This whole article contains spoilers for Dark Season 3
The third season of Netflix hit Dark has brought the massively complicated show to an end. The finale was as mind boggling and epic as expected. But, in true Dark fashion, fans are still calling out for questions about the ending to be answered. We’ve given it our best shot..
Even then, a show like this will never be easy to understand, the complications and paradoxes of the show are exactly what makes it. Just as Jonas (Louis Hofmann) says, “it’s a bit complicated to explain”. Like the fact Charlotte may be her own Grandma… Yep, we’re as confused as you are.
We’re reminded time and time again that everything and everyone is connected in Dark, and the final few episodes of this season gives this a whole new meaning.
The Origin World
In between the initial two worlds we know in Dark,...
The third season of Netflix hit Dark has brought the massively complicated show to an end. The finale was as mind boggling and epic as expected. But, in true Dark fashion, fans are still calling out for questions about the ending to be answered. We’ve given it our best shot..
Even then, a show like this will never be easy to understand, the complications and paradoxes of the show are exactly what makes it. Just as Jonas (Louis Hofmann) says, “it’s a bit complicated to explain”. Like the fact Charlotte may be her own Grandma… Yep, we’re as confused as you are.
We’re reminded time and time again that everything and everyone is connected in Dark, and the final few episodes of this season gives this a whole new meaning.
The Origin World
In between the initial two worlds we know in Dark,...
- 7/8/2020
- by Rosie Fletcher
- Den of Geek
Paris-based Why Not Productions, Pan-Européenne in post on French version of Leila Slimani’s book.
Legendary, Why Not Productions and Pan-Européenne will produce an English-language adaptation of the international bestseller The Perfect Nanny (Chanson Douce).
Paris-based Why Not Productions and Pan-Européenne are currently in post on a French version of Leila Slimani’s book, which was originally published by Gallimard in France in 2016, and by Penguin in the Us last year.
The Perfect Nanny centres on Myriam, a married lawyer who returns to work after childbirth and hires a seemingly ideal nanny for the couple’s boy and girl. The...
Legendary, Why Not Productions and Pan-Européenne will produce an English-language adaptation of the international bestseller The Perfect Nanny (Chanson Douce).
Paris-based Why Not Productions and Pan-Européenne are currently in post on a French version of Leila Slimani’s book, which was originally published by Gallimard in France in 2016, and by Penguin in the Us last year.
The Perfect Nanny centres on Myriam, a married lawyer who returns to work after childbirth and hires a seemingly ideal nanny for the couple’s boy and girl. The...
- 6/18/2019
- by Jeremy Kay
- ScreenDaily
Legendary, Why Not Productions, and Pan-Européenne have closed a deal to create an English-language adaption of bestselling Leila Slimani novel The Perfect Nanny aka Chanson Douce for the screen.
The novel centers around Myriam who decides to return to work as a lawyer after having children. Myriam and her husband find the perfect nanny in Louise, who sings to the children, cleans the family’s apartment, hardly complains, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another, jealousy, resentment, and suspicions mount, shattering the idyllic tableau. The book was originally published by Gallimard in France in 2016 and by Penguin in the Us in 2018. Why Not and Pan-Européenne are currently in post on the French-language adaptation of The Perfect Nanny.
The novel was awarded France’s highest literary prize, the Prix Goncourt, in 2016, and translation rights sold in a bidding war in 40 territories.
The novel centers around Myriam who decides to return to work as a lawyer after having children. Myriam and her husband find the perfect nanny in Louise, who sings to the children, cleans the family’s apartment, hardly complains, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another, jealousy, resentment, and suspicions mount, shattering the idyllic tableau. The book was originally published by Gallimard in France in 2016 and by Penguin in the Us in 2018. Why Not and Pan-Européenne are currently in post on the French-language adaptation of The Perfect Nanny.
The novel was awarded France’s highest literary prize, the Prix Goncourt, in 2016, and translation rights sold in a bidding war in 40 territories.
- 6/17/2019
- by Anthony D'Alessandro
- Deadline Film + TV
Beta Cinema has exercised its first look rights option on “What Doesn’t Kill Us,” writer-director Sandra Nettelbeck’s return to German filmmaking and to the themes and even one character of the string of drama-comedies, particularly “Mostly Martha,” which founded her reputation.
With worldwide rights sold by Beta Cinema, “What Doesn’t Kills Us” will world premiere on Aug. 3 at Switzerland’s Locarno Festival, Europe’s biggest mid-Summer event, where it will play in the Piazza Grande, a showcase for the festival’s usually more audience-friendly fare.
To be released in German cinemas by Alamode, “What Doesn’t Kill Us” is an early production of the Ludwigsburg/Berlin-based production house Sommerhaus Filmproduktion (“In the Aisles”), launched in 2015 with Beta’s Jan Mojto on board as a founding partner. Beta Cinema has a first look but no obligation to handle word sales rights on Sommerhaus titles.
Fore-fronting “Mostly Martha’s...
With worldwide rights sold by Beta Cinema, “What Doesn’t Kills Us” will world premiere on Aug. 3 at Switzerland’s Locarno Festival, Europe’s biggest mid-Summer event, where it will play in the Piazza Grande, a showcase for the festival’s usually more audience-friendly fare.
To be released in German cinemas by Alamode, “What Doesn’t Kill Us” is an early production of the Ludwigsburg/Berlin-based production house Sommerhaus Filmproduktion (“In the Aisles”), launched in 2015 with Beta’s Jan Mojto on board as a founding partner. Beta Cinema has a first look but no obligation to handle word sales rights on Sommerhaus titles.
Fore-fronting “Mostly Martha’s...
- 7/16/2018
- by John Hopewell
- Variety Film + TV
[Editor’s Note: The following review contains spoilers for the entirety of “Dark” Season 1. For a spoiler-free review, please click here.]
Given its release date and the missing child premise at the outset, “Dark” drew inevitable comparisons to another particular Netflix show before it was even released. But whether or not the show pops up in a “Because You Watched ‘Stranger Things’” algorithm, know that this show decidedly goes places that few TV dramas usually do.
In the process, “Dark” never quite shakes off the puzzle box nature of its setup, but to watch the various layers of the show unravel, bolstered by a cast list length that George R.R. Martin would be proud of, it’s a distinctive viewing experience, even when it tackles more than 10 episodes can contain.
Read More:Netflix’s ‘Dark’ Review: This Twisty German TV Tale is a Workmanlike Answer to ‘The Oa’ and ‘Stranger Things’ [Spoiler-Free]
(This is usually the point in an IndieWire spoilers review where we make a light attempt at summarizing the plot. To...
Given its release date and the missing child premise at the outset, “Dark” drew inevitable comparisons to another particular Netflix show before it was even released. But whether or not the show pops up in a “Because You Watched ‘Stranger Things’” algorithm, know that this show decidedly goes places that few TV dramas usually do.
In the process, “Dark” never quite shakes off the puzzle box nature of its setup, but to watch the various layers of the show unravel, bolstered by a cast list length that George R.R. Martin would be proud of, it’s a distinctive viewing experience, even when it tackles more than 10 episodes can contain.
Read More:Netflix’s ‘Dark’ Review: This Twisty German TV Tale is a Workmanlike Answer to ‘The Oa’ and ‘Stranger Things’ [Spoiler-Free]
(This is usually the point in an IndieWire spoilers review where we make a light attempt at summarizing the plot. To...
- 12/1/2017
- by Steve Greene
- Indiewire
Deborah Kaufmann, a senior editor at Paris-based Hachette publisher Calmann-Lévy, has joined Legendary Entertainment as VP Literary Affairs. She will be based in NY and evaluate and pursue book adaptation projects for the studio’s film, TV and digital divisions. She will report to Legendary Evp Creative Affairs Alex Garcia and Evp Scripted Development Peter Johnson.
In addition to Calmann-Lévy, where she oversaw a slate of genres including literary fiction, nonfiction, suspense, crime, thriller, and sci-fi/fantasy (she also ran the sci-fi/fantasy imprint Orbit France. That jibes well with Legendary’s genre tentpole tendencies like recent hit Godzilla and the upcoming Dracula: Untold, which comes out Friday.
Her expertise and nuanced understanding of the literary world will allow us to bolster our upcoming slate of productions with adaptations of even more creative adventures our fans will enjoy across multiple platforms,” Garcia and Johnson said in a statement.
Prior to Calmann-Lévy,...
In addition to Calmann-Lévy, where she oversaw a slate of genres including literary fiction, nonfiction, suspense, crime, thriller, and sci-fi/fantasy (she also ran the sci-fi/fantasy imprint Orbit France. That jibes well with Legendary’s genre tentpole tendencies like recent hit Godzilla and the upcoming Dracula: Untold, which comes out Friday.
Her expertise and nuanced understanding of the literary world will allow us to bolster our upcoming slate of productions with adaptations of even more creative adventures our fans will enjoy across multiple platforms,” Garcia and Johnson said in a statement.
Prior to Calmann-Lévy,...
- 10/6/2014
- by The Deadline Team
- Deadline
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