Dusen landed his first writing gig on Grey’s Anatomy. He went on to work as a co-producer on Shondaland’s Private Practice,...
His first project under the pact is Shondaland’s Untitled Bridgeton Project, a one-hour drama ordered straight-to-series, based on Julia Quinn’s best-selling novels. As previously announced, Van Dusen will adapt, showrun, and executive produce, along with Shonda Rhimes and Betsy Beers through Shondaland. The smart feminist take on Regency England romance unveils the glittering, wealthy, sexual, painful, funny and sometimes lonely lives of the women and men in London’s high society marriage mart as told through the eyes of the powerful Bridgerton family.
A homegrown Shondaland talent, Van Dusen landed his first writing gig on Grey’s Anatomy. He went on to work as a co-producer on Shondaland’s Private Practice,...
- 10/29/2018
- by Denise Petski
- Deadline Film + TV
HBO has bought for development You Know You Want This, an anthology drama series project based on Kristen Roupenian’s upcoming short story collection from former The Leftovers scribes Carly Wray and Lila Byock.
Written and executive produced by Wray and Byock, You Know You Want This will explore the complex and often dark and funny connections between gender, sex and power across genres. The project falls under Wray’s overall deal with HBO.
Roupenian’s collection will be published in January 2019 by Scout Press, an imprint of Simon & Schuster. Her debut story in the New Yorker, “Cat Person,” a tale about bad dates that sparked conversations about sexual consent and gender dynamics, became the magazine’s second most-read article of 2017. Cat Person is part of the to-be-published collection, but is not included in the deal with HBO.
Byock and Wray, who met while working on Damon Lindelof’s HBO drama series The Leftovers,...
Written and executive produced by Wray and Byock, You Know You Want This will explore the complex and often dark and funny connections between gender, sex and power across genres. The project falls under Wray’s overall deal with HBO.
Roupenian’s collection will be published in January 2019 by Scout Press, an imprint of Simon & Schuster. Her debut story in the New Yorker, “Cat Person,” a tale about bad dates that sparked conversations about sexual consent and gender dynamics, became the magazine’s second most-read article of 2017. Cat Person is part of the to-be-published collection, but is not included in the deal with HBO.
Byock and Wray, who met while working on Damon Lindelof’s HBO drama series The Leftovers,...
- 5/30/2018
- by Denise Petski
- Deadline Film + TV
Scott Lew, writer and director, died on February 25 at his home in Valley Glen, CA, after a 15-year battle with Lou Gehrig’s disease (Als), Principato Young who managed Lew told Deadline. He was 48. After receiving a master’s degree from the Peter Stark Producers Program at USC, Scott worked at IRS Records and developed scripts for Beacon Pictures. In 1999 he sold his screenplay, Bickford Shmeckler's Cool Ideas and joined the Writer's Guild of America. In 2003, Scott…...
- 3/7/2017
- Deadline
Former director of international sales Veltri becomes vice-president while former manager Maylor is named director.
Veltri (pictured at top) joined the Magnolia Pictures fold in 2010 and held positions in marketing and acquisitions before moving into international sales.
He took part in multi-territory sales on Sundance grand jury winner The Wolfpack, Sean Baker’s Tangerine, Best Of Enemies from Morgan Neville and Robert Gordon and Andrew Bujalski’s Results.
Maylor joined in 2013 after completing his Mfa in the Peter Stark producing programme at USC’s school of cinematic arts.
“As foreign distribution models continue to rapidly develop, Scott and Rob have been instrumental in expanding and maximising global reach for our films and I look for forward to their contributions in the continued success of our international business,” said head of worldwide sales Christina Rogers.
Magnolia International will attend Afm with new sci-fi title Synchronicity.
Veltri (pictured at top) joined the Magnolia Pictures fold in 2010 and held positions in marketing and acquisitions before moving into international sales.
He took part in multi-territory sales on Sundance grand jury winner The Wolfpack, Sean Baker’s Tangerine, Best Of Enemies from Morgan Neville and Robert Gordon and Andrew Bujalski’s Results.
Maylor joined in 2013 after completing his Mfa in the Peter Stark producing programme at USC’s school of cinematic arts.
“As foreign distribution models continue to rapidly develop, Scott and Rob have been instrumental in expanding and maximising global reach for our films and I look for forward to their contributions in the continued success of our international business,” said head of worldwide sales Christina Rogers.
Magnolia International will attend Afm with new sci-fi title Synchronicity.
- 10/19/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Coverage of Isa’s (international sales agents) has resumed for The American Film Market. This segment follows leaders and innovation in the world of international film sales and distribution.
The trailblazing and accomplished Mimi Steinbauer started Radiant Films International over two and a half years ago and has been in the film business for over twenty years. She has played an essential role in the financing and sales for over 500 films, including the Academy Award nominated "Blue Valentine", Robert Rodriguez’s "Machete", "The Lord of the Rings Trilogy", "The Hurt Locker", "The Matrix", "Rush Hour 2", "The Notebook", and "Three Kings".
Mimi also served as the Vice President of Distribution at New Line Cinema, Sales and Distribution Consultant for Voltage Pictures, President of International Sales and Distribution at Franchise Pictures, and Head of International Television at Trimark Pictures.
Mimi shares her experience and talks more about Radiant's films at The American Film Market:
I was excited to start my own company. International Sales has changed over the years. If you’re in sales now, you’re involved in finding the product, closing financing, and then also doing sales. In doing all three of those things, it only makes sense to have my own company and be in charge of the product that I’m selling. That’s why I started Radiant.
I’ve been working in the film industry for 20 years - working for bigger companies like New Line Cinema and then smaller companies as well – and have been involved in finding the projects and dealing with sales. Starting Radiant was a natural step into doing my own thing.
What type of films are you looking for?
We're handling 16 titles. My intention is to carry six to eight films per year, so we’re pretty selective in what we pick up. Everything we’ve had so far has gone out theatrically, so that’s been our guideline - everything we work on is of theatrical quality.
For me, it’s important to understand the sales angle so I can sell it to the buyers, but it's also for the buyers so they can sell it to their local audiences.
Projects that I respond to have to be unique and interesting, because I feel like projects right now have to be massive in scope or something very enticing and special.
What are you showing at Afm?
Right now, we have "Rudderless" in cinemas, which is William H. Macy's directorial debut. It’s a beautiful musical drama about the power of a parent’s love.
We’re screening two complete films at Afm: "Madame Bovary" (with Mia Wasikowska and Paul Giamatti) and "Hungry Hearts", which won best actor and best actress at Venice.
We also will show film footage for the first time at Afm. One is "Take Down", a young adult action film, and "The Driftless Area", a romance/ thriller film.
Did you ever see yourself in International Film Sales?
I started in production in Austria, so I never saw myself in this world of international sales. I didn’t even know that it existed, and then I came to Los Angeles to do the Peter Stark program for producing at USC.
From there, I got into a production company that made a film based on rights that they owned - this brought them into the world of international sales, and it's how I got in: working on contracts and financing. It wasn’t the plan, but it’s a perfect fit because it’s speaks to my international background and interests. I love the idea of going to a film market and meeting with someone from a different culture every half hour. It's really amazing.
What inspires you in your work?
Many of the world's most interesting films come from independent cinema. I’m the first person to go out and see The Avengers movies – I love the big films - but independent film is incredibly important. There are amazing films and filmmakers out there, and it’s important to share their stories with audiences around the world.
Learn more about the Radiant Films Slate here.
About Radiant Films:
Founded by international sales veteran, Mimi Steinbauer, who is President and CEO, Radiant Films International, is an international sales company funded through private equity sources which acquires and distributes between 6-8 theatrical titles per year.
Radiant's current slate includes the recently announced "Whatever Makes You Happy" with Susan Sarandon, Allison Janney and Stephen Amell all in discussions to star, two films making their market premieres at Afm: "Madame Bovary" with Mia Wasikowska, Paul Giamatti and Ezra Miller which world premiered at the Telluride Film Festival followed by debuts at the Toronto and London Film Festivals and Saverio Constanzo’s "Hungry Hearts" starring Adam Driver and Alba Rohrwacher, who both won Coppa Volpi Awards at the Venice Film Festival. Radiant will also be showing brand new footage from two films at Afm: the thriller "Take Down", directed by Jim Gillespie and starring Ed Westwick, Jeremy Sumpter, Phoebe Tonkin and Sebastian Koch as well as "The Driftless Area" starring Zooey Deschanel, Anton Yelchin and Frank Langella. Their slate also includes William H. Macy's feature film directorial debut "Rudderless", starring Billy Crudup, Anton Yelchin and Selena Gomez which is currently in theatres and on VOD in the Us via Samuel Goldwyn Films/Paramount.
The trailblazing and accomplished Mimi Steinbauer started Radiant Films International over two and a half years ago and has been in the film business for over twenty years. She has played an essential role in the financing and sales for over 500 films, including the Academy Award nominated "Blue Valentine", Robert Rodriguez’s "Machete", "The Lord of the Rings Trilogy", "The Hurt Locker", "The Matrix", "Rush Hour 2", "The Notebook", and "Three Kings".
Mimi also served as the Vice President of Distribution at New Line Cinema, Sales and Distribution Consultant for Voltage Pictures, President of International Sales and Distribution at Franchise Pictures, and Head of International Television at Trimark Pictures.
Mimi shares her experience and talks more about Radiant's films at The American Film Market:
I was excited to start my own company. International Sales has changed over the years. If you’re in sales now, you’re involved in finding the product, closing financing, and then also doing sales. In doing all three of those things, it only makes sense to have my own company and be in charge of the product that I’m selling. That’s why I started Radiant.
I’ve been working in the film industry for 20 years - working for bigger companies like New Line Cinema and then smaller companies as well – and have been involved in finding the projects and dealing with sales. Starting Radiant was a natural step into doing my own thing.
What type of films are you looking for?
We're handling 16 titles. My intention is to carry six to eight films per year, so we’re pretty selective in what we pick up. Everything we’ve had so far has gone out theatrically, so that’s been our guideline - everything we work on is of theatrical quality.
For me, it’s important to understand the sales angle so I can sell it to the buyers, but it's also for the buyers so they can sell it to their local audiences.
Projects that I respond to have to be unique and interesting, because I feel like projects right now have to be massive in scope or something very enticing and special.
What are you showing at Afm?
Right now, we have "Rudderless" in cinemas, which is William H. Macy's directorial debut. It’s a beautiful musical drama about the power of a parent’s love.
We’re screening two complete films at Afm: "Madame Bovary" (with Mia Wasikowska and Paul Giamatti) and "Hungry Hearts", which won best actor and best actress at Venice.
We also will show film footage for the first time at Afm. One is "Take Down", a young adult action film, and "The Driftless Area", a romance/ thriller film.
Did you ever see yourself in International Film Sales?
I started in production in Austria, so I never saw myself in this world of international sales. I didn’t even know that it existed, and then I came to Los Angeles to do the Peter Stark program for producing at USC.
From there, I got into a production company that made a film based on rights that they owned - this brought them into the world of international sales, and it's how I got in: working on contracts and financing. It wasn’t the plan, but it’s a perfect fit because it’s speaks to my international background and interests. I love the idea of going to a film market and meeting with someone from a different culture every half hour. It's really amazing.
What inspires you in your work?
Many of the world's most interesting films come from independent cinema. I’m the first person to go out and see The Avengers movies – I love the big films - but independent film is incredibly important. There are amazing films and filmmakers out there, and it’s important to share their stories with audiences around the world.
Learn more about the Radiant Films Slate here.
About Radiant Films:
Founded by international sales veteran, Mimi Steinbauer, who is President and CEO, Radiant Films International, is an international sales company funded through private equity sources which acquires and distributes between 6-8 theatrical titles per year.
Radiant's current slate includes the recently announced "Whatever Makes You Happy" with Susan Sarandon, Allison Janney and Stephen Amell all in discussions to star, two films making their market premieres at Afm: "Madame Bovary" with Mia Wasikowska, Paul Giamatti and Ezra Miller which world premiered at the Telluride Film Festival followed by debuts at the Toronto and London Film Festivals and Saverio Constanzo’s "Hungry Hearts" starring Adam Driver and Alba Rohrwacher, who both won Coppa Volpi Awards at the Venice Film Festival. Radiant will also be showing brand new footage from two films at Afm: the thriller "Take Down", directed by Jim Gillespie and starring Ed Westwick, Jeremy Sumpter, Phoebe Tonkin and Sebastian Koch as well as "The Driftless Area" starring Zooey Deschanel, Anton Yelchin and Frank Langella. Their slate also includes William H. Macy's feature film directorial debut "Rudderless", starring Billy Crudup, Anton Yelchin and Selena Gomez which is currently in theatres and on VOD in the Us via Samuel Goldwyn Films/Paramount.
- 11/7/2014
- by Erin Grover
- Sydney's Buzz
Veteran marketing executive Robert Levin has been named president of Screen Engine, the Los Angeles-based market research company said Monday. Levin previously worked as president of worldwide marketing for the Walt Disney Studios, Sony Pictures Entertainment and most recently MGM, which he left in 2003. In those capacities he helped create campaigns for such films as "Air Force One," "The Lion King" and "Men in Black." Also read: Amy Powell to Run Paramount's TV Division Levin currently serves as an adjunct professor in USC's School of Cinematic Arts, Peter Stark Program. Screen Engine was formed...
- 7/22/2013
- by Brent Lang
- The Wrap
Patrick Dillon, Seth Phillips Althoff, Brian Setzer, Peter Stark and Luke Silver-Greenberg have created Bond, a new entertainment-marketing agency. “We look to maintain all our current relationships and hope to work with every major studio,” said the Bond team today. Bond will specialize in print, digital and A/V services for film and TV. The industry veterans come from marketing and ad agency backgrounds at the likes of Trailer Park, Art Machine, Blt and Crew Creative. Dillon, who will be Bond’s Creative Director, had 20th Century Fox, Sony Pictures, Warner Bros., Lionsgate, ABC, A&E, Disney and Paramount among his clients at Art Machine/Trailer Park. Stark, who will be Bond’s print group Creative Director, developed the Star Trek, Spider-Man, and Game Of Thrones print campaigns when he was Creative Director at Blt & Associates. Althoff will serve as Managing Director at Bond. Setzer will be Director of Strategic Business Development.
- 11/16/2012
- by DOMINIC PATTEN
- Deadline TV
HollywoodNews.com: Film Independent, the non-profit arts organization that produces the Los Angeles Film Festival and the Spirit Awards, announced the selection of accomplished film producer Stephanie Allain as its new Los Angeles Film Festival Director, starting immediately. She succeeds Rebecca Yeldham, who recently elected to step down for personal reasons.
Stephanie will be working closely with Festival Managing Director Gloria Campbell and Festival Artistic Director David Ansen, as well as Associate Director of Programming Doug Jones, Senior Programmer Maggie Mackay and Programming Coordinator Jenn Wilson. “Stephanie has served on the Film Independent Board of Directors since 2007 and been involved in many aspects of the organization. She’s chaired the Spirit Awards Nominating Committee and been a huge supporter of Project Involve, as well as our year-round educational programs,” said Co-President Sean Mc Manus. “Stephanie has a clear vision for the Festival, a stellar track record as a producer and...
Stephanie will be working closely with Festival Managing Director Gloria Campbell and Festival Artistic Director David Ansen, as well as Associate Director of Programming Doug Jones, Senior Programmer Maggie Mackay and Programming Coordinator Jenn Wilson. “Stephanie has served on the Film Independent Board of Directors since 2007 and been involved in many aspects of the organization. She’s chaired the Spirit Awards Nominating Committee and been a huge supporter of Project Involve, as well as our year-round educational programs,” said Co-President Sean Mc Manus. “Stephanie has a clear vision for the Festival, a stellar track record as a producer and...
- 1/25/2012
- by Josh Abraham
- Hollywoodnews.com
Los Angeles (August 18, 2010) . Film Independent, the non-profit arts organization that produces the Spirit Awards and Los Angeles Film Festival, has announced the 12 screenwriters and film projects selected for its 11th annual Screenwriters Lab, sponsored by the Writers Guild of America, West. Taking place in Los Angeles from August 12 until September 16, the Screenwriters Lab is an intensive six-week program designed to help writers improve their craft, and take their current scripts to the next level in a nurturing, yet challenging creative environment. Screenwriter and producer Meg LeFauve resumes duties as this year.s Lab Instructor, and Lab Mentors and Guest Speakers include Nicole Holofcener (Please Give), Erin Cressida Wilson (Chloe), José Rivera (The Motorcycle Diaries), Josh Olson (A History of Violence), and Kay Schaber-Wolf (WGAw).
.Our Labs have always attracted a high level of talent from different backgrounds and disciplines, and this year is no exception,. said Director of Talent Development Josh Welsh.
.Our Labs have always attracted a high level of talent from different backgrounds and disciplines, and this year is no exception,. said Director of Talent Development Josh Welsh.
- 8/18/2010
- by Movie Geeks
- WeAreMovieGeeks.com
- Rodrigo Garcia, Keith Gordon, Catherine Hardwicke, and Alfredo De Villa to Serve as Lab Mentors -
Los Angeles (February 10, 2010) - Film Independent, the non-profit arts organization that produces the Spirit Awards and the Los Angeles Film Festival, has announced the filmmakers and film projects for its 9th annual Directors Lab, sponsored by Kodak. Taking place in Los Angeles from now until the end of March, the Directors Lab is an intensive nine-week incubator designed to assist directors with strong, original voices develop new narrative feature films, improve their craft, and advance their filmmaking careers in a nurturing yet challenging creative environment. This year's Lab Mentors include Rodrigo Garcia (Mother and Child), Keith Gordon (The Singing Detective, Waking the Dead), Catherine Hardwicke (Twilight, Thirteen), and Alfredo De Villa (Adrift in Manhattan, Washington Heights).
"It's exciting to have a group of filmmakers in the Directors Lab that not only have such varied artistic backgrounds,...
- 2/11/2010
- by maint
- Film Independent
Everyone knows that 2009 was a bad year for most of us, at least financially speaking, and a great year for pictures. Boxoffice gross and ticket sales grew to more than $10 billion and 1.4 billion, respectively. Ticket sales were the most in five years, though that was below the modern record of 1.6 billion set in 2002.
As the movie business looks at the possible lessons of 2009 in hope of learning from them in 2010, here's what we know (until this year shows that we know something different):
-- When the going gets tough, the tough go to the movies;
-- The adult drama ("State of Play," "The Informant!") is over;
-- Not every toy, comic book and graphic novel works as a movie (see "Speed Racer," "Astro Boy");
-- Torture porn is done ("Saw");
-- There can be one too many vampire movies ("Daybreakers" -- even the undead have a shelf life);
-- And Sandra Bullock is back,...
As the movie business looks at the possible lessons of 2009 in hope of learning from them in 2010, here's what we know (until this year shows that we know something different):
-- When the going gets tough, the tough go to the movies;
-- The adult drama ("State of Play," "The Informant!") is over;
-- Not every toy, comic book and graphic novel works as a movie (see "Speed Racer," "Astro Boy");
-- Torture porn is done ("Saw");
-- There can be one too many vampire movies ("Daybreakers" -- even the undead have a shelf life);
-- And Sandra Bullock is back,...
- 2/3/2010
- by By Jeffrey Korchek
- The Hollywood Reporter - Movie News
You all remember Sinbad? Not that long ago he was one of the biggest comedians out there, with regular TV appearances (even having his own sit-com for a while) movies and concerts shows. He was as big as they got back during the 80’s and 90’s. Well no longer. Both The Detroit News and Mediatakeout.com have reported that Sinbad has hit hard times.
Last week week he officially filed for bankruptcy, claiming he owed almost $50 million and had less than $50,000 in the bank. Even worse The Detroit News reported that he also owes more than $8 million in delinquent federal taxes and that the government wants his house sold to help pay the debt, though the house is in his brother Michael’s name. Furthermore Sinbad’s lawyers have petitioned to have all of his assets auctioned immediately off to pay off other debts.
Not a happy ending at all for Sinbad.
Last week week he officially filed for bankruptcy, claiming he owed almost $50 million and had less than $50,000 in the bank. Even worse The Detroit News reported that he also owes more than $8 million in delinquent federal taxes and that the government wants his house sold to help pay the debt, though the house is in his brother Michael’s name. Furthermore Sinbad’s lawyers have petitioned to have all of his assets auctioned immediately off to pay off other debts.
Not a happy ending at all for Sinbad.
- 12/19/2009
- by Sergio
- ShadowAndAct
The life expectancy of those running Hollywood studios has shortened. Harry Sloan, Dick Cook, John Lesher -- they've left the building. Most recently, that other shoe that seemed suspended indefinitely over Universal City dropped, and Marc Shmuger and David Linde were dismissed.
Why do some survive in the job and others fail? Is it a secret only Amy Pascal knows? It certainly isn't luck, because there are too many moving parts in the movie business that need to be orchestrated. But it certainly isn't knowledge, because there are too many moving parts in the movie business that need to be orchestrated. It's something in between.
Being the head of a studio can be a great job -- you get to pick pictures, get a bunch of dough and go to fun parties and charity events. And then there's the jet. But when things go bad, you know. It's as if...
Why do some survive in the job and others fail? Is it a secret only Amy Pascal knows? It certainly isn't luck, because there are too many moving parts in the movie business that need to be orchestrated. But it certainly isn't knowledge, because there are too many moving parts in the movie business that need to be orchestrated. It's something in between.
Being the head of a studio can be a great job -- you get to pick pictures, get a bunch of dough and go to fun parties and charity events. And then there's the jet. But when things go bad, you know. It's as if...
- 10/28/2009
- by By Jeffrey Korchek
- The Hollywood Reporter - Movie News
TA fan hugz sent in the links to numerous magazines that feature Twilight. Cinemania November 2008 and Premiere November 2008. see the images HEREBelow is the transcription from the CSW InterviewTwilight Screenwriter Melissa Rosenberg CSW InterviewCan a pair of matched chromosomes make a difference in Hollywood? All we know is that at last women are becoming more visible in the ranks of screen and television writers and we aim to do our part.BY AMY DAWESThe Vampire Slayer Melissa Rosenberg flexes her own powers to adapt cult favorite Twilight for the screenEVERY SO OFTEN in observing pop culture the sense of something major coming down the pike stirs the breeze and raises the hairs on your arms. When a genuine pop culture phenomenon is in the wind you might look around and see people everywhere reading the same book or come across odd stories in the news of hordes of people traveling...
- 11/5/2008
- twilightersanonymous.com
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