Terry Gilliam has been to Cannes with three of his own films since 1983, but one of his favorite memories of the festival takes him back to that very first time, at the 36th edition, as the co-writer and co-star of Monty Python’s The Meaning of Life. Along with Graham Chapman and the film’s director Terry Jones, he’d emerged from the Carlton hotel’s iconic entrance, then bedecked with promotion for the upcoming Bond movie Octopussy, to encounter a camera crew. Jones started grabbing people at random, shouting, “Who Ees Monty Python???” in a ridiculous foreign accent, and got so carried away that, when they reached the hotel’s famous terrace, he accidentally did it to Gilliam too.
The crowd loved it, and the day only grew stranger. Out on the Carlton’s jetty, they gave an interview to British news channel ITN, with Jones hiding behind Graham...
The crowd loved it, and the day only grew stranger. Out on the Carlton’s jetty, they gave an interview to British news channel ITN, with Jones hiding behind Graham...
- 5/20/2024
- by Damon Wise
- Deadline Film + TV
Kino Lorber is expanding its streaming footprint. The boutique art-house distributor just launched its own SVOD platform, the Kino Film Collection.
The new app is available now as a standalone service on Apple TV, Fire TV, Android TV, and Roku, and it will feature hundreds of movies from Kino Lorber’s film library of more than 4,000 titles. Subscriptions will begin at $5.99 per month.
In November 2023, Kino Lorber launched an Amazon Prime Video channel; you can still access its titles there. But having its own service puts the company in the race alongside other niche streaming options in the space, like the Criterion Channel ($10.99/month) or Mubi ($14.99/month).
As part of the launch, Kino Film Collection curated a selection of titles that showcase auteurs who have played at Cannes; the 2024 film festival is currently ongoing. The collection includes early movies from Yorgos Lanthimos, Jia Zhangke, and Ken Loach, as well as...
The new app is available now as a standalone service on Apple TV, Fire TV, Android TV, and Roku, and it will feature hundreds of movies from Kino Lorber’s film library of more than 4,000 titles. Subscriptions will begin at $5.99 per month.
In November 2023, Kino Lorber launched an Amazon Prime Video channel; you can still access its titles there. But having its own service puts the company in the race alongside other niche streaming options in the space, like the Criterion Channel ($10.99/month) or Mubi ($14.99/month).
As part of the launch, Kino Film Collection curated a selection of titles that showcase auteurs who have played at Cannes; the 2024 film festival is currently ongoing. The collection includes early movies from Yorgos Lanthimos, Jia Zhangke, and Ken Loach, as well as...
- 5/17/2024
- by Brian Welk
- Indiewire
When it comes to the indie movie business, you don’t get more old-school than Kino Lorber. The New York outfit, founded as Kino International in 1977, has been the first source of independent cinema for U.S. audiences. It was the first to distribute films from Yorgos Lanthimos, Aki Kaurismäki, Wong Kar-wai, Andrei Tarkovsky and Michelangelo Antonioni in U.S. theaters and the first to restore and rerelease silent classics like Metropolis, The Cabinet of Doctor Caligari, and the films of Buster Keaton and Charlie Chaplin.
In 2009, when Richard Lorber’s home entertainment company Lorber Ht Digital acquired and merged with Kino International, physical media got added to the mix, and the newly minted Kino Lorber became known for its home entertainment releases, ranging from classic (Nosferatu, The Sacrifice) to cult (Mad Max, Emmanuelle). The Kino Lorber library now counts more than 4,000 titles and the company is continually adding to the list,...
In 2009, when Richard Lorber’s home entertainment company Lorber Ht Digital acquired and merged with Kino International, physical media got added to the mix, and the newly minted Kino Lorber became known for its home entertainment releases, ranging from classic (Nosferatu, The Sacrifice) to cult (Mad Max, Emmanuelle). The Kino Lorber library now counts more than 4,000 titles and the company is continually adding to the list,...
- 5/17/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Matteo Garrone’s Oscar-nominated drama “Io Capitano,” about the odyssey of two young African men who decide to leave Dakar to reach Europe, and Paola Cortellesi’s feminist dramedy “There’s Still Tomorrow” were both the big winners at Italy’s 69th David di Donatello Awards.
“Io Capitano” won Davids for best picture, director, producers, editor, and cinematographer, among other prizes, while “Still Tomorrow,” which is about the plight of an abused housewife in post-war Rome and had 19 nominations scored six statuettes, including best directorial debut, actress, non supporting actress, screenplay, and audience award.
“Still Tomorrow,” which marks the directorial debut of popular Italian actor Paola Cortellesi, who also stars, is shot in black-and-white and riffs on Italy’s neorealist past, albeit with a contemporary female empowerment angle.
“I made this debut at the brink of menopause,” Cortellesi, who is 50, said while accepting the statuette for best debuting director. “I hope...
“Io Capitano” won Davids for best picture, director, producers, editor, and cinematographer, among other prizes, while “Still Tomorrow,” which is about the plight of an abused housewife in post-war Rome and had 19 nominations scored six statuettes, including best directorial debut, actress, non supporting actress, screenplay, and audience award.
“Still Tomorrow,” which marks the directorial debut of popular Italian actor Paola Cortellesi, who also stars, is shot in black-and-white and riffs on Italy’s neorealist past, albeit with a contemporary female empowerment angle.
“I made this debut at the brink of menopause,” Cortellesi, who is 50, said while accepting the statuette for best debuting director. “I hope...
- 5/3/2024
- by Nick Vivarelli
- Variety Film + TV
Science fiction was one of the first genres in the history of cinema, and it has undergone the most dramatic changes in its more than one hundred years of existence.
By making the leap from literature to film in the 1900s, sci-fi was able to greatly expand its reach. What began as a flight of fancy on paper blossomed in front of the camera, and the genre began to explore new, exciting subgenres on the screen. Dozens of popular novels were adapted and given visual substance.
But it wasn't just adaptations that pushed directors to new horizons – many of their stories reflected everyday life through a futuristic prism. Films like Planet of the Apes and Blade Runner influenced the development of science fiction as a genre with its own tropes, traits, and cinematic language.
But neither Blade Runner, nor Planet of the Apes, nor even Kubrick's cult classic 2001:...
By making the leap from literature to film in the 1900s, sci-fi was able to greatly expand its reach. What began as a flight of fancy on paper blossomed in front of the camera, and the genre began to explore new, exciting subgenres on the screen. Dozens of popular novels were adapted and given visual substance.
But it wasn't just adaptations that pushed directors to new horizons – many of their stories reflected everyday life through a futuristic prism. Films like Planet of the Apes and Blade Runner influenced the development of science fiction as a genre with its own tropes, traits, and cinematic language.
But neither Blade Runner, nor Planet of the Apes, nor even Kubrick's cult classic 2001:...
- 5/2/2024
- by zoe-wallace@startefacts.com (Zoe Wallace)
- STartefacts.com
Unlike Abbas Kiarostami, a poet of contemporary cinema whose films stopped being about Iran when he stopped making films there, Andrei Tarkovsky, Russia’s preeminent poet of the spirit, proved that while a Russian director could leave his homeland in the name of artistic freedom, he could still be imprisoned by the memories he took with him.
In his book Sculpting in Time, Tarkovsky wrote that he wanted Nostalghia, his first film after leaving Russia to escape censorship, to be “about the particular state of mind which assails Russians who are far from their native land.” Shot in Italy and written by Tarkovsky and Tonino Guerra, the film explores this acute form of nostalgia through a spiritually wearied poet, Andrei Gorchakov (Oleg Yankovskiy), who’s traveled to Italy to research the life of a composer who studied in Bologna during the late 1700s before returning to Russia to hang himself.
In his book Sculpting in Time, Tarkovsky wrote that he wanted Nostalghia, his first film after leaving Russia to escape censorship, to be “about the particular state of mind which assails Russians who are far from their native land.” Shot in Italy and written by Tarkovsky and Tonino Guerra, the film explores this acute form of nostalgia through a spiritually wearied poet, Andrei Gorchakov (Oleg Yankovskiy), who’s traveled to Italy to research the life of a composer who studied in Bologna during the late 1700s before returning to Russia to hang himself.
- 4/12/2024
- by Kalvin Henely
- Slant Magazine
The debut of Amazon’s Fallout series is a major moment for fans of the gaming franchise who have long dreamed of an adaptation of the legendary RPG franchise. Of course, since every episode of that series is being released at once, there’s a good chance you’ll finish the post-apocalyptic series pretty quickly and be left feeling as empty as an apocalyptic wasteland.
Thankfully, there is no shortage of tremendous post-apocalyptic movies out there to help you fill that void. From some of the most shocking films ever made to bonafide action classics, the post-apocalyptic genre is a surprisingly robust slice of sci-fi that has gifted us with numerous masterpieces.
In fact, it was so tough to choose between the best of those movies that I ultimately focused more on the best post-apocalyptic movies that share some notable traits with the Fallout franchise. That said, anyone who really...
Thankfully, there is no shortage of tremendous post-apocalyptic movies out there to help you fill that void. From some of the most shocking films ever made to bonafide action classics, the post-apocalyptic genre is a surprisingly robust slice of sci-fi that has gifted us with numerous masterpieces.
In fact, it was so tough to choose between the best of those movies that I ultimately focused more on the best post-apocalyptic movies that share some notable traits with the Fallout franchise. That said, anyone who really...
- 4/12/2024
- by Matthew Byrd
- Den of Geek
It doesn't mean anything to say a movie is "perfect" in any objective sense. Unless Rotten Tomatoes says it does, of course.
The website that Martin Scorsese considers "hostile to filmmakers" and which would have you believe that Rick Alverson's excellent "The Comedy" is a complete dud, is to many people the be-all and end-all of movie analysis. The site occupies such a vaunted position within film discourse that it has an inordinate sway over our own viewing habits. We've all been scrolling through some streaming service only to skip over a film because of a low Rt score that is, for some reason, baked right into the interface. Likewise, if Rotten Tomatoes says a movie is "Fresh" then people are going to pay attention.
Look, it doesn't matter that last year a Rotten Tomatoes hacking scandal emerged, or that movie studios and streamers rely far too much on...
The website that Martin Scorsese considers "hostile to filmmakers" and which would have you believe that Rick Alverson's excellent "The Comedy" is a complete dud, is to many people the be-all and end-all of movie analysis. The site occupies such a vaunted position within film discourse that it has an inordinate sway over our own viewing habits. We've all been scrolling through some streaming service only to skip over a film because of a low Rt score that is, for some reason, baked right into the interface. Likewise, if Rotten Tomatoes says a movie is "Fresh" then people are going to pay attention.
Look, it doesn't matter that last year a Rotten Tomatoes hacking scandal emerged, or that movie studios and streamers rely far too much on...
- 3/21/2024
- by Joe Roberts
- Slash Film
Cillian Murphy is the favorite to win the Best Actor Oscar for his role in Christopher Nolan’s Oppenheimer on Sunday Night. The actor spent almost six months researching and prepping to play the role of the Father of the Atomic Bomb, J. Robert Oppenheimer. It was not the first time the actor did extensive research for a role. One such research for a $34 million movie changed him from an agnostic to an atheist.
Cillian Murphy as physicist Robert Capa in Sunshine
In the 2007 sci-fi film Sunshine, Cillian Murphy played another physicist role, Robert Capa. The film takes place in the future and tells the story of a group of astronauts on a dangerous mission to save the Earth by reigniting a dying Sun.
Cillian Murphy’s Belief System Was Changed By His Research For Sunshine
Chris Evans, Cillian Murphy, and Troy Garity in Sunshine
Academy Award-winning director Danny Boyle...
Cillian Murphy as physicist Robert Capa in Sunshine
In the 2007 sci-fi film Sunshine, Cillian Murphy played another physicist role, Robert Capa. The film takes place in the future and tells the story of a group of astronauts on a dangerous mission to save the Earth by reigniting a dying Sun.
Cillian Murphy’s Belief System Was Changed By His Research For Sunshine
Chris Evans, Cillian Murphy, and Troy Garity in Sunshine
Academy Award-winning director Danny Boyle...
- 3/9/2024
- by Hashim Asraff
- FandomWire
People starting the movie Spaceman would be forgiven for thinking that their Netflix had glitched. Yes, we do see Adam Sandler’s character Jakub dressed in a space suit. But he’s not floating through the cosmos. He’s walking through a wooded stream, the greenery of the trees and bushes reflecting off his mask.
What the heck does this have to do with being a space man, one might ask? By the end of the movie, directed by Johan Renck and written by Colby Day (adapting the novel Spaceman of Bohemia by Jaroslav Kalfař), Spaceman answers all your questions. Or rather, Jakub’s new friend, an alien spider named Hanuš, explains everything in the gentle, dulcet tones of Paul Dano.
Spaceman‘s strange, but ultimately clear, approach may frustrate some viewers. It may excite others, leaving them wanting to watch more sci-fi movies with a surrealist approach. Regardless of...
What the heck does this have to do with being a space man, one might ask? By the end of the movie, directed by Johan Renck and written by Colby Day (adapting the novel Spaceman of Bohemia by Jaroslav Kalfař), Spaceman answers all your questions. Or rather, Jakub’s new friend, an alien spider named Hanuš, explains everything in the gentle, dulcet tones of Paul Dano.
Spaceman‘s strange, but ultimately clear, approach may frustrate some viewers. It may excite others, leaving them wanting to watch more sci-fi movies with a surrealist approach. Regardless of...
- 3/4/2024
- by Joe George
- Den of Geek
You’d be hard-pressed to find a filmmaker who has put together a finer body of work than Denis Villeneuve has since making his U.S. debut in 2013. From the mold-breaking thrillers of Prisoners, Enemy and Sicario to a murderers’ row of sci-fi films including Arrival, Blade Runner 2049 and Dune, the French Canadian director’s films have amassed over $1.1 billion in worldwide box office and landed him three Oscar nominations. His winning streak is all the more impressive when you consider that he put his camera down for much of the 2000s in order to refine his cinematic identity. That nine-year gap was still flanked by a handful of lauded Canadian films, but it wasn’t until 2010’s Oscar-nominated Incendies that Villeneuve felt like he’d finally discovered his signature. Now, Dune: Part Two (March 1) is poised to be his new top grosser after effusive early reactions and reviews.
- 3/1/2024
- by Brian Davids
- The Hollywood Reporter - Movie News
If a certain kind of sci-fi film is anything to go on, what humanity is most likely to discover, as we venture out on our second space race, is some aspect of ourselves. In Christopher Nolan’s Interstellar, Matthew McConaughey falls into a black hole only to find a multidimensional mirror into his own failures as a father. In James Gray’s Ad Astra, Brad Pitt goes to Jupiter and beyond to find peace with his dad. As far back as Andrei Tarkovsky’s Solaris, an alien planet manifests the memories of the astronauts who discover it. Even the cosmic trip of Stanley Kubrick’s 2001: A Space Odyssey stages a return to origins of sorts.
In Johan Renck’s Spaceman, Adam Sandler becomes just the latest lonely spacefarer to have the abyss confront him with an uncanny reflection of himself. This story of an existentialist voyage to the stars,...
In Johan Renck’s Spaceman, Adam Sandler becomes just the latest lonely spacefarer to have the abyss confront him with an uncanny reflection of himself. This story of an existentialist voyage to the stars,...
- 2/27/2024
- by Pat Brown
- Slant Magazine
With no new bust-out limited releases, repertory continues to do its part for the specialty box office, the latest a 4k restoration of Nostalghia. Kino Lorber said the Andrei Tarkovsky’s 1983 film, which opened Wednesday, will gross an estimated $22.87k at Film Forum in NYC for the five days.
It’s currently the top performer at the theater and will take in more than all other films screening there combined over that period. Two additional shows at the Roxie in San Francisco and the Austin Film Society bring combined grosses to about $29.4k. Expands next week to Philadelphia and Montreal with additional markets coming later. The film about a Russian poet and his interpreter, who travel to Italy researching the life of an 18th-century composer, stars Oleg Yankovskiy, Andrei Gorchakov, Erland Josephson, Domiziana Giordano and Patrizia Terreno.
Kino Lorber had success with the restored 4k re-release of Bernardo Bertolucci’s...
It’s currently the top performer at the theater and will take in more than all other films screening there combined over that period. Two additional shows at the Roxie in San Francisco and the Austin Film Society bring combined grosses to about $29.4k. Expands next week to Philadelphia and Montreal with additional markets coming later. The film about a Russian poet and his interpreter, who travel to Italy researching the life of an 18th-century composer, stars Oleg Yankovskiy, Andrei Gorchakov, Erland Josephson, Domiziana Giordano and Patrizia Terreno.
Kino Lorber had success with the restored 4k re-release of Bernardo Bertolucci’s...
- 2/25/2024
- by Jill Goldsmith
- Deadline Film + TV
The best thing that can be said about this treading-water weekend box office is that it would have been far worse without two niche audience films. And it is the last in February, with a much better March ahead.
“Bob Marley: One Love” (Paramount) repeats as number one with a respectable $13.5 million second weekend gross. It remains a possibility to reach a domestic $100 million, though this could be close. It fell 53 percent, not bad, but that’s compared to a first weekend when it already had a first two-day total of nearly $18 million before then.
That led a weekend coming to around $60 million total gross. Let’s be honest: That’s pathetic. “Marley” is doing fine, and the Manga “Demon Slayer: Kimetsu No Yaiba — To the Hashira Training” (Sony) #2/ $11.6 million and the faith-based adjacent drama “Ordinary Angels” (Lionsgate) #3/$6.5 million were credible performers versus anticipated results and investment. But the...
“Bob Marley: One Love” (Paramount) repeats as number one with a respectable $13.5 million second weekend gross. It remains a possibility to reach a domestic $100 million, though this could be close. It fell 53 percent, not bad, but that’s compared to a first weekend when it already had a first two-day total of nearly $18 million before then.
That led a weekend coming to around $60 million total gross. Let’s be honest: That’s pathetic. “Marley” is doing fine, and the Manga “Demon Slayer: Kimetsu No Yaiba — To the Hashira Training” (Sony) #2/ $11.6 million and the faith-based adjacent drama “Ordinary Angels” (Lionsgate) #3/$6.5 million were credible performers versus anticipated results and investment. But the...
- 2/25/2024
- by Tom Brueggemann
- Indiewire
Adam Sandler has gone pseudo-serious before, from a mentally agitated toilet plunger salesman in Paul Thomas Anderson’s “Punch-Drunk Love” to a depressed comic in Judd Apatow’s “Funny People.” But he’s never been so dour as cosmonaut Jakub Prochazka in Johan Renck’s lonely island of a science-fiction drama, “Spaceman,” where he’s six months into a solitary research mission investigating spectral cloud activity around the planet Jupiter.
Sci-fi cinephiles are certainly familiar with the cinematic wonderments capable of the gas giant, thanks to Stanley Kubrick’s Stargate sequence in “2001: A Space Odyssey,” which sends Keir Dullea on an existential trip into Jupiter’s furthest depths. But Renck’s film, written by Colby Day, is too concerned with the far more banal Earthly dramas Jakub has left behind in the form of his wife Lenka (Carey Mulligan), who is preparing to leave him. “Spaceman” is a miserable...
Sci-fi cinephiles are certainly familiar with the cinematic wonderments capable of the gas giant, thanks to Stanley Kubrick’s Stargate sequence in “2001: A Space Odyssey,” which sends Keir Dullea on an existential trip into Jupiter’s furthest depths. But Renck’s film, written by Colby Day, is too concerned with the far more banal Earthly dramas Jakub has left behind in the form of his wife Lenka (Carey Mulligan), who is preparing to leave him. “Spaceman” is a miserable...
- 2/22/2024
- by Ryan Lattanzio
- Indiewire
For a time, it seemed like an auteur war was about to break out over Adam Sandler, with some of America’s most revered directors vying to find the right role for the comedian. It was rumored, but never confirmed, that Quentin Tarantino imagined him a key role while writing Inglourious Basterds, although this might have been wishful thinking from critics who saw the talented Sandler heading in the same direction as John Travolta until Pulp Fiction saved him from a lifetime of Look Who’s Talking movies. In the end, Paul Thomas Anderson got there first, with Punch Drunk Love (2002), although the glow of a bona fide arthouse hit didn’t last long, and Jack and Jill still happened less than ten years later.
Nevertheless, though he returned to the fanbase, Sandler has always been good in serious supporting roles, even in films that don’t broadly work, like...
Nevertheless, though he returned to the fanbase, Sandler has always been good in serious supporting roles, even in films that don’t broadly work, like...
- 2/21/2024
- by Damon Wise
- Deadline Film + TV
In Andrei Tarkovsky’s penultimate film Nostalghia (1983), which he co-wrote with Michelangelo Antonioni’s longtime collaborator Tonino Guerra, Russian writer Andrei (Oleg Ivanovič Jankovskij) travels to Italy in order to research the life of composer Pavel Sosnovsky, along with his interpreter Eugenia (Domiziana Giordano), a young woman who resembles the Madonna del Parto in the famous fresco by Piero della Francesca.
Ahead of the theatrical release of the new 4K restoration, now playing at NYC’s Film Forum, we had the opportunity to speak with Giuseppe Lanci, the Italian cinematographer who shot the film and oversaw this new restoration. The 81-year-old Lanci still teaches at the Csc (National School of Cinema of Rome). In his diaries, Tarkovsky mentioned watching Nostalghia with cinematographer Sven Nykvist: “The photography made a strong impression on Nykvist. Indeed, Peppe Lanci shot the film in an extraordinary manner. This Swedish copy is much better than the one shown at Cannes,...
Ahead of the theatrical release of the new 4K restoration, now playing at NYC’s Film Forum, we had the opportunity to speak with Giuseppe Lanci, the Italian cinematographer who shot the film and oversaw this new restoration. The 81-year-old Lanci still teaches at the Csc (National School of Cinema of Rome). In his diaries, Tarkovsky mentioned watching Nostalghia with cinematographer Sven Nykvist: “The photography made a strong impression on Nykvist. Indeed, Peppe Lanci shot the film in an extraordinary manner. This Swedish copy is much better than the one shown at Cannes,...
- 2/21/2024
- by Lucia Senesi
- The Film Stage
In Spaceman, Adam Sandler joins a long line of lonely men lost in space, a proud cinematic tradition going back past Ryan Gosling’s First Man, Brad Pitt in Ad Astra, Sam Rockwell in Moon, and Matthew McConaughey in Interstellar to the crew in Andrei Tarkovsky’s Solaris.
The latest in this sci-fi linage, adapted from Jaroslav Kalfar’s novel Spaceman of Bohemia, is set in an alternative future where the Czechs are frontrunners in the space race and their national hero is Jakub (Sandler), a cosmonaut on a solo mission to investigate a mysterious dust cloud on the edge of Jupiter that might just hold the secrets of the universe.
But millions of miles away from home, and from his pregnant wife, Lenka (Carey Mulligan), Jakub is consumed by loneliness and existential angst. Enter a huge, telepathic and empathetic space spider, voiced by Paul Dano, who promises to help...
The latest in this sci-fi linage, adapted from Jaroslav Kalfar’s novel Spaceman of Bohemia, is set in an alternative future where the Czechs are frontrunners in the space race and their national hero is Jakub (Sandler), a cosmonaut on a solo mission to investigate a mysterious dust cloud on the edge of Jupiter that might just hold the secrets of the universe.
But millions of miles away from home, and from his pregnant wife, Lenka (Carey Mulligan), Jakub is consumed by loneliness and existential angst. Enter a huge, telepathic and empathetic space spider, voiced by Paul Dano, who promises to help...
- 2/18/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
"To me he is a God." –Lars von Trier. Kino Lorber has revealed a new re-release trailer for Nostalghia, one of the last films Andrei Tarkovsky made in the 1980s just a few years before he passed away. This new 4K restoration of the Tarkovsky classic is set to play in limited theaters starting in February & March around the US. "Nostalghia is not so much a movie as a place to inhabit for two hours." –J. Hoberman. A Russian poet and his interpreter travel to Italy researching the life of an 18th-century composer, and instead meet a ruminative madman who tells the poet how the world may be saved. Tarkovsky said at the time that, "my wish was simply to observe a Russian who comes to Italy and discovers unexpected emotions which regard him... the drama emerges precisely from this clash between this innocent vision of the world and the...
- 2/4/2024
- by Alex Billington
- firstshowing.net
Andrei Tarkovsky’s penultimate film, 1983’s gorgeously haunting Nostalghia, also marked new territory for the director. His first film made outside the Ussr, the Cannes Best Director winner (a prize he shared with Robert Bresson for L’Argent), was also a unique collaboration with writer Tonino Guerra, frequent collaborator of Michelangelo Antonioni, Federico Fellini, and Francesco Rosi. Now restored in 4K in 2022 by Csc – Cinetecanazionale in collaboration with Rai Cinema at Augustus Color laboratory, from the original negatives and the original soundtrack preserved at Rai Cinema, the restoration will begin rolling out on February 21 at NYC’s Film Forum via Kino Lorber and we’re pleased to exclusively unveil the trailer.
Here’s the synopsis: “Andrei Tarkovsky explained that in Russian the word ‘nostalghia’ conveys ‘the love for your homeland and the melancholy that arises from being far away.’ This debilitating form of homesickness is embodied in the film by Andrei,...
Here’s the synopsis: “Andrei Tarkovsky explained that in Russian the word ‘nostalghia’ conveys ‘the love for your homeland and the melancholy that arises from being far away.’ This debilitating form of homesickness is embodied in the film by Andrei,...
- 1/31/2024
- by Jordan Raup
- The Film Stage
As Russia’s war in Ukraine approaches its second anniversary, leading Russian director Aleksey German Jr., is currently giving “Air,” his state-funded WWII thriller, a commercial release in Russian cinemas.
With ferocious action and cruel detail, “Air” has been called out for being a patriotic film. It depicts the struggles of a group of female pilots to be allowed to fight alongside male colleagues on the Russo-German front lines in 1943-44. Grudgingly, they are given their chance. While many die along the way, those that survive buck the established patriarchy and gain the recognition they crave – as heroes and professional killers.
Variety spoke with German Jr. at the recent Festival of Young Cinema in Macau, which was only the second festival to play the film following its premiere in Tokyo late last year.
German Jr. makes no apology for his stance on the current war, but says that excluding Russian...
With ferocious action and cruel detail, “Air” has been called out for being a patriotic film. It depicts the struggles of a group of female pilots to be allowed to fight alongside male colleagues on the Russo-German front lines in 1943-44. Grudgingly, they are given their chance. While many die along the way, those that survive buck the established patriarchy and gain the recognition they crave – as heroes and professional killers.
Variety spoke with German Jr. at the recent Festival of Young Cinema in Macau, which was only the second festival to play the film following its premiere in Tokyo late last year.
German Jr. makes no apology for his stance on the current war, but says that excluding Russian...
- 1/16/2024
- by Patrick Frater
- Variety Film + TV
The question of how to get the most authenticity possible out of actors has been riling up filmmakers for as long as the film medium has existed. William Wyler ("Ben-Hur") did 40 takes; Robert Bresson ("Pickpocket") insisted on simple movements and monotone line deliveries; Italian Neorealists cast people off the street; Robert Altman ("Nashville") let actors improvise; Andrei Tarkovsky ("Solaris") kept them in the dark about how the story would end.
When it comes to horror, the quest becomes even more daunting: How do you convince viewers that the people they're seeing on screen are genuinely disturbed and terrified, while also securing enough distance between actors and characters to keep the shoot sustainable? Some films have attempted to split the difference by instilling genuine scares, discomfort, and emotional distress on their actors. Others assembled their respective violent scenarios to within an inch of their lives, placing performers into circumstances that were...
When it comes to horror, the quest becomes even more daunting: How do you convince viewers that the people they're seeing on screen are genuinely disturbed and terrified, while also securing enough distance between actors and characters to keep the shoot sustainable? Some films have attempted to split the difference by instilling genuine scares, discomfort, and emotional distress on their actors. Others assembled their respective violent scenarios to within an inch of their lives, placing performers into circumstances that were...
- 1/15/2024
- by Leo Noboru Lima
- Slash Film
Mickey Cottrell, the beloved indie film publicist and producer who long championed independent cinema dating back to the early days of Sundance, has died at 79. He passed away Monday, January 1, 2024 at Motion Picture Hospital in Woodland Hills, Calif. The news was confirmed by his sister, Suzy Cottrell-Smith, who shared on Facebook, “My adorable, fun, critical, foodie, particular, brilliant, loving brother passed on to the next life early on New Year’s Day. He was smiling when he died. Mickey Cottrell will be missed by many.”
Many of Cottrell’s friends and colleagues shared memories of the veteran PR whiz — who also had many credits as an actor — on Facebook. Cottrell suffered a stroke in 2016, with friends and loved ones raising more than $57,000 to help with medical bills on GoFundMe. He relocated back to Los Angeles in 2019 after recovering from the stroke with his sister in Arkansas.
Cottrell was never afraid to pick up the phone,...
Many of Cottrell’s friends and colleagues shared memories of the veteran PR whiz — who also had many credits as an actor — on Facebook. Cottrell suffered a stroke in 2016, with friends and loved ones raising more than $57,000 to help with medical bills on GoFundMe. He relocated back to Los Angeles in 2019 after recovering from the stroke with his sister in Arkansas.
Cottrell was never afraid to pick up the phone,...
- 1/3/2024
- by Ryan Lattanzio
- Indiewire
Remembrance of Things Past: Franco Bargains for Benevolence in Purgative Love Story
“Memory is something so complex that no list of all its attributes could define the totality of the impressions through which it affects us,” asserted Andrei Tarkovsky, concluding it is a ‘spiritual concept.’ Such are the subtle underpinnings of the aptly titled Memory, the latest from perennial provocateur Michel Franco. Tackling a pair of troubled souls each wrestling with their own state of a stifling limbo, for the first time Franco seems interested in exploring a workable sense of catharsis for two people we’re led to feel a palpable sense of compassion for.…...
“Memory is something so complex that no list of all its attributes could define the totality of the impressions through which it affects us,” asserted Andrei Tarkovsky, concluding it is a ‘spiritual concept.’ Such are the subtle underpinnings of the aptly titled Memory, the latest from perennial provocateur Michel Franco. Tackling a pair of troubled souls each wrestling with their own state of a stifling limbo, for the first time Franco seems interested in exploring a workable sense of catharsis for two people we’re led to feel a palpable sense of compassion for.…...
- 12/22/2023
- by Nicholas Bell
- IONCINEMA.com
When Paul Thomas Anderson went against the industry grain and cast Adam Sandler as the lead in his fourth feature, "Punch Drunk Love," many people in Hollywood felt the brashly talented filmmaker's ego had inflated to Welles-ian proportions. After the dazzling excess of "Magnolia" (which was more divisive at the time than it is now), there was a sense that he was provoking for provocation's sake. Outside of Steven Seagal, it's possible there wasn't a more critically loathed star in America — and it wasn't just the movies they hated. They detested him. They considered him a charisma vacuum who needed someone as irresistibly lovable as Drew Barrymore to render his presence in a film tolerable.
Anderson shattered these misconceptions. Though Sandler didn't dive headlong into dramas after "Punch Drunk Love," he'd take on a non-comedic part every few years and remind us of his untapped potential — which he fully realized...
Anderson shattered these misconceptions. Though Sandler didn't dive headlong into dramas after "Punch Drunk Love," he'd take on a non-comedic part every few years and remind us of his untapped potential — which he fully realized...
- 12/21/2023
- by Jeremy Smith
- Slash Film
Though we aim to discuss a wide breadth of films each year, few things give us more pleasure than the arrival of bold, new voices. It’s why we venture to festivals and pore over a variety of different features that might bring to light some emerging talent. This year was an especially notable time for new directors making their stamp, and we’re highlighting the handful of 2023 debuts that most impressed us.
Below one can check out a list spanning a variety of different genres, and many are available to stream here. In years to come, take note as these helmers (hopefully) ascend.
All Dirt Roads Taste of Salt (Raven Jackson)
Raven Jackson’s directorial debut All Dirt Roads Taste of Salt is a distillation of cinema to its purest form, a stunning patchwork of experience and memory. Daring in its formal gambits but universal for how it explores humanity’s connection with nature,...
Below one can check out a list spanning a variety of different genres, and many are available to stream here. In years to come, take note as these helmers (hopefully) ascend.
All Dirt Roads Taste of Salt (Raven Jackson)
Raven Jackson’s directorial debut All Dirt Roads Taste of Salt is a distillation of cinema to its purest form, a stunning patchwork of experience and memory. Daring in its formal gambits but universal for how it explores humanity’s connection with nature,...
- 11/29/2023
- by The Film Stage
- The Film Stage
Polish science-fiction writer Stanisław Lem is best known for his 1961 novel Solaris, which was adapted a decade later for the screen by Russian filmmaker Andrei Tarkovsky. The film would go on to be widely heralded as a classic of the medium, but Lem criticized Tarkovsky’s focus on human relationships over the technical detail and theorizing of the source material. The author’s work, then, is a particularly odd fit for a video game, as the medium often prioritizes action and instant gratification above all else. But with their adaptation of Lem’s 1964 novel The Invincible, Krakow-based developer Starward Industries very nearly succeeds at translating Lem’s work to gaming without losing sight of its density of ideas.
As a sly way of incorporating long stretches of sci-fi description, the game models itself on the back-and-forth radio conversations of Firewatch. The player character, a biologist named Yasna, is sent to...
As a sly way of incorporating long stretches of sci-fi description, the game models itself on the back-and-forth radio conversations of Firewatch. The player character, a biologist named Yasna, is sent to...
- 11/7/2023
- by Steven Scaife
- Slant Magazine
Explore where to stream the best films of 2023.
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Drylongso (Cauleen Smith)
Writer-director Cauleen Smith made Drylongso when she was in college, 25 years ago, premiering at Sundance in 1998. She has gone on to create dozens of short films, art installations, and more experimental work, focused on similar themes of feminism, racial violence, and Black communities. The low-key hangout movie should have been a stepping stone for Smith, but, as with many other works by Black female filmmaking of the last half-century, it fell out of circulation. – Michael F. (full interview)
Where to Stream: The Criterion Channel
Fingernails (Christos Nikou)
Is love quantifiable? No, but that doesn’t stop Greek filmmaker Christos Nikou from exploring that question over two dull, excruciating hours in Fingernails,...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Drylongso (Cauleen Smith)
Writer-director Cauleen Smith made Drylongso when she was in college, 25 years ago, premiering at Sundance in 1998. She has gone on to create dozens of short films, art installations, and more experimental work, focused on similar themes of feminism, racial violence, and Black communities. The low-key hangout movie should have been a stepping stone for Smith, but, as with many other works by Black female filmmaking of the last half-century, it fell out of circulation. – Michael F. (full interview)
Where to Stream: The Criterion Channel
Fingernails (Christos Nikou)
Is love quantifiable? No, but that doesn’t stop Greek filmmaker Christos Nikou from exploring that question over two dull, excruciating hours in Fingernails,...
- 11/3/2023
- by Jordan Raup
- The Film Stage
Film geeks, rejoice. Leading indie label Kino Lorber is entering the world of streaming. The company has launched Kino Film Collection, a new subscription video service available in the U.S. via’s Amazon’s Prime Video Channels. The Collection will feature new Kino releases fresh from theaters, along with hundreds of films from its expansive library of more than 4,000 titles, many now streaming for the first time. It will cost users $5.99 per month.
Films available at launch include award-winning theatrical releases and critically acclaimed festival favorites and classics from around the globe, such as The Conformist (Bernardo Bertolucci), Dogtooth (Yorgos Lanthimos), Taxi (Jafar Panahi), Poison (Todd Haynes), Ganja & Hess (Bill Gunn), The Scent of Green Papaya (Tran Anh Hung), A Girl Walks Home Alone at Night (Ana Lily Amirpour), Computer Chess (Andrew Bujalski), Portrait of Jason (Shirley Clarke), and A Touch of Sin (Jia Zhangke).
Joining them are entries...
Films available at launch include award-winning theatrical releases and critically acclaimed festival favorites and classics from around the globe, such as The Conformist (Bernardo Bertolucci), Dogtooth (Yorgos Lanthimos), Taxi (Jafar Panahi), Poison (Todd Haynes), Ganja & Hess (Bill Gunn), The Scent of Green Papaya (Tran Anh Hung), A Girl Walks Home Alone at Night (Ana Lily Amirpour), Computer Chess (Andrew Bujalski), Portrait of Jason (Shirley Clarke), and A Touch of Sin (Jia Zhangke).
Joining them are entries...
- 11/2/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
The 2000s were a great time for science fiction. Thanks to The Matrix closing out the 90s, studios were more willing to give the green light to stories about science gone awry, leading to favorites such as A.I. Artificial Intelligence and Paprika, as well as superhero hits like Spider-Man 2, X2, and Iron Man.
With so much good stuff out there, it’s no surprise that some really good movies would pass by audiences. Sometimes, these movies simply got buried by higher profile and more popular works. Sometimes, they were rejected by audiences disturbed by their audacious or disturbing ideals.
For anyone who wants to catch up on some sci-fi movies they have missed, here are ten great overlooked entries from the start of the millennium.
Solaris (2002)
After the 1-2-3 punch of Erin Brockovich, Traffic, and Ocean’s Eleven, Steven Soderbergh could do almost anything he wanted, especially since...
With so much good stuff out there, it’s no surprise that some really good movies would pass by audiences. Sometimes, these movies simply got buried by higher profile and more popular works. Sometimes, they were rejected by audiences disturbed by their audacious or disturbing ideals.
For anyone who wants to catch up on some sci-fi movies they have missed, here are ten great overlooked entries from the start of the millennium.
Solaris (2002)
After the 1-2-3 punch of Erin Brockovich, Traffic, and Ocean’s Eleven, Steven Soderbergh could do almost anything he wanted, especially since...
- 10/27/2023
- by Kirsten Howard
- Den of Geek
Above: 1973 New York Film Festival poster designed by Niki de Saint Phalle.The 61st edition of the New York Film Festival, which opens tonight, has 32 films in its Main Slate, fifteen films in its Spotlight section, ten films and seven collections of shorts in the Currents sidebar, and eleven revivals. That's over 60 feature films. Fifty years ago, in 1973, the 11th edition of the festival had just eighteen feature films and nineteen shorts. Just like this year’s opener—Todd Haynes’s May December—1973’s opening night film, François Truffaut’s Day for Night, had premiered four months earlier at the Cannes Film Festival. And as with this year’s festival, the 1973 edition opened, fifty years and one day ago exactly, in the shadow of an artists' strike. Local 802 of the American Federation of Musicians had been picketing the New York Philharmonic outside Lincoln Center’s Avery Fisher Hall, where the festival was taking place,...
- 9/29/2023
- MUBI
The 61st New York Film Festival kicks off Sept. 29 with Todd Haynes’ drama “May December” starring Julianne Moore and Natalie Portman. Sofia Coppola’s well-received Venice hit “Priscilla” about Priscilla Presley is the fest’s Centerpiece. Michael Mann’s biopic “Ferrari” with Adam Driver and Penelope Cruz the closing night feature while Bradley Cooper’s portrait of composer/conductor Leonard Bernstein “Maestro,” which had a seven-minute standing ovation in Venice, is the festival’s spotlight gala. Other films screening include Yorgos Lanthimos “Poor Things,” which won the Golden Lion and best actress for Emma Stone at Venice, as well as Andrew Haigh’s “All of us Strangers” and Jonathan Glazer’s “The Zone of Interest.”
A director came into his own 50 years ago at the New York Film Festival: Martin Scorsese. He’s of cinema’s greatest directors, who has made such landmark films as ‘Taxi Driver,” “Raging Bull,” Goodfellas,...
A director came into his own 50 years ago at the New York Film Festival: Martin Scorsese. He’s of cinema’s greatest directors, who has made such landmark films as ‘Taxi Driver,” “Raging Bull,” Goodfellas,...
- 9/28/2023
- by Susan King
- Gold Derby
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Bottoms (Emma Seligman)
It’s beginning to feel like South By Southwest is the Rachel Sennott Festival. After breaking out there three years ago with Shiva Baby (the movie premiered as a short in 2018 and would have again as a feature in 2020 if not for the pandemic), she made waves last year in Austin with sleeper horror hit Bodies Bodies Bodies. Now Sennott’s back with Bottoms, one of two new movies she’s headlining this week, and which adopts many characteristics of an SXSW offering: it’s gay, it’s bloody, and it’s horny. – Jake K. (full review)
Where to Stream: VOD
Cassandro (Roger Ross Williams)
Rather than reverting to a traditional biopic structure––i.e. a greatest hits (and...
Bottoms (Emma Seligman)
It’s beginning to feel like South By Southwest is the Rachel Sennott Festival. After breaking out there three years ago with Shiva Baby (the movie premiered as a short in 2018 and would have again as a feature in 2020 if not for the pandemic), she made waves last year in Austin with sleeper horror hit Bodies Bodies Bodies. Now Sennott’s back with Bottoms, one of two new movies she’s headlining this week, and which adopts many characteristics of an SXSW offering: it’s gay, it’s bloody, and it’s horny. – Jake K. (full review)
Where to Stream: VOD
Cassandro (Roger Ross Williams)
Rather than reverting to a traditional biopic structure––i.e. a greatest hits (and...
- 9/22/2023
- by Jordan Raup
- The Film Stage
Far and away the best film to premiere at Sundance Film Festival this year was Raven Jackson’s directorial debut All Dirt Roads Taste of Salt. Produced by Barry Jenkins and edited by Apichatpong Weerasethakul’s collaborator Lee Chatametikool, the film takes a beautifully poetic decades-spanning look at a woman’s life in Mississippi. Nine months after its Sundance premiere, the film will finally resurface as part of New York Film Festival’s just-announced Main Slate followed by an A24 release later this fall. Ahead of the release, the first trailer and poster have arrived.
I said in my review, “Raven Jackson’s directorial debut All Dirt Roads Taste of Salt is a distillation of cinema to its purest form, a stunning patchwork of experience and memory. Daring in its formal gambits but universal for how it explores humanity’s connection with nature, loss, and love, it’s among few...
I said in my review, “Raven Jackson’s directorial debut All Dirt Roads Taste of Salt is a distillation of cinema to its purest form, a stunning patchwork of experience and memory. Daring in its formal gambits but universal for how it explores humanity’s connection with nature, loss, and love, it’s among few...
- 8/9/2023
- by Jordan Raup
- The Film Stage
“The [sci-fi] film has never really been more than an offshoot of its literary precursor, which to date has provided all the ideas, themes and inventiveness. [Sci-fi] cinema has been notoriously prone to cycles of exploitation and neglect, unsatisfactory mergings with horror films, thrillers, environmental and disaster movies.” So wrote J.G. Ballard about George Lucas’s Star Wars in a 1977 piece for Time Out. If Ballard’s view of science-fiction cinema was highly uncharitable and, as demonstrated by some of the imaginative and mind-expanding films below, essentially off-base, he nevertheless touched on a significant point: that literary and cinematic sci-fi are two fundamentally different art forms.
Metropolis, Fritz Lang’s visionary depiction of a near-future dystopia, is almost impossible to imagine as a work of prose fiction. Strip away the Art Deco glory of its towering cityscapes and factories and the synchronized movements of those who move through those environments and what’s left?...
Metropolis, Fritz Lang’s visionary depiction of a near-future dystopia, is almost impossible to imagine as a work of prose fiction. Strip away the Art Deco glory of its towering cityscapes and factories and the synchronized movements of those who move through those environments and what’s left?...
- 8/6/2023
- by Slant Staff
- Slant Magazine
The war in Ukraine has lasted for 18 months, with no signs of stopping. But for those living in parts of the country where the battles have been the fiercest, it’s been going on for much longer — more than 9 years, in fact, starting in 2014 when Russia annexed Crimea, with separatist forces taking over swaths of the Donbas region in the east.
Director Maryna Er Gorbach’s unsettling and aesthetically gripping fourth feature, Klondike, revisits that harrowing period in recent Ukrainian history from the viewpoint of an expectant couple, Irka (Oksana Cherkashyna) and Tolik (the late Sergiy Shadrin), living in the rural enclave of Hrabove as the nascent war surrounds them on all sides.
If the name Hrabove rings a bell, that’s because the village made world news in July 2014 when a Malaysian airliner tragically crashed there after being shot down by a Russian anti-aircraft missle. That disaster looms large over Klondike,...
Director Maryna Er Gorbach’s unsettling and aesthetically gripping fourth feature, Klondike, revisits that harrowing period in recent Ukrainian history from the viewpoint of an expectant couple, Irka (Oksana Cherkashyna) and Tolik (the late Sergiy Shadrin), living in the rural enclave of Hrabove as the nascent war surrounds them on all sides.
If the name Hrabove rings a bell, that’s because the village made world news in July 2014 when a Malaysian airliner tragically crashed there after being shot down by a Russian anti-aircraft missle. That disaster looms large over Klondike,...
- 8/4/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
La BêteCOMPETITIONComandante (Edoardo De Angelis)The Promised Land (Nikolaj Arcel)Dogman (Luc Besson) La Bête (Bertrand Bonello) Hors-Saison (Stéphane Brizé) Enea (Pietro Castellitto) Maestro (Bradley Cooper)Priscilla (Sofia Coppola)Finalmente L’Alba (Saverio Costanzo)Lubo (Giorgio Diritti) Origin (Ava DuVernay) The Killer (David Fincher)Memory (Michel Franco)Io capitano (Matteo Garrone)Evil Does Not Exist (Ryûsuke Hamaguchi)The Green Border (Agnieszka Holland)The Theory of Everything (Timm Kröger)Poor Things (Yorgos Lanthimos)El conde (Pablo Larrain)Ferrari (Michael Mann)Adagio (Stefano Sollima)Woman OfHolly (Fien Troch)Out Of COMPETITIONFictionSociety of the Snow (J.A. Bayona)Coup de Chance (Woody Allen)The Wonderful Story of Henry Sugar (Wes Anderson)The Penitent (Luca Barbareschi)L’Ordine Del Tempo (Liliana Cavani)Vivants (Alix Delaporte)Welcome to Paradise (Leonardo di Constanzo)Daaaaaali! (Quentin Dupieux)The Caine Mutiny Court-Martial (William Friedkin)Making of (Cedric Kahn)Aggro Dr1ft (Harmony Korine)Hitman (Richard Linklater)The Palace (Roman Polanski...
- 7/29/2023
- MUBI
With the full Venice Immersive slate announced yesterday, the Venice Classics lineup has now been revealed ahead of the 80th edition of the Venice International Film Festival. Curated by Alberto Barbera in collaboration with Federico Gironi, this year’s Venice Classics slate features newly restored versions of William Friedkin’s The Exorcist, Terrence Malick’s Days of Heaven, Agnès Varda’s The Creatures and much more. Alongside recent restorations, several films in the lineup boast new “Director’s Cut” labels, including Andrei Tarkovsky’s masterpiece Andrei Rublev, which, according to the curators, “will be presented in the reconstruction of the complete original version, which was censored […]
The post 2023 Venice Classics Lineup Includes The Exorcist, Andrei Rublev, Days of Heaven and More first appeared on Filmmaker Magazine.
The post 2023 Venice Classics Lineup Includes The Exorcist, Andrei Rublev, Days of Heaven and More first appeared on Filmmaker Magazine.
- 7/21/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
With the full Venice Immersive slate announced yesterday, the Venice Classics lineup has now been revealed ahead of the 80th edition of the Venice International Film Festival. Curated by Alberto Barbera in collaboration with Federico Gironi, this year’s Venice Classics slate features newly restored versions of William Friedkin’s The Exorcist, Terrence Malick’s Days of Heaven, Agnès Varda’s The Creatures and much more. Alongside recent restorations, several films in the lineup boast new “Director’s Cut” labels, including Andrei Tarkovsky’s masterpiece Andrei Rublev, which, according to the curators, “will be presented in the reconstruction of the complete original version, which was censored […]
The post 2023 Venice Classics Lineup Includes The Exorcist, Andrei Rublev, Days of Heaven and More first appeared on Filmmaker Magazine.
The post 2023 Venice Classics Lineup Includes The Exorcist, Andrei Rublev, Days of Heaven and More first appeared on Filmmaker Magazine.
- 7/21/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
At a certain point you care less about world premieres and fixate mostly on a festival’s repertory slate. And even by the high standards set with Cannes Classics or NYFF Revivals is this year’s Venice Classics in a class of its own. We could start at the new cuts for three of the greatest directors ever: One from the Heart is the latest film to be given a revision by Francis Ford Coppola, following recuts of Apocalypse Now, Twixt, and Dementia 13––to say nothing of restorations like The Rain People, of which we’re hosting the New York premiere next weekend––while Andrei Tarkovsky’s Andrei Rublev will debut in “the reconstruction of the complete original version, which was censored before its release and has never been seen until now.” Meanwhile one of Yasujiro Ozu’s greatest films, There Was a Father, has been amended by “recent rediscovery...
- 7/21/2023
- by Leonard Pearce
- The Film Stage
The first screening of the uncensored version of ’Andrei Rublev’ by Andrei Tarkovsky has also been programmed.
Venice Classics will include a screening of ‘The Exorcist’ and tributes to late filmmakers Ruggero Deodato and Carlos Saura as part of its line-up of restored features for the 2023 edition.
The Exorcist, by William Friedkin, returns in a restored version, to mark the 100th anniversary of its distributor, Warner Bros.
Italian genre master Deodato passed away last year. One of his most extreme films, Ultimo Mondo Cannibale, has been programmed in tribute. This edition also pays homage to Italian actor Gina Lollobrigida, who died in January,...
Venice Classics will include a screening of ‘The Exorcist’ and tributes to late filmmakers Ruggero Deodato and Carlos Saura as part of its line-up of restored features for the 2023 edition.
The Exorcist, by William Friedkin, returns in a restored version, to mark the 100th anniversary of its distributor, Warner Bros.
Italian genre master Deodato passed away last year. One of his most extreme films, Ultimo Mondo Cannibale, has been programmed in tribute. This edition also pays homage to Italian actor Gina Lollobrigida, who died in January,...
- 7/21/2023
- by Mona Tabbara
- ScreenDaily
Recently restored versions of William Friedkin’s “The Exorcist,” Terrence Malick’s “Days of Heaven” and Francis Ford Coppola’s “One From the Heart” feature in the Venice Classics section of the 80th Venice Film Festival.
The lineup of recently restored films in Venice Classics, which is curated by the festival’s artistic director Alberto Barbera in collaboration with Federico Gironi, was unveiled on Friday.
“The Exorcist” is screened, 50 years after it was produced by Warner Bros., alongside Disney’s “Rebecca of Sunnybrook Farm,” starring Shirley Temple and directed by “the prolific and sometimes brilliant” Allan Dwan, to mark the Hollywood studios’ 100th anniversaries.
“One From the Heart” and Arturo Ripstein’s “Deep Crimson” are “not just restored, but also revised by the filmmakers themselves in what are genuine Director’s Cuts,” Barbera and Gironi said, while Andrei Tarkovsky’s masterpiece “Andrei Rublev” will be presented in the reconstruction of the original version,...
The lineup of recently restored films in Venice Classics, which is curated by the festival’s artistic director Alberto Barbera in collaboration with Federico Gironi, was unveiled on Friday.
“The Exorcist” is screened, 50 years after it was produced by Warner Bros., alongside Disney’s “Rebecca of Sunnybrook Farm,” starring Shirley Temple and directed by “the prolific and sometimes brilliant” Allan Dwan, to mark the Hollywood studios’ 100th anniversaries.
“One From the Heart” and Arturo Ripstein’s “Deep Crimson” are “not just restored, but also revised by the filmmakers themselves in what are genuine Director’s Cuts,” Barbera and Gironi said, while Andrei Tarkovsky’s masterpiece “Andrei Rublev” will be presented in the reconstruction of the original version,...
- 7/21/2023
- by Leo Barraclough
- Variety Film + TV
Clockwise from upper left: 2001: A Space Odyssey (MGM), Inception (Warner Bros.), Brazil (Universal), Donnie Darko (United Artists)Graphic: The A.V. Club
Summertime means tentpole movies galore, with cineplexes dominated by high-octane action flicks and superhero fare. But there are always some wildcard films and directors that like to mix...
Summertime means tentpole movies galore, with cineplexes dominated by high-octane action flicks and superhero fare. But there are always some wildcard films and directors that like to mix...
- 7/18/2023
- by Bryan Reesman
- avclub.com
The 2023 Cherry Orchard Festival, running from June – July 2023 across the nation, presents Polina Osetinskaya at 92Ny on June 10, 2023 at 8pm at 1395 Lexington Ave, New York, NY 10128. As part of her North American tour, Osetinskaya will perform some of the most enduring musical masterpieces in history featured in some of the world’s greatest films. For more information and to purchase tickets, please visit https://www.92ny.org/event/polina-osetinskaya-piano.
Polina Osetinskaya
Polina Osetinskaya makes a triumphant solo return to the United States, after a critically acclaimed appearance at Carnegie Hall with Maxim Vengerov in October 2022. With her signature virtuosity, Osetinskaya brings to life seminal works by Bach, Handel and Rameau, from epic films such as Francis Ford Coppola’s “The Godfather,” Anthony Minghella’s “The Talented Mr. Ripley,” Stanley Kubrick’s “Barry Lyndon,” and others. The dramatic qualities of the music, which had once enhanced the pivotal moments in these great films,...
Polina Osetinskaya
Polina Osetinskaya makes a triumphant solo return to the United States, after a critically acclaimed appearance at Carnegie Hall with Maxim Vengerov in October 2022. With her signature virtuosity, Osetinskaya brings to life seminal works by Bach, Handel and Rameau, from epic films such as Francis Ford Coppola’s “The Godfather,” Anthony Minghella’s “The Talented Mr. Ripley,” Stanley Kubrick’s “Barry Lyndon,” and others. The dramatic qualities of the music, which had once enhanced the pivotal moments in these great films,...
- 6/6/2023
- by Music Martin Cid Magazine
- Martin Cid Music
Filmmakers Sergei Spirin and Andrei Beresnev’s spiritual drama Iyov follows a lone individual named Job who, in the aftermath of a profound loss, searches for meaning as he battles depression. Visually, the co-directors evoke the work of Emmanuel Lubezki, whose awe-inspiring wide-lensed work with Terrence Malick and Alejandro Iñárritu similarly draws upon profound philosophical themes, with characters negotiating their place amongst immense environments. Spirin and Beresnev’s tale sees Job’s journey throughout several stunning locations across Georgia, highlighting the beauty of the world he struggles to remain a part of. Dn is delighted to premiere Iyov on our pages today and joined Spirin and Beresnev for a comprehensive conversation about their journey creating the film, covering the personal story of loss that inspired it, the inspiration of Lubezki and Malick, and their working approach to creating beautiful cinematography.
What drew you to tell this story of a man...
What drew you to tell this story of a man...
- 6/5/2023
- by James Maitre
- Directors Notes
Nuri Bilge Ceylan likes to take his time. The Turkish director is one of the greatest living practitioners of slow cinema. The filmmaking ethos — pioneered by Russian auteur Andrei Tarkovsky and taken up by the likes of Theo Angelopoulos, Albert Serra, Béla Tarr, Kelly Reichardt and Lav Diaz — eschews the rapid editing and relentless nonstop forward-driving plots of the Hollywood blockbuster (looking at you, Indiana Jones and the Dial of Destiny) for a more contemplative, metaphysical approach.
The characters in a Ceylan movie don’t do much. There’s little action or traditional suspense, and the storylines are fairly basic. In 2002’s Distant, a rural factory worker visits his cousin in Istanbul. Homicide police unearth the body of a murder victim and take a long drive back to the city for the autopsy in 2011’s Once Upon a Time in Anatolia. An old actor, his wife and his sister sit...
The characters in a Ceylan movie don’t do much. There’s little action or traditional suspense, and the storylines are fairly basic. In 2002’s Distant, a rural factory worker visits his cousin in Istanbul. Homicide police unearth the body of a murder victim and take a long drive back to the city for the autopsy in 2011’s Once Upon a Time in Anatolia. An old actor, his wife and his sister sit...
- 5/27/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSThe Cannes Classics lineup was announced last week, and with it comes news of the premiere of Jean-Luc Godard’s posthumous, 20-minute-long short Phony Wars. Dubbed “a trailer of the film that will never exist,” the film has a short teaser courtesy of Saint Laurent Productions.Adèle Haenel (Portrait of a Lady on Fire) wrote a letter to the magazine Telerama about her decision to retire from acting. In an English-language excerpt, via the Guardian, she writes: “I decided to politicize my retirement from cinema to denounce the general complacency of the profession towards sexual aggressors and more generally the way in which this sphere collaborates with the mortal, ecocidal, racist order of the world such as it is.”Harmony Korine will receive the Pardo d’onore Manor,...
- 5/10/2023
- MUBI
Twenty-one films will vie for the top spot at the 76th Cannes film festival, which starts next week, hoping to join the roll call of past classics, from Taxi Driver and M*A*S*H to Parasite
We’re a week away from this year’s Cannes film festival, and I’m among those tensing with excitement. With new works from Martin Scorsese, Jonathan Glazer, Alice Rohrwacher and Todd Haynes, among others, it’s a tasty lineup. Twenty-one films – seven by female directors, a record for the fest – are jostling for the Palme d’Or, with reigning champion Ruben Östlund leading the jury to determine his successor.
Arguably the most prestigious prize in world cinema, the Palme d’Or nonetheless has a curious legacy. It is subject first to the biases of a festival selection committee that picks the annual handful of contenders, and second to the whims of nine celebrity jurors,...
We’re a week away from this year’s Cannes film festival, and I’m among those tensing with excitement. With new works from Martin Scorsese, Jonathan Glazer, Alice Rohrwacher and Todd Haynes, among others, it’s a tasty lineup. Twenty-one films – seven by female directors, a record for the fest – are jostling for the Palme d’Or, with reigning champion Ruben Östlund leading the jury to determine his successor.
Arguably the most prestigious prize in world cinema, the Palme d’Or nonetheless has a curious legacy. It is subject first to the biases of a festival selection committee that picks the annual handful of contenders, and second to the whims of nine celebrity jurors,...
- 5/6/2023
- by Guy Lodge
- The Guardian - Film News
Filmmakers are film fans, right? There’s just no way you’d devote your life to a creative endeavor and not be a fan of it. So, you have to assume that directors, whether they’re working on no-budget horror, blockbuster superhero films, or even a heartfelt indie drama, are influenced by similar works or other filmmakers who have inspired them. So, even though David Lowery’s newest film, “Peter Pan & Wendy,” can be written off as yet another live-action Disney remake (yawn), the filmmaker does have quite a few surprising homages and inspiration that he recently broke down for The New York Times.
Continue reading ‘Peter Pan & Wendy’: David Lowery Credits Andrei Tarkovsky, ‘Candyman,’ ‘Gangs Of New York’ & More As Inspiration For His Disney Film at The Playlist.
Continue reading ‘Peter Pan & Wendy’: David Lowery Credits Andrei Tarkovsky, ‘Candyman,’ ‘Gangs Of New York’ & More As Inspiration For His Disney Film at The Playlist.
- 5/2/2023
- by Charles Barfield
- The Playlist
David Lowery became an indie film darling with projects like “The Green Knight” and “A Ghost Story,” but he has become equally prolific as a Disney filmmaker. After finding success with his live-action take on “Pete’s Dragon,” he collaborated with the studio again on “Peter Pan & Wendy,” which is now streaming on Disney+. But per usual, his reimagining of the Disney classic was shaped by the more adult-oriented projects that he enjoys.
In a new interview with The New York Times, Lowery opened up about the films that influenced “Peter Pan & Wendy.” He found inspiration in some unlikely sources, including Andrei Tarkovsky’s “Mirror.” He explained that Peter Pan and Tinkerbell’s introduction scenes, where they sprinkle pixie dust on the sleeping Darling children, were inspired by certain levitation shots in the surreal classic.
He was also inspired by some more modern films, including Martin Scorsese’s “Gangs of New York.
In a new interview with The New York Times, Lowery opened up about the films that influenced “Peter Pan & Wendy.” He found inspiration in some unlikely sources, including Andrei Tarkovsky’s “Mirror.” He explained that Peter Pan and Tinkerbell’s introduction scenes, where they sprinkle pixie dust on the sleeping Darling children, were inspired by certain levitation shots in the surreal classic.
He was also inspired by some more modern films, including Martin Scorsese’s “Gangs of New York.
- 5/2/2023
- by Christian Zilko
- Indiewire
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