Other titles include Dea Kulumbegashvili’s new film and ’Like A Son’ starring Vincent Lindon.
Goodfellas, the Paris-based sales company formerly known as Wild Bunch International, has unveiled a lively slate of titles ahead of Cannes, including starry period drama The Flood, Dea Kulumbegashvili’s Those Who Find Me, French social drama Like A Son, prison drama Inside, football documentary Napoli 1990, Napoli 2023 and Spanish thriller When The Party’s Over, along with several titles in Cannes’ Official Selection.
The Flood is the second feature from Italian director Gianluca Jodice following The Bad Poet and stars Mélanie Laurent and Guillaume Canet as...
Goodfellas, the Paris-based sales company formerly known as Wild Bunch International, has unveiled a lively slate of titles ahead of Cannes, including starry period drama The Flood, Dea Kulumbegashvili’s Those Who Find Me, French social drama Like A Son, prison drama Inside, football documentary Napoli 1990, Napoli 2023 and Spanish thriller When The Party’s Over, along with several titles in Cannes’ Official Selection.
The Flood is the second feature from Italian director Gianluca Jodice following The Bad Poet and stars Mélanie Laurent and Guillaume Canet as...
- 5/4/2023
- by Rebecca Leffler
- ScreenDaily
The selection also includes projects from Kirill Serebrennikov and Agnieszka Holland
David Cronenberg’s The Shrouds is among 32 projects to receive a share of €8.3m in Eurimages’ latest round of co-production funding.
Cronenberg’s new feature, a co-production between Canada and France, received €500,000 – the largest amount awarded in this round of funding. Vincent Cassel plays a widower who creates a device that allows you to connect with the dead. Diane Kruger and Guy Pearce also star in the thriller.
Scroll down for full list of titles
The only other project to also receive €500,000 was Adrià Garcia’s animation The Treasure Of Barracuda,...
David Cronenberg’s The Shrouds is among 32 projects to receive a share of €8.3m in Eurimages’ latest round of co-production funding.
Cronenberg’s new feature, a co-production between Canada and France, received €500,000 – the largest amount awarded in this round of funding. Vincent Cassel plays a widower who creates a device that allows you to connect with the dead. Diane Kruger and Guy Pearce also star in the thriller.
Scroll down for full list of titles
The only other project to also receive €500,000 was Adrià Garcia’s animation The Treasure Of Barracuda,...
- 4/3/2023
- by Ellie Calnan
- ScreenDaily
Prolific Andalusian production company La Claqueta has tapped award-winning screenwriter-producer Alberto Marini to direct rural thriller “Últimos días de caza” (“Last Days of Hunting.”)
Penned by José Cabeza, co-scribe on 2016’s “7 Years,” Netflix first Spanish original movie, “Last Days of Hunting” has a completed screenplay and has initiated financing.
The aim is to close the financing phase during this year and begin shooting second quarter 2024, probably in northern Spain.
“Last Days of Hunting” leads a growth-period for Seville-based La Claqueta, which is raising the ante in terms of film production ambitions.
“This is a noir that revolves around torpid masculinity; it is the story of volcanoes that don’t know how to release lava when they should and that explode inwards,” said Marini, who debuted as a helmer with 2015 horror feature “Summer Camp.”
“The story takes place in a very localized universe and is grounded in the territory but...
Penned by José Cabeza, co-scribe on 2016’s “7 Years,” Netflix first Spanish original movie, “Last Days of Hunting” has a completed screenplay and has initiated financing.
The aim is to close the financing phase during this year and begin shooting second quarter 2024, probably in northern Spain.
“Last Days of Hunting” leads a growth-period for Seville-based La Claqueta, which is raising the ante in terms of film production ambitions.
“This is a noir that revolves around torpid masculinity; it is the story of volcanoes that don’t know how to release lava when they should and that explode inwards,” said Marini, who debuted as a helmer with 2015 horror feature “Summer Camp.”
“The story takes place in a very localized universe and is grounded in the territory but...
- 2/19/2023
- by Emiliano De Pablos
- Variety Film + TV
On Wednesday 24 June, the Cinema From Spain virtual pavilion will host a meeting where professionals will break down Spain’s recently approved tax breaks, which now stand at 50%. Elena Manrique, a seasoned executive producer who has worked at companies such as Vértigo Films, will serve as the moderator of a talk entitled “Shooting in Spain. Your Tax Rebate Mate (up to 50%)”, which will take place in the Icaa’s virtual pavilion, hosted on the website of the Cannes 2020 Marché du Film (click here to visit it). At 5 pm (Madrid time) on Wednesday 24 June, she will chat to professionals who will break down the advantages of shooting in Spain, where a recent legislative decree has increased the tax incentives for investments in film and TV productions. The percentage of the deduction for all shoots, both national and international, has risen by 5%, jumping from 25% to 30%...
The Panama Film Festival (Iff Panama), with support from the Inter-American Development Bank, is unspooling a five-day online festival, running May 22-26, which includes film screenings and round tables.
Held on May 22, 23 and 24, three online round-tables – two moderated by festival director Pituka Ortega Heilbron and one by Tiff’s senior director, film, Diana Sanchez – questioned leading international talent, based in Latin America and Europe, about what film festivals and film production and distribution will look like after Covid-19.
The panelists were Jayro Bustamante (“Ixcanul”), Nicolás Celis (“Roma”), Cristina Gallegos (“Embrace of the Serpent”) Elena Manrique (“Pan’s Labyrinth”), production designer Enrique Caballero (“Roma”), and actors Yalitza Aparicio (“Roma”), Luis Tosar (“Cell 211”), Ricardo Darín (“The Secret in Their Eyes”), Geraldine Chaplin (“Talk to Her”), Daniela Vega (“A Fantastic Woman”) and Marina de Tavira (“Roma”).
Several innovative new projects adapted to the lockdown period were discussed. For example, Spanish actor Luis Tosar...
Held on May 22, 23 and 24, three online round-tables – two moderated by festival director Pituka Ortega Heilbron and one by Tiff’s senior director, film, Diana Sanchez – questioned leading international talent, based in Latin America and Europe, about what film festivals and film production and distribution will look like after Covid-19.
The panelists were Jayro Bustamante (“Ixcanul”), Nicolás Celis (“Roma”), Cristina Gallegos (“Embrace of the Serpent”) Elena Manrique (“Pan’s Labyrinth”), production designer Enrique Caballero (“Roma”), and actors Yalitza Aparicio (“Roma”), Luis Tosar (“Cell 211”), Ricardo Darín (“The Secret in Their Eyes”), Geraldine Chaplin (“Talk to Her”), Daniela Vega (“A Fantastic Woman”) and Marina de Tavira (“Roma”).
Several innovative new projects adapted to the lockdown period were discussed. For example, Spanish actor Luis Tosar...
- 5/26/2020
- by Martin Dale and John Hopewell
- Variety Film + TV
Festival cancelled three days from scheduled finale.
The Miami Film Festival, which elected to continue with virtual judging after cancelling screenings and events towards the end of its 2020 edition in response to the novel coronavirus pandemic, has announced its winners.
Dudley Alexis’ race riots documentary When Liberty Burns won the $30,000 Knight Made in Mia Feature Film Award, Jayro Bustamante’s Mexico-Guatemala horror thriller La Llorona (pictured) received the $40,000 Knight Marimbas Award, and Aeden O’Connor Agurcia’s 90 Minutes about the Honduran national obsession with football won the Toyota Narrative Feature Film Audience Award.
The newly created Toyota Documentary Feature Film...
The Miami Film Festival, which elected to continue with virtual judging after cancelling screenings and events towards the end of its 2020 edition in response to the novel coronavirus pandemic, has announced its winners.
Dudley Alexis’ race riots documentary When Liberty Burns won the $30,000 Knight Made in Mia Feature Film Award, Jayro Bustamante’s Mexico-Guatemala horror thriller La Llorona (pictured) received the $40,000 Knight Marimbas Award, and Aeden O’Connor Agurcia’s 90 Minutes about the Honduran national obsession with football won the Toyota Narrative Feature Film Audience Award.
The newly created Toyota Documentary Feature Film...
- 3/23/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Monica Bellucci has been cast as feminist revolutionary Tina Modotti in a miniseries to be set in Mexico, Los Angeles and Italy and to be directed by prize-winning Italian director Edoardo de Angelis (“Indivisible”).
The role is one that Bellucci has wanted to play for years. Modotti was an Italian who emigrated to the U.S. in 1913, acted briefly in Hollywood silent films, then became known during the 1930s in Europe and Mexico for both her photography and her left-wing revolutionary fervor. She joined a group of major contemporary artists in Mexico and is considered a proto-feminist who advocated new freedoms for women in the early 20th century.
The six-part series, which is in advanced development, is titled “Radical Eye: The Life and Times of Tina Modotti.“ It is being produced by London-based husband-and-wife team Paula Vaccaro and Aaron Brookner (“Uncle Howard”), who have written the screenplay. They will produce via their Pinball London company.
The role is one that Bellucci has wanted to play for years. Modotti was an Italian who emigrated to the U.S. in 1913, acted briefly in Hollywood silent films, then became known during the 1930s in Europe and Mexico for both her photography and her left-wing revolutionary fervor. She joined a group of major contemporary artists in Mexico and is considered a proto-feminist who advocated new freedoms for women in the early 20th century.
The six-part series, which is in advanced development, is titled “Radical Eye: The Life and Times of Tina Modotti.“ It is being produced by London-based husband-and-wife team Paula Vaccaro and Aaron Brookner (“Uncle Howard”), who have written the screenplay. They will produce via their Pinball London company.
- 8/7/2018
- by Nick Vivarelli
- Variety Film + TV
Exclusive: Diego Ramirez’s 64-a Films is touting several projects at the Marche.
Colombian producer Diego Ramirez of 64-a Films is in Cannes talking up several projects in the pipeline, including revenge drama Killing Jesus and an ambitious TV series about the Spanish Conquest of South America.
Killing Jesus is being lined up for an August or September shoot in Medellin, Colombia, with Mexican powerhouse Canana newly on board alongside Argentina’s Az Films.
The true story follows a woman who witnessed the murder of her father, a human rights professor, and dedicates herself to avenging his death by getting to know the killer before exacting revenge.
Ramirez is also assembling a portfolio of “very ambitious TV projects” after he served as executive producer on Caracol Television’s Escobar series and guided 64-a Films into a production services role on the French web series Blanca that shot over four weeks in Colombia.
Top of the...
Colombian producer Diego Ramirez of 64-a Films is in Cannes talking up several projects in the pipeline, including revenge drama Killing Jesus and an ambitious TV series about the Spanish Conquest of South America.
Killing Jesus is being lined up for an August or September shoot in Medellin, Colombia, with Mexican powerhouse Canana newly on board alongside Argentina’s Az Films.
The true story follows a woman who witnessed the murder of her father, a human rights professor, and dedicates herself to avenging his death by getting to know the killer before exacting revenge.
Ramirez is also assembling a portfolio of “very ambitious TV projects” after he served as executive producer on Caracol Television’s Escobar series and guided 64-a Films into a production services role on the French web series Blanca that shot over four weeks in Colombia.
Top of the...
- 5/16/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The 54th International Film Festival of Cartagena de Indias in Colombia has invited me to attend March 13 - 19, 2014.
One of Ficci's main goals is supporting the development of Colombian cinema. With that in mind, the festival will open with the world premiere of Ciudad Delirio, inviting the audience to get to know Cali, the only city in Latin America that loves all Latin American music, a center of creative development for Colombia's cinema, splendidly and authentically presented through the passion and flavor of salsa. Ficci is once again betting on the kind of cinema that speaks locally and globally, cinema that invites, seduces and embraces all kinds of audiences.
Starring Carolina Ramírez , Cauca Valley dancer and actress renown for her performance in soap operas such as La hija del mariachiand La Pola and Spaniard Julián Villagrán, winner of a Goya for his performance in Grupo 7, Ciudad Delirio also features Colombian actors of such caliber as Vicky Hernández Jorge Herrera , Margarita Ortega and John Alex Castillo. Thanks to a world-class team lead by Spanish dancer, choreographer and filmmaker Blanca Li, who has worked for The Berlin State Ballet, Kylie Minogue, Beyoncé and Daft Punk, and by multiple time Salsa World Champion Viviana Vargas, Cartagena will get to experience the madness of one of the most sensual dances on earth.
Ciudad Delirio was produced by Diego F. Ramírez, head of 64-a Films in Colombia, which has produced such films as Perro come perro,Todos tus muertos, Dr. Alemán, En coma, and180 segundos and Spaniard Elena Manrique, founder of Film Fatal and renown for her production of movies such asEl laberinto del fauno (Pan's Labyrinth), El orfanato and Transsiberiano, to name just a few.
For seven weeks during the making of Ciudad delirio, 45 locations in Cali, Colombia and Madrid, Spain were overrun by salsa. More than 3,200 extras from Cauca Valley helped to tell this love story that revolves around the show Delirio, a long-standing cultural tradition in Sultana del Valle.
In Ciudad Delirio, Javier, a shy, reserved Spanish doctor, attends a medical conference in Cali, Colombia. There, through a chance meeting, he shares a magical night with Angie, a dancer and choreographer who dreams of being part of the world's most famous salsa show, Delirio, if only she can pass the audition. Javier and Angie begin an impossible romance full of obstacles, surrounded by salsa, and accompanied by a cast of characters that are as authentic as they are hilarious.
The festival's guest of honor will be the prolific British actor Clive Owen, who is known for his diverse roles in films like Closer Children of Men, and The International . The Latin American premier of his latest film, Guillaume Canet's Blood Ties (2013), will be a highlight of the Friday, March 14th event, taking place at 6:00 pm in the Adolfo Mejía Theater, where, after being presented with the India Catalina prize, the actor will be interviewed by Ficci's director, Monika Wagenberg.
Another special honoree will be Mexican director Alejando Gonazlez Iñárritu, who has garnered international acclaim throughout the years with films such as Amores Perros , 21 Grams , Babel, and Biutiful . Established within the film industry as one of Latin America's most important directors of the new century, Iñárritu is currently in-production for Birdman (2014), a film he wrote and directed starring Emma Stone and Edward Norton . Participants of the 54th Ficci will have the opportunity to attend the Tribute honoring this Academy Award-nominated filmmaker on Sunday, March 16th, as well as his Master class the following day during Salón Ficci – the festival's academic program.
In regards to the festival's line-up, it is interesting to note that several of the filmmakers that will take part in the Dramatic Competition are directors who have participated at Ficci with their previous films and have established themselves in the international festival circuit winning prestigious awards. Others will arrive to Cartagena for the first time with their operas primas.
"2014 promises to be a good year for Iberoamerican cinema and we are proud to feature several of the most recent films of the region in our Official Dramatic Competition, in which half of the chosen movies are Latin American Premieres (movies that come directly to Cartagena after their world premieres at Sundance and Berlin Festivals). Eight of the twelve films in the Colombian Official Competition (known before as Colombia al 100%) are World Premieres. This way, we have managed to achieve the goal we set four years ago: becoming the main national and international launching platform of local films", stated Ficci's Director Monika Wagenberg.
Wagenberg also addressed some chances in the festival's rules that will allow for more experience filmmakers to partake in the event.
"One of the big news of Ficci 54 is that this time we have not limited the Official Dramatic Competition to first, second and third time Ibero-American films. Ending this restriction will make possible for those directors from this region who are producing feature films at a fast pace not, to be excluded from the competition" Wagenberg added.
The Official Dramatic Competition will feature the Latin American premieres The Lock Charmer (El Cerrajero) by Natalia Smirnoff (Argentina), Natural Sciences (Ciencias Naturales) by Matías Lucchesi(Argentina), The Way He Looks (Hoje Eu Quero Voltar Sozinho) by Daniel Ribeiro(Brazil), Celina Murga's Berlin Official Competition, The Three Sides of the River (La tercera orilla) (Argentina), recent Sundance and Rotterdam winner, To Kill a Man (Matar a un hombre) by Alejandro Fernández Almendras (Chile), Mateo, first film by Maria Gamboa (Colombia), and the world premiere of Dust on the Tongue (Tierra en la lengua) by Ruben Mendoza (Colombia).
This section also includes other outstanding films such as Bad Hair (Pelo malo), written and directed by Mariana Rondón (Venezuela) which comes to Ficci after its triumph at the San Sebastián Film Festival; The Mute (El Mudo), directed by brothers Daniel and Diego Vega (Perú), which had its world premiere at the Locarno Film Festival and are coming back to Ficci after competing winning Best Director award in 2010; premiering at the Toronto International Film Festival and awarded the Concha de Plata for Best Director in San Sebastián, comes Club Sándwich by Fernando Eimbcke(México), and the 12th film in this section is Root (Raíz) by Matías Rojas Valencia (Chile), the winner of Best Chilean Film winner at the Valdivia Film Festival.
The Official Documentary Competition will showcase the world premieres of El color que cayó del cielo by Sergio Wolf (Argentina) and Heaven or Hell (Infierno o paraíso) de German Piffano(Colombia); as well as the Latin American premiere of The Silence of the Flies (El silencio de las moscas) by Eliezer Arias (Venezuela), Marmato by Mark Grieco (Colombia, USA), and Apples, Chickens and Chimeras (Manzanas, pollos y quimeras) de Inés París (España). The rest of the program includes Argentine Street Years (Años de calle) by Alejandra Grinschpun, I Feel Much Better Now (E-agora? Lembra me) by Joaquim Pinto(Portugal), Naomi Campbel by icolas Videla and Camila José Donoso (Chile), Cesar's Grill (El Grill de Cesar) by Dario Aguirre, I Will Be Murdered (Seré asesinado) by Justin Webster (Spain), Mexican documentary, Elevator (Elevador) by Adrián Ortizl and the most recent work by talented Brazilian documentary film director Maria Ramos , Hills of Pleasures (Morro dos Prazeres).
Lastly, in the Colombian Official Competition we will present the world premieres of Banished (Desterrada) by Diego Guerra, Manos sucias by Joseph Wladyka, Memorias del calavero and Tierra en la lengua by Rubén Mendoza, Monte adentro by Nicolás Macario Alonso, Parador Húngaro by Aseneth Suarez and Patrick Alexander, Infierno o paraíso by Germán Piffano; as well as the Latin American premieres of Inés, memorias de una vida by Luisa Sossa; Gente de papel, con el alma en la selva by Andrés Felipe Vásquez, Mateo by Maria Gamboa, Marmato by Mark Grieco and the Colombian premiere of Mambo Cool by Chris Gude.
One of Ficci's main goals is supporting the development of Colombian cinema. With that in mind, the festival will open with the world premiere of Ciudad Delirio, inviting the audience to get to know Cali, the only city in Latin America that loves all Latin American music, a center of creative development for Colombia's cinema, splendidly and authentically presented through the passion and flavor of salsa. Ficci is once again betting on the kind of cinema that speaks locally and globally, cinema that invites, seduces and embraces all kinds of audiences.
Starring Carolina Ramírez , Cauca Valley dancer and actress renown for her performance in soap operas such as La hija del mariachiand La Pola and Spaniard Julián Villagrán, winner of a Goya for his performance in Grupo 7, Ciudad Delirio also features Colombian actors of such caliber as Vicky Hernández Jorge Herrera , Margarita Ortega and John Alex Castillo. Thanks to a world-class team lead by Spanish dancer, choreographer and filmmaker Blanca Li, who has worked for The Berlin State Ballet, Kylie Minogue, Beyoncé and Daft Punk, and by multiple time Salsa World Champion Viviana Vargas, Cartagena will get to experience the madness of one of the most sensual dances on earth.
Ciudad Delirio was produced by Diego F. Ramírez, head of 64-a Films in Colombia, which has produced such films as Perro come perro,Todos tus muertos, Dr. Alemán, En coma, and180 segundos and Spaniard Elena Manrique, founder of Film Fatal and renown for her production of movies such asEl laberinto del fauno (Pan's Labyrinth), El orfanato and Transsiberiano, to name just a few.
For seven weeks during the making of Ciudad delirio, 45 locations in Cali, Colombia and Madrid, Spain were overrun by salsa. More than 3,200 extras from Cauca Valley helped to tell this love story that revolves around the show Delirio, a long-standing cultural tradition in Sultana del Valle.
In Ciudad Delirio, Javier, a shy, reserved Spanish doctor, attends a medical conference in Cali, Colombia. There, through a chance meeting, he shares a magical night with Angie, a dancer and choreographer who dreams of being part of the world's most famous salsa show, Delirio, if only she can pass the audition. Javier and Angie begin an impossible romance full of obstacles, surrounded by salsa, and accompanied by a cast of characters that are as authentic as they are hilarious.
The festival's guest of honor will be the prolific British actor Clive Owen, who is known for his diverse roles in films like Closer Children of Men, and The International . The Latin American premier of his latest film, Guillaume Canet's Blood Ties (2013), will be a highlight of the Friday, March 14th event, taking place at 6:00 pm in the Adolfo Mejía Theater, where, after being presented with the India Catalina prize, the actor will be interviewed by Ficci's director, Monika Wagenberg.
Another special honoree will be Mexican director Alejando Gonazlez Iñárritu, who has garnered international acclaim throughout the years with films such as Amores Perros , 21 Grams , Babel, and Biutiful . Established within the film industry as one of Latin America's most important directors of the new century, Iñárritu is currently in-production for Birdman (2014), a film he wrote and directed starring Emma Stone and Edward Norton . Participants of the 54th Ficci will have the opportunity to attend the Tribute honoring this Academy Award-nominated filmmaker on Sunday, March 16th, as well as his Master class the following day during Salón Ficci – the festival's academic program.
In regards to the festival's line-up, it is interesting to note that several of the filmmakers that will take part in the Dramatic Competition are directors who have participated at Ficci with their previous films and have established themselves in the international festival circuit winning prestigious awards. Others will arrive to Cartagena for the first time with their operas primas.
"2014 promises to be a good year for Iberoamerican cinema and we are proud to feature several of the most recent films of the region in our Official Dramatic Competition, in which half of the chosen movies are Latin American Premieres (movies that come directly to Cartagena after their world premieres at Sundance and Berlin Festivals). Eight of the twelve films in the Colombian Official Competition (known before as Colombia al 100%) are World Premieres. This way, we have managed to achieve the goal we set four years ago: becoming the main national and international launching platform of local films", stated Ficci's Director Monika Wagenberg.
Wagenberg also addressed some chances in the festival's rules that will allow for more experience filmmakers to partake in the event.
"One of the big news of Ficci 54 is that this time we have not limited the Official Dramatic Competition to first, second and third time Ibero-American films. Ending this restriction will make possible for those directors from this region who are producing feature films at a fast pace not, to be excluded from the competition" Wagenberg added.
The Official Dramatic Competition will feature the Latin American premieres The Lock Charmer (El Cerrajero) by Natalia Smirnoff (Argentina), Natural Sciences (Ciencias Naturales) by Matías Lucchesi(Argentina), The Way He Looks (Hoje Eu Quero Voltar Sozinho) by Daniel Ribeiro(Brazil), Celina Murga's Berlin Official Competition, The Three Sides of the River (La tercera orilla) (Argentina), recent Sundance and Rotterdam winner, To Kill a Man (Matar a un hombre) by Alejandro Fernández Almendras (Chile), Mateo, first film by Maria Gamboa (Colombia), and the world premiere of Dust on the Tongue (Tierra en la lengua) by Ruben Mendoza (Colombia).
This section also includes other outstanding films such as Bad Hair (Pelo malo), written and directed by Mariana Rondón (Venezuela) which comes to Ficci after its triumph at the San Sebastián Film Festival; The Mute (El Mudo), directed by brothers Daniel and Diego Vega (Perú), which had its world premiere at the Locarno Film Festival and are coming back to Ficci after competing winning Best Director award in 2010; premiering at the Toronto International Film Festival and awarded the Concha de Plata for Best Director in San Sebastián, comes Club Sándwich by Fernando Eimbcke(México), and the 12th film in this section is Root (Raíz) by Matías Rojas Valencia (Chile), the winner of Best Chilean Film winner at the Valdivia Film Festival.
The Official Documentary Competition will showcase the world premieres of El color que cayó del cielo by Sergio Wolf (Argentina) and Heaven or Hell (Infierno o paraíso) de German Piffano(Colombia); as well as the Latin American premiere of The Silence of the Flies (El silencio de las moscas) by Eliezer Arias (Venezuela), Marmato by Mark Grieco (Colombia, USA), and Apples, Chickens and Chimeras (Manzanas, pollos y quimeras) de Inés París (España). The rest of the program includes Argentine Street Years (Años de calle) by Alejandra Grinschpun, I Feel Much Better Now (E-agora? Lembra me) by Joaquim Pinto(Portugal), Naomi Campbel by icolas Videla and Camila José Donoso (Chile), Cesar's Grill (El Grill de Cesar) by Dario Aguirre, I Will Be Murdered (Seré asesinado) by Justin Webster (Spain), Mexican documentary, Elevator (Elevador) by Adrián Ortizl and the most recent work by talented Brazilian documentary film director Maria Ramos , Hills of Pleasures (Morro dos Prazeres).
Lastly, in the Colombian Official Competition we will present the world premieres of Banished (Desterrada) by Diego Guerra, Manos sucias by Joseph Wladyka, Memorias del calavero and Tierra en la lengua by Rubén Mendoza, Monte adentro by Nicolás Macario Alonso, Parador Húngaro by Aseneth Suarez and Patrick Alexander, Infierno o paraíso by Germán Piffano; as well as the Latin American premieres of Inés, memorias de una vida by Luisa Sossa; Gente de papel, con el alma en la selva by Andrés Felipe Vásquez, Mateo by Maria Gamboa, Marmato by Mark Grieco and the Colombian premiere of Mambo Cool by Chris Gude.
- 2/27/2014
- by Sydney Levine
- Sydney's Buzz
And a drum roll, please, because here are the winners from the 2010 Sitges Festival.
Oficial FANTÀSTIC COMPETICIÓ Sitges 43
Jurat / Jurado / Jury
Francesco Barilli, Jaume Collet-Serra, Colin Geddes, Jan Harlan & Elena Manrique
Millor Curtmetratge / Mejor Cortometraje / Best Short Film
The Legend Of Beaver Damm de Jérôme Sable
Menció Especial pel seu original homenatge a una indiscutible obra mestra del cinema fantàstic / Mención Especial por su original homenaje a una indiscutible obra maestra del cine fantástico / Special Mention for its original tribute to one of the undisputed masterworks of the fantastic cinema
Vicenta de Sam Millor
Disseny de Producció / Mejor Diseño de Producción / Best Production Design
Yuji Hayashida per Thirteen Assassins
Millors Efectes de Maquillatge / Mejores Efectos de Maquillaje / Best Make Up FX
Vitaya Deerattakul & Andrew Lin per Dream Home
Millors Efectes Especials / Mejores Efectos Especiales / Best Special Effects
Gareth Edwards per Monsters
Millor Banda Sonora Original / Mejor Banda Sonora Original / Best Original Soundtrack
Seppuku Paradigm,...
Oficial FANTÀSTIC COMPETICIÓ Sitges 43
Jurat / Jurado / Jury
Francesco Barilli, Jaume Collet-Serra, Colin Geddes, Jan Harlan & Elena Manrique
Millor Curtmetratge / Mejor Cortometraje / Best Short Film
The Legend Of Beaver Damm de Jérôme Sable
Menció Especial pel seu original homenatge a una indiscutible obra mestra del cinema fantàstic / Mención Especial por su original homenaje a una indiscutible obra maestra del cine fantástico / Special Mention for its original tribute to one of the undisputed masterworks of the fantastic cinema
Vicenta de Sam Millor
Disseny de Producció / Mejor Diseño de Producción / Best Production Design
Yuji Hayashida per Thirteen Assassins
Millors Efectes de Maquillatge / Mejores Efectos de Maquillaje / Best Make Up FX
Vitaya Deerattakul & Andrew Lin per Dream Home
Millors Efectes Especials / Mejores Efectos Especiales / Best Special Effects
Gareth Edwards per Monsters
Millor Banda Sonora Original / Mejor Banda Sonora Original / Best Original Soundtrack
Seppuku Paradigm,...
- 10/16/2010
- Screen Anarchy
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