Arthur Hiller(1923-2016)

Director
Producer
Actor

Play trailer2:31

The Man Who Saved Ben-Hur (2016)

Arthur Hiller was born on 22 November 1923 in Edmonton, Alberta, Canada. He was a director and producer, known for Love Story (1970), The Hospital (1971) and See No Evil, Hear No Evil (1989). He was married to Gwen Hiller. He died on 17 August 2016 in Los Angeles, California, USA.

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Nominated for 1 Oscar
- 11 wins & 7 nominations total

Photos21

+ 14

Known for

Love Story

6.9

Director

1970

The Hospital

7.1

Director

1971

See No Evil, Hear No Evil

6.8

Director

1989

The In-Laws

7.3

Director

1979

Credits

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IMDbPro

Director

The Forsaken Westerns
8.1
TV Series
- Director
- 2018
Pucked
4.0
- Director
- 2006
An Alan Smithee Film: Burn Hollywood Burn
3.5
- Director (as Alan Smithee)
- 1997
Carpool
5.0
- Director
- 1996
The Babe
5.9
- Director
- 1992
Married to It
5.9
- Director
- 1991
Taking Care of Business
6.4
- Director
- 1990
See No Evil, Hear No Evil
6.8
- Director
- 1989
Outrageous Fortune
6.2
- Director (directed by)
- 1987
Teachers
6.1
- Director
- 1984
The Lonely Guy
6.2
- Director
- 1984
Romantic Comedy
5.3
- Director
- 1983
Author! Author!
6.2
- Director
- 1982
Making Love
6.9
- Director
- 1982
Nightwing
5.2
- Director
- 1979

Producer

Actor

Videos5

Clip 1:14

'Love Story' | Anniversary Mashup

Personal details

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Alternative name
- Alan Smithee
Height
- 5′ 6″ (1.68 m)
Born
- November 22, 1923
- Edmonton, Alberta, Canada
Died
- August 17, 2016
- Los Angeles, California, USA(natural causes)
Spouse
- Gwen HillerFebruary 14, 1948 - June 24, 2016 (her death, 2 children)
Other works
Feature audio commentary for The In-Laws (1979) with Andrew Bergman, Peter Falk and Alan Arkin/
Publicity listings
- 1 Portrayal
- 1 Article

Did you know

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Trivia
Died just twelve days before his Silver Streak (1976) and See No Evil, Hear no Evil (1989) star, Gene Wilder.

Quotes
[on Rome, Open City (1945)] It was all that neorealism; it just caught me at the right time. I can't even remember, but I know there were a few films at that time, neorealist films, that they were doing in Europe that we were not doing here. It just felt so real to me and so good. I didn't jump and say, "Oh, I want to make movies like that," but I guess I was feeling that without realizing it. The same as when I finally woke up and said, "I want to be a director."