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MobLand is the newest British crime-drama series starring Tom Hardy in the lead role. A plethora of stars like Pierce Brosnan, Helen Mirren, and Paddy Considine also joined Hardy in the pursuit of clashing families and toppling empires.

However, another star that made a recent appearance in MobLand was Jordi Mollà, who portrayed the role of Jamie Lopez in the iconic show. Fans who think that the actor looks familiar will be pleased to know that we indeed knew Jordi Mollà from CSI: Miami.

Jordi Mollà was also a part of CSI: Miami

CSI: Miami (or Crime Scene Investigation: Miami for the nerds) was an iconic show that aired from 2002 to 2012. The show featured an elite group of detectives led by an ex-homicide police officer as they tried to solve intricately complex cases in the hub of Miami.

Jordi Mollà also appeared in Bad Boys II | Credits: Columbia Pictures

It...

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Top Boy is a British crime thriller drama series created by Ronan Bennett. The Channel 4 and later on Netflix series is set in East London, and it follows Dushane and Sully, two drug dealers with different aspirations, as they get embroiled in gang violence. Top Boy stars Ashley Walters, Kane Robinson, Malcolm Kamulete, Giacomo Mancini, Shone Romulus, Sharon Duncan-Brewster, Kierston Wareing, and Nicholas Pinnock. So, if you loved the intense crime drama, thrilling story, and compelling characters in Top Boy, here are some similar shows you should check out next.

Gangs of London Credit – AMC+

Gangs of London is a British action crime thriller drama series created by Gareth Evans and Matt Flannery. Based on the video game of the same name developed by London Studio, the AMC+ series is set in the underworld of London, and...

While fans love Vin Diesel for playing Dom Toretto in the Fast and Furious franchise, his other character, Riddick is one they are longing for. The actor knows what fans want and has been teasing steadily the next entry in the franchise, Riddick: Furya. The movie started production last year, and we have seen the behind-the-scenes images already. Now the actor is teasing that some sort of announcement on the way.

The actor took to Instagram and shared an image of himself in character with a simple caption, “Incoming…” Fans are going gaga in his comments section and the hype is real around the project. The film has been in production for some time, so we might be in for a treat as a teaser might be on its way.

What to Expect From ‘Riddick: Furya’?

While the plot details are kept tightly under wraps for Riddick: Furya writer-director David Twohy,...

Netflix’s The Life List has captivated audiences with its heartfelt narrative and authentic portrayal of self-discovery. Starring Sofia Carson as Alex, the film follows her journey to fulfill a childhood bucket list to claim her inheritance. Beyond its engaging plot, the movie’s setting plays a pivotal role in bringing Alex’s story to life. Filmed across various iconic locations, the film offers viewers a genuine glimpse into the environments that shape Alex’s transformative journey. This article delves into the plot, detailed filming locations of The Life List.

Plot Overview

In The Life List, Alex (Sofia Carson) is tasked with completing a list of life goals she penned at 13 to receive her late mother’s inheritance. Guided by attorney Brad (Kyle Allen), Alex embarks on a year-long journey of self-discovery, confronting past relationships, pursuing forgotten dreams, and uncovering family secrets. The narrative intertwines themes of grief, love, and personal growth,...

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The Life List is a romantic comedy-drama film written and directed by Adam Brooks. Based on the 2013 novel of the same name by Lori Nelson Spielman, the Netflix film follows Alex, a young woman still grieving her mother’s recent death. She soon receives a video from her late mother telling her to revisit her childhood aspirations and old goals, which sends her on an adventurous journey. The Life List stars Sofia Carson, Kyle Allen, Connie Britton, José Zúñiga, and Jordi Mollà. So, if you loved the heart-touching drama, hilarious comedy, and compelling characters in The Life List, here are some similar shows you should check out next.

Eat Pray Love (Max & Rent on Prime Video) Credit – Sony Pictures

Eat Pray Love is a biographical romantic drama film directed by Ryan Murphy, who also co-wrote the screenplay with Jennifer Salt.

Spoiled Gen Z rich kids have a destructive queer romance while partying, doing drugs, and committing ludicrous crimes in the insufferable Pet Shop Days, which ticks every box on the checklist for terrible films. It's hard to believe that Hollywood stalwarts Willem Dafoe, Peter Sarsgaard, and Maribel Verdú play supporting roles in this dreck. There had to be a massive disconnect between the scripted material and what was filmed (multiple years ago) and then clumsily cobbled together in post-production. Pet Shop Days achieves that rare feat of having nothing positive to write about. The story, acting, and filmmaking on display are abysmal. MovieWeb doesn't have a tier for zero stars, but Pet Shop Days comes close.

In Mexico City, Alejandro (Darío Yazbek Bernal) lies in bed with his mother, Karla (Maribel Verdú) — insert ewww here — before an important family dinner. Neither wants to attend a birthday celebration for Alejandro's father,...

Pet Shop Days, written by Jack Irv, Olmo Schnabel, and Galen Core and directed by Schnabel in his debut, features a protagonist so unlikable, so emotionally ugly it’s almost to be admired. Alejandro (Darío Yazbek Bernal) is a rich Mexican kid and poster child for Freud: he hates his father (Jordi Mollà) and loves his mother (Maribel Verdú). There’s very little subtext in this film. The themes are as abrasive as the neon lights in any one of the many, many scenes set in strip clubs and underground drug dens hidden in the shadowy parts of New York City.

When Alejandro makes a deeply irrational mistake that nearly kills his mother, he runs to the United States, living off dwindling credit and short-term scams. He befriends Jack (Jack Irv), a gullible, aloof young man who quickly falls for Alejandro’s marginal charm. Jack’s parents (Emmanuelle Seigner...

New York icon Martin Scorsese is revealing his go-to films set in the Big Apple.

The auteur curated the screening series “Living, Breathing New York” for the Roxy Cinema, which features screenings of four of his favorite NYC movies out of a full list of Scorsese’s 32 favorite New York movies he’s created and which IndieWire is proud to share below.

“Living, Breathing New York” is curated by Scorsese in celebration of the new release of Olmo Schnabel’s NYC-set thriller, “Pet Shop Days,” which Scorsese executive produced. The film premieres March 15 at the Roxy Cinema in New York, and stars Dario Yazbek Bernal and Jack Irv as two lovers whose whirlwind romance sends them down a rabbit hole of drugs and depravity in Manhattan’s underworld. Willem Dafoe (who starred in Olmo Schnabel‘s father Julian Schnabel’s Vincent Van Gogh biopic “At Eternity’s Gate”), Emmanuelle Seigner, Peter Sarsgaard,...

¿Cómo preservar nuestra humanidad en un futuro tecnológico? © Prime Video

Prime Video ha anunciado el inicio del rodaje de Day One, un thriller tecnológico que explora la compleja relación entre tecnología y humanidad en la era digital.

En Day One, Ulises Albet (Álex González), un prodigio en computación, dejó atrás Barcelona y el mundo de la tecnología tras el suicidio de su hermana, víctima de acoso online. Diez años después, una misteriosa llamada de su ex compañero y mejor amigo, Samuel Barrera (Asier Etxeandía), le obliga a regresar en pleno Mobile World Congress. Samuel le advierte de que el mundo está en peligro, pero ¿de qué exactamente? Para averiguarlo, Ulises deberá enfrentarse a su pasado, a los implacables avances de la tecnología y a una pregunta cada vez más urgente: ¿hasta dónde podemos llegar sin perder lo que nos hace humanos?

La serie está protagonizada por Álex González (Operación Marea Negra...

Here’s All We Know About Sofia Carson’s The Life List (Photo Credit – Instagram)

Years may come and go, but rom-coms will always be what the audiences truly want. The Life List is the next romantic comedy released by Netflix, and the film stars Sofia Carson as the main lead. Here’s what we know about the upcoming film, including its release date, cast details, and more!

The Life List: Release Date & Cast Details

The Life List will be released on Netflix on March 28, 2025. The film is based on the novel of the same name by Lori Nelson Spielman. As for the film’s cast, Sofia Carson stars as Alex Rose, Kyle Allen plays Brad, Sebastian de Souza is Garrett, and Connie Britton essays Elizabeth.

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A post shared by Sofia Carson (@sofiacarson)

José Zúñiga portrays Samuel, Jordi Mollà is Johnny, Marianne Rendón plays Zoe,...

“Pet Shop Days” captures those reckless nights where it feels like anything can happen — and quite often, anything and everything does.

Olmo Schnabel’s directorial debut premiered at the 2024 Venice Film Festival, and has a star-studded cast to boot. Schnabel, the son of artist and filmmaker Julian Schnabel, co-wrote the film with lead star Jack Irv and Galen Core.

The official synopsis reads: “In an act of desperation, impulsive black sheep Alejandro (Dario Yazbek Bernal) flees his home in Mexico. On the run from his unforgiving father, Alejandro finds himself in New York City, where he meets Jack (Jack Irv), a college-age pet store employee with similar parental baggage. Together the two enter a whirlwind romance sending them down the rabbit hole of drugs and depravity in Manhattan’s underworld. When Alejandro’s past threatens to catch up with him, Jack is forced to choose between his family and a life on the run.

Sofia Carson in The Life List – Picture: Netflix

In March 2024, Netflix confirmed The Life List, a new romantic comedy starring Sofia Carson. The movie is due out on Netflix soon, so we’re here with everything known about it, including the full cast, production updates, plot details, and more on its release date, which is now set for March 28th.

Adam Brooks is on board to both write and direct the project. The Canadian screenwriter and director is no stranger to the romantic comedy space, having written or directed (or both) titles like Definitely, Maybe, and Bridget Jones: The Edge of Reason, plus the Netflix Original movie Nappily Ever After, released in 2018.

This isn’t the first time The Lift List has been attempted to be brought to the big screen. Ahead of the book’s release in 2013, Fox 2000 optioned the film rights for the novel, with Hutch Parker set to produce.

Premiering back at the 2023 Venice Film Festival, Olmo Schnabel’s directorial debut Pet Shop Days went on to play at Chicago International Festival, SXSW, and more. The drama, which is backed by Martin Scorsese, Jeremy O. Harris, Michel Franco, and more as executive producers, will now finally come to theaters next month courtesy of Utopia. Ahead of screenings in NYC at Roxy Cinema on March 15 and in Los Angeles at Now Instant Image Hall on March 28, the new trailer and poster arrived for the film starring Dario Yazbek Bernal, Jack Irv, Willem Dafoe, Peter Sarsgaard, Maribel Verdú, Jordi Mollà, Camille Rowe, Emmanuelle Seigner, and Louis Cancelmi.

Here’s the synopsis: “In an act of desperation, impulsive black sheep Alejandro flees his home in Mexico. On the run from his unforgiving father, Alejandro finds himself in New York City where he meets Jack, a college age pet store employee with similar parental baggage.

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Love Hurts is an action comedy film directed by Jonathan Eusebio from a screenplay co-written by Matthew Murray, Josh Stoddard, and Luke Passmore. The 2025 film follows Marvin Gable, a former hitman turned realtor who must get his hands bloody once again when his past catches up to him. Love Hurts stars Ke Huy Quan, Ariana DeBose, Daniel Wu, Marshawn Lynch, Mustafa Shakir, Lip Tipton, and Rhys Darby. So, if you loved the thrilling action, hilarious comedy, and compelling characters in Love Hurts, here are some similar movies you should check out next.

Nobody (Peacock & Rent on Prime Video) Credit – Universal Pictures

Nobody is an action thriller film directed by Ilya Naishuller from a screenplay by Derek Kolstad. The 2021 film follows Hutch Mansell, a mild-mannered family man with a violent past as a government assassin. A break-in into his...

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Back in Action is an action comedy film directed by Seth Gordon, who also co-wrote the screenplay with Brendan O’Brien. The Netflix film follows Emily and Matt, two former CIA spies who give up their life of danger to raise a family, but when their secret identities are revealed, they must go on a dangerous road trip to get their idyllic lives back. Back in Action stars Cameron Diaz, Jamie Foxx, Glenn Close, Kyle Chandler, Andrew Scott, Jamie Demetriou, McKenna Roberts, and Rylan Jackson. So, if you loved the fun action, charming leads, and espionage thrills in Back in Action, here are some similar movies you should check out next.

The Family Plan (Apple TV+ & Prime Video Add-On) Credit – Apple TV+

The Family Plan is an action comedy film directed by Simon Cellan Jones from a screenplay by David Coggeshall.

Megan Fox skyrocketed to superstardom when she starred as the feisty and mechanically-inclined Mikaela Banes in Michael Bay's 2007 epic sci-fi action extravaganza Transformers, with the actress emerging as a sought-after leading lady after appearing alongside Shia Labeouf in the thrilling flick. Fox would go on to star in the rip-roaring sequel Transformers: Revenge of the Fallen, though things would eventually go sour between the talented movie star and famous filmmaker after she infamously compared him to Hitler.

Though fans came to largely know Fox because of her scene-stealing performance in Transformers, she actually collaborated with the big-budget-loving director in another high-profile hit: 2003's Bad Boys II. The action comedy featured Fox in a blink-and-you'll-miss-it cameo that has stirred up some serious controversy in recent years, with audiences being shocked to learn how young the actress was when she made the appearance. Let's explore why her brief role was so shocking.

When it comes to sunshine, tans, and crystal-clear waters, it's hard to beat Florida. With consistently warm weather, vibrant colors, and a bustling nightlife, the Sunshine State -- particularly Miami -- offers plenty to admire. It remains a top destination for beachgoers looking to unwind and soak up the laid-back atmosphere.

Hollywood has long taken notice of Florida's exemplary conditions, consistently using the state's magnetic glow as a backdrop for countless films. Many of these movies have achieved monumental success. But what are the 10 best movies set in the state? We're glad you asked! We've compiled a list of our favorite films that not only take place in Florida but often make the state a central figure in the story.

Keep in mind, these aren't just movies shot in Florida, like, say, Harold Ramis' "Caddyshack." Each film on this list is set in or around the Sunshine State, using its...

Avatar and MCU star Zoe Saldana takes the lead in a divisive action thriller from 2011, which is due to land on Netflix in the new year. Not only does the movie find the Guardians of the Galaxy actor at the forefront, it was co-written and produced by controversial Taken and The Fifth Element filmmaker Luc Besson, and helmed by Transporter 3 and Taken 2 director Olivier Megaton. So, it has quite the action movie pedigree, if not the critical response to back it up.

Co-written and produced by Luc Besson and directed by Olivier Megaton, the action outing is titled Colombiana and stars Zoe Saldaña alongside the likes of Michael Vartan, Cliff Curtis, Lennie James, Callum Blue, and Jordi Mollà. Colombiana is all set to hit Netflix in the new year on January 1, and could make the perfect post-New Year’s Eve viewing. You can check out the official synopsis below.

Classic action films Bad Boys and Bad Boys II are coming to Tubi, starting on Jan. 1, 2025. The film follows two Miami narcotics officers, Marcus Burnett (Martin Lawrence) and Mike Lowrey (Will Smith) as they investigate stolen drugs while protecting a woman (Téa Leoni), who witnessed a murder. It had all the signatures of a Michael Bay movie: Over-the-top action, golden hues, sunsets, rockin' soundtrack, and more. The producers were Jerry Bruckheimer and the late Don Simpson, two action heavyweights from the 1980s and 90s.

When Bad Boys premiered on April 7, 1995, it featured an unknown director in Bay, who worked on commercials and music videos. Fresh Prince was a beloved show for Smith, but was close to the end of its run. The bigger star was Lawrence, whose Martin was a true ratings hit. The film debuted at $15.5 million on a $19 million budget and ended its run with a respectable $141 million worldwide.

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2024 is almost over, and it was a pretty good year for Netflix and its subscribers because of all the marvelous content we got. In my opinion, it is nothing compared to what Netflix has in store for us for 2025, as some of the most highly-anticipated Netflix original movies will come out in the upcoming year. So, let’s find out which Netflix original movies you should look out for in 2025.

Back in Action (January 17) Credit – Netflix

Back in Action is an upcoming action comedy film directed by Seth Gordon, who also co-wrote the screenplay with Brendan O’Brien. The Netflix film follows ex-CIA spies Emily and Matt, who are reluctantly brought back into the action after their real identities are exposed. Back in Action stars Cameron Diaz and Jamie Foxx in the lead roles with Glenn Close, Kyle Chandler,...

Arguably the most popular movie franchise featuring Oscar-winning actor Will Smith shoots its way onto a new streaming platform to start 2025. The Bad Boys film series will be available to watch for free in the New Year, but with a catch.

The free streaming platform, Tubi, confirmed that they will begin airing the Bad Boys movies on Jan. 1, 2025. However, the service is set to stream only the first two movies, the eponymous original film and Bad Boys II, meaning fans hoping to see Bad Boys for Life and Ride or Die will have to go elsewhere to catch up with the most recent installments of the action comedy series.

Related 'A Brutal Decision': David Schwimmer Reflects on Turning Down Will Smith's 1997 Blockbuster

David Schwimmer explains why he turned down a Will Smith movie that became a major blockbuster.

Released in 1995, Bad Boys further boosted Smith's stock as a potential Hollywood star,...

Harmony Korine, puffing a cigar and flanked by an artistic collaborator wearing a neon ski mask, brought his signature antic energy to Italy’s Venice Film Festival Saturday as he discussed his latest video game-inspired art film Baby Invasion.

The project, which Korine took pains to emphasize isn’t really a “film” at all, follows a group of mercenaries calling themselves the “Duck Mobb” as they loot mansions at gunpoint while wearing baby faces as digital avatars to conceal their identities. Resembling a first-person shooter game, the 80-minute visual experience will premiere Saturday night just before midnight at Venice’s historic Sala Grande cinema.

In a wide-ranging, at times deliberately incoherent press conference, Korine shed light on the way his Miami-based art collective Edglrd works, while also taking a few gleeful shots at what he considers to be the “dying” art form of the traditional film industry.

“I’m not...

If you were waiting for John Woo‘s latest action thriller film The Killer, featuring his signature action style and a thrilling story. Then the wait is finally over as the Nathalie Emmanuel and Omar Sy-led film is finally available to stream on Peacock. Based on Woo’s 1989 film of the same name, the Peacock film is co-written by Brian Helgeland, Josh Campbell, and Matt Stuecken and it follows the story of a deadly assassin as she refuses to kill a young blind woman and in turn her employer puts out a hit on her, forcing her to kill the people coming after her while being hunted by a relentless cop. So, if you loved the high-octane action, thrilling story, and interesting characters in The Killer here are some similar movies you should check out next.

The Killer (Buy DVD on Amazon) Credit – Magnum Presentation

The Killer is a...

Bad Boys Franchise Ranked On Rotten Tomatoes: Here’s How Ride Or Die Stands Out. (Photo Credit – Instagram)

Bad Boys: Ride or Die is expected to crush the industry’s expectations and pass out with flying colors on its debut weekend. The film hit the screens this Friday, and before the weekend box office results are out, let us check where the Bad Boys films starring Will Smith and Martin Lawrence are on Rotten Tomatoes.

The Will Smith and Martin Lawrence-led franchise has earned more than $838 million at the worldwide box office. The films might not have been critically acclaimed, but audiences love them anyway. Scroll below for more.

The first film in the Bad Boys franchise was released in 1995. The third one came out over one and a half decades later, in 2020. The fourth installment was supposed to be released earlier, but its development was halted because of...

Some kind of creature from Aggro DR1FT Image: Courtesy of Edglrd At Metrograph in downtown Manhattan last month, Harmony Korine, clad in a neon ski mask, introduced his new film, Aggro Dr1ft, to a room of about 75% men. The film, which had played the festival circuit during the preceding fall...

Some kind of creature from Aggro DR1FTImage: Courtesy of Edglrd

At Metrograph in downtown Manhattan last month, Harmony Korine, clad in a neon ski mask, introduced his new film, Aggro Dr1ft, to a room of about 75% men. The film, which had played the festival circuit during the preceding fall...

Once upon a time, I believed any completed movie that found release was a minor miracle. After enduring Harmony Korine’s infrared-only Aggro Dr1ft (written in “leetspeak”), the first production under the filmmaker’s new boundary-pushing “multimedia design collective” Edglrd, that mantra is shattered. This movie is theatrical imprisonment. Its duration? A life sentence. Aggro Dr1ft is an 80-minute music video masquerading as a provocative and startlingly stylized action flick that’s devoid of any provocation, groundbreaking style, or on-screen action.

Aggro Dr1ft follows a downtrodden Miami-based mercenary, Bo (Jordi Mollà), who wishes to vanquish a demonic crimelord and become a stay-at-home family man. It’s a crayon-box blur of fuchsia skies and lavender skin tones, paintball-masked mini militias mean-mugging on yachts with hot tubs, mumbled dialogue lost underneath Edm tracks, and robotic performances so unintelligible you’d think you’re being pranked. Travis Scott randomly appears as a next-generation assassin,...

Rarely has a star been less visible than Jordi Mollà in Aggro Dr1ft. You could surmise this only knowing the film by random screenshots invariably featuring the Spanish actor––iconic across multiple continents for his dark swoop of hair and eyes so piercingly blue they make Peter O’Toole’s look tame––bathed in infrared light. Harmony Korine’s film often places him in a game-like third-person perspective with bodysuit and mask, all the while Mollà relaying some of the most delightfully inane voiceover in years.

So: no normal performance. I thus sensed the conversation with Mollà could go many directions, but still didn’t expect him to be so relaxed and gregarious: calling from his home in Spain, the actor smoked two or three cigarettes while following numerous paths that have nothing (or plenty?) to do with Korine’s feature. As a consummate storyteller he made all of these strands compelling,...

"No mercy!" Edglrd has debuted another extra trailer for Harmony Korine's loud and obnoxious Aggro Dr1ft. This film is actually getting a quick theatrical release mainly at various Alamo Drafthouse Cinemas (and a few others), even though I hope no one wastes their time on this. Korine's experimental, video game-inspired Aggro Dr1ft hitman film first premiered at the 2023 Venice Film Festival last fall and I hated it - my full review. In this "sensual experimental elegy" by Harmony Korine, spellbinding infrared photography evokes a dreamlike portrait of a tormented assassin. It's shot in and presented entirely as infrared footage, with annoying, blaring sound and music that will make you want to drive right off a cliff... Starring Jordi Mollà and Travis Scott and some other random people you can't even make out on screen. It's so terrible it even features A.I. visuals making half the scenes worse. I...

Early on in Harmony Korine’s new experimental action film Aggro Dr1ft, hitman protagonist Bo (Jordi Mollà) strangles a guy to death in his pool. Or maybe that happens toward the end. And, come to think of it, that might have been a hot tub. You’ll have to forgive my confusion, because the movie is defiantly nonlinear, shot entirely in the garish neons of infrared vision, and not anchored in any baseline reality: the moment he snuffs out this man, Bo unleashes a gigantic Balrog-like kaiju that appears to...

"I was born to kill." Edglrd has revealed some footage for this infrared hitman film. Feast your eyes on the official trailer for Harmony Korine's Aggro Dr1ft, one of the stupidest films ever made. Yes, seriously. Even though I may hate it, this trailer is worth sharing just so you can see how bad it is in order to help save your time & money. Aggro Dr1ft premiered at the 2023 Venice Film Festival last year and I hated it - here's my full review. In this sensual experimental elegy by Harmony Korine, spellbinding infrared photography evokes a dreamlike portrait of a tormented assassin. It's shot in and presented entirely as infrared footage, with annoying, blaring sound and music that will make you want to drive right off a cliff... Starring Jordi Mollà and Travis Scott, who I am sure both regret participating in this utterly awful hitman project. It's so terrible it even features A.

Rapper Travis Scott recently teamed up with the entertainment company A24 and director Harmony Korine (Kids) on two different projects. One was Circus Maximus, a companion piece to Scott’s album Utopia that reached theatres the day before Utopia was released. The other is the “action-oriented feature” Aggro Dr1ft, which was shot entirely in infrared and has been making the festival rounds. JoBlo’s own Chris Bumbray wasn’t very impressed with Aggro Dr1ft after catching one of its festival screenings, giving it a 5/10 review that can be read Here. Next up is a February 7th screening at a strip club in Los Angeles called Crazy Girls (tickets are available at This Link), and in anticipation of that screening a trailer for the film has arrived online. You can check it out in the embed above.

Aggro Dr1ft has the following logline: Breaking away from the traditional parameters of cinema,...

The newest film from Harmony Korine is titled Aggro Dr1ft, and it looks to be a bizarre piece of experimental cinema that will surely prove divisive.

Aggro Dr1ft explores the onslaught of digital ephemera and interrogates modern life through the vernacular of video games. Shot entirely through an infrared lens, the film follows a Miami Beach hitman as he embarks on the relentless pursuit of his next target.

Watch the official trailer below.

Joe Lipsett explained in his festival review of Aggro Dr1ft for Bloody Disgusting, “Harmony Korine has always been a provocateur, so it’s hardly surprising that his latest film, Aggro Dr1ft, is unconventional. The 80-minute feature is filmed entirely in infrared thermal imaging, which means the production is wall-to-wall vibrant reds, yellows, blues, and neon greens.”

Joe’s review continues, “Ultimately this is avant-garde, countercultural cinema that was never intended to appeal to the masses. As an artistic experiment,...

When Harmony Korine announced plans to form Edglrd, a Florida-based multimedia collective aiming to produce films, video games, and other new media experiments that blur the line between traditional categories, it felt like a logical step in the filmmaking maverick’s creative evolution. The “Spring Breakers” director has been open about his boredom with conventional films and his newfound interest in the gaming industry, saying that the “Call of Duty” trailer “looks better than anything Spielberg’s ever done.”

“Aggro DR1FT,” the first film project from Edglrd, is an extension of that creative ethos. Shot with infrared cameras, the film starring Jordi Mollà and Travis Scott uses thermal imagery and AI-generated animations to tell a story about a Miami hitman trapped in a criminal underworld that looks like nothing we’ve ever seen in movie theaters.

Fittingly, the first non-festival audiences to see “Aggro DR1FT” won’t actually do so in movie theaters.

Rapper Travis Scott stars in the first trailer for his and director Harmony Korine’s indie film “Aggro Dr1ft,” which was shot entirely in infrared.

The short trailer is bathed in the starkly contrasted colors of the infrared lens, and it follows an assassin on his journey. “Breaking away from the traditional parameters of cinema, ‘Aggro Dr1ft’ explores the onslaught of digital ephemera and interrogates modern life through the vernacular of video games. Shot entirely through an infrared lens, the film follows a Miami Beach hitman as he embarks on the relentless pursuit of his next target,” reads the logline.

“As it is, ‘Aggro Dr1ft’ is visually thrilling but somewhat tedious to sit through — better as wallpaper than the main attraction,” wrote Variety chief film critic Peter Debruge in his review. “Still, as with James Cameron’s ‘Avatar,’ there’s wisdom in the generic quality of his script. Cameron was...

Harmony Korine’s Aggro Dr1ft cedes control of its images to pure vibes. The film was shot entirely in thermal vision, resulting in a hallucinatory aesthetic of neon colors that simultaneously assaults and seduces the senses. The experience is akin to being locked in the disorienting Pov of the Predator for 80 minutes. Coupled with an aggressive electronic soundscape courtesy of American DJ AraabMuzik, Korine’s film is a Miami Vice-on-acid stupor that’s less concerned with antiquated notions of coherent storytelling than in transporting (or perhaps banishing) audiences into another physiological realm altogether.

Jordi Mollà plays Bo, the self-proclaimed “best assassin in the world,” who’s nevertheless undergoing some kind of psychological or spiritual crisis—as indicated by his habitually troubled narration. Bailing on the next job given to him by his crime-lord boss, Pepe (Stet Blancett), he instead turns his sights toward killing his nemesis, a physically...

Aggro Dr1ft A seasoned hitman navigates Miami’s underbelly on a relentless pursuit of his next target. A gun for hire embarks on a killing spree after his contractors threaten his loved ones. A man impersonates an assassin to put people behind bars… Ten days into my Venice trip, I started sensing a pattern. Hitmen and murderers were nearly as omnipresent as the biopics that stashed the festival’s slates, but the strongest titles I saw on the Lido all seemed to treat genre as something malleable: a means to interrogate the scope and limits of the medium, and push it toward new, exciting paths.So it was for Harmony Korine’s Aggro Dr1ft, a film so shamelessly proud to be its own deranged thing it more than made up for all those I saw and immediately forgot the minute a vaporetto shipped me home. Shot entirely in infrared and...

Is it possible to leave your enfance without losing your terrible? The one-and-only Harmony Korine, now 50 years young, returns with Aggro Dr1ft, a premiere out-of-competition at the Venice Film Festival this week and, by my count, the only so far to have triggered mass walkouts and a ten-minute standing ovation. Shot entirely in infrared and using augmented reality effects and AI imaging tools, Aggro Dr1ft appears like the fever dream of a day spent drinking lean, watching music videos, and playing God of War and Grand Theft Auto. At times it’s funny, dazzling, almost beautiful; at others ugly, misogynistic, numbingly dull. Only he could have made it.

Aggro Dr1ft is the first feature to arrive from Korine’s newly minted and somehow even more annoyingly named Edglrd media studios, a creative hub of fashion designers, skateboarders, AI artists, gamers, and animators whom Korine has tasked with finding new forms of entertainment.

A scrappy urban tale of misspent young adulthood, Olmo Schnabel’s “Pet Shop Days” evokes the blown-out, stolen-shot 16mm character studies of 1990s independent cinema, as well as the bohemian oeuvre of painter and filmmaker Julian Schnabel, his father. This isn’t attributable merely to the fact that the younger Schnabel includes a scene in which his characters watch Julian’s 1996 “Basquiat,” whose themes and aloof tone — not to mention the events of Jean-Michel Basquiat’s actual life — would seem an obvious inspiration for his first feature. But in a contemporary absence of true New York stories told by filmmakers with seemingly more moxie than money, newcomer Schnabel distinguishes himself with a debut that feels tactile, real and suitably off-putting as he attempts to capture the sensibilities (if not always common sense) of twentysomethings.

Dario Yazbek Bernal (of Netflix’s “House of Flowers”) plays Alejandro, a spoiled, rebellious young adult...

Harmony Korine’s “Aggro Dr1ft” received a 10-minute standing ovation after its premiere at Venice Film Festival, despite a flurry of walkouts.

Though some audience members left as soon as the experimental action film finished (and at least 25 departed before that), Korine’s hardcore fans stuck around for a rousing 10-minute ovation at the midnight screening. As Korine greeted the crowd and did a happy dance, chants of “Harmony! Harmony! Harmony!” rang out.

Each time the applause started to died down, Korine waved his hands in the air like a conductor, and the cheers started up again.

Strippers twerking, demon-like crime lords chanting “dance bitch” and Travis Scott’s major-role debut are just a taste of what “Aggro Dr1ft” had to offer. When Scott first appeared on screen about halfway into the film, the crowd erupted in applause. However, the rapper was not in attendance at the premiere.

The “Spring Breakers...

I have seen the future of cinema, and it is “Aggro Dr1ft,” a neon-hued outlaw eyegasm from the director of ”Spring Breakers.” There will likely never be another film like it. Even so, it’s clear that Harmony Korine’s immersive iridescent plunge into the world and psyche of a serial killer points the way down fresh avenues for the medium to explore.

This is the first movie I’ve seen that doesn’t feel like it was meant to be watched; instead, it was designed to wash over you — or maybe just to unspool on one of the many screens illuminated in your field of vision, while your focus ricochets between it and whatever else is competing for your attention. As Brian De Palma’s “Scarface” became a touchstone cultural reference for the immigrant and hip-hop communities, so too could “Aggro Dr1ft” connect with audiences who see themselves (or...

Of the many directors to emerge during indie cinema’s heyday in the 90s, Harmony Korine probably remains the most iconoclastic. It’s not an understatement to say that his script for Larry Clark’s Kids, which he penned at age 18, is the most conventional thing in his whole filmography. Everything since — from his irreverent feature debut Gummo (which The New York Times deemed “the worst film of the year”) to the Dogme 95-certified Julien Donkey-Boy to his Jackass-like Trash Humpers to the tripped-out Florida-set heist flick Spring Breakers and bizarro Matthew McConaughey vehicle The Beach Bum — has been an experiment of one kind or another.

But the 80-minute assassin movie Aggro DR1FT (all caps, one digit) is something else entirely. In fact, it’s not really a movie at all, but more like a cross between a movie, a video game and a flow of hallucinatory images that could...

Harmony Korine has been openly bored with movies as we know them since the first time that he directed one. Real ’90s kids remember when he went on “Late Show with David Letterman” to promote “Gummo,” and insisted to the befuddled host that “things need to change. We can make films differently.” Korine may not have been wrong on either score back in 1997, but he’s a hell of a lot more right today. We live in a time when Hollywood offerings have become more stale than ever, and traditional cinema is beset on all sides by new technologies, novel coronaviruses, and — in Korine’s case — even some of the same artists who’ve helped to push the medium forward over the last several decades.

And, in theory, there’s nothing wrong with that. The movies wouldn’t exist if not for the 19th century visionaries who recognized that photography...

“Everyone is kind of based in this film,” offered Harmony Korine. “They’re all just… based.”

The form-shattering filmmaker and visual artist behind works like Kids and Spring Breakers is at the Venice Film Festival — where his directorial debut Gummo premiered back in 1997 — to unveil Aggro Dr1ft, his experimental new feature, shot entirely in infrared, about a tormented assassin (Jordi Mollà, Korine’s Miami neighbor) on a trippy journey to kill a wicked crime lord. Rapper Travis Scott pops up as a fellow killer onboard a yacht.

Aggro Dr1ft...

Harmony Korine arrived at the Venice Film Festival press conference for his latest film, “Aggro Dr1ft,” wearing a devilish mask inspired by the movie with a cigar in hand.

Korine was joined by “Aggro Dr1ft” visual effects artist Joao Rosa and Eric Kohn, the newly announced head of film strategy and development at his company Edglrd. All three sported horned masks with bee-like eyes — Korine’s was yellow while Rosa wore a white mask and Kohn donned a black one. Throughout the conference, Korine mimed taking puffs of his cigar.

“We’re wearing the masks because they’re comfortable,” Korine joked. “It’s giving me a scalp massage.”

In addition to discussing “Aggro Dr1ft” — an experimental action film shot entirely in infrared photography that stars Jordi Mollà and rapper Travis Scott as deadly assassins — Korine also elaborated on his goals for Edglrd, which focuses not only on film but also tech and design.

Harmony Korine returns to the Venice Film Festival this week with his most experimental project in years, Aggro DR1FT, an 80-minute screen experience that he doesn’t even really consider a movie. Taking the neon-bikini-and-guns aesthetic of his late career breakthrough Spring Breakers (2012) and elevating it into its own dimension entirely, Aggro DR1FT was shot fully with thermal lens, giving it an explosively colorful and pulsating video game-like aesthetic. The story is set in the seedy domain of Miami’s criminal underbelly, where Spanish actor Jordi Mollà stars as a seasoned hitman in pursuit of his next target. Superstar rapper Travis Scott appears in the supporting part of Zion, a fellow traveler in this twisted, hallucinatory world of violence and sensuous madness. DJ and producer AraabMuzik, acclaimed for his work with Asap Rocky, Cardi B and over a dozen other hip-hop stars, composed the film’s synth and beat-driven score.

Harmony Korine used to be a movie junkie, someone who’d watch anything and everything. These days, when people recommend a movie, “I’ll look at it and I feel nothing, like dead inside,” says the guy whose own films, from “Spring Breakers” to the controversial screenplay for Larry Clark’s “Kids,” are nothing if not disruptive.

“Watching a lot of this shit, you really feel the algorithms,” he says the day before receiving the Pardo d’onore Manor prize at the Locarno Film Festival. Whereas, “I’ll see a clip on TikTok that is so inexplicable, so outside the realm of what I even imagine someone creating. Like, I can have an experience with a 30-second clip that goes so far beyond” what movies do for him.

TikTok. YouTube. Video games. Those are the influences operating on Korine’s latest feature-length provocation, “Aggro Dr1ft,” which is premiering at the Venice Film Festival.

Eric Kohn is leaving Indiewire after nearly 17 years for a new gig.

Beginning August 30, the veteran journalist, film critic and columnist will be joining Harmony Korine’s Edglrd. As the Head of Film Strategy and Development, Kohn will help the filmmaker develop films from emerging and established artists for the multidisciplinary design collective.

Most recently named VP, Editorial Strategy and Executive Editor at IndieWire, Kohn began his IndieWire career as a critic focusing on reviews straight out of film festivals.

“I’m really excited to be working with Eric Kohn. He has great insight and adventurous tastes. I can’t wait to see the projects he develops at Edglrd. We are very happy to have him here with us. He also runs marathons, which I find equally impressive,” said Harmony Korine.

As previously reported in TheWrap, Korine spoke to GQ about how he saw the future as movies that can be experienced like video games.

With no official film market and a more laid-back attitude than Cannes, Berlin or Toronto, Venice has never been the go-to festival for movie deals.

But opportunistic buyers could spot a bargain this year, as many of the hottest titles arrive at the Lido without major distribution in place.

Just ahead of Venice, Sideshow and Janus Films picked up domestic rights to Ryûsuke Hamaguchi’s Drive My Car follow-up Evil Does Not Exist, and Mubi snatched up Sophia Coppola’s Priscilla, an A24 release in the U.S., for several markets, including the U.K., Germany, Latin America and Turkey.

Here are some of the other prime targets for dealmakers in the 2023 Venice Film Festival lineup.

Aggro Dr1ft

Director Harmony Korine

Stars Travis Scott, Jordi Molla

Buzz Another slice of extreme avant-guard from Spring Beakers and Trash Humpers director Harmony Korine, this experimental action film — shot entirely in infrared...

The future of entertainment lies in movies that can be experienced like video games, argued the filmmaker behind “Spring Breakers.” Harmony Korine spoke to GQ about his co-funded studio Edglrd, where he noted that gaming systems have advanced to the point where “you could look at the Call of Duty trailer now, and it looks better than anything that [Steven] Spielberg’s ever done.”

“We’re trying to gamify movies,” Korine continued. “What we’re trying to do is to build some mechanism that allows people to interface with the footage and basically remix, or make their own, films.”

The director, who broke out in 1995 with the bracingly of-its-time “Kids,” has “just lost interest in normal films.” He’s now more curious about what’s next.

“The way it used to be was that movies would come out, films would come out, games would come out, music would come out, and everyone knew about it,...