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IMDbPro

David Linde

  • Producer
  • Additional Crew
  • Executive
IMDbProStarmeterSee rank
David Linde
David Linde is CEO of Participant, the leading global media company dedicated to entertainment that inspires and compels social change. Linde is responsible for leading the Company's overall strategy, content creation, advocacy, operations, strategic investments and acquisitions. Participant's content and social impact mandate speaks directly to the rise of today's "conscious consumer," representing over 2 billion consumers who are compelled to make impactful content a priority focus. Noteworthy films from Participant include Oscar® winner Judas and the Black Messiah; Oscar® Best Picture winner Spotlight; Oscar® winners for Best Documentary Feature, American Factory, CITIZENFOUR, The Cove and An Inconvenient Truth; Oscar® winners for Best Foreign Language Film ROMA and A Fantastic Woman; as well as acclaimed, award-winning long-form content including Steve James' docuseries America To Me and Ava DuVernay's When They See Us.

Linde's background spans production, global distribution and building multiple companies from the ground up. Linde has served as chairman of Universal Pictures, where he successfully pursued a broad outlook regarding international productions, animation and family entertainment, and distribution. He was co-founder of acclaimed specialty film studio Focus Features formed from Universal's acquisition of the acclaimed independent production company Good Machine, of which he was a partner. Prior to Participant, Linde was the CEO and owner of Lava Bear Films, where he produced the Best Picture Academy Award®-nominated Arrival, from director Denis Villenueve.

Linde has long championed the voice of signature filmmakers, having worked on multiple films with Pedro Almodóvar, Sofia Coppola, Alfonso Cuarón, Todd Haynes, Ang Lee and Tom McCarthy, among many others.

Linde currently serves on the Board of Governors of the Academy of Motion Picture Arts and Sciences and the Board of Directors of Film Independent.
BornFebruary 8, 1960
  • More at IMDbPro
    • Contact info
    • Agent info
    • Resume
BornFebruary 8, 1960
IMDbProStarmeterSee rank
  • Unlock contact info on IMDbPro
  • Nominated for 1 Oscar
    • 5 wins & 7 nominations total

Photos24

David Linde
David Linde
Sebastián Lelio, David Linde, and Daniela Vega at an event for A Fantastic Woman (2017)
Sebastián Lelio, David Linde, and Daniela Vega at an event for A Fantastic Woman (2017)
Marc Evans, Al Gore, and David Linde
Shawn Levy, David Linde, and Denis Villeneuve
Sigourney Weaver, David Linde, J.A. Bayona, and Lewis MacDougall at an event for A Monster Calls (2016)
Sigourney Weaver, David Linde, Peter Kujawski, J.A. Bayona, Belén Atienza, Abhijay Prakash, and Lewis MacDougall at an event for A Monster Calls (2016)
Sigourney Weaver, David Linde, J.A. Bayona, and Lewis MacDougall at an event for A Monster Calls (2016)
Sigourney Weaver, David Linde, Peter Kujawski, J.A. Bayona, Belén Atienza, Abhijay Prakash, and Lewis MacDougall at an event for A Monster Calls (2016)
Sigourney Weaver, David Linde, Peter Kujawski, J.A. Bayona, Belén Atienza, Abhijay Prakash, and Lewis MacDougall at an event for A Monster Calls (2016)
Guy Pearce, David Linde, Liz Watts, Robert Pattinson, and David Michôd at an event for The Rover (2014)

Known for

Forest Whitaker, Amy Adams, and Jeremy Renner in Arrival (2016)
Arrival
7.9
  • Producer(produced by)
  • 2016
Chow Yun-Fat, Michelle Yeoh, Chang Chen, and Ziyi Zhang in Crouching Tiger, Hidden Dragon (2000)
Crouching Tiger, Hidden Dragon
7.9
  • Producer
  • 2000
Guy Pearce and Robert Pattinson in The Rover (2014)
The Rover
6.4
  • Producer(produced by)
  • 2014
Biutiful (2010)
Biutiful
7.4
  • Producer
  • 2010

Credits

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IMDbPro

Producer

  • Matt Damon in Stillwater (2021)
    Stillwater
    • executive producer
    • 2021
  • David Byrne's American Utopia (2020)
    David Byrne's American Utopia
    • executive producer
    • 2020
  • Marina de Tavira, Marco Graf, Yalitza Aparicio, Daniela Demesa, Diego Cortina Autrey, and Carlos Peralta in Roma (2018)
    Roma
    • executive producer
    • 2018
  • Naomi Watts in Shut In (2016)
    Shut In
    • executive producer
    • 2016
  • Forest Whitaker, Amy Adams, and Jeremy Renner in Arrival (2016)
    Arrival
    • producer (produced by)
    • 2016
  • My Beloved Bodyguard (2016)
    My Beloved Bodyguard
    • executive producer
    • 2016
  • Natalie Dormer in The Forest (2016)
    The Forest
    • producer
    • 2016
  • Desierto (2015)
    Desierto
    • executive producer
    • 2015
  • Guy Pearce and Robert Pattinson in The Rover (2014)
    The Rover
    • producer (produced by)
    • 2014
  • Coming Home (2014)
    Coming Home
    • executive producer
    • 2014
  • Christian Bale, Ni Ni, Jia Sun, Bai Xue, Xiting Han, Xinyi Zhang, and Yuemin Li in The Flowers of War (2011)
    The Flowers of War
    • executive producer
    • 2011
  • Anthony Hopkins, Jude Law, Rachel Weisz, and Ben Foster in 360 (2011)
    360
    • executive producer
    • producer
    • 2011
  • Biutiful (2010)
    Biutiful
    • executive producer
    • 2010
  • Trent Ford and Mandy Moore in How to Deal (2003)
    How to Deal
    • executive producer
    • 2003
  • They (2002)
    They
    • executive producer
    • 2002

Additional Crew

  • My Name Is Pauli Murray (2021)
    My Name Is Pauli Murray
    • participant ceo
    • 2021
  • The Price of Free (2018)
    The Price of Free
    • for Participant Media
    • 2018
  • My Beloved Bodyguard (2016)
    My Beloved Bodyguard
    • presenter
    • 2016
  • In-development projects at IMDbPro

Personal details

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  • Born
    • February 8, 1960
  • Spouse
    • Felicia Rosenfeld? - present
  • Publicity listings
    • 1 Article

Did you know

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  • Trivia
    Partner in "Good Machine", an indie-film company, with screenwriter friend James Schamus and Ted Hope. Bought by Universal Pictures and merged into a new division of the studio called "Focus", June 2002.
  • Quotes
    What we're trying to do is give each movie its moment in time without compromising its ability to shine at awards season. It's sort of like having a twofold release. You say to yourself, 'I think the film can really perform up to the expectations of the filmmakers and the expectations of the company.' At the same time we're always thinking, 'If it works, what's the campaign going to be?'

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