Before the time skip in One Piece, all the admirals from the Navy were hated by One Piece fans except for Aokiji Kuzan. He was the only admiral who did not have a crude sense of justice like Kizaru or Akainu. However, One Piece fans were shocked to find out that Aokiji changed sides after the two-year time skip in the story.
Aokiji – One Piece
It was revealed that Aokiji was recommended for the position of Fleet Admiral after Sengoku retired. However, he had to fight Akainu for the position. Their battle was one of the biggest fights going on for 10 days, but in the end, Akainu came out to be the winner. This led to Aokiji leaving the Navy and joining hands with Blackbeard.
However, because of Aokiji’s kind-hearted nature, fans believe that Aokiji has some ulterior motive to join the Blackbeard Pirates, and a One Piece theory...
Aokiji – One Piece
It was revealed that Aokiji was recommended for the position of Fleet Admiral after Sengoku retired. However, he had to fight Akainu for the position. Their battle was one of the biggest fights going on for 10 days, but in the end, Akainu came out to be the winner. This led to Aokiji leaving the Navy and joining hands with Blackbeard.
However, because of Aokiji’s kind-hearted nature, fans believe that Aokiji has some ulterior motive to join the Blackbeard Pirates, and a One Piece theory...
- 5/10/2024
- by Tarun Kohli
- FandomWire
The Story: A corrupt American cop (Michael Douglas) and his partner (Andy Garcia) wind-up in Japan after a prisoner exchange gone awry. With their former captive cutting a swath through the local Yakuza in an attempt to establish himself as the new Tokyo boss, the cops are forced into an uneasy alliance with a by-the-book local police inspector (Ken Takakura).
The Players: Starring: Michael Douglas, Andy García, Ken Takakura, Kate Capshaw and Yusaku Matsuda. Directed by Ridley Scott. Music by Hans Zimmer.
The History: Michael Douglas was riding high in 1989. Following his Oscar-win for Wall Street, and Fatal Attraction’s boffo box office, his was considered one of the most bankable actors in Hollywood. Opting for a rare action role, grittier and more hard-edged than his turns in Romancing the Stone and The Jewel of the Nile, Douglas, with his Fatal Attraction producers Stanley Jaffe and Sherry Lansing (who would...
The Players: Starring: Michael Douglas, Andy García, Ken Takakura, Kate Capshaw and Yusaku Matsuda. Directed by Ridley Scott. Music by Hans Zimmer.
The History: Michael Douglas was riding high in 1989. Following his Oscar-win for Wall Street, and Fatal Attraction’s boffo box office, his was considered one of the most bankable actors in Hollywood. Opting for a rare action role, grittier and more hard-edged than his turns in Romancing the Stone and The Jewel of the Nile, Douglas, with his Fatal Attraction producers Stanley Jaffe and Sherry Lansing (who would...
- 3/17/2024
- by Chris Bumbray
- JoBlo.com
Ryuhei Matsuda was born on the 9th of May, 1983, in Tokyo, to actress and producer Miyuki Matsuda and actor Yûsaku Matsuda, and only six years later he loses his father to cancer at the premature age of 40. At only 15, Ryuhei is approached by Nagisa Oshima with the life changing offer of a prominent role in his film Gohatto. Since then, Matsuda's magnetic charisma and remarkable versatility have allowed him to portray a wide range of characters, from brooding antiheroes to quirky and endearing figures, captivating audiences both in Japan and internationally.
With a unique ability to immerse himself in diverse roles, he has left an indelible mark on Japanese cinema and continues to be a beloved and influential figure in the world of acting. However, Matsuda's congenital air of disdain for the whole world, his glacial aloofness mixed with his innate handsomeness make him the prototype of effortless coolness,...
With a unique ability to immerse himself in diverse roles, he has left an indelible mark on Japanese cinema and continues to be a beloved and influential figure in the world of acting. However, Matsuda's congenital air of disdain for the whole world, his glacial aloofness mixed with his innate handsomeness make him the prototype of effortless coolness,...
- 11/9/2023
- by Adriana Rosati
- AsianMoviePulse
By Earl Jackson
In 1939, Sadaho Maeda was born in Fukuoka, the third of five children to an Imperial Army pilot and a retired track-and field runner. While still a toddler, the family moved to Chiba Prefecture where Sadaho grew up. Perhaps that location was the inspiration of the publicity people at Toei in 1960 to rename this “new face” – Shin'ichi Chiba. He became a teen favorite as a “funky hat” detective in a series directed by Kinji Fukasaku, and then gained another fan base with his pursuit of serious martial arts training. Chiba was already a powerhouse by the time the three “Street Fighter” films in 1974 introduced him to the world as Sonny Chiba.
If the world had granted him more time, Toru Murakawa's “Game Trilogy” in 1978-1979, might have done the same for Yusaku Matsuda. Although it was always already too late for Matsuda, we now have time to...
In 1939, Sadaho Maeda was born in Fukuoka, the third of five children to an Imperial Army pilot and a retired track-and field runner. While still a toddler, the family moved to Chiba Prefecture where Sadaho grew up. Perhaps that location was the inspiration of the publicity people at Toei in 1960 to rename this “new face” – Shin'ichi Chiba. He became a teen favorite as a “funky hat” detective in a series directed by Kinji Fukasaku, and then gained another fan base with his pursuit of serious martial arts training. Chiba was already a powerhouse by the time the three “Street Fighter” films in 1974 introduced him to the world as Sonny Chiba.
If the world had granted him more time, Toru Murakawa's “Game Trilogy” in 1978-1979, might have done the same for Yusaku Matsuda. Although it was always already too late for Matsuda, we now have time to...
- 5/26/2023
- by Panos Kotzathanasis
- AsianMoviePulse
By Earl Jackson
For a long time, Japanese cinema of the 1980s was a closed book to me. I just could not engage with the soft-focus, candy-pastel dreamscapes, the ubiquitous permed hair for both sexes, the relentless innocence of the idols who seemed to have learned acting from hostage ransom videos, and the ramshackle macho veneer concocted with crayons and a bullhorn. But in 2004 I attended an immense and beautifully curated 1980s retrospective sponsored by the Japan Foundation held in an upscale shopping mall in Seoul. That intense exposure was a real education which included an introduction to the almost preternatural, haunting countercharm of Yusaku Matsuda, amplified by the devoted Korean Matsuda fans I met there.
In recent years, international attention to the work of Shinji Somai and Nobuhiko Obayashi has filled in vital pieces of the 1980s, however Matsuda's cult status in Japan has yet to spread beyond domestic screens.
For a long time, Japanese cinema of the 1980s was a closed book to me. I just could not engage with the soft-focus, candy-pastel dreamscapes, the ubiquitous permed hair for both sexes, the relentless innocence of the idols who seemed to have learned acting from hostage ransom videos, and the ramshackle macho veneer concocted with crayons and a bullhorn. But in 2004 I attended an immense and beautifully curated 1980s retrospective sponsored by the Japan Foundation held in an upscale shopping mall in Seoul. That intense exposure was a real education which included an introduction to the almost preternatural, haunting countercharm of Yusaku Matsuda, amplified by the devoted Korean Matsuda fans I met there.
In recent years, international attention to the work of Shinji Somai and Nobuhiko Obayashi has filled in vital pieces of the 1980s, however Matsuda's cult status in Japan has yet to spread beyond domestic screens.
- 5/16/2023
- by Guest Writer
- AsianMoviePulse
After he had cut ties with production company Nikkatsu, director Seijun Suzuki struggled for a long time to find new projects, due to the structure of the Japanese film industry as a whole and his recognition as someone who could not follow orders. With “Zigeunerweisen”, released over a decade after his last work for Nikkatsu, he returned to the spotlight in a way, directing a feature that would also mark a blend of his former stylistic approach as well as new themes and aesthetics. “Kagero-za” is the second entry into the so-called Taisho trilogy, named after the period all three features are set in, and is widely regarded as perhaps the best one in the series. While the feature may prove just as challenging for the viewer, narratively and stylistically, as the other entries in the trilogy, the story about disorientation as well as past and present longings contains some...
- 2/3/2023
- by Rouven Linnarz
- AsianMoviePulse
Celebrating 100 years of iconoclast director Seijun Suzuki (1923-2017), a singular force in Japanese cinema whose radical stylistic vision and unpredictable narratives shaped the B-movie genre, Japanese cinephilia and the political New Left, Japan Society and The Japan Foundation present Seijun Suzuki Centennial—a selection of six films from across the filmmaker’s nearly 60-film body of work, all on imported 35mm prints straight from Japan. Covering ground from his earliest yakuza feature (Satan’s Town) to his unbridled return to studio filmmaking after being blacklisted for 10 years (A Tale of Sorrow and Sadness) and his subsequent independent success (Kagero-za), this special series offers a rare glimpse into the core of Suzuki’s creative genius.
Organized in conjunction with the recent publication of series’ guest curator William Carroll’s Suzuki Seijun and Postwar Japanese Cinema (Columbia University Press, 2022), Seijun Suzuki Centennial delves into the versatility and audacious nature of the...
Organized in conjunction with the recent publication of series’ guest curator William Carroll’s Suzuki Seijun and Postwar Japanese Cinema (Columbia University Press, 2022), Seijun Suzuki Centennial delves into the versatility and audacious nature of the...
- 1/6/2023
- by Rouven Linnarz
- AsianMoviePulse
Commemorating the 20th anniversary of the actor’s death, Kadokawa Entertainment will release a Yusaku Matsuda 20th Memorial Box on DVD and Blu-ray Disc on October 23, 2009.
The remastered collection will include The Resurrection of the Golden Wolf (Yomigaeru Kinro), The Beast to Die (Yaju Shisubeshi), Proof of the Man (Ningen no Shomei) and Detective Story (Tantei Monogatari) but (as expected) no English subtitles. All titles will also be available outside the collection box.
The remastered collection will include The Resurrection of the Golden Wolf (Yomigaeru Kinro), The Beast to Die (Yaju Shisubeshi), Proof of the Man (Ningen no Shomei) and Detective Story (Tantei Monogatari) but (as expected) no English subtitles. All titles will also be available outside the collection box.
- 8/18/2009
- by Ulrik
- Affenheimtheater
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