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IMDbPro

André Previn(1929-2019)

  • Music Department
  • Composer
  • Actor
IMDbProStarmeterSee rank
Andre Previn circa 1960s
German-American pianist, composer, arranger and conductor André George Previn (born Andreas Ludwig Priwin, in Berlin) was for eight decades a hugely influential and prolific figure in jazz, as well as classical and film music. Being Jewish, Previn's family was forced to leave Hitler's Germany in 1939. Hollywood naturally beckoned, since André's grand uncle (Charles Previn) was already well established as musical director at Universal (1936-42). Child prodigy André recorded his first piano jazz album at the age of sixteen while continuing studies at Beverly Hills High School.

He joined MGM at age 17 in 1946 (initially as an uncredited music supervisor/arranger), later as orchestra conductor and still later as a composer of film scores. He remained under contract at the studio until 1960. During his tenure in Hollywood, he was nominated for eleven Academy Awards, winning four (all for Best Adapted Score: Gigi (1958), Porgy and Bess (1959), Irma la Douce (1963), and My Fair Lady (1964)). In the 1950s, he recorded several acclaimed jazz albums with drummer Shelly Manne and pianist Russ Freeman, featuring excellent tracks like "Who's on First" and "Strike Out the Band". He began conducting with the St. Louis Symphony in 1961 while still working primarily as a jazz and studio musician. Much of his recorded work consisted of show tunes adapted for jazz. Gradually, his interest in classical music won out.

By the late 1960s, Previn had settled in England and in 1968 was made principal conductor of the London Symphony Orchestra, a position he occupied for eleven years. His popularity led to cameo TV appearances (including a famous sketch for the 1971 Christmas special of the The Morecambe & Wise Show (1968), in which he appeared as "Mr. Andrew Preview") and television advertising (Vauxhall, Ferguson TX portable television etc.). From 1985 to 1989, he was musical director of the Los Angeles Philharmonic as well as with the Royal Philharmonic (1985-88, subsequently also principal conductor, from 1988-91).

In 1993, he was appointed conductor laureate of the London Symphony and three years later was made an Honorary Knight Commander of the Order of the British Empire for services to music. He won 10 Grammy Awards (including two for jazz and two for film music) and was nominated for six Emmys. Previn latterly returned to recording jazz albums with, among others, Ella Fitzgerald (1983), Joe Pass & Ray Brown (1989), and Kiri Te Kanawa (1992). Two excellent tribute albums released, respectively in 1998 and 2000 for Deutsche Grammophon, were 'We Got Rhythm: A Gershwin Songbook' and 'We Got it Good: An Ellington Songbook'.

Married (and divorced) five times, his ex-wives included Dory Previn and Mia Farrow. Previn died in New York on February 28, 2019, aged 89.
BornApril 6, 1929
DiedFebruary 28, 2019(89)
BornApril 6, 1929
DiedFebruary 28, 2019(89)
IMDbProStarmeterSee rank
  • Won 4 Oscars
    • 19 wins & 56 nominations total

Photos11

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Known for

My Fair Lady (1964)
My Fair Lady
7.7
  • Music Department(as Andre Previn)
  • 1964
Jesus Christ Superstar (1973)
Jesus Christ Superstar
7.4
  • Music Department
  • 1973
Leslie Caron in Gigi (1958)
Gigi
6.6
  • Music Department
  • 1958
Natalie Portman and Jean Reno in Léon: The Professional (1994)
Léon: The Professional
8.5
  • Soundtrack("I Like Myself")
  • 1994

Credits

Edit
IMDbPro

Music Department



  • Secret Service (2008)
    Secret Service
    Short
    • conductor
    • 2008
  • Great Performances (1971)
    Great Performances
    7.9
    TV Series
    • conductor
    • music by
    • 1977–1998
  • Kiri Te Kanawa: Her Greatest Hits
    TV Movie
    • conductor
    • 1994
  • Romeo.Juliet (1990)
    Romeo.Juliet
    7.1
    • conductor
    • 1990
  • Previn on Concertos
    TV Series
    • conductor
    • 1986
  • Sounds Magnificent
    TV Mini Series
    • conductor
    • 1984
  • Mr & Mrs Edgehill (1985)
    BBC2 Playhouse
    6.8
    TV Series
    • conductor
    • 1979
  • Andre Previn's Music Night
    TV Series
    • conductor
    • 1971–1979
  • Previn and the Pittsburgh
    TV Series
    • musical director
    • 1978
  • The Lively Arts (1969)
    The Lively Arts
    6.8
    TV Series
    • conductor
    • 1977
  • Joshua Bell, Hugh Downs, Renée Fleming, Alan Gilbert, Lorin Maazel, Natalia Makarova, Audra McDonald, Zubin Mehta, Itzhak Perlman, Louis Perry, Beverly Sills, Martin Bookspan, and Fred Child in Live from Lincoln Center (1976)
    Live from Lincoln Center
    8.5
    TV Series
    • conductor
    • 1976
  • Rollerball (1975)
    Rollerball
    6.5
    • conductor
    • 1975
  • Lee Remick and Warren Clarke in Jennie: Lady Randolph Churchill (1974)
    Jennie: Lady Randolph Churchill
    7.6
    TV Mini Series
    • theme music (as Andre Previn)
    • 1974
  • Jesus Christ Superstar (1973)
    Jesus Christ Superstar
    7.4
    • conductor
    • 1973
  • Full House (1972)
    Full House
    6.1
    TV Series
    • conductor
    • 1972

Composer



  • Thierry Genovese in Cine Chalom (2019)
    Cine Chalom
    TV Mini Series
    • Composer (music by)
    • 2019
  • Romeo
    Video
    • Composer (music by:)
    • 2012
  • Return to the Arena: The Making of 'Rollerball'
    6.0
    Video
    • Composer
    • 2000
  • Previn on Concertos
    TV Series
    • composer: Piano Concerto
    • 1986
  • Mr & Mrs Edgehill (1985)
    BBC2 Playhouse
    6.8
    TV Series
    • Composer
    • 1979
  • Lee Remick and Warren Clarke in Jennie: Lady Randolph Churchill (1974)
    Jennie: Lady Randolph Churchill
    7.6
    TV Mini Series
    • Composer
    • 1974
  • Richard Chamberlain and Glenda Jackson in The Music Lovers (1971)
    The Music Lovers
    7.2
    • Composer
    • 1971
  • Jack Lemmon, Walter Matthau, and Judi West in The Fortune Cookie (1966)
    The Fortune Cookie
    7.2
    • Composer (as Andre Previn)
    • 1966
  • Natalie Wood in Inside Daisy Clover (1965)
    Inside Daisy Clover
    6.1
    • Composer
    • 1965
  • Dean Martin, Kim Novak, and Ray Walston in Kiss Me, Stupid (1964)
    Kiss Me, Stupid
    6.9
    • Composer (as Andre Previn, music score)
    • 1964
  • Tony Curtis and Debbie Reynolds in Goodbye Charlie (1964)
    Goodbye Charlie
    6.2
    • Composer (as Andre Previn)
    • 1964
  • My Fair Lady (1964)
    My Fair Lady
    7.7
    • Composer (uncredited)
    • 1964
  • Bette Davis in Dead Ringer (1963)
    Dead Ringer
    7.3
    • Composer (as Andre Previn)
    • 1963
  • Irma la Douce (1963)
    Irma la Douce
    7.3
    • Composer (as Andre Previn)
    • 1963
  • Two for the Seesaw (1962)
    Two for the Seesaw
    6.6
    • Composer
    • 1962

Actor



  • Pepe (1960)
    Pepe
    5.4
    • André Previn
    • 1960
  • The Subterraneans (1960)
    The Subterraneans
    5.0
    • André Previn
    • 1960
  • Natalie Wood and Robert Wagner in All the Fine Young Cannibals (1960)
    All the Fine Young Cannibals
    6.0
    • (uncredited)
    • 1960
  • Invitation to the Dance (1956)
    Invitation to the Dance
    6.4
    • The Composer at the Piano in 'Ring Around the Rosy'
    • 1956
  • I've Always Loved You (1946)
    I've Always Loved You
    6.4
    • Longhair (uncredited)
    • 1946

Personal details

Edit
  • Official sites
    • France's national library catalogue on his ancestor
    • Official Site
  • Alternative names
    • Andre Previn
  • Height
    • 5′ 7¼″ (1.71 m)
  • Born
    • April 6, 1929
    • Berlin, Germany
  • Died
    • February 28, 2019
    • New York City, New York, USA(undisclosed)
  • Spouses
      Anne-Sophie MutterAugust 1, 2002 - May 18, 2006 (divorced)
  • Children
      Soon-Yi Previn
  • Relatives
    • Manzie Allen(Grandchild)
  • Other works
    CD: "Camelot" (Columbia)
  • Publicity listings
    • 1 Print Biography
    • 3 Portrayals
    • 5 Articles

Did you know

Edit
  • Trivia
    Divorce from Dory Previn dragged on for two years after he started dating Farrow in 1968.
  • Quotes
    [on film studio orchestras] It has often been remarked that the sight-reading ability of these orchestras was legendary, and I have to add my voice to that existing chorus. These players were genuinely amazing. They would show up each morning, utterly unaware of what it was they were expected to record that day. It could have been a score by Alex North or Bernard Herrmann, or David Raksin or Miklos Rozsa, or just as easily a Tom and Jerry cartoon or a dance number for Fred Astaire. They would casually glance at the parts on their stands, the ink still wet, and would proceed to play with the same expert disdain a professional parking lot attendant uses to back a new convertible into a tight space.

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