
Narra la historia real de Enric Marco, un hombre que fingió haber sido prisionero en un campo de concentración nazi. © BTeamPictures
Se ha publicado un nuevo tráiler de Marco, la película de Aitor Arregi y Jon Garaño, que tuvo su estreno mundial en el Festival Internacional de Cine de Venecia, pasó por el Festival de San Sebastián y estuvo entre las tres películas preseleccionadas para representar a España en los Oscars 2025.
Basada en una historia real, Marco sigue a Enric Marco, un deportado que nunca existió. Un hombre que durante años fue capaz de mantener, ante la opinión pública y su propia familia, una mentira difícil de imaginar: que había sido prisionero en un campo de concentración nazi. Carismático y convincente, Marco ascendió a la presidencia de la Asociación Española de Víctimas del Holocausto, donde se convirtió en una figura destacada y admirada por su supuesta valentía y sufrimiento. Hasta...
Se ha publicado un nuevo tráiler de Marco, la película de Aitor Arregi y Jon Garaño, que tuvo su estreno mundial en el Festival Internacional de Cine de Venecia, pasó por el Festival de San Sebastián y estuvo entre las tres películas preseleccionadas para representar a España en los Oscars 2025.
Basada en una historia real, Marco sigue a Enric Marco, un deportado que nunca existió. Un hombre que durante años fue capaz de mantener, ante la opinión pública y su propia familia, una mentira difícil de imaginar: que había sido prisionero en un campo de concentración nazi. Carismático y convincente, Marco ascendió a la presidencia de la Asociación Española de Víctimas del Holocausto, donde se convirtió en una figura destacada y admirada por su supuesta valentía y sufrimiento. Hasta...
- 10/14/2024
- by Marta Medina
- mundoCine

Narra la historia real de Enric Marco, un hombre que fingió haber sido prisionero en un campo de concentración nazi. © BTeamPictures
“Marco”, la película de Aitor Arregi y Jon Garaño, tendrá su estreno mundial en el Festival Internacional de Cine de Venecia, donde competirá en la sección Orizzonti.
Basada en una historia real, “Marco” sigue a Enric Marco, un deportado que nunca existió. Un hombre que durante años fue capaz de mantener, ante la opinión pública y su propia familia, una mentira difícil de imaginar: que había sido prisionero en un campo de concentración nazi. Carismático y convincente, Marco ascendió a la presidencia de la Asociación Española de Víctimas del Holocausto, donde se convirtió en una figura destacada y admirada por su supuesta valentía y sufrimiento. Hasta que un día un historiador descubre que su relato es completamente falso.
La película está protagonizada por Eduard Fernández como Enric Marco. Completan...
“Marco”, la película de Aitor Arregi y Jon Garaño, tendrá su estreno mundial en el Festival Internacional de Cine de Venecia, donde competirá en la sección Orizzonti.
Basada en una historia real, “Marco” sigue a Enric Marco, un deportado que nunca existió. Un hombre que durante años fue capaz de mantener, ante la opinión pública y su propia familia, una mentira difícil de imaginar: que había sido prisionero en un campo de concentración nazi. Carismático y convincente, Marco ascendió a la presidencia de la Asociación Española de Víctimas del Holocausto, donde se convirtió en una figura destacada y admirada por su supuesta valentía y sufrimiento. Hasta que un día un historiador descubre que su relato es completamente falso.
La película está protagonizada por Eduard Fernández como Enric Marco. Completan...
- 7/24/2024
- by Marta Medina
- mundoCine

Netflix and Federation Spain, the Spanish division of Paris and L.A.-based Federation Entertainment, are teaming to produce “Las niñas de cristal,” a psychological drama set against the world of classical ballet that toplines “Money Heist” and “Elite” star Maria Pedraza.
The movie is one highlight in Netflix’s first announcement of a production-distribution slate focused entirely on Spanish original movies. The eight titles it profiles that are moving into production or set for release in 2021 and 2022 are a sign of Netflix ramping up its production of Spanish movies as part of its bet on Spanish scripted TV and movies, with Spain punching above its weight in the number of Netflix originals compared to Spanish subscribers. The Netflix slate highlights:
“Las niñas de cristal”
Alison Parker in “Money Heist” and Guzmán’s fated sister Marina in “Elite,” in “Las niñas de cristal” Pedraza plays Irene, a classical ballet dancer...
The movie is one highlight in Netflix’s first announcement of a production-distribution slate focused entirely on Spanish original movies. The eight titles it profiles that are moving into production or set for release in 2021 and 2022 are a sign of Netflix ramping up its production of Spanish movies as part of its bet on Spanish scripted TV and movies, with Spain punching above its weight in the number of Netflix originals compared to Spanish subscribers. The Netflix slate highlights:
“Las niñas de cristal”
Alison Parker in “Money Heist” and Guzmán’s fated sister Marina in “Elite,” in “Las niñas de cristal” Pedraza plays Irene, a classical ballet dancer...
- 2/24/2021
- by John Hopewell and Jamie Lang
- Variety Film + TV
Nine Film is run by former Fortissimo executive Nelleke Driessen.
Nascent Amsterdam-based sales outfit Nine Film has picked up worldwide rights to Dutch director Norbert ter Hall’s drama Mi Vida that has wrapped after a five -week shoot in Cadiz in Spain and one day in the Netherlands.
Nine Film is headed by former Fortissimo executive Nelleke Driessen.
Elvira Minguez and Loes Luca star in the film about a recently retired Dutch hairdresser whose life is transformed when she takes a language course in Spain, much to the consternation of her now grown-up children. The screenplay is by Roos Ouwehand...
Nascent Amsterdam-based sales outfit Nine Film has picked up worldwide rights to Dutch director Norbert ter Hall’s drama Mi Vida that has wrapped after a five -week shoot in Cadiz in Spain and one day in the Netherlands.
Nine Film is headed by former Fortissimo executive Nelleke Driessen.
Elvira Minguez and Loes Luca star in the film about a recently retired Dutch hairdresser whose life is transformed when she takes a language course in Spain, much to the consternation of her now grown-up children. The screenplay is by Roos Ouwehand...
- 7/20/2018
- by Geoffrey Macnab
- ScreenDaily


The American Film Institute (AFI) has announced the films that will be featured in their New Auteurs and American Independents sections at the upcoming AFI Fest 2017 presented by Audi. Selections include a number of lauded features from around the festival circuit, including Cannes offerings like “I Am Not a Witch,” SXSW favorites like “Gemini” and “Mr. Roosevelt,” the Sundance breakout “Thoroughbreds,” and Joseph Kahn’s Toronto Midnight Madness favorite “Bodied,” among others.
Highlighting first- and second-time feature film directors, New Auteurs is designed as the festival’s platform for upcoming filmmakers from all over the world to showcase their new films. This year, the section includes 11 films, nine of which come from female directors. Similarly, AFI Fest’s American Independents section aims to represent the best of this year’s independent filmmaking. Pushing boundaries of form and content across narrative and documentary cinema, this section includes 11 films from both fresh...
Highlighting first- and second-time feature film directors, New Auteurs is designed as the festival’s platform for upcoming filmmakers from all over the world to showcase their new films. This year, the section includes 11 films, nine of which come from female directors. Similarly, AFI Fest’s American Independents section aims to represent the best of this year’s independent filmmaking. Pushing boundaries of form and content across narrative and documentary cinema, this section includes 11 films from both fresh...
- 10/16/2017
- by Kate Erbland
- Indiewire
Barbet Schroeder speaks about the influence of Walter Benjamin and Raoul Hausmann on Amnesia and Ibiza Photo: Anne-Katrin Titze
Barbet Schroeder in our conversation remembers his famous grandfather Hans Prinzhorn, Walter Benjamin in San Antonio, Raoul Hausmann and the fascinating water system of Ibiza architecture, employing a time frame in Amnesia (for Marthe Keller, Max Riemelt, Bruno Ganz, Corinna Kirchhoff, Fermí Reixach, Marie Leuenberger, Joel Basman) going ten years back to 1990 after the fall of the Berlin Wall, More and the music of Pink Floyd.
Jo (Max Riemelt): "Basically, it's cubes and every cube can collect the water."
Anne-Katrin Titze: Let's talk about the spirit of place. The house on Ibiza for me resembled the mood of Georgia O'Keeffe's house in New Mexico. Despite the fact that the landscape is very different. Can you tell me a bit about the house in Amnesia?
Barbet Schroeder: The architecture of...
Barbet Schroeder in our conversation remembers his famous grandfather Hans Prinzhorn, Walter Benjamin in San Antonio, Raoul Hausmann and the fascinating water system of Ibiza architecture, employing a time frame in Amnesia (for Marthe Keller, Max Riemelt, Bruno Ganz, Corinna Kirchhoff, Fermí Reixach, Marie Leuenberger, Joel Basman) going ten years back to 1990 after the fall of the Berlin Wall, More and the music of Pink Floyd.
Jo (Max Riemelt): "Basically, it's cubes and every cube can collect the water."
Anne-Katrin Titze: Let's talk about the spirit of place. The house on Ibiza for me resembled the mood of Georgia O'Keeffe's house in New Mexico. Despite the fact that the landscape is very different. Can you tell me a bit about the house in Amnesia?
Barbet Schroeder: The architecture of...
- 7/22/2017
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Marthe Keller stars in Barbet Schroeder's Amnesia
Barbet Schroeder's Amnesia, starring Marthe Keller and Max Riemelt with Bruno Ganz, Corinna Kirchhoff, Fermí Reixach, Marie Leuenberger, and Joel Basman is a supremely personal chamber piece by the filmmaker who brought us Hollywood films such as Reversal Of Fortune (which won Jeremy Irons an Oscar), Barfly (Faye Dunaway, Mickey Rourke) or Single White Female (Bridget Fonda, Jennifer Jason Leigh), who worked with Jacques Rivette and Jean-Luc Godard and directed an episode of Mad Men.
Barbet Schroeder with Anne-Katrin Titze on Nelly Quettier: "She's a great editor." Photo: Steven Beeman
In New York before the opening, Barbet spoke with me about his editing on a "huge white wall" with Nelly Quettier (Terror's Advocate, Claire Denis' Beau Travail, Ursula Meier's Home, Léos Carax's Holy Motors), a Nanni Moretti-like Mia Madre idea, Walter Benjamin and Raoul Hausmann, the mood of Georgia O'Keeffe's house,...
Barbet Schroeder's Amnesia, starring Marthe Keller and Max Riemelt with Bruno Ganz, Corinna Kirchhoff, Fermí Reixach, Marie Leuenberger, and Joel Basman is a supremely personal chamber piece by the filmmaker who brought us Hollywood films such as Reversal Of Fortune (which won Jeremy Irons an Oscar), Barfly (Faye Dunaway, Mickey Rourke) or Single White Female (Bridget Fonda, Jennifer Jason Leigh), who worked with Jacques Rivette and Jean-Luc Godard and directed an episode of Mad Men.
Barbet Schroeder with Anne-Katrin Titze on Nelly Quettier: "She's a great editor." Photo: Steven Beeman
In New York before the opening, Barbet spoke with me about his editing on a "huge white wall" with Nelly Quettier (Terror's Advocate, Claire Denis' Beau Travail, Ursula Meier's Home, Léos Carax's Holy Motors), a Nanni Moretti-like Mia Madre idea, Walter Benjamin and Raoul Hausmann, the mood of Georgia O'Keeffe's house,...
- 7/20/2017
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Carles Torrens' new Spanish chiller 'Apartment 143' (Aka 'Emergo') is lined up to hit UK DVD shelves on 15 October courtesy of Momentum Pictures. The found footage styled horror has already arrived stateside and now its the time for us lowly Britons to enjoy the thrills and chills from the project which was penned by 'Red Lights' and 'Buried' helmer Rodrigo Cortes. The flick stars Francesc Garrido, Fiona Glascott, Rick Gonzalez, Kai Lennox, Gia Mantegna, Michael O'Keefe, Damian Roman, Laura Martuscelli and Fermi Reixach. Check out the artwork below....
- 9/17/2012
- Horror Asylum
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