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Edward Zwick

Quotes

Edward Zwick

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  • The interesting movies can definitely still be made but on a very small scale. The idea of putting that many resources to a story that might only make a certain amount of money is not what the studios want. They want movies that will move the stock price or justify giving up one of their tentpole slots.
  • I have nothing against diamonds, or rubies or emeralds or sapphires. I do object when their acquisition is complicit in the debasement of children or the destruction of a country.
  • Samurai culture did exist really, for hundreds of years and the notion of people trying to create some sort of a moral code, the idea that there existed certain behaviors that could be celebrated and that could be operative in a life.
  • There is something universal in the theme of a man trying to save his family in the midst of the most terrible circumstances. It is not limited to Sierra Leone. This story could apply to any number of places where ordinary people have been caught up in political events beyond their control.
  • Sometimes when we weep in the movies we weep for ourselves or for a life unlived. Or we even go to the movies because we want to resist the emotion that's there in front of us. I think there is always a catharsis that I look for and that makes the movie experience worthwhile.
  • I think one of the privileges of being a filmmaker is the opportunity to remain a kind of perpetual student.
  • It seems that almost every time a valuable natural resource is discovered in the world-whether it be diamonds, rubber, gold, oil, whatever-often what results is a tragedy for the country in which they are found. Making matters worse, the resulting riches from these resources rarely benefit the people of the country from which they come.
  • To me this movie is about what is valuable. To one person it might be a stone; to someone else, a story in a magazine; to another, it is a child. The juxtaposition of one man obsessed with finding a valuable diamond with another man risking his life to find his son is the beating heart of this film.
  • I think it's too easy often to find a villain out of the headlines and to then repeat that villainy again and again and again. You know, traditionally, America has always looked to scapegoat someone as the boogie man.
  • There is no reason why challenging themes and engaging stories have to be mutually exclusive - in fact, each can fuel the other. As a filmmaker, I want to entertain people first and foremost. If out of that comes a greater awareness and understanding of a time or a circumstance, then the hope is that change can happen.
  • I look at modern life and I see people not taking responsibility for their lives. The temptation to blame, to find external causes to one's own issues is something that is particularly modern. I know that personally I find that sense of responsibility interesting.
  • I don't think movies can ever be too intense, but people have to understand why you're showing them the things you are showing them.
  • There is a segment of the American population that has been excluded from the national myth, and that should be redressed.
  • To relate to something simply on the basis of race is to deny the universality drama, and I won't be a party to it.
  • I think all popular culture is de facto political, so you goddam well better be responsible about it.
  • Heartbreak, as in life, is part of being in the movie business.
  • [Tom Cruise and Denzel Washington] There are reasons why these guys have careers with that kind of longevity. It's not because of some play of light and shadow on their face. They are every bit as smart and as gifted as any director or any writer. They don't necessarily have the same language, but you ignore their contribution at your peril.
  • [young Denzel Washington] It was like discovering a Ferrari. And all you have to do is just put your hand on the steering wheel and go like this, and the car will go screaming around the corner. His abilities to be present, and to be creative in a moment, so exceeded anybody I'd ever worked with. He saved my ass countless times with scenes that wouldn't have worked.

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