Get a closer look at some of Hollywood's perfect pairs.

Hollywood Power Couples

Get a closer look at some of Hollywood&#39;s perfect pairs.

Sinister sequels, eerie indies, and blockbuster boo-fests — here are the most exciting horror movies and shows to add to your Watchlist.

The Best New and Upcoming Horror

Update your watchlist with these hilarious, riveting, and tell-all stand-up specials from [link=/name/nm1983888]Vir Das[/link], [link=/name/nm4399227]Ali Wong[/link], [link=/name/nm5307044]Ronny Chieng[/link], and more.

30+ Stand-Up Specials by Asian Comedians

Update your watchlist with these hilarious, riveting, and tell-all stand-up specials from <a class="ipc-md-link" href="/name/nm1983888?ref_=nmmi_eds_right-7_lk">Vir Das</a>, <a class="ipc-md-link" href="/name/nm4399227?ref_=nmmi_eds_right-7_lk">Ali Wong</a>, <a class="ipc-md-link" href="/name/nm5307044?ref_=nmmi_eds_right-7_lk">Ronny Chieng</a>, and more.

Thomas Jane and Jonathan Hensleigh in The Punisher (2004)

John Travolta and Jonathan Hensleigh in The Punisher (2004)

Christopher Walken and Jonathan Hensleigh in Kill the Irishman (2011)

Gale Anne Hurd and Jonathan Hensleigh at an event for The Kid (2000)

Gale Anne Hurd and Jonathan Hensleigh at an event for Gone in 60 Seconds (2000)

Gale Anne Hurd and Jonathan Hensleigh at an event for Armageddon (1998)

One of the most prolific screenwriters in the action/adventure genre, Jonathan started his career writing episodes of The Young Indiana Jones Chronicles (1992) for George Lucas and ABC. He wrote Die Hard with a Vengeance (1995), re-conceived from his original spec script "Simon Says". He followed that with Jumanji (1995). His script for the The Saint (1997) was completely re-written by others. After this frustration, he enjoyed a long working friendship with producer Jerry Bruckheimer with whom he collaborated on many projects since 1996. He re-wrote the whole script for The Rock (1996) without credit, which he tried desperately to achieve via WGA arbitration.

He did uncredited re-writes on Con Air (1997) and the remake of Gone in 60 Seconds (2000) and received executive producer credits on both. Armageddon (1998), from Jonathan's original idea, was the second time Jonathan had the highest grossing film, worldwide, at the box office. The other was Die Hard with a Vengeance (1995).

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Jonathan Hensleigh

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