Dubai-based sales agency Cercamon has acquired world sales rights to Paradises Of Diane, ahead of the film’s international premiere in Panorama at next month’s Berlin Film Festival.
Screen can reveal the first exclusive trailer for the film, above.
Paradises Of Diane follows a woman who leaves her partner and newborn baby at the clinic in Zurich, to wander the streets of Benidorm, Spain – where she meets another lonely soul.
It is directed by Swiss directors Jan Gassman and Carmen Jaquier, from a screenplay by Jaquier. Gassman and Lisa Blatter produced the film for Switzerland’s 2:1 Film, with Rts Radio Television Suisse.
Screen can reveal the first exclusive trailer for the film, above.
Paradises Of Diane follows a woman who leaves her partner and newborn baby at the clinic in Zurich, to wander the streets of Benidorm, Spain – where she meets another lonely soul.
It is directed by Swiss directors Jan Gassman and Carmen Jaquier, from a screenplay by Jaquier. Gassman and Lisa Blatter produced the film for Switzerland’s 2:1 Film, with Rts Radio Television Suisse.
- 1/30/2024
- ScreenDaily
Films starring Saoirse Ronan and Justice Smith are set for Berlin Film Festival’s Panorama section.
Panorama announced its first 11 titles on Thursday, seven of which are world premieres. The lineup includes Nora Fingscheidt’s “The Outrun,” which stars Ronan as an antihero who must embark on a journey to find herself. “After years of excess in London, she seeks silence and self-reflection in her Scottish homeland,” the film’s logline reads.
Directed by Jane Schoenbrun, “I Saw the TV Glow” — which stars Justice Smith, Brigette Lundy-Paine and Danielle Deadwyler, among others — is also part of the program. In a press release, the festival called the film “one of the most idiosyncratic and fascinating works of the year, effortlessly crossing boundaries of genre, gender and trauma in this eye- and soul-opening trip.”
The annual Panorama Audience Award will be presented on Feb. 25. Berlin Film Festival is set to take place beginning Feb.
Panorama announced its first 11 titles on Thursday, seven of which are world premieres. The lineup includes Nora Fingscheidt’s “The Outrun,” which stars Ronan as an antihero who must embark on a journey to find herself. “After years of excess in London, she seeks silence and self-reflection in her Scottish homeland,” the film’s logline reads.
Directed by Jane Schoenbrun, “I Saw the TV Glow” — which stars Justice Smith, Brigette Lundy-Paine and Danielle Deadwyler, among others — is also part of the program. In a press release, the festival called the film “one of the most idiosyncratic and fascinating works of the year, effortlessly crossing boundaries of genre, gender and trauma in this eye- and soul-opening trip.”
The annual Panorama Audience Award will be presented on Feb. 25. Berlin Film Festival is set to take place beginning Feb.
- 12/14/2023
- by Ellise Shafer
- Variety Film + TV
The Berlin Film Festival today unveiled the first titles set for the 2024 edition of its Panorama sidebar section. Scroll down for the full list of titles announced today.
The lineup includes eleven titles, seven of which are world premieres. A total of 16 countries have been involved in their production. The fest said the topics connecting the titles are rebellion and antiheroes.
Among the set is Nora Fingscheidt’s The Outrun, centered around antihero Rona, played by Saoirse Ronan, who has to go on a long journey to find herself: after years of excess in London, she seeks silence and self-reflection in her Scottish homeland. The film also stars Paapa Essiedu.
Danielle Deadwyler stars in I Saw the TV Glow from Jane Schoenbrun. The pic follows a teenager called Owen who is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night...
The lineup includes eleven titles, seven of which are world premieres. A total of 16 countries have been involved in their production. The fest said the topics connecting the titles are rebellion and antiheroes.
Among the set is Nora Fingscheidt’s The Outrun, centered around antihero Rona, played by Saoirse Ronan, who has to go on a long journey to find herself: after years of excess in London, she seeks silence and self-reflection in her Scottish homeland. The film also stars Paapa Essiedu.
Danielle Deadwyler stars in I Saw the TV Glow from Jane Schoenbrun. The pic follows a teenager called Owen who is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night...
- 12/14/2023
- by Zac Ntim
- Deadline Film + TV
Close to 40 years after Wim Wenders won the Cannes Palme d’Or for Paris, Texas, its enigmatic ending continues to spark debate in cinephile circles.
Talking about his career in a Lumière Film Festival masterclass over the weekend, the German director stood by his decision to have Harry Dean Stanton’s reclusive character Travis drive off into night, leaving behind his reunited estranged wife and young son.
“I was very, very convinced that the ending of Paris, Texas was right. For me, it was an heroic act by Travis to leave the mother and son together,” said Wenders.
“He knew he had done so much harm that they were never going to make it as a family, while the son and the mother had a good chance of making a life together if he left.”
Wenders revealed he received pushback around the final scene, including from the U.S. distributor 20th Century Fox,...
Talking about his career in a Lumière Film Festival masterclass over the weekend, the German director stood by his decision to have Harry Dean Stanton’s reclusive character Travis drive off into night, leaving behind his reunited estranged wife and young son.
“I was very, very convinced that the ending of Paris, Texas was right. For me, it was an heroic act by Travis to leave the mother and son together,” said Wenders.
“He knew he had done so much harm that they were never going to make it as a family, while the son and the mother had a good chance of making a life together if he left.”
Wenders revealed he received pushback around the final scene, including from the U.S. distributor 20th Century Fox,...
- 10/23/2023
- by Melanie Goodfellow
- Deadline Film + TV
Updated: German film master Wim Wenders was greeted like a rock star in Lyon, France, where he received an honorary tribute on Friday evening (Oct. 21) at the Lumiere Festival, a week-long celebration of classic cinema headed by Cannes festival boss Thierry Fremaux.
“I’ve received prizes in my life but this time it’s different, it’s the the prize of cinema!” said Wenders after stepping on stage to the beat of Texas’ “I Don’t Want a Lover.” Glancing at Fremaux who was standing nearby, Wenders added, with a cheeky smile, “I don’t want to say that a Palme d’Or is nothing. But the Lumiere Prize is unique and I’m proud of it!” Wenders, who won the Palme d’Or with “Paris, Texas,” is considered a Cannes regular. He’s presented his most iconic films there, including “Wings of Desire” which won best director. This year,...
“I’ve received prizes in my life but this time it’s different, it’s the the prize of cinema!” said Wenders after stepping on stage to the beat of Texas’ “I Don’t Want a Lover.” Glancing at Fremaux who was standing nearby, Wenders added, with a cheeky smile, “I don’t want to say that a Palme d’Or is nothing. But the Lumiere Prize is unique and I’m proud of it!” Wenders, who won the Palme d’Or with “Paris, Texas,” is considered a Cannes regular. He’s presented his most iconic films there, including “Wings of Desire” which won best director. This year,...
- 10/20/2023
- by Lise Pedersen and Elsa Keslassy
- Variety Film + TV
Carmen Jaquier’s debut is the first title to be announced for the international category of the Academy Awards.
Carmen Jaquier’s Thunder has been selected to represent Switzerland in the best international feature film category of the 2024 Oscars.
The announcement was made by Switzerland’s Federal Office of Culture at Locarno Film Festival this afternoon (August 4), where the film screens in the Panorama Suisse strand, and is the first title to be announced for the international feature film category of the Academy Awards.
Set in 1900, it follows a 17-year-old girl who is preparing to take her vows at a...
Carmen Jaquier’s Thunder has been selected to represent Switzerland in the best international feature film category of the 2024 Oscars.
The announcement was made by Switzerland’s Federal Office of Culture at Locarno Film Festival this afternoon (August 4), where the film screens in the Panorama Suisse strand, and is the first title to be announced for the international feature film category of the Academy Awards.
Set in 1900, it follows a 17-year-old girl who is preparing to take her vows at a...
- 8/4/2023
- by Martin Blaney
- ScreenDaily
Apocalypse Now in 4K? After The Wild Bunch this is one title likely to get me to invest in a new format. Francis Coppola & John Milius’ Vietnam War epic may not be perfect, but it’s one of the most exciting movie experiences ever and one of the top achievements of the first film school generation of moviemakers. The release is agreeably all-inclusive: the original Road Show cut and the two revised versions are here along with the excellent making-of feature Hearts of Darkness. Re-tooled and polished up for picture and audio, this qualifies as a prime audio show-off disc too.
Apocalypse Now Final Cut
4K Ultra-hd + Blu-ray + Digital
Lionsgate
1979, 2001, 2019 / Color / 2:35 widescreen / 147, 196, 183 min. / 40th Anniversary Edition / 1979 70mm Road Show cut, 2001 Redux cut, 2019 Final Cut versions / Street Date August 27, 2019 /
Starring: Marlon Brando, Martin Sheen, Robert Duvall, Frederic Forrest, Sam Bottoms, Laurence Fishburne, Albert Hall, Harrison Ford, Dennis Hopper, G.D. Spradlin,...
Apocalypse Now Final Cut
4K Ultra-hd + Blu-ray + Digital
Lionsgate
1979, 2001, 2019 / Color / 2:35 widescreen / 147, 196, 183 min. / 40th Anniversary Edition / 1979 70mm Road Show cut, 2001 Redux cut, 2019 Final Cut versions / Street Date August 27, 2019 /
Starring: Marlon Brando, Martin Sheen, Robert Duvall, Frederic Forrest, Sam Bottoms, Laurence Fishburne, Albert Hall, Harrison Ford, Dennis Hopper, G.D. Spradlin,...
- 3/6/2021
- by Glenn Erickson
- Trailers from Hell
Continuing their run of streaming rare (if not impossible-to-find) works by beloved auteurs, Le Cinéma Club present, until August 30, Chantal Akerman’s Family Business, a short about filmmaking, financing, acting, and why all of these things are, at heart, totally absurd. It was not uncommon for Akerman to dress her personal experiences in a fictional garb (such is the thesis of her essential Chantal Akerman by Chantal Akerman), yet her candor was continually refreshing–here because it’s funny, genuinely funny.
Chaplin was her own point of comparison, though its reliance on few set-ups, play with the repetition between them, and focus on the family unit are pure Akerman. And great as many of his leading ladies were, Chaplin never had Aurore Clément.
Watch it here.
Chaplin was her own point of comparison, though its reliance on few set-ups, play with the repetition between them, and focus on the family unit are pure Akerman. And great as many of his leading ladies were, Chaplin never had Aurore Clément.
Watch it here.
- 8/19/2019
- by Leonard Pearce
- The Film Stage
In an astonishing move to swell the Academy of Motion Picture Arts and Sciences membership ranks, a record 928 artists and executives from 59 countries have been invited to join this year. The branches have increasingly actively sought eligible people to invite to join the Academy, but the Board of Governors makes the final call; this year, they did not invite Kobe Bryant to join although he won an Oscar for animated short “Dear Basketball.”
Clearly, people of color (38 percent) and women (49 percent) are among the many invites, as the Academy continues to address its long-term white-male dominance. As always, actors make up the largest branch of the Academy, but many new members also come from overseas.
In 2017, the Academy invited 744 new members.
Seventeen Oscar winners are among the new members and 92 Oscar nominees. Nine of the 17 branches invited more women than men. The percentage of women in the Academy has risen...
Clearly, people of color (38 percent) and women (49 percent) are among the many invites, as the Academy continues to address its long-term white-male dominance. As always, actors make up the largest branch of the Academy, but many new members also come from overseas.
In 2017, the Academy invited 744 new members.
Seventeen Oscar winners are among the new members and 92 Oscar nominees. Nine of the 17 branches invited more women than men. The percentage of women in the Academy has risen...
- 6/25/2018
- by Anne Thompson
- Thompson on Hollywood
The Academy of Motion Pictures Arts and Sciences is out with its 2018 list of invitations for membership. Here is the list of the record 928 folks from 59 countries. Note that 10 individuals (noted by an asterisk) have been invited to join the Academy by multiple branches; they must select one branch upon accepting membership.
New members will be welcomed into the Academy at invitation-only receptions in the fall.
Actors
Hiam Abbass – “Blade Runner 2049,” “The Visitor”
Damián Alcázar – “The Chronicles of Narnia: Prince Caspian,” “El Crimen del Padre Amaro”
Naveen Andrews – “Mighty Joe Young,” “The English Patient”
Gemma Arterton – “Their Finest,” “Quantum of Solace”
Zawe Ashton – “Nocturnal Animals,” “Blitz”
Eileen Atkins – “Gosford Park,” “Cold Mountain”
Hank Azaria – “Anastasia,” “The Birdcage”
Doona Bae – “Cloud Atlas,” “The Host”
Christine Baranski – “Miss Sloane,” “Mamma Mia!”
Carlos Bardem – “Assassin’s Creed,” “Che”
Irene Bedard – “Smoke Signals,” “Pocahontas”
Bill Bellamy – “Any Given Sunday,” “love jones”
Haley Bennett – “Thank You for Your Service,...
New members will be welcomed into the Academy at invitation-only receptions in the fall.
Actors
Hiam Abbass – “Blade Runner 2049,” “The Visitor”
Damián Alcázar – “The Chronicles of Narnia: Prince Caspian,” “El Crimen del Padre Amaro”
Naveen Andrews – “Mighty Joe Young,” “The English Patient”
Gemma Arterton – “Their Finest,” “Quantum of Solace”
Zawe Ashton – “Nocturnal Animals,” “Blitz”
Eileen Atkins – “Gosford Park,” “Cold Mountain”
Hank Azaria – “Anastasia,” “The Birdcage”
Doona Bae – “Cloud Atlas,” “The Host”
Christine Baranski – “Miss Sloane,” “Mamma Mia!”
Carlos Bardem – “Assassin’s Creed,” “Che”
Irene Bedard – “Smoke Signals,” “Pocahontas”
Bill Bellamy – “Any Given Sunday,” “love jones”
Haley Bennett – “Thank You for Your Service,...
- 6/25/2018
- by Erik Pedersen
- Deadline Film + TV
This week, we will be looking at Wim Wenders‘ classic, ‘Paris, Texas‘ in honor of Harry Dean Stanton, who recently passed. For the genesis of Canon Of Film, you can click here.
Paris, Texas (1984)
Director: Wim Wenders
Screenplay: Sam Shepard, adapted by L.M. Kit Carson
As much as I admire the leader of the New German cinema movement of the sixties and seventies, R.W. Fassbinder, and as much as I admire, probably the best and most important director in that movement Werner Herzog, if I actually had to pick a favorite New German Director, and one of my favorite directors of all-time, it’d have to be Wim Wenders. I rank his film ‘Wings of Desire‘ among the Ten best films ever made, and all his films–even his less-than-stellar ones–all have this intuit sense to them. It’s not empathy; it’s almost spiritual. While Herzog is constantly...
Paris, Texas (1984)
Director: Wim Wenders
Screenplay: Sam Shepard, adapted by L.M. Kit Carson
As much as I admire the leader of the New German cinema movement of the sixties and seventies, R.W. Fassbinder, and as much as I admire, probably the best and most important director in that movement Werner Herzog, if I actually had to pick a favorite New German Director, and one of my favorite directors of all-time, it’d have to be Wim Wenders. I rank his film ‘Wings of Desire‘ among the Ten best films ever made, and all his films–even his less-than-stellar ones–all have this intuit sense to them. It’s not empathy; it’s almost spiritual. While Herzog is constantly...
- 9/23/2017
- by David Baruffi
- Age of the Nerd
Barbara Sukowa stars in Margarethe von Trotta's Hannah Arendt, shot by Caroline Champetier Photo: Anne-Katrin Titze
The French Institute Alliance Française in New York is set to honour Caroline Champetier this fall with a CinéSalon eight film retrospective, curated by Delphine Selles-Alvarez and the famed cinematographer herself.
Caroline Champetier: Shaping The Light kicks off on September 19 with Xavier Beauvois' Of Gods And Men (Des Hommes Et Des Dieux), starring Lambert Wilson and Michael Lonsdale. Other highlights include Arnaud Desplechin's La Sentinelle (Emmanuel Salinger, Thibault de Montalembert, Jean-Louis Richard); Chantal Akerman's Toute Une nuit (Aurore Clément, Natalia Akerman, Paul Allio); Jean-Luc Godard's Grandeur Et Décadence D'Un Petit Commerce De Cinéma with Jean-Pierre Léaud, Marie Valera, Jean-Pierre Mocky and Caroline Champetier.
Holy Motors director Leos Carax Photo: Anne-Katrin Titze
Following screenings of Anne Fontaine's The Innocents (Les Innocentes) and Leos Carax's Holy Motors, Caroline Champetier...
The French Institute Alliance Française in New York is set to honour Caroline Champetier this fall with a CinéSalon eight film retrospective, curated by Delphine Selles-Alvarez and the famed cinematographer herself.
Caroline Champetier: Shaping The Light kicks off on September 19 with Xavier Beauvois' Of Gods And Men (Des Hommes Et Des Dieux), starring Lambert Wilson and Michael Lonsdale. Other highlights include Arnaud Desplechin's La Sentinelle (Emmanuel Salinger, Thibault de Montalembert, Jean-Louis Richard); Chantal Akerman's Toute Une nuit (Aurore Clément, Natalia Akerman, Paul Allio); Jean-Luc Godard's Grandeur Et Décadence D'Un Petit Commerce De Cinéma with Jean-Pierre Léaud, Marie Valera, Jean-Pierre Mocky and Caroline Champetier.
Holy Motors director Leos Carax Photo: Anne-Katrin Titze
Following screenings of Anne Fontaine's The Innocents (Les Innocentes) and Leos Carax's Holy Motors, Caroline Champetier...
- 8/11/2017
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The Film Society of Lincoln Center has today announced the fourth edition of Art of the Real, their essential showcase for boundary-pushing nonfiction film, scheduled to take place April 20 – May 2. Billed as “a survey of the most vital and innovative voices in nonfiction and hybrid filmmaking,” this year’s showcase features an eclectic, globe-spanning host of discoveries, including seven North American premieres and eight U.S. premieres.
“In our fourth year we’ve put an emphasis on placing works by first-time and emerging filmmakers alongside established names, with the aim to highlight the experimentation happening across generations, and to trace a new trajectory of documentary art that points to its promising future,” said Film Society of Lincoln Center Programmer at Large Rachael Rakes, who organized the festival with Director of Programming Dennis Lim.
The Opening Night selection is the New York premiere of Theo Anthony’s “Rat Film,” which has...
“In our fourth year we’ve put an emphasis on placing works by first-time and emerging filmmakers alongside established names, with the aim to highlight the experimentation happening across generations, and to trace a new trajectory of documentary art that points to its promising future,” said Film Society of Lincoln Center Programmer at Large Rachael Rakes, who organized the festival with Director of Programming Dennis Lim.
The Opening Night selection is the New York premiere of Theo Anthony’s “Rat Film,” which has...
- 3/20/2017
- by Kate Erbland
- Indiewire
A Bigger Splash Review A Bigger Splash (2015) Film Review, a movie directed by Luca Guadagnino, starring Tilda Swinton, Ralph Fiennes, Dakota Johnson, Matthias Schoenaerts, Aurore Clement, Lily McMenamy. Luca Guadagnino’s A Bigger Splash is what it is. This is a twisty, sex-filled melodrama that fits securely into the Rich People Being Naughty genre. That said, I happen to love this […]...
- 5/15/2016
- by Samuel Murrian
- Film-Book
There’s almost an embarrassment of riches on display in the new movie A Bigger Splash, at least in terms of the main cast members. Consider how excited most cinema buffs would be for anything that starred Ralph Fiennes and Tilda Swinton, but then factor in how this is a change of pace for them both, along with A Bigger Splash being a high profile title on the fall festival circuit last year, and that only adds to the hype, as it were. Having seen the final product, I’m not too wild about it, but it is really hard to beat this cast. With the film headed to theaters this week, I figured it paid to discuss this one a bit. It’s certainly an indie movie of note, no doubt about that. The film is loosely inspired by La Piscine (or The Swimming Pool), but mostly is just its own thing.
- 5/4/2016
- by Joey Magidson
- Hollywoodnews.com
Take a look @ actress Dakota Johnson ("Fifty Shades Of Grey") in the new 'erotic thriller' "A Bigger Splash", directed by Luca Guadagnino from a screenplay by Alain Page and David Kajganic, starring Johnson, Tilda Swinton ("Doctor Strange"), Matthias Schoenaerts and Ralph Fiennes, opening May 13, 2016:
"...'Marianne Lane' (Swinton), a famous rock star, and her filmmaker boyfriend, 'Paul' (Schoenaerts)...
"...are vacationing on the remote Italian island of 'Pantelleria'...
"...when they are disrupted by the unexpected visit of an old friend, 'Harry' (Fiennes), and his daughter, 'Penelope' (Johnson)..."
Cast also includes Lily McMenamy as 'Sylvie', Aurore Clément as 'Mireille', Elena Bucci as 'Clara' and Corrado Guzzanti as 'Maresciallo dei Carabinieri'.
Click the images to enlarge and Sneak Peek "A Bigger Splash"...
"...'Marianne Lane' (Swinton), a famous rock star, and her filmmaker boyfriend, 'Paul' (Schoenaerts)...
"...are vacationing on the remote Italian island of 'Pantelleria'...
"...when they are disrupted by the unexpected visit of an old friend, 'Harry' (Fiennes), and his daughter, 'Penelope' (Johnson)..."
Cast also includes Lily McMenamy as 'Sylvie', Aurore Clément as 'Mireille', Elena Bucci as 'Clara' and Corrado Guzzanti as 'Maresciallo dei Carabinieri'.
Click the images to enlarge and Sneak Peek "A Bigger Splash"...
- 1/23/2016
- by Michael Stevens
- SneakPeek
The alarm clock cries in my bedside table. 8am. Right, here we go. Grab clothes for yet another day, don’t forget the body soap, the moisturizer and the black mascara and off I go to start my daily ritual lively practiced inside my tiny toilet. Repetitive motions are evoked…teeth are washed, hair is brushed, boot laces are entwined around my unreliable feet, eggs are scrambled in the tormented pan, coffee is brewed, lights are shut, doors are locked, and a cigarette is delightedly lit—all as if I was skimming through the prologue of a novel I have lazily read too many times before. My feet move to the rhythm of the rain incessantly falling on the grey pavement and my bones fear the unpredictability of what may come in the following hours, but I never stop. I never do. (…) The ritual has somehow turned into tradition and...
- 12/31/2015
- by Susana Bessa
- MUBI
Film-maker pushed boundaries with her experimental, female-focused films.
Belgian-born experimental film-maker and artist Chantal Akerman has died at the age of 65.
Her long-time producer Patrick Quinet of Brussels-based Artemis Film confirmed Akerman’s death.
“She was a hugely important cineaste who by her singularity revolutionised parts of international cinema,” he told Afp.
Quinet did not give the cause of Akerman’s death but French newspaper Le Monde reported that the Paris-based film-maker committed suicide on Monday evening (Oct 5).
Career
Akerman was born in Brussels in 1950 to Jewish-Polish Holocaust survivors.
Her mother’s experiences in Auschwitz during World War Two, where she lost both her parents, would haunt Akerman all her life and permeate many of her works including the recent No Home Movie, which premiered at the Locarno Film Festival over the summer.
Akerman made her first film, Saute Ma Ville, in 1968 at age 17, having dropped out of film school in Belgium after just one term.
The...
Belgian-born experimental film-maker and artist Chantal Akerman has died at the age of 65.
Her long-time producer Patrick Quinet of Brussels-based Artemis Film confirmed Akerman’s death.
“She was a hugely important cineaste who by her singularity revolutionised parts of international cinema,” he told Afp.
Quinet did not give the cause of Akerman’s death but French newspaper Le Monde reported that the Paris-based film-maker committed suicide on Monday evening (Oct 5).
Career
Akerman was born in Brussels in 1950 to Jewish-Polish Holocaust survivors.
Her mother’s experiences in Auschwitz during World War Two, where she lost both her parents, would haunt Akerman all her life and permeate many of her works including the recent No Home Movie, which premiered at the Locarno Film Festival over the summer.
Akerman made her first film, Saute Ma Ville, in 1968 at age 17, having dropped out of film school in Belgium after just one term.
The...
- 10/6/2015
- ScreenDaily
Film-maker pushed boundaries with her experimental, female-focused films.
Belgian-born experimental film-maker and artist Chantal Akerman has died at the age of 65.
Her long-time producer Patrick Quinet of Brussels-based Artemis Film confirmed Akerman’s death.
“She was a hugely important cineaste who by her singularity revolutionised parts of international cinema,” he told Afp.
Quinet did not give the cause of Akerman’s death but French newspaper Le Monde reported that the Paris-based film-maker committed suicide on Monday evening (Oct 5).
Career
Akerman was born in Brussels in 1950 to Jewish-Polish Holocaust survivors.
Her mother’s experiences in Auschwitz during World War Two, where she lost both her parents, would haunt Akerman all her life and permeate many of her works including the recent No Home Movie, which premiered at the Locarno Film Festival over the summer.
Akerman made her first film, Saute Ma Ville, in 1968 at age 17, having dropped out of film school in Belgium after just one term.
The...
Belgian-born experimental film-maker and artist Chantal Akerman has died at the age of 65.
Her long-time producer Patrick Quinet of Brussels-based Artemis Film confirmed Akerman’s death.
“She was a hugely important cineaste who by her singularity revolutionised parts of international cinema,” he told Afp.
Quinet did not give the cause of Akerman’s death but French newspaper Le Monde reported that the Paris-based film-maker committed suicide on Monday evening (Oct 5).
Career
Akerman was born in Brussels in 1950 to Jewish-Polish Holocaust survivors.
Her mother’s experiences in Auschwitz during World War Two, where she lost both her parents, would haunt Akerman all her life and permeate many of her works including the recent No Home Movie, which premiered at the Locarno Film Festival over the summer.
Akerman made her first film, Saute Ma Ville, in 1968 at age 17, having dropped out of film school in Belgium after just one term.
The...
- 10/6/2015
- ScreenDaily
Film-maker pushed boundaries with her experimental, female-focused films.
Belgian-born experimental film-maker and artist Chantal Akerman has died at the age of 65.
Her long-time producer Patrick Quinet of Brussels-based Artemis Film confirmed Akerman’s death.
“She was a hugely important cineaste who by her singularity revolutionised parts of international cinema,” he told Afp.
Quinet did not give the cause of Akerman’s death but French newspaper Le Monde reported that the Paris-based film-maker committed suicide on Monday evening (Oct 5).
Career
Akerman was born in Brussels in 1950 to Jewish-Polish Holocaust survivors.
Her mother’s experiences in Auschwitz during World War Two, where she lost both her parents, would haunt Akerman all her life and permeate many of her works including the recent No Home Movie, which premiered at the Locarno Film Festival over the summer.
Akerman made her first film, Saute Ma Ville, in 1968 at age 17, having dropped out of film school in Belgium after just one term.
The...
Belgian-born experimental film-maker and artist Chantal Akerman has died at the age of 65.
Her long-time producer Patrick Quinet of Brussels-based Artemis Film confirmed Akerman’s death.
“She was a hugely important cineaste who by her singularity revolutionised parts of international cinema,” he told Afp.
Quinet did not give the cause of Akerman’s death but French newspaper Le Monde reported that the Paris-based film-maker committed suicide on Monday evening (Oct 5).
Career
Akerman was born in Brussels in 1950 to Jewish-Polish Holocaust survivors.
Her mother’s experiences in Auschwitz during World War Two, where she lost both her parents, would haunt Akerman all her life and permeate many of her works including the recent No Home Movie, which premiered at the Locarno Film Festival over the summer.
Akerman made her first film, Saute Ma Ville, in 1968 at age 17, having dropped out of film school in Belgium after just one term.
The...
- 10/6/2015
- ScreenDaily
The New Girlfriend (Une nouvelle amie) Cohen Media Group Reviewed by: Harvey Karten for Shockya. Databased on Rotten Tomatoes. Grade: B+ Director: François Ozon Screenwriter: François Ozon from the short story “The New Girlfriend” by Ruth Rendell Cast: Romain Duris, Anäis Demoustier, Raphaël Personnaz, Isild Le Besco, Aurore Clément Screened at: Review 2, NYC, 9/1/15 Opens: September 18, 2015 Every baby needs a mother, but what to do when the mother is out of the picture—maybe imprisoned, drugged, or dead? Dad could take over the job, of course, but some dads go to extremes. In the case of “The New Girlfriend,” director François Ozon, already well known for such previous [ Read More ]
The post The New Girlfriend Movie Review appeared first on Shockya.com.
The post The New Girlfriend Movie Review appeared first on Shockya.com.
- 9/8/2015
- by Harvey Karten
- ShockYa
From RedBand.Ca, Sneak Peek restricted 'red band' footage from the dramatic feature "The New Girlfriend", directed by François Ozon, based on the short story of the same name by author Ruth Rendell, opening September 18, 2015:
Cast includes Romain Duris, Anaïs Demoustier, Raphaël Personnaz, Isild Le Besco, Aurore Clément, Jean-Claude Bolle-Reddat, Bruno Perard, Claudine Chatel, Anita Gillier, Alex Fondja and Zita Hanrot.
"...a delectable riff on transformation, desire and sexuality that blends the heightened reality of melodrama with mischievous humor....powered by beautifully controlled performances from Anaïs Demoustier and Romain Duris..."
Click the images to enlarge and Sneak Peek "The New Girlfriend"...
Cast includes Romain Duris, Anaïs Demoustier, Raphaël Personnaz, Isild Le Besco, Aurore Clément, Jean-Claude Bolle-Reddat, Bruno Perard, Claudine Chatel, Anita Gillier, Alex Fondja and Zita Hanrot.
"...a delectable riff on transformation, desire and sexuality that blends the heightened reality of melodrama with mischievous humor....powered by beautifully controlled performances from Anaïs Demoustier and Romain Duris..."
Click the images to enlarge and Sneak Peek "The New Girlfriend"...
- 8/30/2015
- by Michael Stevens
- SneakPeek
The Conversation is a feature at Sound on Sight bringing together Drew Morton and Landon Palmer in a passionate debate about cinema new and old. For their seventh piece, they discuss Wim Wenders’s modern classic Paris, Texas (1984).
Landon’S Take
Throughout Wim Wenders’s Paris, Texas (1984), Travis Henderson (played by Harry Dean Stanton) carries with him a photograph of an empty lot he bought in the eponymous city, which he later tells his son is near “the Red River” that borders Texas, Oklahoma, and Arkansas. The reference automatically draws to mind Howard Hawks’s beloved 1948 Western, Red River, which drew together an unlikely screen pair with John Wayne and Montgomery Clift. That Hawks classic was also featured prominently in Peter Bogdanovich’s canonical 1971 film The Last Picture Show as the “last picture” of the film’s title exhibited at a dwindling moviehouse in an increasingly barren West Texas small town.
Landon’S Take
Throughout Wim Wenders’s Paris, Texas (1984), Travis Henderson (played by Harry Dean Stanton) carries with him a photograph of an empty lot he bought in the eponymous city, which he later tells his son is near “the Red River” that borders Texas, Oklahoma, and Arkansas. The reference automatically draws to mind Howard Hawks’s beloved 1948 Western, Red River, which drew together an unlikely screen pair with John Wayne and Montgomery Clift. That Hawks classic was also featured prominently in Peter Bogdanovich’s canonical 1971 film The Last Picture Show as the “last picture” of the film’s title exhibited at a dwindling moviehouse in an increasingly barren West Texas small town.
- 7/29/2015
- by Landon Palmer
- SoundOnSight
Eli Wallach and Anne Jackson on the Oscars' Red Carpet Eli Wallach and Anne Jackson at the Academy Awards Eli Wallach and wife Anne Jackson are seen above arriving at the 2011 Academy Awards ceremony, held on Sunday, Feb. 27, at the Kodak Theatre in Hollywood. The 95-year-old Wallach had received an Honorary Oscar at the Governors Awards in November 2010. See also: "Doris Day Inexplicably Snubbed by Academy," "Maureen O'Hara Honorary Oscar," "Honorary Oscars: Mary Pickford, Greta Garbo Among Rare Women Recipients," and "Hayao Miyazaki Getting Honorary Oscar." Delayed film debut The Actors Studio-trained Eli Wallach was to have made his film debut in Fred Zinnemann's Academy Award-winning 1953 blockbuster From Here to Eternity. Ultimately, however, Frank Sinatra – then a has-been following a string of box office duds – was cast for a pittance, getting beaten to a pulp by a pre-stardom Ernest Borgnine. For his bloodied efforts, Sinatra went on...
- 4/24/2015
- by D. Zhea
- Alt Film Guide
I know, I know... it's early in the year and the Oscars just ended and Oh my God what are you doingc Yet, the wheels keep turning and I like to be ahead of the game rather than playing catch up at the end of the year so I'm trying to make sure the database is locked and loaded for Oscar 2016 and I just got done adding a few contenders, contenders such as... Luca Guadagnino's A Bigger Splash, which Fox Searchlight just acquired for distribution starring Matthias Schoenaerts, Tilda Swinton, Ralph Fiennes, Dakota Johnson and Aurore Clement. The pic centers on a high profile couple, a famous rock star and a filmmaker (Schoenaerts and Swinton), vacationing and recovering on the idyllic sun-drenched and remote Italian island of Pantelleria are disrupted by the unexpected visit of an old friend and his daughter (Fiennes and Johnson) - creating a whirlwind of jealousy,...
- 2/27/2015
- by Brad Brevet
- Rope of Silicon
Paris, Texas (1984), a collaboration by writer Sam Shepard and director Wim Wenders, is a film of dichotomies: dichotomy of location, of ideals, of personalities, of gender roles. Even the words in its title are at odds with each other. The film follows Travis Henderson, played by a worn Harry Dean Stanton, who is always on the move but not really getting anywhere. The first time we see him is as a small figure with a red baseball cap, standing in the vast desert near the Texas/Mexico border. In this shot, we see no civilization or roads, only the rocky landscape. It’s as if he was dropped out of the sky or, more appropriately, materialized from the rocks around him, for they are both heavily weathered by time. We cut from this moment to Travis entering a rest stop area that, like Travis, has seemingly sprung up from the ground.
- 2/5/2014
- by Jae K. Renfrow
- SoundOnSight
War is hell, for sure, but war can make for undeniably brilliant movie-making. Here, the Guardian and Observer's critics pick the ten best
• Top 10 action movies
• Top 10 comedy movies
• Top 10 horror movies
• Top 10 sci-fi movies
• Top 10 crime movies
• Top 10 arthouse movies
• Top 10 family movies
10. Where Eagles Dare
As the second world war thriller became bogged down during the mid-60s in plodding epics like Operation Crossbow and The Heroes of Telemark, someone was needed to reintroduce a little sang-froid, some post-Le Carré espionage, and for heaven's sake, some proper macho thrills into the genre. Alistair Maclean stepped up, writing the screenplay and the novel of Where Eagles Dare simultaneously, and Brian G Hutton summoned up a better than usual cast headed by Richard Burton (Major Jonathan Smith), a still fresh-faced Clint Eastwood (Lieutenant Morris Schaffer), and the late Mary Ure (Mary Elison).
Parachuted into the German Alps, they have one...
• Top 10 action movies
• Top 10 comedy movies
• Top 10 horror movies
• Top 10 sci-fi movies
• Top 10 crime movies
• Top 10 arthouse movies
• Top 10 family movies
10. Where Eagles Dare
As the second world war thriller became bogged down during the mid-60s in plodding epics like Operation Crossbow and The Heroes of Telemark, someone was needed to reintroduce a little sang-froid, some post-Le Carré espionage, and for heaven's sake, some proper macho thrills into the genre. Alistair Maclean stepped up, writing the screenplay and the novel of Where Eagles Dare simultaneously, and Brian G Hutton summoned up a better than usual cast headed by Richard Burton (Major Jonathan Smith), a still fresh-faced Clint Eastwood (Lieutenant Morris Schaffer), and the late Mary Ure (Mary Elison).
Parachuted into the German Alps, they have one...
- 10/29/2013
- The Guardian - Film News
Dean Tavoularis was the production designer on the one and only film I worked on, Farewell My Lovely. Aside from Dean, the entire crew from The Godfather was on this film, produced by Elliott Kastner (stepfather of Cassian Elwes and his illustrious brothers), associate produced by Jerry Bruckheimer, with a cameo of the new upcoming heartthrob Sylvester Stallone, and starring truly stellar actors Charlotte Rampling and Robert Mitchum. It's hard to believe that 1975 was 37 years ago!
And now, the 40th Telluride Film Festival (August 29 – September 2, 2013), presented by National Film Preserve Ltd., proudly announces Oscar-winning production designer Dean Tavoularis as its 2013 poster artist. Tavoularis will attend the 40th Telluride Film Festival over Labor Day weekend to present his poster design to the public and hold a poster signing for festival guests.
As a student, Dean Tavoularis studied painting and architecture at different art schools and went on to work at Disney Studios as an in-betweener in the animation department where he worked on the 1955 film Lady and the Tramp. He then transitioned to the live-action department where he worked on the 1954 film 20,000 Leagues Under The Sea. His career as a production designer began in 1967 when filmmaker Arthur Penn asked him to lead the artistic direction for Bonny And Clyde. Three years later, he and Penn teamed up again on Little Big Man. He began working with Francis Ford Coppola in 1972 on The Godfather, which was the beginning of much collaboration including the latter two films in The Godfather trilogy and Apocalypse Now.
Tavoularis has spent the last ten years focusing on his work as a painter. His return to film came in 2012 when he was the production designer on Roman Polanski’s Carnage. He has worked on over thirty films spanning four decades, landing five Academy-Award nominations and one win for The Godfather Part II. Tavoularis lives in Paris and Los Angeles with his wife, actress Aurore Clément.
“We are thrilled Dean agreed to do the poster art for the 40th anniversary,” said Executive Director Julie Huntsinger. “The 40th edition will be a remarkable celebration of Tff’s past and present, and Dean’s work with Telluride is a wonderful parallel. He was a part of Telluride in its very early years when he designed a poster for a Tff celebration called the ‘Spirit of Zoetrope.’ We are excited to have him back and to present his vision for this special year. ”
Tavoularis remarks, “When I was asked by Tom Luddy and Julie Huntsinger if I would design the poster for the 40th Telluride Film Festival, I was first flattered and then thoughtful of being part of the Telluride film history. In my own way I pondered Telluride’s past and in fact all film festivals. Like the word implies, a festival is a fair; people gathering to show their films. It just as well could be their tomatoes. It’s an exchange. I wanted a poster that was simple and joyful, that looked homemade with pure colors in shapes that symbolize a 1:85 screen and an audience. One cannot exist without the other. I am very happy to be a small part of Telluride’s history.”
Dean Tavoularis joins a prestigious list of artists who have shared their talents with Telluride Film Festival. Past poster artists include Ed Ruscha, John Mansfield, Julian Schnabel, Dottie Attie, Doug and Mike Starn, David Lance Goines, Chuck Jones, David Salle, Alexis Smith, Jim Dine, Seymour Chwast, Frederic Amat, Francesco Clemente, Dave McKean, Gary Larson, Chip Kidd, John Canemaker, Mark Stock, Laurie Anderson, William Wegman, Ralph Eggleston, Maira Kalman and Dave Eggers.
To view and download the 40th Telluride Film Festival poster art, visit: here.
40th Telluride Film Festival posters will be available for purchase throughout the five-day Festival or by visiting the Tff website at www.telluridefilmfestival.org.
40th Telluride Film Festival passes are now available here.
40th Anniversary of the Telluride Film Festival
Telluride Film Festival is celebrating its 40th Anniversary August 29 – September 2, 2013. To commemorate this special occasion an additional day has been added to the usual four-day Festival, making room for a five-day bounty of special programming and festivities. Passes are now available for purchase here.
About Telluride Film Festival
The prestigious Telluride Film Festival ranks among the world’s best film festivals and is an annual gathering for film industry insiders, cinema enthusiasts, filmmakers and critics. Tff is considered a major launching ground for the fall season’s most talked-about films. Founded in 1974, Telluride Film Festival, presented in the beautiful mountain town of Telluride, Colorado, is a four-day international educational event celebrating the art of film. Telluride Film Festival’s long-standing commitment is to join filmmakers and film connoisseurs together to experience great cinema. The exciting schedule, kept secret until Opening Day, consists of over two dozen filmmakers presenting their newest works, special Guest Director programs, three major Tributes to guest artists, special events and remarkable treasures from the past. Telluride Film Festival is a 501 (c)(3) non-profit educational program. Festival headquarters are in Berkeley, CA.
About Our Sponsors
Telluride Film Festival is supported by Land Rover North America, Turner Classic Movies, Ernst & Young, Film Finances, Audible.com, Telluride Mountain Village Owners Association, Universal Studios, Meyer Sound, The Academy of Motion Picture Arts and Sciences, Bombardier Business Aircraft, Mandarin Oriental Hotel Group, Américas Film Conservancy, Telluride Foundation, Pine Ridge Vineyards, The London Hotel Group, UCLA School of Theater, Film and Television, Dolby, Telluride Alpine Lodging, Crumpler, ShopKeep Pos, The Hollywood Reporter, Boston Light and Sound, among others.
And now, the 40th Telluride Film Festival (August 29 – September 2, 2013), presented by National Film Preserve Ltd., proudly announces Oscar-winning production designer Dean Tavoularis as its 2013 poster artist. Tavoularis will attend the 40th Telluride Film Festival over Labor Day weekend to present his poster design to the public and hold a poster signing for festival guests.
As a student, Dean Tavoularis studied painting and architecture at different art schools and went on to work at Disney Studios as an in-betweener in the animation department where he worked on the 1955 film Lady and the Tramp. He then transitioned to the live-action department where he worked on the 1954 film 20,000 Leagues Under The Sea. His career as a production designer began in 1967 when filmmaker Arthur Penn asked him to lead the artistic direction for Bonny And Clyde. Three years later, he and Penn teamed up again on Little Big Man. He began working with Francis Ford Coppola in 1972 on The Godfather, which was the beginning of much collaboration including the latter two films in The Godfather trilogy and Apocalypse Now.
Tavoularis has spent the last ten years focusing on his work as a painter. His return to film came in 2012 when he was the production designer on Roman Polanski’s Carnage. He has worked on over thirty films spanning four decades, landing five Academy-Award nominations and one win for The Godfather Part II. Tavoularis lives in Paris and Los Angeles with his wife, actress Aurore Clément.
“We are thrilled Dean agreed to do the poster art for the 40th anniversary,” said Executive Director Julie Huntsinger. “The 40th edition will be a remarkable celebration of Tff’s past and present, and Dean’s work with Telluride is a wonderful parallel. He was a part of Telluride in its very early years when he designed a poster for a Tff celebration called the ‘Spirit of Zoetrope.’ We are excited to have him back and to present his vision for this special year. ”
Tavoularis remarks, “When I was asked by Tom Luddy and Julie Huntsinger if I would design the poster for the 40th Telluride Film Festival, I was first flattered and then thoughtful of being part of the Telluride film history. In my own way I pondered Telluride’s past and in fact all film festivals. Like the word implies, a festival is a fair; people gathering to show their films. It just as well could be their tomatoes. It’s an exchange. I wanted a poster that was simple and joyful, that looked homemade with pure colors in shapes that symbolize a 1:85 screen and an audience. One cannot exist without the other. I am very happy to be a small part of Telluride’s history.”
Dean Tavoularis joins a prestigious list of artists who have shared their talents with Telluride Film Festival. Past poster artists include Ed Ruscha, John Mansfield, Julian Schnabel, Dottie Attie, Doug and Mike Starn, David Lance Goines, Chuck Jones, David Salle, Alexis Smith, Jim Dine, Seymour Chwast, Frederic Amat, Francesco Clemente, Dave McKean, Gary Larson, Chip Kidd, John Canemaker, Mark Stock, Laurie Anderson, William Wegman, Ralph Eggleston, Maira Kalman and Dave Eggers.
To view and download the 40th Telluride Film Festival poster art, visit: here.
40th Telluride Film Festival posters will be available for purchase throughout the five-day Festival or by visiting the Tff website at www.telluridefilmfestival.org.
40th Telluride Film Festival passes are now available here.
40th Anniversary of the Telluride Film Festival
Telluride Film Festival is celebrating its 40th Anniversary August 29 – September 2, 2013. To commemorate this special occasion an additional day has been added to the usual four-day Festival, making room for a five-day bounty of special programming and festivities. Passes are now available for purchase here.
About Telluride Film Festival
The prestigious Telluride Film Festival ranks among the world’s best film festivals and is an annual gathering for film industry insiders, cinema enthusiasts, filmmakers and critics. Tff is considered a major launching ground for the fall season’s most talked-about films. Founded in 1974, Telluride Film Festival, presented in the beautiful mountain town of Telluride, Colorado, is a four-day international educational event celebrating the art of film. Telluride Film Festival’s long-standing commitment is to join filmmakers and film connoisseurs together to experience great cinema. The exciting schedule, kept secret until Opening Day, consists of over two dozen filmmakers presenting their newest works, special Guest Director programs, three major Tributes to guest artists, special events and remarkable treasures from the past. Telluride Film Festival is a 501 (c)(3) non-profit educational program. Festival headquarters are in Berkeley, CA.
About Our Sponsors
Telluride Film Festival is supported by Land Rover North America, Turner Classic Movies, Ernst & Young, Film Finances, Audible.com, Telluride Mountain Village Owners Association, Universal Studios, Meyer Sound, The Academy of Motion Picture Arts and Sciences, Bombardier Business Aircraft, Mandarin Oriental Hotel Group, Américas Film Conservancy, Telluride Foundation, Pine Ridge Vineyards, The London Hotel Group, UCLA School of Theater, Film and Television, Dolby, Telluride Alpine Lodging, Crumpler, ShopKeep Pos, The Hollywood Reporter, Boston Light and Sound, among others.
- 6/3/2013
- by Sydney Levine
- Sydney's Buzz
In a career spanning more than four decades, director Wim Wenders has delivered an eclectic mix of feature films, shorts and documentaries for the big screen and television. With Wenders's latest documentary, Pina, opening in Austin soon, it's a good time to look back at what may be his most celebrated movie, the inimitable Paris, Texas.
Released in 1984 to wide critical acclaim, Paris, Texas is the story of reticent oddball Travis Henderson (Harry Dean Stanton), who wanders deliriously out of the desert into Terlingua, Texas as the film opens. A local doctor treats him and contacts his brother, Walt (Dean Stockwell), who travels from Los Angeles to reunite with Travis, a lonely and damaged soul who has been estranged from the family for years.
On a difficult road trip back to Los Angeles -- Travis refuses to speak at first and has a penchant for disappearing if left alone --...
Released in 1984 to wide critical acclaim, Paris, Texas is the story of reticent oddball Travis Henderson (Harry Dean Stanton), who wanders deliriously out of the desert into Terlingua, Texas as the film opens. A local doctor treats him and contacts his brother, Walt (Dean Stockwell), who travels from Los Angeles to reunite with Travis, a lonely and damaged soul who has been estranged from the family for years.
On a difficult road trip back to Los Angeles -- Travis refuses to speak at first and has a penchant for disappearing if left alone --...
- 1/26/2012
- by Don Clinchy
- Slackerwood
Francis Ford Coppola, 1979
It was John Milius who first came up with the idea of transposing Joseph Conrad's Heart of Darkness to a Vietnam war setting. Milius wrote the first drafts of the screenplay; former war correspondent Michael Herr later added narration. George Lucas was down to direct, but it was Francis Ford Coppola who finally set out to make what was intended to be the ultimate statement about the madness of war. It turned out to be equally about the madness of movie making. Captain Willard (Martin Sheen) hitches a lift on a Navy patrol boat up the Mekong river to Cambodia on a mission to terminate "with extreme prejudice" a certain Colonel Kurtz (Marlon Brando) who is reported to have gone native in rather a nasty way. But it's a long journey, and before he confronts the renegade colonel, Willard must first face all manner of trippy imagery,...
It was John Milius who first came up with the idea of transposing Joseph Conrad's Heart of Darkness to a Vietnam war setting. Milius wrote the first drafts of the screenplay; former war correspondent Michael Herr later added narration. George Lucas was down to direct, but it was Francis Ford Coppola who finally set out to make what was intended to be the ultimate statement about the madness of war. It turned out to be equally about the madness of movie making. Captain Willard (Martin Sheen) hitches a lift on a Navy patrol boat up the Mekong river to Cambodia on a mission to terminate "with extreme prejudice" a certain Colonel Kurtz (Marlon Brando) who is reported to have gone native in rather a nasty way. But it's a long journey, and before he confronts the renegade colonel, Willard must first face all manner of trippy imagery,...
- 10/19/2010
- by Anne Billson
- The Guardian - Film News
The Criterion Collection's recent releases of Chantal Akerman's early work have given me my first opportunity to see many of the films that established her reputation. The most lauded—Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975); Je, tu, il, elle (1976); and News from Home (1977)—more than live up to their reputations, but it's the feature film she made immediately after News, Les rendezvous d'Anna(1978), that has most piqued my curiosity. This post will be the first in an on-going series of brief essays that attempt to describe why a particular sequence or image generates an unexpected frisson in the viewer, or how a particular moment represents in concentrated form the larger formal or thematic interests of the film. Pedantry aside, Girish recently provoked a fair amount of discussion about the "small, striking moments" in films. That's what I'm after here. We'll see if it works.
The Image In Question
This...
The Image In Question
This...
- 7/6/2010
- MUBI
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