Joyce MacKenzie, who portrayed Jane opposite Lex Barker in the 1953 film Tarzan and the She-Devil, has died. She was 95.
MacKenzie died June 10 at a health care facility in Hollywood, her son Norman Leimert told The Hollywood Reporter.
MacKenzie also played the wife of Robert Mitchum’s character in The Racket (1951) and a newspaper publisher’s daughter opposite Humphrey Bogart in Deadline — U.S.A. (1952), and in the 3D musical The French Line (1953), her model character exchanged identities with Jane Russell’s.
A onetime contract player at Fox, MacKenzie appeared with Barker in his fifth (and last) stint ...
MacKenzie died June 10 at a health care facility in Hollywood, her son Norman Leimert told The Hollywood Reporter.
MacKenzie also played the wife of Robert Mitchum’s character in The Racket (1951) and a newspaper publisher’s daughter opposite Humphrey Bogart in Deadline — U.S.A. (1952), and in the 3D musical The French Line (1953), her model character exchanged identities with Jane Russell’s.
A onetime contract player at Fox, MacKenzie appeared with Barker in his fifth (and last) stint ...
- 7/15/2021
- The Hollywood Reporter - Film + TV
Joyce MacKenzie, who portrayed Jane opposite Lex Barker in the 1953 film Tarzan and the She-Devil, has died. She was 95.
MacKenzie died June 10 at a health care facility in Hollywood, her son Norman Leimert told The Hollywood Reporter.
MacKenzie also played the wife of Robert Mitchum’s character in The Racket (1951) and a newspaper publisher’s daughter opposite Humphrey Bogart in Deadline — U.S.A. (1952), and in the 3D musical The French Line (1953), her model character exchanged identities with Jane Russell’s.
A onetime contract player at Fox, MacKenzie appeared with Barker in his fifth (and last) stint ...
MacKenzie died June 10 at a health care facility in Hollywood, her son Norman Leimert told The Hollywood Reporter.
MacKenzie also played the wife of Robert Mitchum’s character in The Racket (1951) and a newspaper publisher’s daughter opposite Humphrey Bogart in Deadline — U.S.A. (1952), and in the 3D musical The French Line (1953), her model character exchanged identities with Jane Russell’s.
A onetime contract player at Fox, MacKenzie appeared with Barker in his fifth (and last) stint ...
- 7/15/2021
- The Hollywood Reporter - Movie News
Destination Murder
Written by Don Martin
Directed by Edward L. Cahn
U.S.A., 1950
One night during an intermission at a downtown movie theatre Jackie Wales (Stanley Clements), a lowly driver, leaves his girlfriend for a few minutes to run a quick errand. Not just any old chore however, but murder! Driven to the house of a notable businessman by an accomplice, Jackie rings the doorbell, inquires as to the name of the older man who answers the door to make sure he knows who the target is and shoots the gentleman dead. As Jackie flees the premise the victim’s daughter Laura (Joyce MacKenzie) catches a glimpse of the fiend, a clue she latches onto the following days when the police begin their inquiries. Rather than remain sidelined from the action, Laura takes matters into her own hands and pretends to befriend the cantankerous Jackie. Through Jackie the intrepid...
Written by Don Martin
Directed by Edward L. Cahn
U.S.A., 1950
One night during an intermission at a downtown movie theatre Jackie Wales (Stanley Clements), a lowly driver, leaves his girlfriend for a few minutes to run a quick errand. Not just any old chore however, but murder! Driven to the house of a notable businessman by an accomplice, Jackie rings the doorbell, inquires as to the name of the older man who answers the door to make sure he knows who the target is and shoots the gentleman dead. As Jackie flees the premise the victim’s daughter Laura (Joyce MacKenzie) catches a glimpse of the fiend, a clue she latches onto the following days when the police begin their inquiries. Rather than remain sidelined from the action, Laura takes matters into her own hands and pretends to befriend the cantankerous Jackie. Through Jackie the intrepid...
- 6/28/2014
- by Edgar Chaput
- SoundOnSight
Jeanne Crain: Lighthearted movies vs. real life tragedies (photo: Madeleine Carroll and Jeanne Crain in ‘The Fan’) (See also: "Jeanne Crain: From ‘Pinky’ Inanity to ‘Margie’ Magic.") Unlike her characters in Margie, Home in Indiana, State Fair, Centennial Summer, The Fan, and Cheaper by the Dozen (and its sequel, Belles on Their Toes), or even in the more complex A Letter to Three Wives and People Will Talk, Jeanne Crain didn’t find a romantic Happy Ending in real life. In the mid-’50s, Crain accused her husband, former minor actor Paul Brooks aka Paul Brinkman, of infidelity, of living off her earnings, and of brutally beating her. The couple reportedly were never divorced because of their Catholic faith. (And at least in the ’60s, unlike the humanistic, progressive-thinking Margie, Crain was a “conservative” Republican who supported Richard Nixon.) In the early ’90s, she lost two of her...
- 8/26/2013
- by Andre Soares
- Alt Film Guide
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