- [about the problems on Captive Women (1952)] Part of the fault was that the director, Stuart Gilmore, was being given one of his first directing opportunities . . . Gilmore had been an editor for [Howard Hughes] on The Outlaw (1943); this was one of Gilmore's first pictures and he was lost. Completely. The poor man had tremendous problems: there were too many people in the cast, too many actors with no dialogue in the scenes, and then the fact that they [the producers] had overextended themselves for special effects.
- [about making The Astounding She-Monster (1957)] . . . the director [Ronald V. Ashcroft] planned to make that feature in a week's time and I think we ended up making it in five days. THAT was the astounding part of that picture!
- [on John Carradine] He was a true professional and he gave every bit as much working for Jerry Warren as he would working for Cecil B. DeMille or John Ford. He did not stint in the slightest in his performance. He was cooperative, easy to work with and he was not condescending--he was something of a star and we weren't, but he treated us as equals and fellow actors. I had great respect for him.
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