One of the discoveries of the last year was László Nemes' feature debut Son of Saul (read Jason Gorber's review), an immersive Holocaust drama chronicling the daily proceedings of Sonderkommando. Nemes brought home more than 45 awards to Budapest, including an Academy Award for Best Foreign Language Film and a Golden Globe, not an insignificant success. Indisputably, Son of Saul is interesting, offering not only in topic but also in form and style. Space, not only décor, plays a crucial role as a narrative device. One of those responsible for bringing to life the haunting place, which serves as a memento to this day, was Hungarian architect László Rajk. Rajk, a son of a Hungarian minister of interior after WWII who was one of the first victims...
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- 4/27/2016
- Screen Anarchy
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