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Saucy pre-Code entertainment frequently served up risqué dialogue, with edgy content like promiscuity and drug use. Mitchell Leisen’s 1934 murder mystery goes straight for a supposed family-industry no-no: Broadway-revue near-nudity featuring Earl Carroll’s ‘Most Beautiful Girls In The World’. Victor McLaglen is an inept detective and Jack Oakie a wise-cracking impresario. Gertrude Michael and Kitty Carlisle carry the musical numbers, the most famous being an ode to the still-legal Sweet Marijuana. Showgirls like Lucille Ball possess the daring to don the skimpy costumes, even if they hadn’t yet learned what Marijuana was. Duke Ellington and his orchestra sit in for Ebony Rhapsody, a mixed-race musical number with room for ‘guest dancers from Harlem.’
Murder at the Vanities
Blu-ray
Kl Studio Classics
1934 / B&W / 1:37 Academy / 89 min. / Street Date October 11, 2022 / available through Kino Lorber / 24.95
Starring: Carl Brisson, Victor McLaglen, Jack Oakie, Kitty Carlisle, Dorothy Stickney, Gertrude Michael, Jessie Ralph,...
Murder at the Vanities
Blu-ray
Kl Studio Classics
1934 / B&W / 1:37 Academy / 89 min. / Street Date October 11, 2022 / available through Kino Lorber / 24.95
Starring: Carl Brisson, Victor McLaglen, Jack Oakie, Kitty Carlisle, Dorothy Stickney, Gertrude Michael, Jessie Ralph,...
- 10/1/2022
- by Glenn Erickson
- Trailers from Hell
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![Image](https://m.media-amazon.com/images/M/MV5BNzZiYmEwY2QtNzYxYS00YTg5LTljNzQtMGVlZjZiNzhhNTY3XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY207_CR12,0,140,207_.jpg)
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By Darren Allison
The Film Detective continues to thrill us with a couple of excellent cult classics. Frankenstein’s Daughter is a film that had been denied a great deal of exposure to fans of the strange and macabre. For many, it’s a title that has teased us for decades, with a still or a lobby card appearing once in a while by way of a horror book or a specialist periodical, so it is certainly welcome. It is typically what one would expect from this lush 1950s period. An incredibly low-budget affair, these films would often be produced for around $60,000, but the filmmakers certainly knew how to squeeze every ounce out of that budget. If anything, it ignited creativity and provided a lesson in how to make the most of the limited resources that were available to them.
Frankenstein’s Daughter is a fine example of that.
By Darren Allison
The Film Detective continues to thrill us with a couple of excellent cult classics. Frankenstein’s Daughter is a film that had been denied a great deal of exposure to fans of the strange and macabre. For many, it’s a title that has teased us for decades, with a still or a lobby card appearing once in a while by way of a horror book or a specialist periodical, so it is certainly welcome. It is typically what one would expect from this lush 1950s period. An incredibly low-budget affair, these films would often be produced for around $60,000, but the filmmakers certainly knew how to squeeze every ounce out of that budget. If anything, it ignited creativity and provided a lesson in how to make the most of the limited resources that were available to them.
Frankenstein’s Daughter is a fine example of that.
- 12/15/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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Hello, dear readers! To paraphrase a popular movie, “We’re in the Endgame now,” as Halloween is now merely only a few days away. If you’re looking for some last-minute viewing ideas to get you to the spooky season finish line, we definitely have a great array of choices heading home on Tuesday. The biggest recommendation that I can personally make in regard to perfect Halloween movie experiences is the Wnuf Halloween Special, which is getting a killer Blu-ray release tomorrow. Arrow Films is giving Dario Argento’s Deep Red a 4K upgrade this week, too, and Severin Films is showing love to both An Angel for Satan and Beyond Darkness.
Other releases for October 26th include Don’t Breathe 2, The Amazing Mr. X, Boardinghouse, Eye of the Devil, Skull: The Mask, Frankenstein’s Daughter, and Underworld: Limited Edition 5-Movie Collection.
The Amazing Mr. X: Special Edition
An atmospheric masterpiece,...
Other releases for October 26th include Don’t Breathe 2, The Amazing Mr. X, Boardinghouse, Eye of the Devil, Skull: The Mask, Frankenstein’s Daughter, and Underworld: Limited Edition 5-Movie Collection.
The Amazing Mr. X: Special Edition
An atmospheric masterpiece,...
- 10/25/2021
- by Heather Wixson
- DailyDead
![Ricardo Cortez](https://m.media-amazon.com/images/M/MV5BNzEwMTQwOTMyOF5BMl5BanBnXkFtZTcwNzMxMDgxOA@@._V1_QL75_UY207_CR8,0,140,207_.jpg)
![Ricardo Cortez](https://m.media-amazon.com/images/M/MV5BNzEwMTQwOTMyOF5BMl5BanBnXkFtZTcwNzMxMDgxOA@@._V1_QL75_UY207_CR8,0,140,207_.jpg)
Ricardo Cortez in 'Ten Cents a Dance,' with Barbara Stanwyck. No matter how unthankful the role, whether hero or heel – or, not infrequently, a combination of both – Cortez left his bedroom-eyed, mellifluous-voiced imprint in his pre-Production Code talkies. Besides Barbara Stanwyck, during the 1920s and 1930s Cortez made love to and/or life difficult for, a whole array of leading ladies of that era, including Bebe Daniels, Gloria Swanson, Betty Compson, Betty Bronson, Greta Garbo, Florence Vidor, Claudette Colbert, Mary Astor, Kay Francis, Joan Crawford, Irene Dunne, Joan Blondell, and Loretta Young*. (See previous post: “Ricardo Cortez Q&A: From Latin Lover to Multiethnic Heel.”) Not long after the coming of sound, Ricardo Cortez was mostly relegated to playing subordinate roles to his leading ladies – e.g., Kay Francis, Irene Dunne, Claudette Colbert – or leads in “bottom half of the double bill” programmers at Warner Bros. or on loan to other studios. Would...
- 7/7/2017
- by Andre Soares
- Alt Film Guide
Virginia Bruce: MGM actress ca. 1935. Virginia Bruce movies on TCM: Actress was the cherry on 'The Great Ziegfeld' wedding cake Unfortunately, Turner Classic Movies has chosen not to feature any non-Hollywood stars – or any out-and-out silent film stars – in its 2015 “Summer Under the Stars” series.* On the other hand, TCM has come up with several unusual inclusions, e.g., Lee J. Cobb, Warren Oates, Mae Clarke, and today, Aug. 25, Virginia Bruce. A second-rank MGM leading lady in the 1930s, the Minneapolis-born Virginia Bruce is little remembered today despite her more than 70 feature films in a career that spanned two decades, from the dawn of the talkie era to the dawn of the TV era, in addition to a handful of comebacks going all the way to 1981 – the dawn of the personal computer era. Career highlights were few and not all that bright. Examples range from playing the...
- 8/26/2015
- by Andre Soares
- Alt Film Guide
Shock
Written by Eugene Ling, Martin Berkeley
Directed by Alfred L. Werker
U.S.A., 1946
Young wife Janet Stewart (Anabel Shaw) arrives at a hotel where she is to meet with her war hero husband, Lt. Paul Stewart (Frank Latimore). Janet already had to live through months during which news of Paul’s death could have arrived at any moment. Compounding matters further was when she received such news, although it was only later proven thankfully inaccurate. Her fragile emotional and psychological state is thrown into a savage tailspin once again upon hearing an argument in another room. Janet goes to her balcony (where there is a view of the room where the heated tête-à-tête is transpiring). A man (Vincent Price), in a fit of fury and revulsion, hits his wife over the head with a candle holster, killing her in the process. Janet immediately goes into a state of shock,...
Written by Eugene Ling, Martin Berkeley
Directed by Alfred L. Werker
U.S.A., 1946
Young wife Janet Stewart (Anabel Shaw) arrives at a hotel where she is to meet with her war hero husband, Lt. Paul Stewart (Frank Latimore). Janet already had to live through months during which news of Paul’s death could have arrived at any moment. Compounding matters further was when she received such news, although it was only later proven thankfully inaccurate. Her fragile emotional and psychological state is thrown into a savage tailspin once again upon hearing an argument in another room. Janet goes to her balcony (where there is a view of the room where the heated tête-à-tête is transpiring). A man (Vincent Price), in a fit of fury and revulsion, hits his wife over the head with a candle holster, killing her in the process. Janet immediately goes into a state of shock,...
- 5/15/2015
- by Edgar Chaput
- SoundOnSight
Joan Lorring, 1945 Best Supporting Actress Oscar nominee, dead at 88: One of the earliest surviving Academy Award nominees in the acting categories, Lorring was best known for holding her own against Bette Davis in ‘The Corn Is Green’ (photo: Joan Lorring in ‘Three Strangers’) Best Supporting Actress Academy Award nominee Joan Lorring, who stole the 1945 film version of The Corn Is Green from none other than Warner Bros. reigning queen Bette Davis, died Friday, May 30, 2014, in the New York City suburb of Sleepy Hollow. So far, online obits haven’t mentioned the cause of death. Lorring, one of the earliest surviving Oscar nominees in the acting categories, was 88. Directed by Irving Rapper, who had also handled one of Bette Davis’ biggest hits, the 1942 sudsy soap opera Now, Voyager, Warners’ The Corn Is Green was a decent if uninspired film version of Emlyn Williams’ semi-autobiographical 1938 hit play about an English schoolteacher,...
- 6/1/2014
- by Andre Soares
- Alt Film Guide
The Amazing Mr. X (a.k.a. The Spiritualist)
Written by Crane Wilbur and Muriel Roy Bolton
Directed by Bernard Vorhaus
USA, 1948
Christine (Lynn Bari), widowed for two years, steps out one night on her bedroom balcony overlooking the nearby rocky cliffs and ocean. Something compels her towards the violent waters,, a voice, that of her late husband Paul. Her younger sister Janet (Cathy O’Donnell) gently reminds Christine that more than enough time has elapsed for her to rebuild her life, especially with Martin (Richard Carlson), affable and loving, trying to win her heart. A few nights later, Christine even makes the trek down to the beach where a raspy voice unmistakably calls out her name. To her surprise, a lone gentleman named Alexis (Turhan Bey) is lurking the premises and introduces himself as a spiritualist interested in her case. Tempted by the idea of contacting her dead husband,...
Written by Crane Wilbur and Muriel Roy Bolton
Directed by Bernard Vorhaus
USA, 1948
Christine (Lynn Bari), widowed for two years, steps out one night on her bedroom balcony overlooking the nearby rocky cliffs and ocean. Something compels her towards the violent waters,, a voice, that of her late husband Paul. Her younger sister Janet (Cathy O’Donnell) gently reminds Christine that more than enough time has elapsed for her to rebuild her life, especially with Martin (Richard Carlson), affable and loving, trying to win her heart. A few nights later, Christine even makes the trek down to the beach where a raspy voice unmistakably calls out her name. To her surprise, a lone gentleman named Alexis (Turhan Bey) is lurking the premises and introduces himself as a spiritualist interested in her case. Tempted by the idea of contacting her dead husband,...
- 1/31/2014
- by Edgar Chaput
- SoundOnSight
Jeanne Crain: Lighthearted movies vs. real life tragedies (photo: Madeleine Carroll and Jeanne Crain in ‘The Fan’) (See also: "Jeanne Crain: From ‘Pinky’ Inanity to ‘Margie’ Magic.") Unlike her characters in Margie, Home in Indiana, State Fair, Centennial Summer, The Fan, and Cheaper by the Dozen (and its sequel, Belles on Their Toes), or even in the more complex A Letter to Three Wives and People Will Talk, Jeanne Crain didn’t find a romantic Happy Ending in real life. In the mid-’50s, Crain accused her husband, former minor actor Paul Brooks aka Paul Brinkman, of infidelity, of living off her earnings, and of brutally beating her. The couple reportedly were never divorced because of their Catholic faith. (And at least in the ’60s, unlike the humanistic, progressive-thinking Margie, Crain was a “conservative” Republican who supported Richard Nixon.) In the early ’90s, she lost two of her...
- 8/26/2013
- by Andre Soares
- Alt Film Guide
Claudette Colbert, Alla Nazimova, Marion Davies, Charles Boyer: Cinecon 2011 Thursday September 1 (photo: Alla Nazimova) 7:00 Hollywood Rhythm (1934) 7:10 Welcoming Remarks 7:15 Hollywood Story (1951) 77 min. Richard Conte, Julie Adams, Richard Egan. Dir: William Castle. 8:35 Q & A with Julie Adams 9:10 Blazing Days (1927) 60 min. Fred Humes. Dir: William Wyler. 10:20 In The Sweet Pie And Pie (1941) 18 min 10:40 She Had To Eat (1937) 75 min. Jack Haley, Rochelle Hudson, Eugene Pallette. Friday September 2 9:00 Signing Off (1936) 9:20 Moon Over Her Shoulder (1941) 68 min. Dan Dailey, Lynn Bari, John Sutton, Alan Mowbray. 10:40 The Active Life Of Dolly Of The Dailies (1914) 15 min. Mary Fuller. 10:55 Stronger Than Death (1920) 80 min. Alla Nazimova, Charles Bryant. Dir: Herbert Blaché, Charles Bryant, Robert Z. Leonard. 12:15 Lunch Break 1:45 Open Track (1916) 2:00 On The Night Stage (1915) 60 min. William S. Hart, Rhea Mitchell. Dir: Reginald Barker. 3:15 50 Miles From Broadway (1929) 23 min 3:45 Cinerama Adventure (2002). Dir: David Strohmaier. 5:18 Discussion...
- 9/2/2011
- by Andre Soares
- Alt Film Guide
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